Relevant bibliographies by topics / Böll

Academic literature on the topic 'Böll'

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Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "Böll"

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Dallmann, Tino. "Australian Angst – das Thema des Terrorismus in Richard Flanagans „The Unknown Terrorist“." arbeitstitel | Forum für Leipziger Promovierende 3, no. 2 (December 31, 2011): 107–16. http://dx.doi.org/10.36258/aflp.v3i2.3231.

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Schon lange vor den Anschlägen am 11. September 2001 hat sich die Literatur mit dem Terrorismus beschäftigt. Zahlreiche Romanautoren haben versucht, die Ursachen terroristischer Gewalt zu beschreiben und sind dabei Fragen der gesellschaftlichen Situation und der nationalen Identität nachgegangen. In der Bundesrepublik der 1970er Jahre hat sich vor allem Heinrich Böll kritisch zum Geschehen seiner Zeit geäußert. In dieser Tradition steht der australische Schriftsteller Richard Flanagan, der in The Unknown Terrorist an eine Erzählung Bölls anknüpft und eine Gesellschaft beschreibt, die vor allem durch ein Gefühl bestimmt ist: das Gefühl der Angst.
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Graf, Manuela. "Ein Land, in dem sich das Süße mit dem Bitteren vermischt. Irland als Objekt der Sehnsucht in der deutschen Literatur am Beispiel des Irischen Tagebuchs von Heinrich Böll." Transfer. Reception Studies 7 (December 30, 2022): 127–43. http://dx.doi.org/10.16926/trs.2022.07.13.

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Das 1957 erschienene Irische Tagebuch von Heinrich Böll prägte in der Vorstellung der deutschen Leser ein Bild von Irland als einer geheimnisvollen Insel, auf der Glück und Melancholie Hand in Hand gehen - ein Bild, das bis heute Bestand hat. Das Werk, eine Sammlung loser Kurzgeschichten, die auf den Reiseerfahrungen des Autors beruhen, zeigt die Grüne Insel als ein Land der Kontraste und widersprüchlichen Gefühle, in dem sich die Vergangenheit mit der Gegenwart vermischt und in dem die mythische Landschaft und die scheinbare Einfachheit des Lebens einen tieferen Grund verbergen. Das Gleiche gilt für das Tagebuch selbst, das zwischen Beschreibungen malerischer Landschaften und irischer Bräuche auch Themen wie die allgegenwärtige Armut, die unvermeidliche Auswanderung, die Perspektivlosigkeit und die fast fanatische Religiosität, die Irland plagen, einfließen lässt. Diese Extreme lösten bei Heinrich Böll jedoch eine Sehnsucht nach der Ursprünglichkeit und Aufrichtigkeit der Grünen Insel aus, deren Fehlen er sehr stark spürte. Mit der Veröffentlichung des Irischen Tagebuchs wurde die persönliche Sehnsucht eines Mannes zu einem Massenwunsch der deutschen Gesellschaft, ein Land der „Fehler und Wahrheiten“ zu sehen und zu erleben. Mehr als 60 Jahre nach seinem Erscheinen inspiriert Heinrich Bölls Werk noch immer Generationen von Lesern zu Reisen mit dem Versprechen, eine Sehnsucht nach Irland zu stillen.
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Pütz, Horst. "Jochen Schubert: Heinrich Böll." Das Historisch-Politische Buch 66, no. 2 (June 1, 2018): 205. http://dx.doi.org/10.3790/hpb.66.2.205.

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Bryden, Mary. "BECKETT, BÖLL, AND CLOWNS." Samuel Beckett Today / Aujourd'hui 19, no. 1 (August 1, 2008): 157–71. http://dx.doi.org/10.1163/18757405-019001013.

