Dissertations / Theses on the topic 'Bodily practice'
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Pylypa, Jen. "Power and Bodily Practice: Applying the Work of Foucault to an Anthropology of the Body." University of Arizona, Department of Anthropology, 1998. http://hdl.handle.net/10150/110194.
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In opposition to theories of power which focus on the domination of one group by another, Michel Foucault coined the term "biopower" to refer to the ways in which power manifests itself in the form of daily practices and routines through which individuals engage in self-surveillance and self-discipline, and thereby subjugate themselves. Biopower is a useful concept for medical anthropology because it focuses on the body as the site of subjugation, and because it highlights how individuals are implicated in their own oppression as they
participate in habitual daily practices such as the self-regulation of hygiene, health, and sexuality. Yet few medical anthropologists have taken advantage of
Foucault's framework to illuminate how both the individual and society are involved in perpetuating such practices. This paper brings together Foucault's theory and three concrete examples of bodily practice in Western culture, demonstrating how behaviors associated with physical fitness, femininity, and obstetrical practices all contribute to the creation of "docile bodies". The article ends by considering why some scholars have found Foucault's conception of power to be problematic.
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Entwistle, Joanne. "Fashioning the self : women, dress, power and situated bodily practice in the workplace." Thesis, Goldsmiths College (University of London), 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.287489.
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Chevalier, Cécile. "Remembering to remember : a practice-based study in digital re-appropriation and bodily perception." Thesis, University of Sussex, 2016. http://sro.sussex.ac.uk/id/eprint/65574/.
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Through the evolution of digital media technology, social networks and more recently Web 3.0 (e.g. Cloud-based) technologies, culture and memory is being transformed, both in relation to how memories are represented, and how they may be engaged with or re-accessed. As digital technology alters ways in which knowledge is produced, stored, connected and shared, new terrains, tools and artefacts are formed; new cultural practices alter the ways in which we remember and the ways in which memory is processed, destabilising traditional “historically encoded social habits: religion, authority, morality, traditional values, or political ideology” (Diamantaki 2013). This doctoral project consists of two parts exploring questions of memory in contemporary time. The practice work submitted develops various imaginaries and investigates how to enable mnemonic practices so that works function as memory palaces where bodies and ‘collective' and ‘networked memories' (Hoskins, 2010) can be realised. The work, briefly summarised, includes communal activities in public spaces (a series of workshops and heritage day events, Rendezvous, centrally social activities organised between Fabrica and various charitable organisations in Brighton). It includes a series of installation works, as a transitional process of memory between body, object, an investigation of ubiquitous technology, are investigated – iremembr (2009-15); Rendezvous (2010-15); Untitled#21 (2012). And it leads to the development of an installation piece, 200.104.200.2 (2013-15), that seeks to offer or extend the possibilities of the act of remembering, of memory, as a post-Internet experience; a complex temporal, social, spatial and material, overlapping and merging human and silicon memory. In this, the written component of the combined and larger project, questions concerning memory and digital technology, and how to explore them, are taken up in theoretical terms, and the works I have produced returned to and explored in these contexts. A central project here has been to locate new forms of qualities of ‘digital' memory in a memory map or topology that builds on adapts, and develops other models. Aspects of zones of memory are explored centrally in each of the later thesis chapters each of which also takes up a particular aspect of my practice. The intention – and the contribution to the development of critical thinking around the digital – particularly critical thinking that comes through digital media art practice, is to question how digital technology intervenes in the process of memory; how the concept of digital memory is being thought about; leading me to investigate what does this new digital terrain do as it overlaps and re-writes to some extent the older ones? How does it change ‘how memory happens'.
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Beckmann, Andrea. "The social construction of 'Sadomasochism' : subjugated knowledges and the broader social meanings of this bodily practice." Thesis, University of Edinburgh, 2000. http://hdl.handle.net/1842/26285.
