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Journal articles on the topic 'Böll'

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Published: 4 June 2021

Last updated: 1 August 2024

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1

Dallmann, Tino. "Australian Angst – das Thema des Terrorismus in Richard Flanagans „The Unknown Terrorist“." arbeitstitel | Forum für Leipziger Promovierende 3, no. 2 (December 31, 2011): 107–16. http://dx.doi.org/10.36258/aflp.v3i2.3231.

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Schon lange vor den Anschlägen am 11. September 2001 hat sich die Literatur mit dem Terrorismus beschäftigt. Zahlreiche Romanautoren haben versucht, die Ursachen terroristischer Gewalt zu beschreiben und sind dabei Fragen der gesellschaftlichen Situation und der nationalen Identität nachgegangen. In der Bundesrepublik der 1970er Jahre hat sich vor allem Heinrich Böll kritisch zum Geschehen seiner Zeit geäußert. In dieser Tradition steht der australische Schriftsteller Richard Flanagan, der in The Unknown Terrorist an eine Erzählung Bölls anknüpft und eine Gesellschaft beschreibt, die vor allem durch ein Gefühl bestimmt ist: das Gefühl der Angst.

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2

Graf, Manuela. "Ein Land, in dem sich das Süße mit dem Bitteren vermischt. Irland als Objekt der Sehnsucht in der deutschen Literatur am Beispiel des Irischen Tagebuchs von Heinrich Böll." Transfer. Reception Studies 7 (December 30, 2022): 127–43. http://dx.doi.org/10.16926/trs.2022.07.13.

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Das 1957 erschienene Irische Tagebuch von Heinrich Böll prägte in der Vorstellung der deutschen Leser ein Bild von Irland als einer geheimnisvollen Insel, auf der Glück und Melancholie Hand in Hand gehen - ein Bild, das bis heute Bestand hat. Das Werk, eine Sammlung loser Kurzgeschichten, die auf den Reiseerfahrungen des Autors beruhen, zeigt die Grüne Insel als ein Land der Kontraste und widersprüchlichen Gefühle, in dem sich die Vergangenheit mit der Gegenwart vermischt und in dem die mythische Landschaft und die scheinbare Einfachheit des Lebens einen tieferen Grund verbergen. Das Gleiche gilt für das Tagebuch selbst, das zwischen Beschreibungen malerischer Landschaften und irischer Bräuche auch Themen wie die allgegenwärtige Armut, die unvermeidliche Auswanderung, die Perspektivlosigkeit und die fast fanatische Religiosität, die Irland plagen, einfließen lässt. Diese Extreme lösten bei Heinrich Böll jedoch eine Sehnsucht nach der Ursprünglichkeit und Aufrichtigkeit der Grünen Insel aus, deren Fehlen er sehr stark spürte. Mit der Veröffentlichung des Irischen Tagebuchs wurde die persönliche Sehnsucht eines Mannes zu einem Massenwunsch der deutschen Gesellschaft, ein Land der „Fehler und Wahrheiten“ zu sehen und zu erleben. Mehr als 60 Jahre nach seinem Erscheinen inspiriert Heinrich Bölls Werk noch immer Generationen von Lesern zu Reisen mit dem Versprechen, eine Sehnsucht nach Irland zu stillen.

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3

Pütz, Horst. "Jochen Schubert: Heinrich Böll." Das Historisch-Politische Buch 66, no. 2 (June 1, 2018): 205. http://dx.doi.org/10.3790/hpb.66.2.205.

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4

Bryden, Mary. "BECKETT, BÖLL, AND CLOWNS." Samuel Beckett Today / Aujourd'hui 19, no. 1 (August 1, 2008): 157–71. http://dx.doi.org/10.1163/18757405-019001013.

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After relating the importance of the moment in Beckett's work to the clownish act's quicksilver moment that reverses or modifies a mood or situation, this essay identifies affiliations between Beckett's work and varieties of clowning which derive not so much from knockabout farce and merriment but rather from containment and introspection, even constraint. In interaction with Heinrich Böll's novel , the essay concentrates upon the tightrope a clown must tread between the familiar and the alien, the vulnerable and the outrageous, the public and the private, a tightrope that is also apparent in significant areas of Beckett's writing.