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After relating the importance of the moment in Beckett's work to the clownish act's quicksilver moment that reverses or modifies a mood or situation, this essay identifies affiliations between Beckett's work and varieties of clowning which derive not so much from knockabout farce and merriment but rather from containment and introspection, even constraint. In interaction with Heinrich Böll's novel , the essay concentrates upon the tightrope a clown must tread between the familiar and the alien, the vulnerable and the outrageous, the public and the private, a tightrope that is also apparent in significant areas of Beckett's writing.
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Bullivant, Keith. "HEINRICH BÖLL - A TRIBUTE." German Life and Letters 39, no. 3 (April 1986): 245–51. http://dx.doi.org/10.1111/j.1468-0483.1986.tb00885.x.

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Otten, Anna, and Leila Vennewitz. "The Stories of Heinrich Böll." Antioch Review 44, no. 4 (1986): 487. http://dx.doi.org/10.2307/4611665.

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Inmo Jeong. "Das Ausländerbild bei Heinrich Böll." Zeitschrift f？r Deutsche Sprache und Literatur ll, no. 58 (December 2012): 303–22. http://dx.doi.org/10.30947/zfdsl.2012..58.303.

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Inmo Jeong. "Die Trivialitätsprobleme bei Heinrich Böll." Zeitschrift f？r Deutsche Sprache und Literatur ll, no. 70 (December 2015): 337–55. http://dx.doi.org/10.30947/zfdsl.2015..70.337.

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Inmo Jeong. "Die Religiosität bei H. Böll." Zeitschrift f？r Deutsche Sprache und Literatur ll, no. 81 (September 2018): 65–81. http://dx.doi.org/10.30947/zfdsl.2018..81.65.

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Dudaš, Boris, and Barbara Kasun. "The “Good Man from Cologne”: Heinrich Böll’s Literary Ethics." Ars & Humanitas 12, no. 1 (July 20, 2018): 177–88. http://dx.doi.org/10.4312/ah.12.1.177-188.

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Moral ethics which developed and grew only to become stronger and clearer, during and after World War II is a complex and resourceful subject which can be found in the work from “The Good Man from Cologne” – Heinrich Böll. Even at first glance, Böll has a rather clear message that he sends to his readers, whether he writes from experience or his state of mind (one affected by the other): War is not to be glorified. There is not one aspect of the war that can or should be considered as pride or heroism, for no one participating (in example – honoring a soldier with a piece of metal, which is in war used to kill and destroy). Then, why write about war? Because no one should ever forget it. All the suffering and victims should be presented simply – as they were, to warn and clarify the readers. The clarification meant for Böll to name the ones that let this kind of horror to take place, like organizations that collaborated with the Nazis for their own interests. In his works, he shows how the characters – uneducated and the intellectuals – deal with guilt even years after the war has ended – every simple character for himself, as an individual. Therefore, he shows his compassion for the simple men but underlines his hostility towards organizations. Not only have Germans had to live with their guilt, but also with a vast amount of rubble – in their minds, souls, but also in their physical world. That is why Böll holds onto “Rubble Literature” for a long period after the war. The importance of the precise depiction of war shows how strongly Böll committed in his effort to shine the light only on the real side of war. His determination to fight for the “weak” that were by the mainstream defined as “waste” shows high levels of his morality and ethics. He enjoys a society full of individuals, whose life conditions vary from case to case, and therefore, vary in their (inter)actions towards life, and is their voice in the constant fight for human and civil rights.
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Dissertations / Theses on the topic "Böll"

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Jané, Lligé Jordi. "La recepció de Heinrich Böll a Espanya." Doctoral thesis, Universitat Pompeu Fabra, 2006. http://hdl.handle.net/10803/7585.

