Relevant bibliographies by topics / Bourdieu

Academic literature on the topic 'Bourdieu'

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Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Bourdieu"

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Kauppi, Niilo, and David Swartz. "Global Bourdieu." Comparative Sociology 14, no. 4 (October 13, 2015): 565–86. http://dx.doi.org/10.1163/15691330-12341358.

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Pierre Bourdieu was a prolific scholar whose multifaceted work inspired research in a wide variety of areas. Beyond sociology we find his influence in anthropology, history, cultural studies, political science, and international relations. Particularly after 1995, when he engaged in a fight against neo-liberalism, he became the pre-eminent public intellectual. Bourdieu clearly stands in the pantheon of the greatest contemporary social scientists. This article explores the social mechanisms that enabled the global circulation of Bourdieu’s oeuvre. Multiple factors in multiple intellectual fields contributed to this process. There are “global Bourdieus.” Throughout his career Bourdieu was a defender of the dominated, and a sharp critic of established powers; his work provides individuals in a variety of central and peripheral fields weapons against social domination whatever its form. This narrative weds together his biography and oeuvre, and forms the web that unites him with the social carriers of his work globally.
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Costa Delgado, Jorge, and José Luis Moreno Pestaña. "Is there a model for symbolic revolution? Bourdieu’s theory in Manet and a comparison with a case study: the Generation of 1914 in Spain." Revista Española de Sociología 31, no. 4 (September 30, 2022): a139. http://dx.doi.org/10.22325/fes/res.2022.139.

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The courses that Bourdieu dedicates to Manet help to better understand the link between cultural production, political position and social trajectory. Nevertheless, Bourdieu does not always fully clarify his position. In this article, first we will clarify what Bourdieu considers to be a model for symbolic revolutions. To do so, Manet's courses are revisited and their links with Bourdieu’s work in general and, more specifically, with his sociology of philosophy are made explicit. After that, we will examine Bourdieu's assertions about scholasticism or academicism in the sociology of culture, its importance in symbolic revolutions, and how his proposal encourages a specific view on the history of cultural productions, especially the philosophical ones. Then, Bourdieu's model of symbolic revolution will be tested by comparing it with a study with statistical treatment of data in a different and significant historical context: the Generation of ‘14 in Spain. Finally, we will propose some nuances and developments to Bourdieu's model based on the conclusions of that study.
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Holthaus, Leonie. "Pierre Bourdieu und die Möglichkeiten der Kritik in der Praxistheorie." Zeitschrift für Internationale Beziehungen 26, no. 2 (2019): 67–87. http://dx.doi.org/10.5771/0946-7165-2019-2-67.

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Die Soziologie von Pierre Bourdieu wird in der Praxistheorie vielfach diskutiert. Dieser Beitrag stellt die Debatte zunächst vor dem Hintergrund der länger währenden Rezeption von Bourdieus Soziologie in der Disziplin der Internationalen Beziehungen (IB) vor, bevor er eine nicht-strukturalistische Interpretation von Bourdieus Soziologie verteidigt und für kritische, aber nicht zu distanzierte Studien plädiert. Mit Blick auf die Bourdieu-Rezeption wird gezeigt, dass Bourdieu zunächst kritische Perspektiven in der IB inspirierte, bevor er zum vielzitierten Referenztheoretiker der mainstreamtauglichen Anteile der Praxistheorie wurde. Auch wenn die Vereinnahmung des kritischen Soziologen hier Widerstand hervorruft, unterstellen praxistheoretische KritikerInnen Bourdieu dennoch, (wieder) zunehmend erfolgreich eine Soziologie der sozialen Reproduktion vorgelegt zu haben, welche die empirische Forschung kaum bereichert. Durch eine konkurrierende Diskussion seiner Terminologie versucht dieser Beitrag, diesen Vorwurf zu entkräften. Anschließend werden bestehende, von Bourdieu inspirierte Forderungen nach interpretativen, historischen und reflexiven Forschungspraktiken zu einem Plädoyer für kritische Studien, die jedoch erfahrungsnahes Wissen aufnehmen, verdichtet.
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Callejo Gallego, Javier. ""Pourquoi Bourdieu"; "Bourdieu"." Empiria. Revista de metodología de ciencias sociales, no. 16 (October 2, 2008): 185. http://dx.doi.org/10.5944/empiria.16.2008.1395.

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Joly, Marc, and Sergio Lorenzo Sandoval Aragón. "¿Pierre Bourdieu era “bachelardiano”? / Was Pierre Bourdieu "Bachelardian"?" Religación. Revista de Ciencias Sociales y Humanidades 5, no. 25 (September 30, 2020): 157–68. http://dx.doi.org/10.46652/rgn.v5i25.635.

