Relevant bibliographies by topics / Body and identity

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Body and identity'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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Journal articles on the topic "Body and identity"

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Juhász, Katalin. "Body — identity — society." Acta Ethnographica Hungarica 61, no. 2 (December 2016): 279–82. http://dx.doi.org/10.1556/022.2016.61.2.1.

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Mirucka, Beata. "Body Identity: Towards the Subjective Body." Kultura i Edukacja 4, no. 118 (December 3, 2017): 32–46. http://dx.doi.org/10.15804/kie.2017.04.03.

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Endicott, Ronald P. "Mind-Body Identity Theories." International Studies in Philosophy 25, no. 1 (1993): 94. http://dx.doi.org/10.5840/intstudphil199325196.

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Müller, S. "Body Integrity Identity Disorder." Nervenheilkunde 29, no. 01/02 (2010): 67–70. http://dx.doi.org/10.1055/s-0038-1628720.

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Adams, Frederick. "Mind-Body Identity Theories." Teaching Philosophy 14, no. 4 (1991): 433–36. http://dx.doi.org/10.5840/teachphil199114468.

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Blom, Rianne M., Raoul C. Hennekam, and Damiaan Denys. "Body Integrity Identity Disorder." PLoS ONE 7, no. 4 (April 13, 2012): e34702. http://dx.doi.org/10.1371/journal.pone.0034702.

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MORDINI, EMILIO, and SONIA MASSARI. "BODY, BIOMETRICS AND IDENTITY." Bioethics 22, no. 9 (November 2008): 488–98. http://dx.doi.org/10.1111/j.1467-8519.2008.00700.x.

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Li, Chenyang. "Mind-body identity revised." Philosophia 24, no. 1-2 (December 1994): 105–14. http://dx.doi.org/10.1007/bf02379947.

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Kreamer, Christine Mullen. "Body Art: Marks of Identity." African Arts 34, no. 1 (2001): 83. http://dx.doi.org/10.2307/3337738.

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Gass, Michael. "DESCARTES ON MIND-BODY IDENTITY." Southwest Philosophy Review 11, no. 2 (1995): 31–48. http://dx.doi.org/10.5840/swphilreview199511221.

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Dissertations / Theses on the topic "Body and identity"

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Cohn, Susan Art College of Fine Arts UNSW. "Recoding jewellery: identity, body, survival." Publisher:University of New South Wales. Art, 2009. http://handle.unsw.edu.au/1959.4/43809.

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RECODING JEWELLERY: identity, body, survival addresses a central problem facing contemporary jewellery practice: through the course of the Contemporary Jewellery Movement, the potential of the jewellery-object to mediate intricate social relationships has become constrained. This is in part due to a singular focus of ideas in the field, and in part due to the developmental trajectory of contemporary jewellery networks. Caught up in the art-craft debate, contemporary jewellery missed the potentials in theory for developing a critical voice. This was not helped by the fact that academic discourse (philosophical, social, sexual, political) has largely neglected the significances of jewellery. The aim in this thesis is to negotiate this mutual neglect - or 'double gap' - by finding connections between theory and jewellery in practice. Jewellery involves complex interactions between makers, objects, wearers and audiences within social networks. Possessing a distinct set of codes enlivened by its relationship to the body, jewellery is a way of thinking and connecting which is strongly embedded in the activities of managing identity that define cultures and epochs. In the process, the instinct for adornment becomes an integral means of survival. This thesis draws on modern and postmodern theory, as well as art and jewellery practices, to examine contemporary shifts in thinking about identity, the body and reproduction. Through the three main chapters of this thesis I endeavour to: (i) provide an informed interpretation of the internal and external pressures that have defined contemporary jewellery practice over time; (ii) introduce relevant examples of my own work, and seek ways to move beyond the limitations of my own practice; and (iii) advocate new ways of thinking about contemporary jewellery that might lead it to a different voice. Reflected in this approach are three fundamental influences to my practice: the Contemporary Jewellery Movement; non-jewellery practices such as art, architecture, street culture, technology and performance; and academic writing across a number of fields. The thesis concludes with a discussion of how these interests came together in a single show, Black Intentions. However, the span of work covered extends through my career in jewellery to provide a basis for future directions.
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Sweetman, Paul Jon. "Marking the body : identity and identification in contemporary body modification." Thesis, University of Southampton, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.299407.