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5

Bullivant, Keith. "HEINRICH BÖLL - A TRIBUTE." German Life and Letters 39, no. 3 (April 1986): 245–51. http://dx.doi.org/10.1111/j.1468-0483.1986.tb00885.x.

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6

Otten, Anna, and Leila Vennewitz. "The Stories of Heinrich Böll." Antioch Review 44, no. 4 (1986): 487. http://dx.doi.org/10.2307/4611665.

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7

Inmo Jeong. "Das Ausländerbild bei Heinrich Böll." Zeitschrift f？r Deutsche Sprache und Literatur ll, no. 58 (December 2012): 303–22. http://dx.doi.org/10.30947/zfdsl.2012..58.303.

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8

Inmo Jeong. "Die Trivialitätsprobleme bei Heinrich Böll." Zeitschrift f？r Deutsche Sprache und Literatur ll, no. 70 (December 2015): 337–55. http://dx.doi.org/10.30947/zfdsl.2015..70.337.

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9

Inmo Jeong. "Die Religiosität bei H. Böll." Zeitschrift f？r Deutsche Sprache und Literatur ll, no. 81 (September 2018): 65–81. http://dx.doi.org/10.30947/zfdsl.2018..81.65.

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10

Dudaš, Boris, and Barbara Kasun. "The “Good Man from Cologne”: Heinrich Böll’s Literary Ethics." Ars & Humanitas 12, no. 1 (July 20, 2018): 177–88. http://dx.doi.org/10.4312/ah.12.1.177-188.

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Moral ethics which developed and grew only to become stronger and clearer, during and after World War II is a complex and resourceful subject which can be found in the work from “The Good Man from Cologne” – Heinrich Böll. Even at first glance, Böll has a rather clear message that he sends to his readers, whether he writes from experience or his state of mind (one affected by the other): War is not to be glorified. There is not one aspect of the war that can or should be considered as pride or heroism, for no one participating (in example – honoring a soldier with a piece of metal, which is in war used to kill and destroy). Then, why write about war? Because no one should ever forget it. All the suffering and victims should be presented simply – as they were, to warn and clarify the readers. The clarification meant for Böll to name the ones that let this kind of horror to take place, like organizations that collaborated with the Nazis for their own interests. In his works, he shows how the characters – uneducated and the intellectuals – deal with guilt even years after the war has ended – every simple character for himself, as an individual. Therefore, he shows his compassion for the simple men but underlines his hostility towards organizations. Not only have Germans had to live with their guilt, but also with a vast amount of rubble – in their minds, souls, but also in their physical world. That is why Böll holds onto “Rubble Literature” for a long period after the war. The importance of the precise depiction of war shows how strongly Böll committed in his effort to shine the light only on the real side of war. His determination to fight for the “weak” that were by the mainstream defined as “waste” shows high levels of his morality and ethics. He enjoys a society full of individuals, whose life conditions vary from case to case, and therefore, vary in their (inter)actions towards life, and is their voice in the constant fight for human and civil rights.

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11

Dudaš, Boris, and Barbara Kasun. "The “Good Man from Cologne”: Heinrich Böll’s Literary Ethics." Ars & Humanitas 12, no. 1 (July 20, 2018): 177–88. http://dx.doi.org/10.4312/ars.12.1.177-188.

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Moral ethics which developed and grew only to become stronger and clearer, during and after World War II is a complex and resourceful subject which can be found in the work from “The Good Man from Cologne” – Heinrich Böll. Even at first glance, Böll has a rather clear message that he sends to his readers, whether he writes from experience or his state of mind (one affected by the other): War is not to be glorified. There is not one aspect of the war that can or should be considered as pride or heroism, for no one participating (in example – honoring a soldier with a piece of metal, which is in war used to kill and destroy). Then, why write about war? Because no one should ever forget it. All the suffering and victims should be presented simply – as they were, to warn and clarify the readers. The clarification meant for Böll to name the ones that let this kind of horror to take place, like organizations that collaborated with the Nazis for their own interests. In his works, he shows how the characters – uneducated and the intellectuals – deal with guilt even years after the war has ended – every simple character for himself, as an individual. Therefore, he shows his compassion for the simple men but underlines his hostility towards organizations. Not only have Germans had to live with their guilt, but also with a vast amount of rubble – in their minds, souls, but also in their physical world. That is why Böll holds onto “Rubble Literature” for a long period after the war. The importance of the precise depiction of war shows how strongly Böll committed in his effort to shine the light only on the real side of war. His determination to fight for the “weak” that were by the mainstream defined as “waste” shows high levels of his morality and ethics. He enjoys a society full of individuals, whose life conditions vary from case to case, and therefore, vary in their (inter)actions towards life, and is their voice in the constant fight for human and civil rights.