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En este artículo se analiza críticamente la relación de la epistemología de Gastón Bachelard y la sociología de Pierre Bourdieu. En la primera parte del artículo, se analiza la lectura de la epistemología en Bourdieu que lleva a cabo el antropólogo Denis Baranger quien, inspirado en la filosofía de la ciencia de Jean-Claude Passeron, la caracteriza como estrictamente “bachelardiana”, lo que impide comprender la naturaleza del concepto de reflexividad, central en la sociología de Pierre Bourdieu. En la segunda parte, se sostiene que, al abordar la relación de la epistemología de Gastón Bachelard y la sociología de Pierre Bourdieu desde una perspectiva procesual o genética, es posible describir el trayecto seguido por Bourdieu que va de un uso de la epistemología bachelardiana para justificar la sociología como ciencia de las prácticas, a la construcción de esta ciencia como la base de una epistemología general reestructurada. Este trayecto se caracteriza como una sociologización de la epistemología de Bachelard, por lo tanto, como una ruptura con el régimen conceptual “filosófico”. Se concluye, a la luz de esta nueva perspectiva, que la lectura de Baranger es insuficiente para comprender la epistemología de Bourdieu y todas sus implicaciones, particularmente su contribución a la constitución del paradigma sociológico. This article critically analyzes the relationship between Gaston Bachelard’s epistemology and Pierre Bourdieu’s so-ciology. The first part of the article analyzes Bourdieu’s reading of epistemology by the anthropologist Denis Ba-ranger who, inspired by Jean-Claude Passeron’s philosophy of science, characterizes it as strictly “Bachelardian”, which prevents understanding the nature of the concept of reflexivity, central to the sociology of Pierre Bourdieu. In the second part, it is argued that, when dealing with the relationship between Gaston Bachelard’s epistemology and Pierre Bourdieu’s sociology from a processual or genetic perspective, it is possible to describe the trajectory followed by Bourdieu that goes from a use of Bachelard’s epistemology to justify sociology as a science of practice, to the construction of this science as the basis of a general restructured epistemology. This is characterized as a sociologization of Bachelard’s epistemology, therefore, as a break up with the conceptual “philosophical” regime. In light of this new perspective, it is concluded that Baranger’s reading is insufficient to understand Bourdieu’s episte-mology and all its implications, particularly its contribution to the constitution of the sociological paradigm.
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Callewaert, Staf. "Introduktion til Pierre Bourdieu: "De tre former for teoretisk viden"." Praxeologi – Et kritisk refleksivt blikk på sosiale praktikker 1 (January 1, 2019): e2595. http://dx.doi.org/10.15845/praxeologi.v1i0.2595.

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Som en introduktion til Pierre Bourdieus lange og svære artikel om tre former for (videnskabelig) kundskab (Bourdieu 1973), skal her fremhæves de væsentlige aspekter. Målsætningen er helt præcist at bestemme, hvor Bourdieu tilføjer en urgammel diskussion noget nyt.
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Steinmetz, George. "Bourdieu, Historicity, and Historical Sociology." Cultural Sociology 5, no. 1 (March 2011): 45–66. http://dx.doi.org/10.1177/1749975510389912.

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This article examines Bourdieu’s contributions to history and historical sociology. Bourdieu has often been misread as an ahistorical ‘reproduction theorist’ whose work does not allow for diachronic change or human agency. The article argues that both reproduction and social change, constraint and freedom, are at the heart of Bourdieu’s project. Bourdieu’s key concepts — habitus, field, cultural and symbolic capital — are all inherently historical. Bourdieu deploys his basic categories using a distinctly historicist social epistemology organized around the ideas of conjuncture, contingency, overdetermination, and radical discontinuity. The origins of Bourdieu’s historicism are traced to his teachers at the École Normale Supérieure and to the long-standing aspirations among French historians and sociologists to unify the two disciplines. The historical nature of Bourdieu’s work is also signalled by its pervasive influence on historians and the historical work of his former students and colleagues. Bourdieu allowed sociology to historicize itself to a greater extent than other French sociologists.
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Nulley-Valdés, Thomas. "Reading Bourdieu in Casanova: Field Theory, Ilusio, and Habitus." Theory Now. Journal of Literature, Critique, and Thought 5, no. 1 (January 29, 2022): 7–29. http://dx.doi.org/10.30827/tn.v5i1.22865.