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En la tesi doctoral "La recepció de Heinrich Böll a Espanya" s'analitza el procés de divulgació a Espanya de l'obra de l'escriptor alemany contemporani que s'hi ha reeditat més vegades, i se'n proposa una periodització. L'estudi se centra en dos àmbits: la recepció externa de Böll (editorials que se n'ocupen, reaccions de la crítica i el món acadèmic); i l'anàlisi textual d'una selecció de traduccions seves al català i al castellà. En el primer apartat es parteix d'un enfocament sociològic i es compara la recepció espanyola i catalana amb l'alemanya; en el segon es pren com a base el model de la lingüista Juliane House per a l'avaluació de traduccions (que parteix també de la comparació amb els originals), adaptant-lo a l'estudi de textos narratius de ficció. S'ha intentat relacionar aquests dos enfocaments d'anàlisi sempre que les metodologies aplicades ho han permès. El treball no parteix d'un ànim avaluatiu, sinó descriptiu.
En la tesis doctoral "La recepción de Heinrich Böll en España" se analiza el proceso de divulgación de la obra del escritor alemán más veces reeditado en este país y se propone una periodización de ese proceso. El estudio se centra en dos ámbitos: la recepción externa de Böll (editoriales que se ocupan del autor, reacciones de la crítica y del mundo académico); y el análisis textual de una selección de traducciones de obras suyas al catalán y al castellano. En el primer apartado se parte de un enfoque sociológico y se compara la recepción española y la catalana con la alemana; en el segundo se toma como base el modelo de la lingüista Juliane House para la evaluación de traducciones (que parte también de la comparación con los originales), adaptándolo al estudio de textos narrativos de ficción. Se ha intentado relacionar ambos enfoques de análisis siempre que las metodologías aplicadas así lo han permitido. Este trabajo no parte de un ánimo evaluativo, sino descriptivo.
The doctoral thesis "The reception of Heinrich Böll in Spain" analyzes the spreading process of the work of the most published contemporary German writer in this country, and proposes a periodization for it. The work is based on two wide fields of study: on the one side the 'external reception' of the process (role of publishers and reactions of literary criticism, scholars and of the academic world) and on the other side the 'textual analysis' of some in Catalan and Spanish translated works of the author. For the first area a sociological perspective is adopted and the Spanish and Catalan processes are compared with the German one, for the second area the Juliane House model for translation quality assessment is used (which is also based on textual comparison) and adapted for the analysis of fictional narrative texts. I have attempted to relate the two perspectives of analysis as far as the methodological procedures have allowed it. My work does not pursue an evaluative aim, rather a descriptive one.
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Rousseau-Fischer, Pascale. "Irlande : l'île de Heinrich Böll et Michel Déon." Toulouse 2, 1992. http://www.theses.fr/1992TOU20074.

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Les voyages de Heinrich Boll et Michel Deon en Irlande s’inscrivent dans la tradition des échanges littéraires germano-irlandais et franco-irlandais. Dans leurs livres, Irisches Tagebuch de Boll et Un taxi mauve et Les poneys sauvages de Deon, les images insulaires qu’ils offrent de l’Irlande sont celles du bateau, du paradis et de l’enfer, de l’arche de Noé et de la terre-mère. Ces images montrent leur volonté de trouver en Irlande le calme pour écrire. Cette attitude est en sens inverse de celle des écrivains irlandais. En effet, étrangers en Irlande, Boll et Deon idéalisent ce pays, ils voient l’Irlande comme un refuge en Europe, la terre de l’oubli et des adieux et comme un exemple pour l’avenir.
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Rinaldi, Emma. "Heinrich Böll: una voce controversa tra i mutamenti del Novecento." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2019.

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Questo elaborato si propone di analizzare i fatti che hanno segnato il secondo dopoguerra attraverso lo sguardo critico di uno degli autori tedeschi più celebri e amati: Heinrich Böll. Lo scrittore incarna, infatti, lo spirito della littérature engagée, in quanto utilizza le sue opere per denunciare le ingiustizie e i comportamenti che ritiene sbagliati. La prosa di Böll non si limita ad una sola fase della storia tedesca ma spazia, a partire dai primi anni del Novecento fino agli anni più recenti dell’immediato dopoguerra, del boom economico e della Guerra Fredda, periodo in cui si focalizza la mia tesi. Tra le numerose opere di Böll, quelle prese in analisi all’interno dell’elaborato sono la parabola Anekdote zur Senkung der Arbeitsmoral, che critica i lati negativi del miracolo economico tedesco, come la perdita di valori, e il suo romanzo più conosciuto: Die verlorene Ehre der Katharina Blum. Questo romanzo, che rappresenta il nucleo della tesi, mi permetterà di introdurre il clima di tensione che si respirava in Germania durante gli anni del terrorismo e il conseguente comportamento della stampa, contro cui Böll si accanisce in particolar modo, il quale può essere comparato nei metodi e nello stile ai moderni giornali scandalistici.
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Stefani, Kiryliuk Yuliya <1993&gt. "Die Figur des Außenseiters in ausgewählten Werken von Heinrich Böll." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15274.