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12

Schirmacher, Henrike. "Tofu statt Speck." agrarzeitung 76, no. 1 (2021): 8. http://dx.doi.org/10.51202/1869-9707-2021-1-008.

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13

Melnikova, L. "The Conception of the Formation of the Personality of the Heroes in the Novel by H. Böll ‘The Clown’ and the Novel by F. M. Dostoevsky ‘The Adolescent’: Creative Parallels." Bulletin of Science and Practice 7, no. 11 (November 15, 2021): 415–23. http://dx.doi.org/10.33619/2414-2948/72/52.

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Through a comparative analysis of the images and conceptions of the formation of the personality of Hans Schnier and Arkady Dolgoruky, the paper reveals the signs of a literary dialogue between H. Böll and F. M. Dostoevsky in terms of disclosing the theme of upbringing in the novels ‘The Clown’ and ‘The Adolescent’. It was found that in both works the process of the formation of the characters and world views of the central characters is shown unevenly through the representation of the key moments of their biography which evoked a strong emotional response from the characters. In the above-mentioned novels, similar methods of psychologism are used: confession, recollection. At the same time, H. Böll endows his text with more acute social problems than F. M. Dostoevsky. His hero is categorical in his assessments and polemic in relation to the society around him, the morality of the majority of whose representatives he not only finds unacceptable, but also castigates. Based on this, we can conclude that H. Böll reconstructs the model of the hero’s personal development in the novel ‘The Clown’ by not only taking into account the traditions of the Russian classic author, but also in the context of sharp criticism of the realities of his contemporary society.

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14

Mühlnikel, Ingrid. "Böll-Stiftung: Mehr Einfluss für Versicherte." kma - Klinik Management aktuell 17, no. 04 (April 2012): 6. http://dx.doi.org/10.1055/s-0036-1576399.

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Die Grünen-nahe Heinrich-Böll-Stiftung hat eine Kommission Gesundheitspolitik eingerichtet. Sie soll herausfinden, welche Anreize es braucht, um Gesundheit zu vertretbaren Kosten zu erhalten. Erste Ergebnisse werden in einem Jahr erwartet.

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15

Jeong, In Mo. "Die Heinrich-Böll-Rezeption in Korea." Deutsche Sprach- und Literaturwissenschaft 25, no. 4 (December 31, 2017): 173–90. http://dx.doi.org/10.24830/kgd.25.4.9.

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16

Alvarenga, Luis. "Böll, Heinrich: Leer nos hace rebeldes." Realidad: Revista de Ciencias Sociales y Humanidades, no. 95 (October 28, 2003): 703–5. http://dx.doi.org/10.5377/realidad.v0i95.4232.

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17

Melnikova, L. A. "Traditions of F.M. Dostoevsky in Story of G. Böll “Burning”." Nauchnyi dialog 11, no. 1 (January 28, 2022): 279–95. http://dx.doi.org/10.24224/2227-1295-2022-11-1-279-295.

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The features of G. Böll’s comprehension of the problem of “humiliated and insulted” heroes in the story “The Burning Ones” are analyzed in the context of the literary influence on this work of the novel by F.M. Dostoevsky “Crime and Punishment”. The method of comparative historical analysis is used. The relevance of the study is due to the need for a comprehensive and diverse study of the literary dialogue between H. Böll and F.M. Dostoevsky. The novelty of the study lies in the fact that the story of G. Böll “Burning” considered in the article, became the object of study in Russian literary criticism for the first time. It has been established that the German writer develops the idea of the Russian classic about the spiritual transformation of morally fallen characters through redemptive suffering, the healing power of love, and turning to religion. Between the artistic worlds of the works under consideration, parallels are also revealed at the level of individual images (Sonya and Susanna) and motives (resurrecting love). Comparison of the poetological features of the story “Burning” and the novel “Crime and Punishment” not only reveals the similarity of the aesthetic attitudes of the two authors in these works, but also helps to determine a number of main directions in the reception of the artistic experience of F.M. Dostoevsky, developed in the further work of G. Böll.