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Pascale Casanova’s world literature theory and methodology developed in The World Republic of Letters draws heavily from Pierre Bourdieu’s sociology. While criticism to date has noted that Casanova builds on Bourdieu and makes use of a number of his concepts, the extent to which Bourdieu underpins Casanova’s work has not been fully uncovered. This paper analyses some of the methodological, conceptual, and theoretical elements which Casanova has drawn from Bourdieu, particularly through her adaptation and development of concepts such as the literary field, illusio, and habitus. In an explicit sense, Casanova extends Bourdieu’s nationally focused field theory and analysis to a complex international scale. Yet, more implicitly, Casanova draws on concepts such as illusio, habitus, and methods of critical reflexivity and epistemological vigilance, which she also borrows from Bourdieu. As such, by reading Bourdieu in Casanova, it is possible to gain a deeper understanding of Casanova’s theory and methodology.
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Sweetman, Paul. "Revealing Habitus, Illuminating Practice: Bourdieu, Photography and Visual Methods." Sociological Review 57, no. 3 (August 2009): 491–511. http://dx.doi.org/10.1111/j.1467-954x.2009.01851.x.

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Having taken taking as one of its starting points a concern to avoid fetishising method – or employing any form of method for its own sake – this paper then argues that visual methods of research may be particularly helpful in investigating areas that are difficult otherwise to verbalise or articulate. These include Bourdieu's understanding of habitus; our predisposed ways of being, acting and operating in the social environment that Bourdieu himself suggests are ‘beyond the grasp of consciousness, and hence cannot be touched by voluntary, deliberate transformation, cannot even be made explicit’ ( Bourdieu, 1977 : 94). Having outlined what Bourdieu means by habitus and considered some of the difficulties surrounding its operationalisation, the paper goes on to consider Bourdieu's own use of photography and understanding of photographic practice. It is then argued that we can move beyond Bourdieu's position by employing visual methods specifically to uncover and illuminate aspects of habitus. Where research participants are directly involved in this process this also means that visual methods can be potentially transformative, allowing for the development of forms of critical self-awareness amongst research participants of the sort that Bourdieu attributes to ‘socioanalysis’ ( Bourdieu, 1999 : 611).
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Swedberg, Richard. "The Economic Sociologies of Pierre Bourdieu." Cultural Sociology 5, no. 1 (March 2011): 67–82. http://dx.doi.org/10.1177/1749975510389712.

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Instead of trying to locate the economic sociology of Bourdieu, I argue that his analysis of the economy was developed over such a long time period, is so rich and goes in so many interesting directions, that we are justified in speaking of Bourdieu’s economic sociologies in the plural. While most sociologists know about Bourdieu’s study Distinction (1986) and its analysis of consumption, there is less awareness of the fact that Bourdieu himself, towards the end of his life, said that he had produced three major studies of economic topics. These are: his work in Algeria on ‘the economy of honour and “good faith”’ (1950s and 1960s); his study of credit (Bourdieu et al., 1963); and his study of the economy of single-family houses (Bourdieu et al., 1999). These three studies are presented and discussed in detail, and so is Bourdieu’s attempt to formulate a general program for ‘economic anthropology’ in his article ‘The Economic Field’ (1997), drawing on such concepts as field, habitus and capital. Some critique has been directed at Bourdieu’s analysis of the economy, and this is also discussed.
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Dissertations / Theses on the topic "Bourdieu"

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Heitzmann, Daniela. "Pierre Bourdieu." Christian-Albrechts-Universität zu Kiel, 2014. https://ul.qucosa.de/id/qucosa%3A15384.

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Pierre Bourdieu (1930–2002) war ein französischer Ethnologe und Soziologe, der von 1981 bis 2001 einen Lehrstuhl für Soziologie am Collège de France innehatte. Sein zentrales Erkenntnisinteresse richtete Bourdieu auf die Beständigkeit der sozialen Verhältnisse, deren zentralen Mechanismus er im Phänomen der symbolischen Gewalt fand. Bourdieu beschreibt dabei, wie in der sozialen Praxis über Akte des Klassifizierens Herrschafts- und Machtverhältnisse konstituiert und perpetuiert werden. Als Beispiel schlechthin für die symbolische Gewalt benennt Bourdieu die „Männliche Herrschaft“. Die Rezeption dieses Konzepts ist in der deutschsprachigen Frauen- und Geschlechterforschung bis heute jedoch eher zurückhaltend.
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Heitzmann, Daniela. "Pierre Bourdieu." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-220218.

