Books on the topic 'Book industries and trade Australia History 20th century'

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1

Zalewskiĭ, Woėciech. Rasprostranenie russkoĭ pechati v mire. 1918-1939 gg. Spravochnik. Sankt Peterburg: Rossiĭskai︠a︡ nat︠s︡ionalʹnai︠a︡ b-ka, 1998.

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2

Zalewski, Wojciech. Rasprostranenie russkoĭ pechati v mire: 1918-1939 gg. : spravochnik. Sankt-Peterburg: Rossiĭskai͡a︡ nat͡s︡ionalʹnai͡a︡ biblioteka, 1998.

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3

Schiffrin, André. La edición sin editores: Las grandes corporaciones y la cultura. México, D.F: Ediciones Era, 2001.

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4

Literary Agents in the Transatlantic Book Trade: American Fiction, French Rights, and the Hoffman Agency. Taylor & Francis Group, 2017.

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5

Cottenet, Cécile. Literary Agents in the Transatlantic Book Trade: American Fiction, French Rights, and the Hoffman Agency. Taylor & Francis Group, 2017.

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6

Cottenet, Cécile. Literary Agents in the Transatlantic Book Trade: American Fiction, French Rights, and the Hoffman Agency. Taylor & Francis Group, 2017.

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7

Cottenet, Cécile. Literary Agents in the Transatlantic Book Trade: American Fiction, French Rights, and the Hoffman Agency. Taylor & Francis Group, 2017.

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8

Cottenet, Cécile. Literary Agents in the Transatlantic Book Trade: American Fiction, French Rights, and the Hoffman Agency. Taylor & Francis Group, 2017.

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9

Reviewing the South: The Literary Marketplace and the Southern Renaissance, 1920-1941. Cambridge University Press, 2017.

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10

Gardner, Sarah. Reviewing the South: The Literary Marketplace and the Southern Renaissance, 1920-1941. Cambridge University Press, 2019.

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11

Gardner, Sarah. Reviewing the South: The Literary Marketplace and the Southern Renaissance, 1920-1941. University of Cambridge ESOL Examinations, 2017.

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12

Gardner, Sarah. Reviewing the South: The Literary Marketplace and the Southern Renaissance, 1920-1941. Cambridge University Press, 2017.

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13

Print in Motion: The Expansion of Publishing and Reading in the United States, 1880-1940. Chapel Hill: UNC Press, 2009.

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14

Radway, Janice A., and Carl F. Kaestle. History of the Book in America : Volume 4 : Print in Motion: The Expansion of Publishing and Reading in the United States, 1880-1940. University of North Carolina Press, 2015.

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15

Hall, David D., Janice A. Radway, and Carl F. Kaestle. History of the Book in America : Volume 4 : Print in Motion: The Expansion of Publishing and Reading in the United States, 1880-1940. University of North Carolina Press, 2014.

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16

Questions of Authority: Italian and Australian Travel Narratives of the Long Nineteenth Century. Taylor & Francis Group, 2017.

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17

Olcelli, Laura. Questions of Authority: Italian and Australian Travel Narratives of the Long Nineteenth Century. Taylor & Francis Group, 2017.

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18

Olcelli, Laura. Questions of Authority: Italian and Australian Travel Narratives of the Long Nineteenth Century. Taylor & Francis Group, 2017.

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19

Olcelli, Laura. Questions of Authority: Italian and Australian Travel Narratives of the Long Nineteenth Century. Taylor & Francis Group, 2017.

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20

Olcelli, Laura. Questions of Authority: Italian and Australian Travel Narratives of the Long Nineteenth Century. Taylor & Francis Group, 2019.

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21

Olcelli, Laura. Questions of Authority: Italian and Australian Travel Narratives of the Long Nineteenth Century. Taylor & Francis Group, 2017.

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22

Schiffrin, Andre. La Edicion Sin Editores. Destino Ediciones, 2004.

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23

Schiffrin, Andre. La Edicion Sin Editores: Las Nuevas Corporaciones Y La Cultura. Era Edicions Sa, 2001.

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24

Studies in Victorian and Modern Literature: A Tribute to John Sutherland. Fairleigh Dickinson University Press, 2015.

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25

Curreli, Mario, William Baker, Michael Caines, Rosemary Ashton, and Tony Bareham. Studies in Victorian and Modern Literature: A Tribute to John Sutherland. Fairleigh Dickinson University Press, 2015.

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26

Lundén, Elizabeth Castaldo. Fashion on the Red Carpet. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474461801.001.0001.

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The Academy Awards’ red-carpet is the most prominent fashion show in media culture. This book investigates the historical liaison between Hollywood and fashion institutions to describe how public relations campaigns and the media articulated fashion discourses around the Oscars throughout history. It argues that the fashion industry’s business model of celebrity endorsement and renowned designers as branded labels is based on the triangulation done by Hollywood studios, department stores, and American garment manufacturers during the interwar era. Departing from archival sources, and tracing discourses of fashion, stardom, and celebrity around Hollywood and the Oscars, this study unravels this phenomenon’s cultural, political and economic impact, explaining how the Academy Awards’ red-carpet became a marquee for the global endorsement of high-end fashion brands. The book addresses globalisation as a central topic to frame the red-carpet phenomenon, linking the fashion and media industries throughout the 20th Century. It points at the postwar as a historical turning point that consolidated the position of the United States as a veritable behemoth exporter of popular culture, depicting the American lifestyle as synonymous with wealth and comfort to further the global expansion of consumer culture. The book identifies power shift towards television, the emergence of celebrity culture, the post-war reactivation of transatlantic trade, the growth of fashion journalism, and the increasing circulation of designer names in the media as a series of converging factors that led to the institutionalisation of the red-carpet parade as a fashion event in its own right.
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