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18

Lotman, Mihhail. "Orwell’s List." Central and Eastern European Review 12, no. 1 (December 1, 2018): 48–62. http://dx.doi.org/10.2478/caeer-2019-0003.

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Abstract Drawing on works of literature, especially ones written by Dostoyevsky and Böll, this essay discusses Orwell’s decision, at the height of the Cold War, to inform against suspected Leftist sympathisers.

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19

Galle, Helmut. "Zerstören oder Bewahren? Umgang mit kulturellem Erbe bel H. Böll und E. Loest." Pandaemonium Germanicum, no. 7 (December 19, 2003): 121. http://dx.doi.org/10.11606/1982-8837.pg.2003.64880.

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O artigo descreve e analisa como dois importantes autores de oposição intelectual na Alemanha Ocidental (Böll) e Oriental (Loest) reconstroem, cada um para sua sociedade, as atitudes dominantes frente ao patrimônio cultural e arquitetônico. Em cada caso, as atitudes das elites do poder diferem daquelas dos opositores: Na RFA, o governo, em geral, preserva os monumentos, fingindo uma continuidade histórica; na RDA, o governo destrói palácios e igrejas para romper com as tradições. Os autores simpatizam com os opositores: Böll, no oeste, enfatiza a necessidade de destruir o patrimônio cultural para recuperar a função memorativa do mesmo, enquanto Loest opta pela resistência contra a política oficial da destruição no leste. A preservação de monumentos históricos é vista, em ambos os casos, em função das necessidades da geração atual, não como valor em si mesmo.

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20

Böll, Verena, Denis Nosnitsin, Thomas Rave, Wolbert G. C. Smidt, and Evgenia Sokolinskaia. "Index to Studia Aethiopica." Aethiopica 8 (November 19, 2012): 184–206. http://dx.doi.org/10.15460/aethiopica.8.1.334.

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Index to Verena Böll, Denis Nosnitsin, Thomas Rave, Wolbert Smidt and Evgenia Sokolinskaia (eds.), Studia Aethiopica. In Honour of Siegbert Uhlig on the Occasion of his 65th Birthday, Harrassowitz Verlag: Wiesbaden 2004, 459 pp.

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21

Cabral Ribeiro, Wallace. "Religião e Política: Medos sociais, extremismo religioso e as eleições de 2014 [Christina Vital da Cunha; Paulo Victor Leite Lopes; Janayna Lui]." Diversidade Religiosa 8, no. 2 (December 12, 2018): 157–62. http://dx.doi.org/10.22478/ufpb.2317-0476.2018v8n2.41896.

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VITAL DA CUNHA, Christina; LOPES, Paulo Victor Leite; LUI, Janayna. Religião e Política: Medos sociais, extremismo religioso e as eleições de 2014. Rio de Janeiro: Instituto de Estudos da Religião: Fundação Heinrich Böll, 2017, 196 P.

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22

Ubieto Artur, Mª Clara. "Técnicas narrativas en las novelas de Heinrich Böll." Philologia Hispalensis 2, no. 4 (1989): 841–50. http://dx.doi.org/10.12795/ph.1989.v04.i02.33.

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23

Schnell, Ralf, and Janelle Blankenship. "German Debates: Heinrich Böll and the GDR." New German Critique, no. 88 (2003): 55. http://dx.doi.org/10.2307/3211158.

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24

Jeong, chanjong. "Eine Studie zum konservativen Moralisten Heinrich Böll." Zeitschrift f？r Deutsche Sprache und Literatur ll, no. 78 (December 2017): 309–24. http://dx.doi.org/10.30947/zfdsl.2017..78.309.

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25

Ziolkowski, Theodore, and Heinrich Vormweg. "Der andere Deutsche. Heinrich Böll: Eine Biographie." World Literature Today 75, no. 3/4 (2001): 187. http://dx.doi.org/10.2307/40156905.