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Pierre Bourdieu (1930–2002) war ein französischer Ethnologe und Soziologe, der von 1981 bis 2001 einen Lehrstuhl für Soziologie am Collège de France innehatte. Sein zentrales Erkenntnisinteresse richtete Bourdieu auf die Beständigkeit der sozialen Verhältnisse, deren zentralen Mechanismus er im Phänomen der symbolischen Gewalt fand. Bourdieu beschreibt dabei, wie in der sozialen Praxis über Akte des Klassifizierens Herrschafts- und Machtverhältnisse konstituiert und perpetuiert werden. Als Beispiel schlechthin für die symbolische Gewalt benennt Bourdieu die „Männliche Herrschaft“. Die Rezeption dieses Konzepts ist in der deutschsprachigen Frauen- und Geschlechterforschung bis heute jedoch eher zurückhaltend.
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Speller, J. "Bourdieu and literature." Thesis, University of Warwick, 2009. http://wrap.warwick.ac.uk/3194/.

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This thesis provides the first extended and in-depth study of French sociologist Pierre Bourdieu?s work on literature. Chapter 1 surveys the problematic from which Bourdieu?s work on literature emerged, and its reception in the Anglophone field of literary criticism. Chapter 2 introduces Bourdieu?s original method of literature analysis, which has yet to have been used widely in literary studies, but which provides analytic purchase at all levels of literary study, from the micro-textual to the macrosocial. Chapter 3 centres on Bourdieu?s notion of autonomy, and explores its relations to his key concepts of habitus, capital, and field. Chapters 4 to 6 then examine the intersections between Bourdieu? work on literature and his other sociological and political projects. Chapter 4 shows how Bourdieu?s theory of sociological knowledge enabled him to set up a distinction between a ?scientific? and a ?literary? representation of the social world, and explores the possibilities for complementarities and exchange between sociology and literature. Chapter 5 shows how Bourdieu hoped to harness the specific skills and symbolic capital of writers in the service of progressive causes, focusing on his plans for an International Parliament of Writers and Liber, his European book review. Chapter 6 explores the cultural policy implication of Bourdieu?s work on literature, both for educational reform and State support for the Arts. Overall, this thesis will show that Bourdieu brings novel solutions to some of the most persistent ? and urgent ? problems facing literary studies today, and not only in France; but also that sociology can learn from literature and from studying literary writers.
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Turk, H. Bahadir. "Pierre Bourdieu&#039." Master's thesis, METU, 2004. http://etd.lib.metu.edu.tr/upload/2/12605767/index.pdf.

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THE DEBATES CONCERNING IDEOLOGY AND DISCOURSE HAVE A RICH AND COMPLICATED HISTORY. MOVING FROM THIS HISTORY, THIS THESIS AIMS TO INVESTIGATE HOW PIERRE BOURDIEU, ONE OF THE MOST IMPORTANT SOCIOLOGISTS IN EUROPE, CAN BE READ ON THE DEBATES CONCERNING IDEOLOGY AND DISCOURSE.ALTHOUGH THE TERM IDEOLOGY IS NOT PARTICULARLY CENTRAL TO BOURDIEU'
S WORK, WE ASSERT THAT HIS CONCEPTUAL WORLD TELLS US A STORY WHICH IS PERTINENT TO THE ONES IN IDEOLOGY AND DISCOURSE DEBATES.MOVING FROM THIS AXIS, WE SHED LIGHT UPON BOURDIEU'
S CONCEPTS SUCH AS HABITUS, DOXA, FIELD, SYMBOLIC POWER AND SYMBOLIC VIOLENCE. WE EXAMINE BOTH THE ANATOMY OF THE CONCEPTS MENTIONED AND THEIR RELATIONSHIPS WITH EACH OTHER.WE SHOW THAT HOW THESE CONCEPTS CAN BE OPERATIONAL FROM THE ANGLE OF THE DEBATES ON IDEOLOGY AND DISCOURSE. IN OUR STUDY, WE ARGUE THAT BOURDIEU'
S CONCEPTUAL FRAMEWORK EXTENDS THE SOCIOLOGICAL DIMENSION OF THE DEBATES CONCERNING IDEOLOGY AND DISCOURSE AND PIERRE BOURDIEU CAN BE READ WITH THE OTHER MONUMENTAL NAMES, FROM MARX TO FOUCAULT, IN THE HISTORY OF THE DEBATES.
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Youcef, Fatima. "Bourdieu face à la littérature." Thesis, Lyon 2, 2010. http://www.theses.fr/2010LYO20007.