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Winter, Leslie J. "Body, Identity, and Narrative in Titian's Paintings." Wittenberg University Honors Theses / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=wuhonors1399284506.

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Cole, Shaun. "Sexuality, identity and the clothed male body." Thesis, University of the Arts London, 2014. http://ualresearchonline.arts.ac.uk/6514/.

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‘Sexuality, Identity and the Clothed Male Body’ is a PhD by Published Work that draws together a collective body of work that deals specifically and significantly with the dressed male body. This thesis presents a case for the collection of publications included in the submission to be viewed as a coherent body of work which makes a contribution to knowledge in the fields of fashion studies and cultural studies, in which the works are situated. The body of work consists of two monographs - Don We Now Our Gay Apparel: Gay Men’s Dress in the Twentieth Century (Berg, 2000), and The Story of Men’s Underwear (Parkstone International Press, 2010) - and two chapters in edited books - ‘Butch Queens in Macho Drag: Gay Men, Dress and Subcultural Identity’ (2008) and ‘Hair and Male (Homo)Sexuality: Up-Top and Down Below’ (2008). Through an examination of the major themes addressed throughout the submitted body of work – sexuality, identity, subcultural formation, men’s dress and masculinities and clothes and the body - this thesis demonstrates that the published work contributes to knowledge through its two major foci. Firstly, the means by which gay men have utilised their dressed bodies as a situated and embodying practice to articulate identity, masculinity, and social and sexual interaction, and secondly an examination of men’s underwear’s specific function in the covering, exposing and representation of men’s bodies. These were, until recently, relatively neglected areas of fashion studies and dress history, and by explicitly bringing together these areas to present a comprehensive investigation this thesis serves to provide a new contribution to knowledge in these areas. Taking an interdisciplinary approach, that is common in both fashion studies and cultural studies, the specific combination of research methods that is employed throughout the body of work, has provided a unifying element that further enhances this contribution to knowledge.
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Dorris, Kara Delene 1980. ""For the Ruined Body"." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc849739/.

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This dissertation contains two parts: Part I, "Self-Elegy as Self-Creation Myth," which discusses the self-elegy, a subgenre of the contemporary American elegy; and Part II, For the Ruined Body, a collection of poems. Traditionally elegies are responses to death, but modern and contemporary self-elegies question the kinds of death, responding to metaphorical not literal deaths. One category of elegy is the self-elegy, which turns inward, focusing on loss rather than death, mourning aspects of the self that are left behind, forgotten, or aspects that never existed. Both prospective and retrospective, self-elegies allow the self to be reinvented in the face of loss; they mourn past versions of selves as transient representations of moments in time. Self-elegies pursue the knowledge that the selves we create are fleeting and flawed, like our bodies. However by acknowledging painful self-truths, speakers in self-elegies exert agency; they participate in their own creation myths, actively interpreting and incorporating experiences into their identity by performing dreamlike scenarios and sustaining an intimate, but self-critical, voice in order to: one, imagine an alternate self to create distance and investigate the evolution of self-identity, employing hindsight and self-criticism to offer advice; two, reinterpret the past and its role in creating and shaping identity, employing a tone of resignation towards the changing nature of the self. This self-awareness, not to be confused with self-acceptance, is often the only consolation found.
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Pietrobruno, Sheenagh. "Myths of the body : performing identity in Genet." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56642.

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The issue of sexual and racial identity unfolds in a paradoxical light in Genet's works. Identity as a fixed essence is both deconstructed and maintained. His enigmatic portrayal of identity is addressed from a theoretical perspective which combines seemingly contradictory positions, namely essentialism and deconstruction. Such a theoretical stand claims that although identity categories are not fixed essences and consequently can be deconstructed, they must be maintained as political categories in order to deal with oppressive systems which construct essentialist-based identities. Through Genet's presentation of identity as a body performance, race and sex are deconstructed. At the same time, he illustrates how male dominance and racism maintain identities as fixed categories.
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Coogan, Thomas. "The disabled body : style, identity and life-writing." Thesis, University of Leicester, 2008. http://hdl.handle.net/2381/3958.

