Log in

Relevant bibliographies by topics / Brahms quintet / Dissertations / Theses

To see the other types of publications on this topic, follow the link: Brahms quintet.

Dissertations / Theses on the topic 'Brahms quintet'

Author: Grafiati

Published: 24 June 2021

Last updated: 29 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 18 dissertations / theses for your research on the topic 'Brahms quintet.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

McConnell, Michael (Woodwind instrument player). "A Grundgestalt Analysis of the Clarinet Trio and Clarinet Quintet by Johannes Brahms." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1538725/.

Full text

Abstract:

The Grundgestalt (Ger: 'basic shape') is a term coined by Arnold Schoenberg to describe the basis for coherence within a musical composition. Although neither precisely defined, nor adequately supported by examples from his literature, the Grundgestalt remains an important facet of Schoenbergian theory. Composed of several gestalten that occur repeatedly, Schoenberg's Grundgestalt functions as a germinating factor within a piece that allows its motivic, thematic, and rhythmic information to become more accessible through their frequent repetition and diverse presentation. In addition to Schoen

APA, Harvard, Vancouver, ISO, and other styles

2

Rubio, Carrion Maria. "Performance and analysis of Brahms quintet op. 115 for clarinet and string quartet : Searching for a deeper interpretation." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-4156.

Full text

Abstract:

In this thesis, I have studied the composer Johannes Brahms. I have talked about the background and history of his Quintet in B minor for clarinet and string quartet and I have then analyzed the piece. The purpose of this thesis is to find lesser known but significant information about Brahms to help other clarinetists when they have to perform this important piece of clarinet repertoire. Moreover, my artistic questions are if one piece can change your perception or your way to play it after doing a deep analysis and if the interpretation is in a way stronger than before. I decided to analyze

APA, Harvard, Vancouver, ISO, and other styles

3

Oliver, Gertruida Johanna. "Brahms’s Sonata/Quintet Opus 34 : pianism as facilitating concept in establishing the link between technique and interpretation." Thesis, University of Pretoria, 2014. http://hdl.handle.net/2263/40241.

Full text

Abstract:

Primarily the writer was interested in the relationship between technique and interpretation in the concept of pianism, especially in the music of Brahms, because of the technical difficulties thereof. In this study the truism that technique = interpretation is the focus point. After giving many different opinions about this, the writer brings it into context with Brahmsian pianism specifically. It is made clear how Brahms used certain techniques for certain soundworlds that he wanted to create, in order to reach a certain interpretation, and that there are recurring technical procedures in op

APA, Harvard, Vancouver, ISO, and other styles

4

Ryan-Hirst, Thomas F. "DNAlien." Ohio : Ohio University, 2009. http://www.ohiolink.edu/etd/view.cgi?ohiou1241838550.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Simpson, Stacy L. "MUSIC FOR BRASS QUINTET WITH ORCHESTRAL ACCOMPANIMENT: COMMISSIONED WORKS, THE ANNAPOLIS BRASS QUINTET, AND A SURVEY OF LITERATURE FOR BRASS QUINTET AND ORCHESTRA." UKnowledge, 2016. http://uknowledge.uky.edu/music_etds/67.

Full text

Abstract:

Today’s leading brass chamber ensemble is the brass quintet, whose inception was relatively late compared to the string quartet or woodwind quintet. The first modern brass quintet formed in the 1950s, while the first string quartet can be traced to the 17th century. Compositions for woodwind quintet were written as early as 1811 during the Classical Period. The New York Brass Quintet, American Brass Quintet, and Annapolis Brass Quintet commissioned a large portion of the currently existing brass quintet literature. The literature grew exponentially as the brass quintet became popular in the 19

APA, Harvard, Vancouver, ISO, and other styles

6

Sorensen, Randall J. "Original repertoire for the American Brass Quintet, 1962-1987 : a guide for performers and composers." Virtual Press, 1998. http://liblink.bsu.edu/uhtbin/catkey/1118241.