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Nella mia tesi mi occuperò di analizzare dal punto di vista letterario la figura dell'outsider nelle opere dello scrittore tedesco Heinrich Böll. Per fare questo prenderò in esame alcune sue opere significative nelle quali compaiono queste figure e cercherò di studiare la loro natura e il loro rapporto con l'ambiente circostante. In principio farò una ricerca etimologica sul significato del termine e un approfondimento sulla sua evoluzione diacronica nella lingua tedesca. In seguito, al fine di comprendere meglio il concetto, farò un'analisi sociologica e antropologica delle cause che comportano l'esistenza di outsider. Procederò studiando queste figure dal punto di vista letterario cercando di metterle a confronto con la letteratura tedesca del periodo che va dal secondo dopoguerra all’inizio degli anni Settanta. A questo punto approfondirò le singole figure outsider nelle opere scelte cercando di rispondere ad alcuni quesiti: come mai queste figure si possono definire outsider e che tipi di outsider sono, perché sono molto frequenti nelle opere di Böll, che significato hanno e che cosa vorrebbe trasmettere lo scrittore tramite queste figure. Concludo esaminando nelle opere trattate il ruolo e l'influsso della lingua usata e della struttura del testo in rapporto a questo tema.
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Schmitt, Elise. "Literatura alemã pós-guerra: o Grupo 47 e a representação social em Heinrich Böll e Günter Eich." Universidade Estadual do Oeste do Parana, 2012. http://tede.unioeste.br:8080/tede/handle/tede/2523.