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The Disabled Body investigates disability life-writing and what it reveals about the experience of disability, disability studies and its attendant identity politics, and the role of embodiment in writing. It combines a comparative analysis of theoretical models with close readings of a range of inter-related primary texts in order to theorise new, literary ways of appreciating disability and embodiment. The thesis begins by focusing on the limitations of the dominant social model of disability and their impact upon approaches to disability life-writing within disability studies. Expanding upon Tom Shakespeare's assertion that the social model is a political intervention rather than a robust theoretical model, I argue that the rejection of autobiography by initial literary approaches to disbaility in the 1990s was based on the criteria of the identity politics informed by the social model, which disregards individual, personal and experiential accounts of disability as embodiment. A growing number of thinkers, such as Rose Galvin and Jim Swan, have since criticised the social model for such neglect. By combining such positions, I construct a theoretical framework through which to re-examine autobiographical writing with regard to four authors with disabilities presented as a sequence of case studies: Christy Brown, Christopher Nolan, Ruth Sienkiewicz-Mercer and Christopher Reeve. Following G. Thomas Couser's distinction between writing from 'disability experience' and writing from 'disability culture', I complement analyses of this sequence of autobiographies with an examination of several anthologies of writing by disabled authors, which are implicated in a 'disability culture' based on social model identity politics. In the course of this thesis I demonstrate how an analysis of the experiential aspect of disability life-writing can bring a new understanding of the way in which the body makes itself known in language, which is of significance not only to literary disability studies in general but also to the wider field of literary studies.
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Kamps, Cristi L. "The relationship between identity development and body image." Honors in the Major Thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1094.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.
Bachelors
Sciences
Psychology
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Higgs, Jo. "Video, memory and identity : my body, my history." Master's thesis, University of Cape Town, 2004. http://hdl.handle.net/11427/8008.

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Bibliography: leaves 45-47.
This explication is an inquiry into familial images of the past and the relationship of these images to history, memory and the present. Because some of these relationships are problematic, alternative ways of looking at memory and familial images through the medium of video are discussed. Particular attention is paid to the idea of a more visceral filmic language that attempts to access memory through the senses. I also discuss development of both my theoretical and practical concerns through the planning, production, post-production and completion of my final video, 'The Nanny, the Granny, the Momma and Me' (2004).
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Armstrong, Megan Ann. "Overkill : the sexualised body in violent identity politics." Thesis, University of Newcastle upon Tyne, 2015. http://hdl.handle.net/10443/3106.

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This thesis seeks to understand the nature of a particular kind of sexualised, abject violence that emerges in and through identity politics. This violence is practised against or through the body. I refer to this type of violence as ‘overkill’ and contend that it performatively constitutes identity in abject and sexualised ways through the weaponisation and brutalisation of the body. The thesis is situated within the literature on ethnic identities in conflict, which tends to under-theorise how this violence emerges and what this violence accomplishes by viewing violence as the outcome of pre-existing identity divisions. To address this gap, I introduce two theoretical approaches to the examination of violent identity politics. The first of these is the concept of performativity as formulated by Judith Butler (1990), which views identity as an iterative process constitutive of political subjectivity. The second is a theory of abjection as discussed by Julia Kristeva (1980), in which she argues that the constitution of identity is an exclusionary process that requires the simultaneous production of an other. Taken together, these theoretical approaches allow for an understanding of extreme violence as constitutive of a new kind of subjectivity that renders the other abject through sexualised discourses. There are two dynamics of overkill that this thesis explores: the brutalisation and the weaponisation of the body. Using an empirical study of the 1994 Rwandan genocide, I highlight the brutalisation of the sexualised body; through a second case study of the prison protests in Northern Ireland (1976-1981), I draw out the weaponisation of the sexualised body. I conclude by demonstrating the need for an understanding of identity as contingent upon markers of difference that are sexualised through abjection to establish a better explanatory framework for examining political violence.
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Books on the topic "Body and identity"

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Mind-body identity theories. London: Routledge, 1989.

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Romanienko, Lisiunia A. Body Piercing and Identity Construction. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230117129.

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Coupland, Justine, and Richard Gwyn, eds. Discourse, the Body, and Identity. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9781403918543.

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Holland, Samantha. Alternative femininities: Body, age and identity. Oxford: Berg, 2004.

