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Books on the topic 'Brakhage, Stan'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

1945-, James David E., ed. Stan Brakhage: Filmmaker. Philadelphia: Temple University Press, 2005.

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2

James, David, ed. Stan Brakhage: Filmmaker. Philadelphia: Temple University Press, 2005.

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3

Elder, Bruce. The films of Stan Brakhage in the American tradition of Ezra Pound, Gertrude Stein and Charles Olson. Waterloo, Ont: Wilfrid Laurier University Press, 1998.

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4

Elder, R. Bruce. The Films of Stan Brakhage in the American tradition of Ezra Pound, Gertrude Stein and Charles Olson. Waterloo, Ont: Wilfrid Laurier University Press, 1998.

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5

Baracco, Alberto. Philosophy in Stan Brakhage's Dog Star Man. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-12426-7.

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6

interviewer, Momo Alberto, ed. Atlante sentimentale del cinema per il XXI secolo: Conversazioni con Abel Ferrara, Adolfo B. Alix jr., Aki Kaurismaki, Alberto Grifi, Aleksandr Sokurov, Amir Naderi, Amos Gitai, Andrej Ujica, Angela Ricci Lucchi, Atom Egoyan, Béla Tarr, David Lynch, Enrico Ghezzi, Franco Maresco, Frederick Wiseman, George Romero, Goutam Ghose, Hou Hsiao-hsien, Jean-Marie Straub, Jia Zhang-ke, John Torres, Johnnie To, Julio Bressane, Khavn de la Cruz, Kira Muratova, Kiyoshi Kurosawa, Lav Diaz, Lee Kang-sheng, Lisandro Alonso, Manoel de Oliveira, Mohsen Makhmalbaf, Monte Hellman, Naomi Kawase, Onde filippine, Otar Iosseliani, Paulo Rocha, Pedro Costa, Philippe Garrel, Quentin Tarantino, Raoul Ruiz, Raya Martin, Roger Corman, Shinya Tsukamoto, Stan Brakhage, Takeshi Kitano, Tonino De Bernardi, Tsai Ming-liang, Wai Ka-fai, Wang Bing, Werner Herzog, Yervant Gianikian, Želimir Žilnik. Roma: DeriveApprodi, 2013.

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7

Brakhage, Stan. Stan Brakhage. Centre Georges Pompidou Service Commercial,France, 1998.

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8

Stan Brakhage films. Paris expérimental, 2016.

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9

Ganguly, Suranjan. Stan Brakhage: Interviews. University Press of Mississippi, 2019.

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10

Ganguly, Suranjan. Stan Brakhage: Interviews. University Press of Mississippi, 2017.

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11

Ganguly, Suranjan. Stan Brakhage: Interviews. University Press of Mississippi, 2017.

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12

Stan Brakhage: Interviews. 2017.

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13

Ganguly, Suranjan. Stan Brakhage: Interviews. University Press of Mississippi, 2017.

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14

James, David. Stan Brakhage: Filmmaker. Temple University Press, 2011.

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15

Ganguly, Suranjan. Stan Brakhage: Interviews. University Press of Mississippi, 2017.

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16

Stan Brakhage the realm buster. John Libbey Publishing, 2018.

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17

Leslie, Esther, and Marco Lori. Stan Brakhage the Realm Buster. Indiana University Press, 2018.

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18

Stan Brakhage: Metaphors on Vision. Anthology Film Archives, 2017.

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19

Leslie, Esther, and Marco Lori. Stan Brakhage the Realm Buster. Indiana University Press, 2018.

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20

Leslie, Esther, and Marco Lori. Stan Brakhage: The Realm Buster. Libbey & Company, Limited, John, 2018.

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21

James, David E. Stan Brakhage: Filmmaker (Wide Angle Books). Temple University Press, 2005.

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22

James, David E. Stan Brakhage: Filmmaker (Wide Angle Books). Temple University Press, 2005.

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23

White, Jerry. Stan Brakhage in Rolling Stock, 1980-1990. Wilfrid Laurier University Press, 2018.

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24

Stan Brakhage in Rolling Stock, 1980-1990. Wilfrid Laurier University Press, 2018.