Full text

Abstract:

This dissertation examines the following works from the original repertoire of the American Brass Quintet (ABQ): Charles Whittenberg, Triptych for Brass Quintet; Ralph Shapey, Brass Quintet; Gilbert Amy, Relais; William Lovelock, Suite for Brass; Leonardo Balada, Mosaico; Virgil Thomson, Family Portrait; Elliott Carter, Brass Quintet; Jacob Druckman, Other Voices; Robert Starer, Evanescence; Dan Welcher, Brass Quintet; Vladimir Ussachevsky, Dialogues and Contrasts; David Sampson, Morning Music; Maurice Wright, Quintet; and Eric Ewazen, Colchester Fantasy. These works represent a small part of

APA, Harvard, Vancouver, ISO, and other styles

7

Bailey, Megan (Trumpeter). "A Pedagogical Guide to Brass Quintet Repertoire for the Trumpet." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1538791/.

Full text

Abstract:

In today's rapidly changing performing arts market, trumpet players are required to be more versatile than ever. Trumpet performing jobs are diversifying and for a trumpeter, employment often requires the multi-faceted skill set that includes the ability to perform in all styles and settings ranging from jazz to classical, solo to large ensemble and brass quintet. As the demand for the brass quintet medium has grown, the study of chamber music repertoire has also become a common requirement in collegiate music programs. However, coaching in chamber music is limited, sometimes to as little as o

APA, Harvard, Vancouver, ISO, and other styles

8

Goforth, Stephen Tucker Pezel Johann Scheidt Samuel. "Baroque ornamentation practices applied to transcriptions for the modern brass quintet using selected compositions of Johann Pezel and Samuel Scheidt /." Full-text version available from OU Domain via ProQuest Digital Dissertations, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Milet, Roberto Wagner. "A articulação na obra Charanga Jazz Mambo a partir da influência da música afro-cubana." Universidade Federal de Goiás, 2013. http://repositorio.bc.ufg.br/tede/handle/tede/3617.

Full text

Abstract:

Submitted by Erika Demachki (erikademachki@gmail.com) on 2014-11-17T15:59:27Z No. of bitstreams: 2 Dissertação - Roberto Wagner Milet - 2013.pdf: 17434513 bytes, checksum: 0ee0963d0e5595b4ddbde4ce3aafe57f (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)<br>Approved for entry into archive by Erika Demachki (erikademachki@gmail.com) on 2014-11-17T18:39:32Z (GMT) No. of bitstreams: 2 Dissertação - Roberto Wagner Milet - 2013.pdf: 17434513 bytes, checksum: 0ee0963d0e5595b4ddbde4ce3aafe57f (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD

APA, Harvard, Vancouver, ISO, and other styles

10

Stowman, William J. (William John). "A Guide for the Preparation, Analysis and Performance of the Brass Quintet Literature of Thom Ritter George, with Three Recitals of Selected Works by Bach, Bitsch, Handel, Torelli, Suderberg, Ketting and Others." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc935818/.

Full text

Abstract:

An examination of the musical style, compositional techniques and performance practice issues of American composer Thom Ritter George with special attention paid to his Quintet No. 4 written in 1986. The document also includes a short history of brass instruments in chamber music, history of the brass quintet in America, discussion of the role of the trumpet in the quintet, overview of the composers contributions to music and brass quintet in America, discussion of the role of the trumpet in the quintet, overview of the composers contributions to music and brass quintet, and background informa

APA, Harvard, Vancouver, ISO, and other styles

11

Holt, Christopher William. "WE SHALL NOT SLEEP." Bowling Green State University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1174410017.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Harrison, Kathleen Elizabeth. "THE TREATMENT OF THE TRUMPET IN SELECTED JAZZ-INFLUENCED CLASSICAL CHAMBER WORKS OF THE TWENTIETH CENTURY." OpenSIUC, 2009. https://opensiuc.lib.siu.edu/theses/493.