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Ophira, Edut, ed. Body Outlaws: Young women write about body image and identity. Seattle, Wash: Seal Press, 1998.

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The social body: Habit, identity and desire. London: SAGE, 2001.

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Jay, Miskowiec, ed. Shipwrecked body. Minneapolis, MN: Aliform Pub., 2008.

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The body beautiful?: Identity, performance, fashion and the contemporary female body. Oxford, U.K: Inter-Disciplinary Press, 2015.

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Gendering Chinese religion: Subject, identity, and body. Albany: SUNNY PRESS, 2014.

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Body language. Denton, TX: University of North Texas Press, 2007.

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Book chapters on the topic "Body and identity"

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Faccio, Elena. "Body and Identity." In The Corporeal Identity, 45–76. New York, NY: Springer New York, 2012. http://dx.doi.org/10.1007/978-1-4614-5680-3_4.

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Faccio, Elena. "Body Identity Disorders." In The Corporeal Identity, 77–97. New York, NY: Springer New York, 2012. http://dx.doi.org/10.1007/978-1-4614-5680-3_5.

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Gere, Charlie. "Stelarc’s Mystical Body." In Identity, Performance and Technology, 208–19. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137284440_14.

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Kasten, Erich. "Body Integrity Identity Disorder." In Praxisbuch: Moderne Psychotherapie, 49–72. Berlin, Heidelberg: Springer Berlin Heidelberg, 2016. http://dx.doi.org/10.1007/978-3-662-50315-7_3.

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WILS, JEAN-PIERRE. "BODY, PERCEPTION AND IDENTITY." In Bioethics in Cultural Contexts, 231–45. Dordrecht: Springer Netherlands, 2006. http://dx.doi.org/10.1007/1-4020-4241-8_17.

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Keyes, C. Don. "Body and Self-Identity." In New Harvest, 161–77. Totowa, NJ: Humana Press, 1991. http://dx.doi.org/10.1007/978-1-4612-0489-3_10.

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Faccio, Elena. "Metaphorical Bodies: The Body-Object." In The Corporeal Identity, 27–44. New York, NY: Springer New York, 2012. http://dx.doi.org/10.1007/978-1-4614-5680-3_3.

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Negrin, Llewellyn. "Cosmetics and the Female Body." In Appearance and Identity, 53–74. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230617186_4.

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Negrin, Llewellyn. "Body Art and Men’s Fashion." In Appearance and Identity, 97–115. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230617186_6.

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Woodward, Kathleen. "The Statistical Body." In Discourse, the Body, and Identity, 225–45. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9781403918543_11.

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Conference papers on the topic "Body and identity"

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Ruchaud, Natacha, and Jean-Luc Dugelay. "De-genderization by body contours reshaping." In 2017 IEEE International Conference on Identity, Security and Behavior Analysis (ISBA). IEEE, 2017. http://dx.doi.org/10.1109/isba.2017.7947709.

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Neri, Jessica. "BODY AND IDENTITY IN CHANGE: THE REPRESENTATIONS OF BODY IN GENDER TRANSITION." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/3.2/s11.008.

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Nakanishi, Isao, Yasuhiro Yorikane, Yoshio Itoh, and Yutaka Fukui. "Biometric Identity Verification Using Intra-Body Propagation Signal." In 2007 Biometrics Symposium. IEEE, 2007. http://dx.doi.org/10.1109/bcc.2007.4430545.

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Williams, George, Graham Taylor, Kirill Smolskiy, and Chris Bregler. "Body Motion Analysis for Multi-modal Identity Verification." In 2010 20th International Conference on Pattern Recognition (ICPR). IEEE, 2010. http://dx.doi.org/10.1109/icpr.2010.538.

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Rofhani, R. "Artificial Piety: Between Body Traps and Politic Identity." In Proceedings of the 19th Annual International Conference on Islamic Studies, AICIS 2019, 1-4 October 2019, Jakarta, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.1-10-2019.2291743.

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Mateos, Paula Carredano. "Body Art As A Nexus Between A Broken Body And A Reconciled Identity." In International Conference of Psychology, Sociology, Education and Social Sciences. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.05.29.