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25

White, Jerry. Stan Brakhage in Rolling Stock, 1980-1990. Wilfrid Laurier University Press, 2018.

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26

Dissolve: Screenplays to the Films of Stan Brakhage: A Book of Poems. Cityful Pr, 2002.

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27

Elder, R. Bruce. Films of Stan Brakhage in the American Tradition of Ezra Pound, Gertrude Stein and Charles Olson. Wilfrid Laurier University Press, 1998.

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28

Elder, R. Bruce. Films of Stan Brakhage in the American Tradition of Ezra Pound, Gertrude Stein and Charles Olson. Wilfrid Laurier University Press, 2011.

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29

Elder, R. Bruce. Films of Stan Brakhage in the American Tradition of Ezra Pound, Gertrude Stein and Charles Olson. Wilfrid Laurier University Press, 2011.

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30

Films of Stan Brakhage in the American Tradition of Ezra Pound, Gertrude Stein and Charles Olson, The. Wilfrid Laurier University Press, 1999.

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31

Smigel, Eric. Sights and Sounds of the Moving Mind. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190469894.003.0006.

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American experimental filmmaker Stan Brakhage revolutionised independent cinema by cultivating a new poetic idiom designed to document the subjective vision of the eye behind the camera. Committed to an inclusive account of the lived visual experience, he augmented the cinematic vocabulary by including components such as hallucination, dreams, closed-eye images and optical feedback, capturing these ephemeral elements using a wide variety of ‘home-made’ modifications to the filming process, including erratic hand-held camera movement, distortion of focus and changing camera speeds. Although most of his projects are silent, he corresponded with composer James Tenney to explore intersections between cinema (“moving visual thinking”) and music (“sound equivalent of the mind’s moving”). When employing a soundtrack, Brakhage gravitated towards musique concrète, which he regarded as an audio analogy for cinematic montage, and he devised a unique brand of audiovisual counterpoint based on the rhythmic interplay of the psychophysiological processes of sight and sound.

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32

Pipolo, Tony. The Melancholy Lens. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197551165.001.0001.

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The Melancholy Lens is an original study of the films and videos of five major figures of American avant-garde cinema: Maya Deren, Stan Brakhage, Gregory Markopoulos, Robert Beavers, and Ernie Gehr. Unlike other books on these artists, the approach of The Melancholy Lens is to examine the filmic form, imagery, and structures of the selected works in terms of how they reflect, directly or indirectly, consciously or unconsciously, important aspects of the personal and psychological dimensions of each artist, including how each grappled with significant losses in their lives. The author, a film scholar and practicing psychoanalyst, is in a unique position to consider these filmmakers and their work from such a perspective.

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33

Baracco, Alberto. Philosophy in Stan Brakhage's Dog Star Man: World, Metaphor, Interpretation. Palgrave Pivot, 2020.

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34

Baracco, Alberto. Philosophy in Stan Brakhage's Dog Star Man: World, Metaphor, Interpretation. Springer International Publishing AG, 2019.

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35

Rogers, Holly, and Jeremy Barham, eds. The Music and Sound of Experimental Film. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190469894.001.0001.

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This book explores music- and sound-image relationships in non-mainstream screen repertoire from the earliest examples of experimental audiovisuality to the most recent forms of expanded and digital technology. It challenges presumptions of visual primacy in experimental cinema and rethinks screen music discourse in light of the aesthetics of non-commercial imperatives. Several themes run through the book, connecting with and significantly enlarging upon current critical discourse surrounding realism and audibility in the fiction film, the role of music in mainstream cinema, and the audiovisual strategies of experimental film. The contributors investigate repertoires and artists from Europe and the United States through the critical lenses of synchronicity and animated sound, interrelations of experimentation in image and sound, audiovisual synchresis and dissonance, experimental soundscape traditions, found-footage film, remediation of pre-existent music and sound, popular and queer sound cultures, and a diversity of radical technological and aesthetic tropes in film media traversing the work of early pioneers such as Walter Ruttmann and Len Lye, through the mid-century innovations of Norman McLaren, Stan Brakhage, Lis Rhodes, Kenneth Anger, Andy Warhol, and studio collectives in Poland, to latter-day experimentalists John Smith and Bill Morrison, as well as the contemporary practices of VJing.

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