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Relevant bibliographies by topics / Bormann, Martin, in fiction

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Academic literature on the topic 'Bormann, Martin, in fiction'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Bormann, Martin, in fiction"

1

Bilavsky, Jörg von. "Volker Koop, Martin Bormann. Hitlers Vollstrecker. Wien/Köln/Weimar, Böhlau 2012." Historische Zeitschrift 300, no. 2 (April 26, 2015): 555–56. http://dx.doi.org/10.1515/hzhz-2015-0179.

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Anslinger, K., G. Weichhold, W. Keil, B. Bayer, and W. Eisenmenger. "Identification of the skeletal remains of Martin Bormann by mtDNA analysis." International Journal of Legal Medicine 114, no. 3 (February 14, 2001): 194–96. http://dx.doi.org/10.1007/s004140000176.

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3

Flauaus, Charlet. "Der NS-Funktionär und seine private Bibliothek." Bibliotheksdienst 52, no. 6 (May 25, 2018): 455–80. http://dx.doi.org/10.1515/bd-2018-0053.

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Zusammenfassung Martin Bormanns Privatbibliothek, die zu großen Teilen in den Anfangsbestand der Bibliothek der Johannes Gutenberg-Universität Mainz bei deren Neugründung im Jahre 1946 einging, hält keine größeren Überraschungen hinsichtlich der Interessen des ehemaligen NS-Funktionärs bereit. Zahlenmäßig überwiegen Titel zum Thema „Kirche/Jesuitenorden“, Literatur nationalsozialistischer Autoren und deren Vordenker, aus den Bereichen Geschichte und Militär. Bormann war erwiesenermaßen involviert in den Bücherraub der Nazis. Privat scheint er sich allerdings nicht an beschlagnahmtem und zwangsverkauftem Besitz bereichert zu haben.

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Vann, J. Don. "George Eliot's Serial Fiction. Carol A. Martin." Nineteenth-Century Literature 50, no. 2 (September 1995): 247–49. http://dx.doi.org/10.2307/2933701.

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Vann, J. Don. ": George Eliot's Serial Fiction. . Carol A. Martin." Nineteenth-Century Literature 50, no. 2 (September 1995): 247–49. http://dx.doi.org/10.1525/ncl.1995.50.2.99p0160f.

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Werle, Dirk. "Knowledge in Motion between Fiction and Non-Fiction." Daphnis 45, no. 3-4 (July 18, 2017): 563–77. http://dx.doi.org/10.1163/18796583-04503011.

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In epic poems of the seventeenth century written in German about the Thirty Years’ War, knowledge is set in motion, especially in the context of genre change and shifts in the generic tradition as well as in the conflictive area between fiction and non-fiction. The generic adjustments are partially caused by the transfer of a Greek and Latin genre model into German. This is illustrated by two examples, Martin Opitz’s Trost-Getichte in Widerwärtigkeit des Krieges, first published in 1633, and Georg Greflingerʼs Der Deutschen Dreißig-Jähriger Krieg, published in 1657.

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7

Schoenberger, Nancy. "The Fiction of Valerie Martin: An Introduction by Veronica Makowsky." Tulsa Studies in Women's Literature 37, no. 1 (2018): 228–30. http://dx.doi.org/10.1353/tsw.2018.0022.

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Nash, J. "Fiction May be a Legal Paternity: Martin Amis's The Information." English 45, no. 183 (September 1, 1996): 213–24. http://dx.doi.org/10.1093/english/45.183.213.

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Touverey, Baptiste. "Martin Zimmermann : « La cruauté des empereurs romains est une fiction »." Books N° 51, no. 2 (February 1, 2014): 20–23. http://dx.doi.org/10.3917/books.051.0020.

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10

Alborg, Concha, and Joan Brown. "Secrets from the Back Room: The Fiction of Carmen Martin Gaite." Hispanic Review 57, no. 4 (1989): 533. http://dx.doi.org/10.2307/473776.

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Dissertations / Theses on the topic "Bormann, Martin, in fiction"

1

Hermann, Martin [Verfasser]. "A History of Fear : British Apocalyptic Fiction, 1895–2011 / Martin Hermann." Berlin : epubli GmbH, 2015. http://d-nb.info/1080423990/34.

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Decker, Martin [Verfasser]. "Irish Identities and the Great War in Drama and Fiction / Martin Decker." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2016. http://d-nb.info/1116874733/34.

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3

Nagy, Krisztina. "Cultural and literary geographies of the city in the fiction of Martin Amis." Thesis, University of Bristol, 2006. http://hdl.handle.net/1983/4d2a1b36-5d8b-44e9-8308-bdca3d4e7e26.