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Dans Les Règles de l'art, Bourdieu propose une science des œuvres. A l'aide des concepts de champ, d'habitus, d’espace des possibles, il tente de faire le lien entre la littéraire et le social. Son approche récuse toute tentation psychologisante et ferme la porte à toute explication du processus créatif en termes de génie, de sensibilité ou d’inspiration. La littérature est d’abord au carrefour des faits sociaux. Les textes sont des faits sociaux, comme apparition mais aussi comme expression. Ils ne sont ni à sacraliser ni à désacraliser. Bourdieu tente de rendre intelligible l’espace littéraire des auteurs. Il veut mettre en lumière ce qui rend l’œuvre d’art nécessaire, c’est-à-dire sa formule informatrice, son principe générateur, sa raison d’être. Il affirme qu'au fond l'écrivain, quelle que soit son orientation, n'a pas d'autres choix que d'être traversé par la sociologie de son époque. Il suggère même que tout effort de distanciation formelle, supposant que l'œuvre soit un ailleurs du réel, est signe de cette connaissance intuitive du réel lui-même. L’Education Sentimentale de Flaubert se prête particulièrement bien à ce paradigme analytique. En s’arrêtant sur la deuxième moitié du XIXe siècle, Bourdieu décrit la genèse et le processus d’autonomisation de l’espace littéraire qui entérine le fonctionnement du champ. Il essaie alors de montrer comment les règles sont articulées par/dans une configuration sociale, politique, économique, culturelle et quelle place nouvelle occupe, dans cette modernité, l'artiste
I have used Pierre Bourdieu’s sociological approach as a critical tool for the study of literary texts. As a sociologist, Bourdieu is not satisfied with the notion that the literary text would be isolated from the world and considers the writer as a product of economic, social, religious or political circumstances that may be recovered through analysis. According to Bourdieu, the development of literature as an independent field goes hand in hand with the expansion of a liberal politics, a connection critics refuse to recognize as they will believe in the myth of inspired creation. Bourdieu retraces to the nineteenth century the moment when literature became independent and describes how twentieth-century literature is but a perpetuation of nineteenth-century literary myths. I also look at the ways the specialists of Flaubert responded to the publication of Les Règles de l’art as the book provoked heated debates when it was issued. I have especially examined the arguments of critics hostile to Bourdieu in order to demonstrate how such an emblematic figure as Flaubert embodies what is at stake when one questions the notion of literature. How can Bourdieu fit in literary studies? One has to be careful interpreting the title of Bourdieu’s book. Les Règles de l’art is no prescriptive book : Bourdieu is not the one who sets the rule nor does he suggest that there were no rules before the advent of the modern age. He is simply trying to show how, from the start of this period, the literary world is determined by specific social, political, economic and cultural conditions and questions the particular role played by the artist in this new state of things
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Lane, Jeremy F. "Pierre Bourdieu : a critical introduction /." London : Pluto, 2000. http://catalogue.bnf.fr/ark:/12148/cb37759432g.

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Nasri-Dewaeghe, Édouard. "L'intellectuel engagé : l'exemple de Pierre Bourdieu." Thesis, Université Laval, 2008. http://www.theses.ulaval.ca/2008/25700/25700.pdf.

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Adjerad, Daniel. "Le concept d'économie chez Pierre Bourdieu." Thesis, Paris 1, 2019. http://www.theses.fr/2019PA01H216.

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Cette thèse cherche à démontrer que la notion d'économie générale des pratiques, utilisée par Pierre Bourdieu sans réelle définition, peut être éclairée philosophiquement. Notre problème consiste à expliquer comment Bourdieu peut à la fois critiquer l'application économiciste de certaines notions à d'autres champs du savoir, tout en construisant lui-même une sociologie où le vocable économique abonde. La première étape de notre travail consiste à définir la notion générique d'économie au sein du corpus de Bourdieu et à la distinguer de son application spécifique. La généalogie de la notion nous permet de réinscrire la méta-catégorie d'économie dans un paysage plus large au sein duquel on détaille ses usages passés (économie domestique, économie divine, économie rhétorique, économie animale et économie politique). Nous proposons alors une hypothèse pour définir la notion primaire de valeur sociale d'une manière générique afin de reconstruire ensuite les notions économiques de second rang de Bourdieu (biens symboliques, marché symbolique, intérêt, investissement, capital, etc.). Ce travail d'élargissement du sens des notions économiques s'applique également à certaines notions que Bourdieu évoque seulement, comme celle de crédit symbolique. Enfin, nous montrons que cette problématique de l'économie éclaire différemment d'autres parties de son travail et nous analysons alors l'économicité de certains termes classiques (habitus, champ, violence symbolique)
This dissertation aims at demonstrating that the concept of the general economy of practices that Pierre Bourdieu uses without a proper definition can be understood philosophically. The goal lies in explaining how Bourdieu can criticize the mobilization of economic notions in other fields of knowledge whereas he crafts a sociology with these notions at its core. The first step of our work is to define the notion of the general economy of practices and to differentiate its largest acceptation from its specific understandings. The genealogy of the notion offers a broader perspective on its previous apparitions (domestic economy, divine economy, rhetorical economy, animal economy and political economy). Then, we suggest a hypothesis to define the notion of social value in its generic sense. We rely on this first notion to derive the understanding of Bourdieu's economic categories (symbolic goods, symbolic market, interest, investment, capital, etc.). We indicate that this broadened meaning of economic notions can be extended to other concepts. We notably define the notion of symbolic credit in relation to Bourdieu's general economy of practices. Finally, we show that this economic perspective can shed light on other areas of his work such as the classical analyses of habitus, field and symbolic violence
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Frid, Johanna. "Symboliskt våld : Fadimes öde beskrivet utifrån Bourdieu." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-35505.