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The present study aims at to investigate German Literature mainly the first years after the Second World War and show how the 47 Group was built and developed, since it was composed by young writers mainly ex-prisoners who believed in literature as a new beginning and a way of helping people to find a new way of thinking after have been living by the atrocities of the war. We pay a special attention to this Group which had regularly or twice a year met for twenty years to appreciate the reading of the components presented in colloquies. In the first chapter we introduce the factors that contributed for the composition of this Group approaching literature and the writers of the time of the national-socialist regime pointing the writers who were unsatisfied with the dictatorial politics of Hitler and were exiled abroad, and also the ones who stayed in German living in a kind of "internal emigration" without writing or just for entertainment literature but not being free of the survey of the regime. We also highlight the Der Ruf magazine (The Calling) pressed in American Campus of the German war prisoners as part of a program called "re-education", once German occupation and administration had just been provided right after its defeat. From 1946 to 1947 this magazine was also edited in Monique and worked as a precursor of the 47 Group formation. The second chapter is dedicated to the Group development, to its main components profile and to the phases the Group went through during its 20 years of existence. Therefore, we based mainly on a Study Group called The Göttingen Seminar organized by Heinz Ludwig Arnold among others. The last two chapters were based in the works of Günter Eich and Heinrich Böll as representative writers of the German Literature postwar aiming at the thematic of social representation in Eich's poems and broadcasting plays and in Böll's stories and novels. It is a bibliographic research that searches its theoretical in literary critics, philosophers, sociologists and other writers such as Marcel Reich-Ranicke, Émile Durkheim, Theodor Adorno, Antonio Cândido, Maurice Halbwachs, Forster and Riegel, Alfred Andersch, Heinrich Vormweg, Hans Werner Richter, Heinrich Böll and Günter Eich.
O presente estudo tem como objetivo investigar a literatura alemã, principalmente dos primeiros anos após a Segunda Guerra Mundial e mostrar como surgiu e se desenvolveu o Grupo 47, formado por jovens escritores, em sua maioria ex-prisioneiros de guerra, que viam na literatura uma forma de recomeço e de ajuda à população para encontrar uma nova maneira de pensar, depois de ter passado pelas atrocidades da guerra. Dá-se atenção especial a este grupo que, durante vinte anos, encontrava-se regularmente uma ou duas vezes ao ano para apreciação das leituras de manuscritos dos componentes, apresentados em forma de colóquio. No primeiro capítulo, são relevados os fatores que contribuíram para a formação desse grupo, abordando, assim, a literatura e os autores da época do regime nacional-socialista, com referência aos autores que, desgostosos com a política ditatorial de Hitler, exilaram-se no exterior e aos que permaneceram na Alemanha, onde, muitos deles, vivendo uma espécie de emigração interior , deixando de escrever ou dedicando-se apenas a uma literatura de entretenimento, não livres da inspeção do regime. Destaque especial também é dado à revista Der Ruf (O chamado), editada em campos americanos de prisioneiros de guerra alemães, que fazia parte de um programa chamado re-education , uma vez que já estava prevista a ocupação e administração da Alemanha, assim que esta estaria derrotada. De 1946 a 47 a revista também foi editada em Munique e serviu de precursora à formação do grupo 47. O segundo capítulo é dedicado ao desenvolvimento do Grupo, ao perfil dos principais componentes e às fases pelas quais o grupo passou em seus 20 anos de existência. Para isso, apoiou-se, principalmente num grupo de estudos, denominado Seminário de Göttingen, organizado por Heinz Ludwig Arnold, entre outros. Já nos dois últimos capítulos, tomou-se por base as obras de Günter Eich e Heinrich Böll, ambos autores de representatividade na literatura alemã pós-guerra, visando a temática da representação social presente nos poemas e peças radiofônicas de Eich e nos contos e romances de Böll. Trata-se de uma pesquisa bibliográfica que busca fundamentação teórica em críticos literários, filósofos, sociólogos e outros autores, entre os quais se destacam Marcel Reich-Ranicke, Émile Durkheim, Theodor Adorno, Antonio Cândido, Maurice Halbwachs, Forster e Riegel, Alfred Andersch, Heinrich Vormweg, Hans Werner Richter, Heinrich Böll e Günter Eich.
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Buhanan, Kurt R. "Rethinking Trümmerliteratur: The Aesthetics of Destruction Ruins, Ruination, and Ruined Language in the Works of Böll Grass, and Celan." BYU ScholarsArchive, 2007. https://scholarsarchive.byu.edu/etd/830.

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Trümmerliteratur - literally “rubble-literature" - is a brand of literature that became important after the Second World War, led by Heinrich Böll, whom I term the apologist of German Trümmerliteratur. Typically included under this classification are the writers who began to produce in the years immediately following the war, and in whose work the rubble and ruins of the landscape figure prominently. Böll provided the programmatic framework for the movement in his “Bekenntnis zur Trümmerliteratur" but his relationship to another type of ruin writing presents a point of friction when he appears to be working in a romantic mode to describe his experience of Irish ruins. This problem was the point of departure for a new thinking of ruins. Discovering the strains of rubble literature in Grass and Celan presents the second part of this study, which dramatically recasts these writers, demanding that the presence and prevalence of ruin images and themes receive consideration. Grass's hermeneutical ruins, a reading of narrative gaps, presents the first level of ruin, separating the reader from the text's reliability and authorial immediacy. The next type of ruins that Grass presents is the violent ruinating involved in the the act of writing itself, whether chiseled into gravestones or flecking virginal paper. Similarly, Celan's images of ruins are produced in a form consciously resembling berubbled structures, with dashes and slashes often left jutting dangerously into the space of a wide margin, like the rusty reinforcing steel bars of modern construction. Considering these writers in these terms leads to the question of language and how they attempt to overcome the problem of a language manipulated into complicity in the crimes of totalitarianism. Finally, there is the transparency offered in the porous structure of the ruin. These houses prove incapable of providing the shelter or protection. The inhabitants are exposed, exhibited to the observer with all of the intimate contents of quotidian existence, the low objects of the everyday. Entrance into this interiority is a powerful part of what makes the ruins an interesting object for observation. In this literature of ruins and rubble the reader is offered this transparency, an offer of entrance into society's interiority.
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Sousa, Claire Parot de. "Böll e Kempowski: representação da Segunda Guerra Mundial em um romance (Wo warst du, Adam?) e em um \"diário coletivo\"(Das Echolot)." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8144/tde-05082010-141659/.