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26

Levitina, Alisa. "The House that Böll Built: the Concept of House in Heinrich Böll’s 1950-s Novels." Stephanos Peer reviewed multilanguage scientific journal 65, no. 3 (May 31, 2024): 112–19. http://dx.doi.org/10.24249/2309-9917-2024-65-3-112-119.

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The article analyzes the concept of house in three 1950-s novels by H. Böll: “And Never Said a Word”, “The Unguarded House; Tomorrow and Yesterday” and “Billiards at half past nine”. Special attention is paid to the problems of space exploration and the “chaos-order” dichotomy.

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27

Sheverinova, Olga. "Family Name Socio-Pragmatic Informative Value in the LiteraryWorks by H. Böll." Izvestia of Smolensk State University, no. 3 (51) (November 2, 2020): 143–55. http://dx.doi.org/10.35785/2072-9464-2020-51-3-143-155.

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The article is aimed at revealing the specificity of socio-pragmatic informative value of literary anthroponyms used by H. Böll in his literary works. The study of the onyms mentioned in such an aspect demonstrates the lack of comprehensive research. As a result, the findings covered this aspect are dispersal in scientific and practical work. However, literary onyms are considered to be semantic and text-forming units of a literary text and they are used to identify and differentiate the persons on their social, cultural, and psychological background, as well as to create the characters with national peculiarities. The object of the study includes the contextual units representing the «family names» anthroponymic category. The data collected are based on the following literary works by H. Böll: «Where Were You, Adam?» («Wo warst du, Adam?»), «Billiards at Half-Past Nine» («Billard um halb zehn»), «House without Guardians» («Haus ohne Hüter»), «The Clown» («Ansichten eines Clowns»). The continuous sampling method, qualitative-quantitative and descriptive ones, component and contextual analysis have been used as study methodology. The article contains certain essential results of the dissertation that have not been published yet. It is established that family names used by H. Böll are a means of revealing the following socio-pragmatic information: 1) the character’s nationality (a correlation between literary family names and the real national anthroponymic system is revealed); 2) a geographical location (family names with a typical sound and alphabetic composition that helps to define the place where the events occur); 3) social status (family names with the «von» component indicate both the character’s social status and their relationship with other members of the community); 4) a direct / indirect character’s description (family names with pure inner forms of the words and an updated internal form and appellatively based family names).

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28

Jung, Werner. "Heinrich Böll: Briefe aus dem Krieg 1939-1945." Geschichte in Köln 49, no. 1 (December 2002): 306–10. http://dx.doi.org/10.7788/gik.2002.49.1.306.

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29

Lee,Kwan-Woo. "Überlegungen zur Ästhetik des Humanen von Heinrich Böll." Zeitschrift f？r Deutsche Sprache und Literatur ll, no. 48 (June 2010): 97–118. http://dx.doi.org/10.30947/zfdsl.2010..48.97.

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30

Jeong, chanjong. "Relektüre Trümmerliteratur - Haus ohne Hüter von Heinrich Böll -." Zeitschrift f？r Deutsche Sprache und Literatur ll, no. 86 (December 2019): 21–43. http://dx.doi.org/10.30947/zfdsl.2019..86.21.

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31

Ueberschär, Ellen. "Entretien avec Ellen Ueberschär (Fondation Heinrich-Böll, Verts)." BLUE N° 1, no. 1 (September 1, 2021): 103–6. http://dx.doi.org/10.3917/blue.001.0103.

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32

Mandolang, Nova. "TINDAK UJAR ILOKUSI DALAM ROMAN “UND SAGTE KEIN EINZIGES WORT” KARYA HEINRICH BӦLL." Kadera Bahasa 11, no. 1 (August 6, 2019): 13–32. http://dx.doi.org/10.47541/kaba.v11i1.62.