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Syftet med studien är att besvara om Bourdieus teori om symboliskt våld stämmer på ettav Sveriges mest uppmärksammade hedersmord på Fadime Sahindal.Den frågeställning som kommer att besvaras är följande:• Hur kan Fadime Sahindals historia beskrivas utifrån Bourdieus teori omsymboliskt våld?• På vilkets sätt yttrar sig våldet mot Fadime Sahindals utifrån teorin omsymboliskt våld?• Hur skildras Bourdieus beskrivning av könsrollerna i historien om Fadime?
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Beltzung, Louise, Axel Kittenberger, and Susanne Mayer. "Lebensläufe österreichischer Chefredakteure. Eine Ressourcenanalyse nach Pierre Bourdieu." Forschungsbereich Wirtschaft und Kultur, WU Vienna University of Economics and Business, 2006. http://epub.wu.ac.at/1678/1/document.pdf.

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This research study is about the lives of editors-in-chief of Austrian daily newspapers after 1945 zooming in on socialeconomic factors. The analysis is based on Pierre Bourdieu's three capital sources - economic, cultural, and social capital. Patterns with regard to the dominance of these capital sources in the lives of editors-in-chief can be observed and lead to the distinction into four different cohorts. Besides, four different ahistorical ideal types of curriculum vitae can be identified that show in each case a different dominance of the capital sources. In these ideal types every editor-in-chief of the research is included. Women take a special position in the field of journalism by having to develop their capital resources more strongly. (author´s abstract)
Series: Schriftenreihe / Forschungsbereich Wirtschaft und Kultur
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Books on the topic "Bourdieu"

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Grenfell, Michael, ed. Pierre Bourdieu. Durham: Acumen Publishing Limited, 2009. http://dx.doi.org/10.1017/upo9781844654031.

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Fröhlich, Gerhard, and Boike Rehbein, eds. Bourdieu-Handbuch. Stuttgart: J.B. Metzler, 2014. http://dx.doi.org/10.1007/978-3-476-01379-8.

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Swartz, David L., and Vera L. Zolberg, eds. After Bourdieu. Dordrecht: Kluwer Academic Publishers, 2005. http://dx.doi.org/10.1007/1-4020-2589-0.

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Chevallier, Stéphane. Dictionnaire Bourdieu. Paris: Ellipses, 2010.

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Jill, Forbes, and Kelly Michael 1946-, eds. Pierre Bourdieu. Chalfont St Giles: Alpha Academic, 1993.

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Tony, Schirato, and Danaher Geoff, eds. Understanding Bourdieu. Crows Nest, NSW: Allen & Unwin, 2002.

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Schultheis, Franz, and Stephan Egger, eds. Pierre Bourdieu und die Fotografie. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839458730.

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Pierre Bourdieus sozialanthropologische Feldforschung ist bis heute wohl einzigartig geblieben. Wenig beachtet wurde bislang die Rolle der Fotografie dabei. Die fünfbändige Serie Visuelle Formen soziologischer Erkenntnis erschließt eine neue Sicht auf das Werk Bourdieus und zeigt anhand der frühen Algerien-Studien ein von Beginn an vom Bild kommendes Denken. Die Beiträge des einführenden Bandes dieser Serie führen den Dialog zwischen den Bildern der »Wirklichkeit« und jenen theoretischen Schlussfolgerungen, den Begriffen von »Habitus« und »Praxis«, für die Bourdieu später bekannt wurde, in exemplarischer Weise fort. Begleitet von reichem Bildmaterial zeigen sie unterschiedliche Aspekte der fotografisch dokumentierten Soziologie Algeriens und führen dabei in Bourdieus Forschungspraxis ein.
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Alanen, Leena, Liz Brooker, and Berry Mayall. Childhood with Bourdieu. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137384744.

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Hepp, Rolf-Dieter. Bourdieu, Sozioanalyse, Soziosemiotik. Wien: ÖGS/ISSS, 2000.