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O romance Wo warst du, Adam? (1951), de Heinrich Böll, e o \"diário coletivo\" Das Echolot. Barbarossa \'41. (2002), de Walter Kempowski, são representações literárias da Segunda Guerra Mundial. O romance foi escrito e publicado no período do pós-guerra, quando a sociedade alemã se encontrava em meio ao sofrimento por perdas materiais, perdas de familiares, e, também, confusa com a manipulação propagandística que havia sofrido por parte do governo alemão. Começava, ainda, a ter acesso a informações sobre os horrores e crimes bárbaros que haviam sido cometidos por soldados nazistas, principalmente contra o povo judeu. O \"diário coletivo\", por sua vez, é formado por colagens de textos individuais autênticos, escritos em sua maioria durante os acontecimentos da Segunda Guerra Mundial, por seus participantes e por aqueles que vivenciaram tal período. Não há nenhuma voz que relacione os testemunhos, a interpretação de tantas vozes dissonantes fica a cargo, exclusivamente, do leitor. Por haver cinquenta anos de intervalo entre as publicações, além de diferenças quanto ao gênero literário, esta pesquisa tem como objetivo verificar se a mudança de estrutura literária e a focalização das personagens/testemunhas estão ligadas à mudança da perspectiva atual da Segunda Guerra Mundial, a qual decorre da memória coletiva do grupo social sobre um acontecimento passado e da qual a literatura incorpora elementos. Não se trata de um estudo empírico sobre a recepção das duas obras literárias, mas sobre o potencial que as obras têm em configurar uma imagem da guerra para o leitor. Em função disso, estabelece-se uma comparação de algumas personagens e testemunhas centrais, não somente daquelas que participaram ativamente da guerra, mas também de quem esteve atento aos seus desdobramentos ou, ainda, a partir das perspectivas daqueles que seriam classificados como vítimas. O trabalho se abstrai de julgamentos pessoais sobre as testemunhas, mas os textos que produziram são analisados, comparando-as com as personagens ficcionais do romance.
The novel Wo warst du, Adam? (1951), from Heinrich Böll, and the \"collective diary\" Das Echolot. Barbarossa \'41. (2002), from Walter Kempowski, are literary representations of the Second World War. The novel was written and published in the post-war period, during which the german society found itself amidst suffering for material and for family losses, and also confused with the manipulative propaganda that had been used by the german government. The society was also gaining access to information about the horrors and hideous crimes that had been perpetrated by the nazi soldiers, especially against the jewish people. The \"collective diary\", on its turn, is composed by a collage of authentic individual texts written mostly during the Second World War, by people who participated in it and by those who lived during that period. There is no voice to connect the testimonies, and the interpretation of such an amount of dissonant voices is left exclusively to the reader. Because of the fifty-year period between the publications and the differences in literary style, this research aims at verifying if the change in literary structure and the focus on the characters/witnesses are connected to the change in the current perspective towards the Second World War, which derives from the collective memory of the social group regarding an event that took place in the past and from which literature incorporates some elements. This research is not an empirical study on the reception of both works. It studies the potential these works have in configuring an image of the war to the reader. Thus, a comparison is established between some characters and central witnesses, not only those who had actively participated in the war, but also those who had accompanied its developments, or even from the perspective of those qualified as victims. The work refrains from making judgements of the witnesses as individuals, but their texts are analyzed and they are compared with the fictional characters of the novel.
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Böll, Marvin Henry [Verfasser], Quoc Khanh [Akademischer Betreuer] Tran, and Edgar [Akademischer Betreuer] Dörsam. "Untersuchungen zur Vorhersage und Beschreibung der Farbwahrnehmung von Beleuchtungsspektren durch modifizierte Spektralwertfunkionen / Marvin Henry Böll ; Quoc Khanh Tran, Edgar Dörsam." Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2016. http://d-nb.info/112228635X/34.