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This study discusses the actions of ilokusi in the roman "Und Sagte Kein Einziges Wort" by Heinrich Böll. The focus of the research is direct and indirect illocutionary speech acts between the characters in the romance and the form of the storyteller by looking at the themes and forming elements of the romance theme. The purposes of this study are: 1) identify and describe the theme and elements forming the romance theme "Und Sagte Kein Einziges Wort"; 2) describes the form of the storyteller and the meaning of direct and indirect illocutionary acts between characters. The language approach (sprechakt) is a method of analysis applied to data based on communication in literary texts. The results of the discussion indicate that in the novel "Und Sagte Kein Einziges Wort" by Heinrich Böll there are utterances containing actions called direct ilokusi say actions which are the same as what is spoken by the speaker so that the context or situation behind the conversation is not needed to explain the meaning contained in it and the act of saying indirect illocution that requires context.

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33

Melnikova, L. A. "THE PROBLEM OF A POSITIVE HERO IN H. BÖLL’S NOVEL “BILLIARDS AT HALF PAST NINE” IN THE CONTEXT OF THE LITERARY INFLUENCE OF F.M. DOSTOEVSKY." Bulletin of Udmurt University. Series History and Philology 29, no. 6 (December 25, 2019): 1018–23. http://dx.doi.org/10.35634/2412-9534-2019-29-6-1018-1023.

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The paper examines the peculiarities of the reception of the artistic experience of F.M. Dostoevsky by the German writer H. Böll at the level of the figurative system of the novel “Billiards at half-past nine”. A comprehensive comparative analysis of the images of Makar Dolgoruky and Shrella allows us to reveal a number of artistic similarities between these characters, manifested both in terms of character disclosure (the presence in both characters such qualities as humility, insight, moral hardness, religiosity) as well as in the aspect of artistic functions (the role they play as a moral guide for central characters). This confirms the fact that in this work there are signs of the literary influence of F.M. Dostoevsky on the creative style of H. Böll. At the same time, the problem of a positive hero in the novel “Billiards at half-past nine” is developed on the material of the German post-war reality in close connection with the historical and political context. The German writer creates an original image of a distinctive character, imbued with special symbolism.

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34

Kholiyarov, Lutfulla Tashkuvatovich, and Abdushukur Alibaevich Rustamov. "FEATURES OF STRUCTURAL ANALYSIS IN THE PROSE OF HEINRICH BÖLL." CURRENT RESEARCH JOURNAL OF PEDAGOGICS 02, no. 11 (November 1, 2021): 64–70. http://dx.doi.org/10.37547/pedagogics-crjp-02-11-14.

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Heinrich Theodor Böll - German writer (FRG), translator, Nobel Prize winner in literature. This article examines the history of his life and the stages of creativity, one of the largest artists of German literature of the twentieth century, who has always been in the center of attention of researchers and critics around the world. The subject of the research is the artistic features of the presentation of the concept of moral and aesthetic problems in the writer’s works.

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35

Meier, Daniel, and Hussein Baydoun. "Borderlanders of Lebanon: People from the In-between Spaces." Borders in Globalization Review 2, no. 2 (June 9, 2021): 134–40. http://dx.doi.org/10.18357/bigr22202120078.

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This portfolio stems from a research project focusing on the many ways the residents of the border regions of Lebanon, or “borderlanders”, live and perceive the international borders. Funded by the Heinrich Böll Stiftung (Berlin-Beyrouth) and the Institut Convergences Migrations (Paris), this original research was conducted by photographer Hussein Baydoun and researcher Daniel Meier with the aim of visibalizing a category of unseen people: borderlanders.

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36

Heise, Eloâ Di Pierro. "A Obra de Heinrich Böll, Uma “ L’art pour L’homme”." Língua e Literatura 15 (December 19, 1986): 35. http://dx.doi.org/10.11606/issn.2594-5963.lilit.1986.113979.

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37

Kuchukova, Zukhra A., Burkhan A. Berberov, and Liana B. Berberova. "Jerome Salinger and Heinrich Böll: experience of transcultural creativity." Philological Sciences. Scientific Essays of Higher Education 2, no. 6 (November 2020): 280–91. http://dx.doi.org/10.20339/phs.6-20.280.

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The article examines one of the notable in the history of world literature experiences of transcultural creativity on the material of the novels by the American J. Salinger “The Catcher in the Rye” and the German G. Böll “Through the Eyes of the Clown”, linked not only by intertextual calls, but also by the name of R. Wright-Kovaleva, who translated both novels into Russian. Within the framework of such three-dimensional intercultural communication, a wide range of issues related to the phenomena of literary translation, palimpsest, prototext, comparative studies, game poetics are considered. The cultural codes identified by the method of continuous sampling include “the child as a narrator”, “infantilization of society”, “the disease of historical time”, “the lack of culture of Eros”, “art as a spiritual poison”.