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Paolucci, Gabriella, ed. Bourdieu and Marx. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-06289-6.

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Book chapters on the topic "Bourdieu"

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Everett, Jeff. "Bourdieu." In The Routledge Companion to Critical Accounting, 109–23. 1 Edition. | New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315775203-7.

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Symonds, Michael. "Bourdieu." In The Appeal of Art in Modernity, 139–65. New York: Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9781351233941-6.

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Calhoun, Craig. "Pierre Bourdieu." In The Wiley-Blackwell Companion to Major Social Theorists, 361–94. Oxford, UK: Wiley-Blackwell, 2011. http://dx.doi.org/10.1002/9781444396621.ch34.

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Arend, Elisabeth. "Bourdieu, Pierre." In Metzler Philosophen Lexikon, 139–42. Stuttgart: J.B. Metzler, 1995. http://dx.doi.org/10.1007/978-3-476-03642-1_52.

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Pichler, Cathrin, and Roman Berka. "Pierre Bourdieu." In TransAct, 119–32. Vienna: Springer Vienna, 2010. http://dx.doi.org/10.1007/978-3-211-99801-4_20.

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Wacquant, Loïc. "Pierre Bourdieu." In Key Sociological Thinkers, 215–29. London: Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-26616-6_17.

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Calhoun, Craig. "Pierre Bourdieu." In The Blackwell Companion to Major Contemporary Social Theorists, 274–309. Malden, MA, USA: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470999912.ch12.

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König, Markus. "Pierre Bourdieu." In Habitus und Rational Choice, 43–92. Wiesbaden: Deutscher Universitätsverlag, 2003. http://dx.doi.org/10.1007/978-3-322-81308-4_2.

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Timm, Elisabeth. "Bourdieu, Pierre." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_9721-1.

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Wacquant, Loïc. "Pierre Bourdieu." In Key Sociological Thinkers, 261–77. London: Macmillan Education UK, 2008. http://dx.doi.org/10.1007/978-1-137-08429-3_17.

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Conference papers on the topic "Bourdieu"

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Xu, Yongjian, and Liqun Xu. "Enlightenment of Bourdieu Cultural Capital Theory." In 2nd International Conference on Arts, Design and Contemporary Education. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.91.

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Jose Pinto Ortiz, Renato, and Matheus Silveira Mendes. "Inconsciente e estética: Bourdieu e Rancière." In XXIII Congresso de Iniciação Científica da Unicamp. Campinas - SP, Brazil: Galoá, 2015. http://dx.doi.org/10.19146/pibic-2015-37670.

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Peixoto Ferreira, Pedro, and Daniela Ananda Boaventura Silva Bomfim. "BOURDIEU IN THE PHYSICS LAB: TESTING THE CONCEP OF HYSTERESIS." In XXIII Congresso de Iniciação Científica da Unicamp. Campinas - SP, Brazil: Galoá, 2015. http://dx.doi.org/10.19146/pibic-2015-38028.

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LOUISE DE CARVALHO FIUZA, ANA, Arilson Favareto, Rodrigo Constante Martins, and MARCOS BOTTON PICCIN. "Os usos da sociologia de Pierre Bourdieu nos estudos rurais brasileiros." In 60º Congresso da SOBER. Natal, Rio Grande do Norte: Even3, 2022. http://dx.doi.org/10.29327/sober2022.485826.

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Dremel, Anita. "BOURDIEU ON POWER, CULTURE AND SOCIOLOGY OF TASTE: THE CASE OF MARIJA JURIĆ ZAGORKA." In European realities - Power : 5th International Scientific Conference. Academy of Arts and Culture in Osijek, J. J. Strossmayer University of Osijek, 2023. http://dx.doi.org/10.59014/lbxg3157.