Full text

Abstract:

The trumpet has always maintained a central role in the jazz genre. However, throughout the history of chamber music the trumpet was overlooked until the mid-twentieth century when brass chamber music and mixed chamber ensembles rose to popularity. An infiltration of the popular American style, jazz, into classical chamber music changed composers' treatment of the trumpet. This thesis focuses on the role and treatment of the trumpet in selected jazz-influenced classical chamber works in order to highlight that the trumpet's prominence in jazz helped to establish its place in twentieth-century

APA, Harvard, Vancouver, ISO, and other styles

13

Spies, David Edward. "A Stylistic Analysis of Fabrics, a Brass Quintet by John Stevens, a Lecture Recital, Together With Three Recitals of Selected Works of E. Gregson, B. Broughton, P. Hindemith, V. Holmboe, H. Stevens, J. S. Bach, and Others." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc935640/.

Full text

Abstract:

A stylistic analysis of John Stevens' second brass quintet, Fabrics, which discusses the composer's use of orchestration, harmonic language, rhythmic activity, melodic and formal considerations, and performance practice issues. Collaboration between composer and performer is investigated, particularly through Stevens' status as member of the Wisconsin Brass Quintet, the ensemble for which Fabrics was composed. Biographical information about Stevens and the Wisconsin Brass Quintet is provided, with appendices providing information regarding Stevens' activities as composer and performer and the

APA, Harvard, Vancouver, ISO, and other styles

14

Yeo, Young-hwan Pinkston Russell. "Gray sky II for brass quintet and tape /." 2003. http://wwwlib.umi.com/cr/utexas/fullcit?p3120314.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Yeo, Young-Hwan. "Gray sky II: for brass quintet and tape." Thesis, 2003. http://hdl.handle.net/2152/1087.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

"Three Early Twentieth Century Tango Songs Arranged for Brass Quintet." Doctoral diss., 2011. http://hdl.handle.net/2286/R.I.14317.

Full text

Abstract:

abstract: Despite a quickly growing repertoire list for the brass quintet, the music of the early Argentine tango has remained relatively neglected by brass quintet arrangers and performers. With the goal of bringing a neglected art form to the brass quintet repertoire, three arrangements based on early twentieth century Argentine tango songs are presented here: "Elegante Papirusa" by Tito Roccatagliata, "A La Gran Muñeca" by Jesús Ventura, and "La Cotorrita" by Samuel Castriota. The arrangements follow the style of three early recordings produced by The Victor Talking Machine in 1920 and 1922

APA, Harvard, Vancouver, ISO, and other styles

17

Lachance, Martin. "Groove, Fanfare & Finale pour quintette de cuivres ; Voyage pour orchestre ; et Fantaisie pour piano et orchestre." Thèse, 2009. http://hdl.handle.net/1866/4801.

Full text

Abstract:

La version intégrale de ce mémoire est disponible uniquement pour consultation individuelle à la Bibliothèque de musique de l’Université de Montréal (www.bib.umontreal.ca/MU).<br>Le présent mémoire est une analyse de trois pièces musicales composées dans le cadre de ma maîtrise en composition instrumentale. L’analyse se concentrera sur divers points importants pour chacune de ces œuvres et détaillera la structure formelle de chacune. Les œuvres présentées dans ce mémoire sont : 1. Groove, Fanfare & Finale pour quintette de cuivres ; 2. Voyage pour orchestre ; 3. Fantaisie pour piano et o

APA, Harvard, Vancouver, ISO, and other styles

18

"A portfolio of music compositions." 2009. http://library.cuhk.edu.hk/record=b5896608.

Full text

Abstract:

《紙・驚》與《鼓・箏》 : 褐紫紅色 : 自《彩露》 : 為京腔女中音、中國大鼓和古箏而寫的雙樂章作品 = "Paper. Jolt" and "Gu. Zheng", op. 23 : Maroon : from the Dews of Color : two-movement piece for Chinese operatic mezzo-soprano, Chinese big drum, and Gu-Zheng (2008) -- Carnival, op. 24 : for symphonic band : coral : from the Dews of Color (2009) -- Celadon, op. 26 : from the Dews of Color : composed for clarinet in B-flat, Gu Zheng, and Percussion (suspended cymbal and vibraphone) = 青瓷色: 自《彩露》: 為降B單簧管, 古箏與敲擊(弔鈸及鋼片琴)而寫 -- Prelude, passacaglia and fugue, op. 25 : for percussion quartet.<br>"Zhi, jing" yu "Gu, zheng" : he zi hong se : zi "Ca

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!