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Ramanathan, Manoj, Wei-Yun Yau, and Eam Khwang Teoh. "Human body part detection using likelihood score computations." In 2014 IEEE Symposium on Computational Intelligence in Biometrics and Identity Management (CIBIM). IEEE, 2014. http://dx.doi.org/10.1109/cibim.2014.7015458.

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Stadon, Julian. "Data Body Trader: Identity Augmentation and Post-Biological Organ Trade." In Electronic Visualisation and the Arts (EVA 2017). BCS Learning & Development, 2017. http://dx.doi.org/10.14236/ewic/eva2017.45.

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Zhang, Hengyi, Chaoying Tang, Xiaojie Li, and Adams Wai Kin Kong. "A study of similarity between genetically identical body vein patterns." In 2014 IEEE Symposium on Computational Intelligence in Biometrics and Identity Management (CIBIM). IEEE, 2014. http://dx.doi.org/10.1109/cibim.2014.7015457.

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Liu, Yuting, Qijun Zhao, and Zhihong Wu. "Pooling body parts on feature maps for misalignment robust person re-identification." In 2018 IEEE 4th International Conference on Identity, Security, and Behavior Analysis (ISBA). IEEE, 2018. http://dx.doi.org/10.1109/isba.2018.8311470.

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Reports on the topic "Body and identity"

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Peterson, J. Session Initiation Protocol (SIP) Authenticated Identity Body (AIB) Format. RFC Editor, September 2004. http://dx.doi.org/10.17487/rfc3893.

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Bodie, Mark, Michael Parker, Alexander Stott, and Bruce Elder. Snow-covered obstacles’ effect on vehicle mobility. Engineer Research and Development Center (U.S.), November 2020. http://dx.doi.org/10.21079/11681/38839.

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The Mobility in Complex Environments project used unmanned aerial systems (UAS) to identify obstacles and to provide path planning in forward operational locations. The UAS were equipped with remote-sensing devices, such as photogrammetry and lidar, to identify obstacles. The path-planning algorithms incorporated the detected obstacles to then identify the fastest and safest vehicle routes. Future algorithms should incorporate vehicle characteristics as each type of vehicle will perform differently over a given obstacle, resulting in distinctive optimal paths. This study explored the effect of snow-covered obstacles on dynamic vehicle response. Vehicle tests used an instrumented HMMWV (high mobility multipurpose wheeled vehicle) driven over obstacles with and without snow cover. Tests showed a 45% reduction in normal force variation and a 43% reduction in body acceleration associated with a 14.5 cm snow cover. To predict vehicle body acceleration and normal force response, we developed two quarter-car models: rigid terrain and deformable snow terrain quarter-car models. The simple quarter models provided reasonable agreement with the vehicle test data. We also used the models to analyze the effects of vehicle parameters, such as ground pressure, to understand the effect of snow cover on vehicle response.
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Yonally, Emilie, Nadia Butler, Santiago Ripoll, and Olivia Tulloch. Review of the Evidence Landscape on the Risk Communication and Community Engagement Interventions Among the Rohingya Refugees to Enhance Healthcare Seeking Behaviours in Cox's Bazar. Institute of Development Studies (IDS), July 2021. http://dx.doi.org/10.19088/sshap.2021.032.

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This report is the first output in a body of work undertaken to identify operationally feasible suggestions to improve risk communication and community engagement efforts (RCCE) with displaced Rohingya people in Cox’s Bazar. Specifically, these should seek to improve healthcare seeking behaviour and acceptance of essential health services in the camps where the Rohingya reside. It was developed by the Social Science in Humanitarian Action Platform (SSHAP) at the request of the UK Foreign, Commonwealth & Development Office in Bangladesh. As a first step in this process, this review paper synthesises and assesses the quality of evidence landscape available in Cox’s Bazar and how the Rohingya seek and access healthcare services in Cox’s Bazar and presents the findings from key informant interviews on the topic. Findings are structured in five discussion sections: (1) evidence quality; (2) major themes and variations in the evidence; (3) learnings drawn and recommendations commonly made; (4) persistent bottlenecks; and (5) areas for further research. This synthesis will inform a roundtable discussion with key actors working for the Rohingya refugees to identify next steps for RCCE and research efforts in Cox’s Bazar to improve health outcomes among the Rohingya.
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