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Refraining from reasoning in support of the universal taste and the experience of the beautiful, cultural sociology treats taste as socially contingent and constructed. The objective of this paper is to outline a social critique of different judgements of taste when it comes to different types of literary production based on the theoretical framework established by Pierre Bourdieu and on the example of the reception of popular literature, mainly historical romances written by Marija Jurić Zagorka. The methodological approach thereby applied includes the deconstruction of common distinctions based on Bourdieu’s concepts of habitus, field and doxa, genealogy of highbrow taste in the era of so called highly textual modernism, critical analysis of gender discourse underlying cultural evaluations of literary production by women and for women, and the practicing of the ethnographic shift towards the reader in her context. This empirically contextualized analysis of literary tastes expressed by various recipients in Croatian cultural history has led to the results that reveal a long persistence of popularity and adoration of Zagorka’s novels on the one hand and harsh, almost visceral, disgust with her production by official discourse on the other, confirming the thesis that judgments of taste are based on society (and class). However, these results do not suggest a linear (let alone causal) relationship between the class system and the system of cultural classifications as well as between consumerist desire and taste. Historical novels by Marija Jurić Zagorka, mainly written in the first half of the 20th century, contain a foundationally strong inscription of opposed social strata, thus providing a useful and relevant empirical basis for the analysis of complex processes of cultural modernization and accompanying changing forms of social power.
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Loinjak, Igor. "POWER AS THE FOUNDATION OF CULTURAL CAPITAL AND A PREREQUISITE IN CREATING THE VALUE OF AN ARTWORK." In European realities - Power : 5th International Scientific Conference. Academy of Arts and Culture in Osijek, J. J. Strossmayer University of Osijek, 2023. http://dx.doi.org/10.59014/mhjv1841.

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In his studious analysis of art in the context of its status and social function, French sociologist Pierre Bourdieu analyzed the problem of the distribution of power within the area that he refers to as the “field of art”. The habitus of the protagonists active in this field plays a decisive role in it, determining the perception of the value of artwork. The interests maintaining the field dynamics are essential elements of any field, making the field a battleground in which various interests battle for domination, nevertheless presupposing a consensus between the participants in the battle and their roles. Bourdieu, like Weber, believes that any social action is based on the interests of social protagonists, because no one will engage in something that has no material or ideal value and does not include a certain motive or profit, which does not necessarily have to be economic. Furthermore, aesthetic conflicts in the field of art often have a political dimension and are merely an embellished form of the battle fought in order to impose the dominant vision of the social reality on others. The field is an imaginary space where the real social power is generated. It is superior to the concept of institution, because institutions imply consensual relations within the society, while the field also includes phenomena that are not institutionalized or defined by firm boundaries at the given moment. The objective of this study is to analyze the role of critics and other protagonists in the field of art in the process of shaping values in visual arts, and to show the importance of power in the formation of symbolic capital in a broader cultural context. For the purposes of this research, the author will use the methodology that Bourdieu applies to literature in his book The Rules of Art, whose main theses help us better understand the economic, symbolic and cultural relationships in the fields of visual arts, with an emphasis on the situation in Croatia after the war.
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TEIXEIRA, Rodilon. "Precarização do trabalho na perspectiva de Bourdieu e Boltanski: revisão sistemática da literatura." In Anais do VI Congresso Brasileiro de Estudos Organizacionais. Recife, Brasil: Even3, 2019. http://dx.doi.org/10.29327/15075.6-14.

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Ren, Huanhuan, and Chi Ma. "Constraint Analysis of Liaoning Scientific Foreign Language Talents with View to Bourdieu' Theory." In 2016 6th International Conference on Mechatronics, Computer and Education Informationization (MCEI 2016). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/mcei-16.2016.149.

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Igumnov, O. A. "P. Bourdieu and J. Coleman social capital concepts: theoretical differences and episremological limitations." In Трансформация национальной научной школы России: от идеи к реализации. Igumnov, O.A., 2024. http://dx.doi.org/10.61726/1207.2024.59.31.001.

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С продолжающимся расширением сферы применения концепции социального капитала существенно активизируется критика концепций социального капитала. Основные дискуссии ведутся по содержанию концепций социального капитала П. Бурдье и Дж. Коулмана. Автором сделан вывод о том, что основной проблемой, определяющей различия в подходах указанных авторов, является его неконтекстуализированное применение без учёта их теоретических и эпистемологических основ. Подобная эклектика в понимании социального капитала обусловлена номинальным совпадением содержания понятий, обоснованных в работах Дж. Коулмана и П. Бурдье, имеющих разные значения. Автором обосновано предположение о целесообразности разработки единой теории социального капитала как социального ресурса управления организациями.
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Patzer, Tori-Lyn. "Bourdieu and Culturally Responsive Leadership: Principal Perspectives on Guiding 21st Century French-Immersion Schools." In 2023 AERA Annual Meeting. Washington DC: AERA, 2023. http://dx.doi.org/10.3102/2017771.

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Reports on the topic "Bourdieu"

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Jensen, Niels Rosendal. Bourdieu-notatet. Aarhus University, 2008. http://dx.doi.org/10.7146/aul.90.84.

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Renzi, Francesco. Imperator Burdinum Hispanum Romanae sedi violenter imposuit. A Research Proposal on the Archbishop of Braga and Antipope Gregory VIII, Maurice ‘Bourdin’. Edicions de la Universitat de Lleida, 2018. http://dx.doi.org/10.21001/itma.2018.12.07.

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