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Böll, Svenja Verfasser], Gabriele [Akademischer Betreuer] [Pradel, Lothar [Akademischer Betreuer] Elling, and Christian [Akademischer Betreuer] Martin. "Die Wirkung der sauren Sphingomyelinase im allergischen T$_H}$2-gerichteten Asthma bronchiale / Svenja Böll ; Gabriele Pradel, Lothar Elling, Christian Martin." Aachen : Universitätsbibliothek der RWTH Aachen, 2021. http://d-nb.info/1235221776/34.

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Ghanim, Emad [Verfasser], and Günter [Akademischer Betreuer] Giesenfeld. "Einfluss und Rezeption deutscher Nachkriegsliteratur im arabischen Raum mit einem Schwerpunkt auf Wolfgang Borchert und Heinrich Böll / Emad Ghanim. Betreuer: Günter Giesenfeld." Marburg : Philipps-Universität Marburg, 2015. http://d-nb.info/1068315652/34.

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Books on the topic "Böll"

1

Sowinski, Bernhard. Heinrich Böll. Stuttgart: J.B. Metzler, 1993. http://dx.doi.org/10.1007/978-3-476-03972-9.

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Schubert, Jochen. Heinrich Böll. Darmstadt: Theiss, 2017.

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Böll, Heinrich. Heinrich Böll Werke. Bornheim-Merten: Lamuv, 1987.

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Sowinski, Bernhard. Heinrich Böll, Satirische Erzählungen. 2nd ed. München: Oldenbourg, 1988.

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Honsza, Norbert. Heinrich Böll--niepokorny humanista. 2nd ed. Wrocław: Wydawn. Uniwersytetu Wrocławskiego, 1997.

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1962-, Langenhorst Georg, and Gössmann Wilhelm, eds. 30 Jahre Nobelpreis Heinrich Böll: Zur literarisch-theologischen Wirkkraft Heinrich Bölls. Münster: Lit, 2002.

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Egmar, Schneidewind Wolf, ed. Heinrich Böll, Satirische Erzählungen: Interpretationen. München: R. Oldenbourg, 1986.

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Serrer, Michael. Eine Ästhetik des Humanen. Böll. Düsseldorf: Edition Virgines, 2018.

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9

Böll, Heinrich. The stories of Heinrich Böll. London: Secker & Warburg, 1986.

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Böll, Heinrich. The complete stories of Heinrich Böll. Brooklyn, N.Y: Melville House, 2011.

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Book chapters on the topic "Böll"

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Diller, Axel. "Böll, Heinrich." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5989-1.

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Hübner, Klaus. "Heinrich Böll." In Kindler Kompakt: Deutsche Literatur, 20. Jahrhundert, 183–84. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05520-0_29.

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Blamberger, Günter. "Böll, Heinrich." In Metzler Autoren Lexikon, 75–78. Stuttgart: J.B. Metzler, 1997. http://dx.doi.org/10.1007/978-3-476-03720-6_38.

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Schäfer, Markus. "Heinrich Böll." In Joseph Beuys-Handbuch, 238–41. Stuttgart: J.B. Metzler, 2021. http://dx.doi.org/10.1007/978-3-476-05792-1_42.

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Harrow, Jenny, Susan Lord, Jan Sacharko, Allyson Reaves, Anne Sander, Martha Chen, Michael Bisesi, et al. "Böll, Heinrich." In International Encyclopedia of Civil Society, 75. New York, NY: Springer US, 2010. http://dx.doi.org/10.1007/978-0-387-93996-4_9050.