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Kowalski, Jacek. "The image of the world and man in the works of Wolfgang Borchert’s Draußen vor der Tür (1947) and Heinrich Bölls Wo warst du, Adam? (1951)." Radomskie Studia Filologiczne. Radom Philological Studies 1, no. 11 (February 19, 2024): 89–100. http://dx.doi.org/10.24136/rsf.2022.006.

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This article discusses selected aspects of the creation of the image of the world and man in selected literary works of early post-war literature on the example of the works of the most important representatives of this period – Wolfgang Borchert and Heinrich Böll. The creators of the so-called literature of ruins revealed the experience of total destruction of man as an individual deprived of individuality, emphasized the moral decline of the war and post-war world.

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Reid, J. H. "Labyrinths: Heinrich Böll, Ansichten eines Clowns, and the nouveau roman." Modern Language Review 115, no. 1 (2020): 107–23. http://dx.doi.org/10.1353/mlr.2020.0045.

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Dobryashkina, Anna V. "First Trips of West German Writers to the USSR." Literary Fact, no. 32 (2024): 320–40. http://dx.doi.org/10.22455/2541-8297-2024-32-320-340.

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The first trips of West German writers to the Soviet Union after 1955 are practically not highlighted in the research literature. The article relies on RGALI documents: letters of German writers and reports made by their translators for the Soviet Writers’ Union. Establishing official contacts with West German writers became the main direction of Soviet literary policy in the post-war period. Before 1955, when diplomatic relations between the FRG and the USSR began, the writers of West Germany did not come to the USSR. The Foreign Commission of the Soviet Writers’ Union had insufficient information about contemporary German literature: new authors and their works, new literary groups, and artistic trends were not known in the USSR. The first West German guests of the Soviet Writers’ Union were little-known authors and journalists, as well as writers who sympathized with the USSR. In 1959, two famous West German authors, Heinrich Böll and Stefan Andres, were invited to the Third USSR Writers’ Congress. Böll refused the invitation, and Andres came to the USSR unofficially. In Moscow, Andres succeeded in meeting with the German Ambassador to the USSR to touch upon cooperation between West German and Soviet writers. Hermann Kasack, one of the most prominent German writers, was also in Moscow in the autumn of 1959, at the invitation of his son, an employee of the German embassy, and took part in the organization of the first Moscow delegation to the FRG in 1960.

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Seydel, Ute. "La recepción de un texto de Heinrich Böll por lectores mexicanos." Anuario de Letras Modernas 5 (December 31, 1995): 139–50. http://dx.doi.org/10.22201/ffyl.01860526p.1992.5.938.

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Conard. "Young Man Heinrich Böll: An Introduction with Five Translations and Commentary." Antioch Review 76, no. 4 (2018): 585. http://dx.doi.org/10.7723/antiochreview.76.4.0585.

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Hahn, Hans. "Heinrich Böll heute: Ansichten zu seinem Roman Gruppenbild mit Dame." Oxford German Studies 51, no. 1 (January 2, 2022): 77–91. http://dx.doi.org/10.1080/00787191.2022.2066860.

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Timenchik, Roman D. "From the Name Index to Akhmatova's Notebooks: To German." Literary Fact, no. 21 (2021): 326–51. http://dx.doi.org/10.22455/2541-8297-2021-21-326-351.

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Articles from the author’s cycle “From the Name Index to Akhmatova's Notebooks” demonstrate the experience of extensive commentary on Akhmatova's working notes, organized around the names of characters entered on her notebooks’ pages. It is a kind of free Akhmatova encyclopedia, where the onomasticon combines different times of her long life. This (fifty-first in the cycle) article is organized around the “German theme” and is dedicated to the 80th anniversary of the outstanding philologist Konstantin Azadovsky and concerns the characters, one way or another, touched upon in his scientific works. These are poets-Germanophones (V. Zubov, R.M. Rilke), translators of Akhmatova's poems into German (I. von Gunther, Felix Zelinsky, Frans Leschnitzer, Maximilian Schick), a German visitor (Heinrich Böll).