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4

Gagnon, Daniel. "Lettres de Claude Martin à sa mère Marie de l'Incarnation : fiction et essai." Thèse, Université de Sherbrooke, 1994. http://hdl.handle.net/11143/10362.

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Mon projet de roman est de reconstituer fictivement les lettres perdues de Claude Martin (1619-1696) à sa mère Marie de l’Incarnation (1599- l 672. Malgré son désir de devenir religieuse, Marie Guyart est mariée à 17 ans à Claude Martin, maître ouvrier en soie à Tours. Le 2 avril 1619, elle met au monde un petit garçon. Six mois plus tard, Marie Guyart-Martin devient veuve. Elle refuse de se remarier. Comme elle approche de la trentaine, elle aspire de plus en plus à la vie religieuse. 1- Marie confie son fils Claude, âgé de 11 ans, à sa soeur et à son beau-frère et se cloître. Elle dira se «faire mourir toute vive» en quittant son fils pour suivre un appel de Dieu. 2- Le 22 février 1639, Marie Guyart de l'Incarnation quitte Tours. Le 4 mai, elle s'embarque à Dieppe pour Québec avec quelques autres Ursulines. Elle quitte la France pour toujours et ne reverra plus jamais s o n fils qui vient d'avoir vingt ans. Tout le temps que dura la traversée pour Québec, où ils arrivèrent le ler août, «ce fut intensivement un continuel sacrifice» dit Marie. Tout le temps que dura la traversée pour Québec, où ils arrivèrent le ler août, «ce fut intensivement un continuel sacrifice» dit Marie. La séparation d'avec son fils est douloureuse et elle dira encore qu'à Dieppe il lui semblait que tous ses os allaient se déboîter. 3- Marie de l'Incarnation meurt à Québec le 30 avril 1672, Claude a 53 ans. Il lui survivra 24 ans.

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5

Peeler, Nicole D. "Beyond a misogynist's aesthetic : rereading the fiction of Philip Roth and Martin Amis." Thesis, University of Edinburgh, 2008. http://hdl.handle.net/1842/29318.

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This dissertation offers re-readings of works by two of the most controversial and influential living writers: Martin Amis and Philip Roth. These writers are often accused of amorality, or even immorality, and this thesis deals with the controversies these authors have incited with specific focus on their alleged misogyny. Chapter 1 defines exactly why Amis and Roth are genuine problems for readers. However, I argue that simply condemning these writers also disables a reader’s ability to see just how invested they are in issues of pressing importance to contemporary society. Chapter 2, 3 and 4 examine specific novels by these authors in the light of theories significant both to their work as well as popular and academic culture. I propose that the overarching theme that links these three specific topics, the novels, and their authors is how the gendered subject emerges through time. Chapter 2 looks at how both Amis and Roth explore their separate theories about ideology, and especially the idea of ‘goodness’, in Other People: A Mystery Story, and When She Was Good. Chapter 3 takes as its subject trauma, history, and narrative, illustrating how they relate to Time’s Arrow, and Sabbath’s Theater. Finally, Chapter 4 engages with masculinity theory, demonstrating Roth’s and Amis’ interest in the subject as exemplified in Portnoy’s Complaint and London Fields. This thesis seeks to illustrate that Amis’ and Roth’s intellectual engagement with the issues underlying these current theories defies those critics who argue that they are amoral, immoral, or engaged entirely with their own solipsistic philosophies.

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Baker, Stephen. "The fiction of postmodernity : dialectical studies of Martin Amis, Don DeLillo and Salman Rushdie." Thesis, University of Edinburgh, 1996. http://hdl.handle.net/1842/26198.

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This thesis is a dialectical study of fiction by Martin Amis, Don DeLillo and Salman Rushdie. It situates novels by these three writers in relation to a Western Marxist theoretical understanding of the postmodern and the culture of postmodernity, particularly as developed in the writings of Fredric Jameson. While the thesis is intended to demonstrate how such theoretical accounts help illuminate interpretation of contemporary, postmodern fiction, it also suggests how that fiction might provide a critique, or expose the limitations, of those theoretical or conceptual models themselves. The thesis traces, in selected examples of Amis's, DeLillo's and Rushdie's fiction, elements of dialectical conflict. It describes the means by which the texts enact simultaneously a form of ideological complicity with what Jameson (following the economist Ernest Mandel) calls 'late capitalism' and a measure of social and cultural critique. It is with this identification of both the ideological and the critical features of postmodern fiction that the thesis is principally concerned. Chapter one charts a Western Marxist model of transition from modernism to postmodernism both through the theoretical writings of Georg Lukács, Theodor Adorno and Fredric Jameson and through brief studies of examples of modernist and late-modernist fiction. It concludes with an acknowledgement of the difficulties Western Marxist aesthetics have had in identifying any critical potential in postmodern culture. Nonetheless, the literary studies which succeed chapter one offer lengthy insistence that a properly Marxian analysis must attempt to identify both the affirmative and the critical moments of cultural commodities. This is a step which, with regard to postmodern texts, Western Marxist critics have thus far been reluctant to take.