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Sowinski, Bernhard. "Angaben zu Leben und Werk." In Heinrich Böll, 1–28. Stuttgart: J.B. Metzler, 1993. http://dx.doi.org/10.1007/978-3-476-03972-9_1.

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Sowinski, Bernhard. "Bölls literarisches Werk." In Heinrich Böll, 29–112. Stuttgart: J.B. Metzler, 1993. http://dx.doi.org/10.1007/978-3-476-03972-9_2.

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Sowinski, Bernhard. "Reiseberichte und Ortsbeschreibungen (Auswahl)." In Heinrich Böll, 113–17. Stuttgart: J.B. Metzler, 1993. http://dx.doi.org/10.1007/978-3-476-03972-9_3.

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Sowinski, Bernhard. "Essays, Reden, Rezensionen (Auswahl)." In Heinrich Böll, 118–25. Stuttgart: J.B. Metzler, 1993. http://dx.doi.org/10.1007/978-3-476-03972-9_4.

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Sowinski, Bernhard. "Interviews und Gespräche (Auswahl)." In Heinrich Böll, 126–30. Stuttgart: J.B. Metzler, 1993. http://dx.doi.org/10.1007/978-3-476-03972-9_5.

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Conference papers on the topic "Böll"

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Krasovec, Aleksandra N. "“KALEIDOSCOPIC” NOVEL OF JOSIP OSTI IN THE ASPECT OF TRANSCULTURALITY." In 50th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063183.10.

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Abstract:
The Slovenian-Bosnian poet, writer, essayist, literary critic, translator and editor Josip Osti (1945–2021) was born in Sarajevo, lived and worked in Slovenia since 1990. Being a recognized poet in his homeland, writing in Croatian, one of the largest translators of Slovenian literature into Serbo-Croatian, since 1997 he has been writing in Slovenian. The transcultural aspects of Josip Osti’s literary works, both poetry collections and novels, are a unique phenomenon. In our study, we turned to the novels of Josip Osti, namely his trilogy — Ghosts of the House of Heinrich Böll (2016), In Front of the Mirror (2016) and Life is a Creepy Fairy Tale (2019). All three works have a strong (auto)biographical component and form a special novel form, which the author calls the “kaleidoscope-mosaic” novel. The latter has a fragmented structure and consists of short stories, life stories, anecdotes, urban legends, essayistic notes, literary-critical digressions, lyrical passages, diary entries, etc. In Osti’s novels, we also find a connection with the tradition of short prose in Bosnian-Herzegovina literature, in particular, with the works of the 1990s by such authors as M. Jergović, D. Karahasan, N. Veličković, K. Zaimović and others. Their texts are characterized by a destabilized genre form, a mosaic narrative, personal and documentary evidence, and a palimpsest narrative model. The kaleidoscopic structure of Osti’s prose texts helps him to reflect the transcultural view characteristic of his intimate and artistic world, to embrace the complex overlap of heterogeneous elements. The novels are written in Slovene, but they are mainly devoted to the space of Sarajevo, the unique multicultural atmosphere of this city, as well as the tragedy unfolding in it; thus, the writer complements the so-called “Sarajevo text”, but already in the field of Slovenian literature, artistically comprehending the interconnectedness of Bosnia and Slovenia. Refs 19.
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Zeng, Zhiping, Shouhua Jin, and Zhiwu Yu. "Analysis of Bögl Slab Track Irregularities of Beijing-Tianjin Intercity High Speed Railway." In Second International Conference on Transportation Engineering. Reston, VA: American Society of Civil Engineers, 2009. http://dx.doi.org/10.1061/41039(345)233.

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Reports on the topic "Böll"

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Russ, Tyler. Weder Bürger noch Mensch: Gefangener der Medien und des Rechtsstaats gekoppelte Entmenschlichung mit Radikalisierung Zwei Auffassungen Heinrich Bölls Die Verlorene Ehre der Katharina Blum oder: wie Gewalt entstehen und wohin sie führen kann. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.92.

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