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Fuhrbach, Clemens. "Can Heroes Be Outsiders? - Narratives of the Feminine in the Novel Group Portrait with a Lady Heinrich Böll and in the Film with Romy Schneider." Kronstädter Beiträge zur germanistischen Forschung 24 (June 1, 2024): 39–54. http://dx.doi.org/10.31926/kbzgf.2024.24.03.

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This paper raises the question of whether traditional narratives and cinematic productions serve a patriarchal expectation. For this purpose, the first step is to confront the definition of heroic poetry with a feminist perspective. While the hero must represent the typology of possibilities of human action, the heroine additionally serves the narrative of auctorial 'femininity'. Using the novel Gruppenbild mit Dame as an example, the article shows how Heinrich Böll democratizes the process. The representation reflects how a group negotiates an image of women. At the same time, the voice of the character is absent almost throughout. In this sense, the film version with Romy Schneider shows how bourgeois expectations can be counteracted by human action.

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Schwalm, Frank. "Heinrich Böll und die Kölner Kontroverse Ober die Wehrmachts-Vergangenheit des Bischofs Defregger." Geschichte in Köln 49, no. 1 (December 2002): 239–56. http://dx.doi.org/10.7788/gik.2002.49.1.239.

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Levchenko, Marina N. "THE NOVEL BY H. BÖLL “EYES OF THE CLOWN” AND ITS LINGUISTIC SPACE." Bulletin of the Moscow State Regional University (Linguistics), no. 2 (2019): 15–23. http://dx.doi.org/10.18384/2310-712x-2019-2-15-23.

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Reid, J. H. "‘ICH WILL MICH GAR NICHT MIT IHM VERGLEICHEN’: HEINRICH BÖLL AND CHARLES DICKENS." German Life and Letters 66, no. 1 (January 2013): 77–92. http://dx.doi.org/10.1111/glal.12004.

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Kosovan, Elena A. "POST-SOVIET CITY AS A PALIMPSEST." RSUH/RGGU Bulletin. Series Eurasian studies. History. Political science. International relations, no. 4 (2020): 48–68. http://dx.doi.org/10.28995/2686-7648-2020-4-48-68.

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The author of the publication reviews the photobook “Palimpsests”, published in 2018 in the publishing house “Ad Marginem Press” with the support of the Heinrich Böll Foundation. The book presents photos of post-Soviet cities taken by M. Sher. Preface, the author of which is the coordinator of the “Democracy” program of the Heinrich Böll Foundation in Russia N. Fatykhova, as well as articles by M. Trudolyubov and K. Bush, which accompany these photos, contain explanation of the peculiarities of urban space formation and patterns of its habitation in the Soviet Union times and in the post-Soviet period. The author of the publication highly appreciates the publication under review. Analyzing the photographic works of M. Sher and their interpretation undertaken in the articles, the author of the publication agrees with the main conclusions of N. Fatykhova, M. Trudolyubov and K. Bush with regards to the importance of the role of the state in the processes of urban development and urbanization in the Soviet and post-Soviet space, but points out that the second factor that has a key influence on these processes is ownership relations. The paper positively assesses the approach proposed by the authors of the photobook to the study of the post-Soviet city as an architectural and landscape palimpsest consisting mainly of two layers, “socialist” and “capitalist”. The author of the publication specifically emphasizes the importance of analyzing the archetypal component of this palimpsest, pointing out that the articles published in the reviewed book do not pay sufficient attention to this issue. Particular importance is attributed by the author to the issue of metageography of post-Soviet cities and meta-geographical approach to their exploration. Emphasizing that the urban palimpsest is a system of realities, each in turn including a multitude of ideas, meanings, symbols, and interpretations, the author points out that the photobook “Palimpsests” is actually an invitation to a scientific game with space, which should start a new direction in the study of post-Soviet urban space.

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Reid. "Labyrinths: Heinrich Böll, Ansichten eines Clowns, and the nouveau roman." Modern Language Review 115, no. 1 (2020): 107. http://dx.doi.org/10.5699/modelangrevi.115.1.0107.

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