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White, So-fong Patricia. "The unmaking of heroes a study of masculinity in contemporary fiction /." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38999225.

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Chan, Wing-chun Julia. "Towards an aesthetics of cliché cultural recycling and contemporary fiction /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B42182311.

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Taljaard, Frederik. "Imaginative unconcealment Heidegger's philosophy of aletheia and the truth of literary fiction /." Pretoria : [s.n.], 2005. http://upetd.up.ac.za/thesis/available/etd-03062006-200330.

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10

Schoenbeck, Oliver. "Their versions of the facts : Text und Fiktion in den Romanen von Iain Banks, Kazuo Ishiguro, Martin Amis und Jeanette Winterson /." Trier : WVT, Wissenschaftlicher Verl. Trier, 2000. http://catalogue.bnf.fr/ark:/12148/cb39913317n.

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Books on the topic "Bormann, Martin, in fiction"

1

Mindszenthy, Bart A. Martin Bormann odysszeája. Toronto: McGill Print, 1987.

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2

Martin Bormann: Hitlers Vollstrecker. Wien: Böhlau Verlag, 2012.

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3

Charles Whiting. The hunt for Martin Bormann: The truth. London: L. Cooper, 1996.

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4

The hunt for Martin Bormann: The truth. Barnsley: Pen & Sword Military, 2010.

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5

HIGGINS, Jack. The Bormann Testament. New York: Penguin Group USA, Inc., 2008.

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6

Lang, Jochen von. Der Sekretär: Martin Bormann, der Mann, der Hitler beherrschte. 3rd ed. München: F. A. Herbig, 1987.

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7

Lang, Jochen von. Der Sekretär: Martin Bormann, der Mann, der Hitler beherrschte. Herrsching [Germany]: Pawlak, 1990.

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8

HIGGINS, Jack. Thunder point. New York: Putnam, 1993.

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9

HIGGINS, Jack. Thunder point. New York: Berkley, 1994.

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10

HIGGINS, Jack. Thunder Point. New York: Berkley Books, 1994.

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Book chapters on the topic "Bormann, Martin, in fiction"

1

von Lang, Jochen. "Martin Bormann: Hitler’s Secretary." In The Nazi Elite, 7–17. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-12823-5_2.

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2

Nicholls, Mark Desmond. "Martin Scorsese (1942-)." In A Companion to Crime Fiction, 553–61. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444317916.ch46.

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3

Hentschel, Klaus. "Walther Gerlach: Letter to Reich Party Leader Martin Bormann [December 16, 1944]." In Physics and National Socialism, 329–31. Basel: Birkhäuser Basel, 1996. http://dx.doi.org/10.1007/978-3-0348-9008-3_107.

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4

Tredell, Nicolas. "Introduction." In The Fiction of Martin Amis, 7–12. London: Macmillan Education UK, 2000. http://dx.doi.org/10.1007/978-1-137-19344-5_1.

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Tredell, Nicolas. "That Comes at Night: The Information (1995)." In The Fiction of Martin Amis, 154–72. London: Macmillan Education UK, 2000. http://dx.doi.org/10.1007/978-1-137-19344-5_10.

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Tredell, Nicolas. "Cops and Slobs: Night Train (1997) and Heavy Water and Other Stories (1998)." In The Fiction of Martin Amis, 173–83. London: Macmillan Education UK, 2000. http://dx.doi.org/10.1007/978-1-137-19344-5_11.

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7

Tredell, Nicolas. "Postmodern Prurience: The Rachel Papers (1973)." In The Fiction of Martin Amis, 13–22. London: Macmillan Education UK, 2000. http://dx.doi.org/10.1007/978-1-137-19344-5_2.

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Tredell, Nicolas. "Country-House Carnage: Dead Babies (1975)." In The Fiction of Martin Amis, 23–33. London: Macmillan Education UK, 2000. http://dx.doi.org/10.1007/978-1-137-19344-5_3.

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Tredell, Nicolas. "Snakes and Ladders: Success (1978)." In The Fiction of Martin Amis, 34–43. London: Macmillan Education UK, 2000. http://dx.doi.org/10.1007/978-1-137-19344-5_4.

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Tredell, Nicolas. "Descent into Hell: Other People: A Mystery Story (1981)." In The Fiction of Martin Amis, 44–54. London: Macmillan Education UK, 2000. http://dx.doi.org/10.1007/978-1-137-19344-5_5.

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