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The central ideas of this critical criminological thesis on the social construction of "Sadomasochism" are informed by Michel Foucault's politization of "truth" and "body" and represent an attempt to engage in politics of difference'(Sawicki, l991) in order to appreciate the contemporary expansion of the 'body practice' of consensual 'SM'. In order to avoid the traditional dualism of mind/body which 'haunts' much of feminist and deconstructionist accounts on 'sexuality', my thesis draws on Merleau- Ponty's notion of 'lived body'. The 'Spanner'-case [R. v. Brown: 1992-93] and the following decision of the European Court of Human Rights (19.2.1997) are taken as a point of departure in order to explore the relationship between legitimised concepts of 'body-practice' and the now legally restricted 'body-practice' of consensual 'SM'. The first chapter of this thesis attempts to defamiliarize the social constructions of 'sexuality' and 'Sadomasochism' as well as the 'body' and 'pain' as these are 'normalising' concepts of 'truth'. In this context the exploration of the meanings of 'body' and 'sexuality' in contemporary consumer culture is crucial as the criminalisation of consensual 'SM' which involves woundings that are not 'trifling or transient' is based on the protection of health 'of the bodies' involved. The following chapter focuses on the empirical research on consensual 'SM'-body-practice which I conducted within a mainly qualitative research-framework and an interactionist emphasis on meaning during 1996/97 in London and thus provides space for the 'subjugated knowledges' of this consensual body-practice'. The exposure of socially legitimized power relationships which are in many ways contradicted by the realities of "Sadomasochism" is the aim of chapter four of this thesis. Within this chapter I attempt to point out several contradictions of constructed meaning that the social construction of 'Sadomasochism' serves to keep hidden via its function of 'Other'. The project of deconstruction thus not only implies the deconstruction of concepts but also aims to expose: "... the problems which reside in the endeavour to keep meaning pure, to say 'just this' and not 'that', because 'just this' always depends on 'that' which it is not." (Naffine, l997, p.89). Chapter five reflects upon the empirical data and attempts to outline the potential broader social meanings of the rising interest in the consensual bodily practice'of 'SM' within contemporary 'postmodern' consumer culture. Chapter six offers an insight and exploration of the to my knowledge not yet empirically researched upon spiritual dimension of consensual 'Sadomasochism' and introduces the notion of transcendence. Apart from the evaluation of the results of a questionnaire on this topic, diverse examples of other historical spiritual practices within their socio-cultural settings are then analysed in their relevance to the current situation. The conclusion of this thesis attempts to offer an alternative reading of the 'bodily practice' of consensual 'SM' as a potential 'practice of resistance' and also explores its potential relevance in connection to Foucault's notion of the care of oneself.
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Tuchman-Rosta, Celia Johanna. "Performance, Practice, and Possibility| How Large Scale Processes Affect the Bodily Economy of Cambodia's Classical Dancers." Thesis, University of California, Riverside, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10748212.
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Classical dance has been tightly woven into discourses of national and international heritage as a representation of Cambodian cultural identity, particularly after the country’s devastating civil war in the 1970s. This dissertation articulates how Cambodia’s classical dancers and teachers negotiate the effects of large-scale processes, such as heritage development policies, on the art form and their bodies. Several scholars and dancers have developed perspectives on the revitalization efforts of the classical dance form in the period after the Khmer Rouge Regime, but this dissertation fills a gap in the documentation of the role that international nongovernmental organizations and tourism have on dance production.
The dissertation research in Phnom Penh and Siem Reap in 2011 and 2012 traced the training and performance activities of practitioners at a broad range of arts NGOs and tourism venues to examine the large-scale processes that affected the lives of practitioners. To demonstrate the deeply woven connections among global heritage, tourism, NGOs, nationhood and Cambodia’s dance artists, this dissertation first articulates the process through which classical dance transformed from ritual practice to global commodity while maintaining ritual functions. Second, it demonstrates how practitioners navigate their personal corporeal economies—the labor of practice and performance—to balance the benefits of their bodily work with the possible alienation of their bodies being commoditized. Third, it shows how UNESCO intangible heritage directives are interpreted and embedded in local context, creating paradoxes for dance practitioners. Fourth,it develops a web-based model for understanding classical dance production, preservation and development in Cambodia—a social web that practitioners must navigate to survive. And finally, it further develops Bruner’s (2005) borderzone concept, expanding it into a borderzone field, to analyze the experiences of both audiences and performers in tourist settings.
The amalgamated framework proposed in the dissertation, including tourism, heritage, development, and economic theory is necessary to peel away layers of phenomena from the global to the local while unpacking their links to the lived experiences of classical dance practitioners.
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Tam, Man Kei. "Action repertoire of the 'Big Noise in the Street' : bodily practice and spatial dissemination as social movement." HKBU Institutional Repository, 2000. http://repository.hkbu.edu.hk/etd_ra/233.
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Brough, Edward Luna. "Jogo de mandinga - game of sorcery - : a preliminary investigation of history, tradition, and bodily practice in capoeira angola /." Connect to resource, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1195592448.
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Brough, Edward Luna. "Jogo de mandinga - game of sorcery -: a preliminary investigation of history, tradition, and bodily practice in capoeira angola." The Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=osu1195592448.
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Ghillani, Francesca. "Migrating bodies : the effects of transnational movement on women's bodily practices in later life." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:bddae074-798e-490e-8079-85d9dfed9423.
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When approaching old age, women's bodies face functional, esthetical, and reproductive changes that can represent a source of discontinuity in their lives. Moreover, women are constantly exposed to the social pressure of compelling stereotypes regarding their body image and functionality: from media to medical pamphlets, the feminine body is subjected to deep social observation and regulation. Given that the relationship between ageing and the body is socially mediated, how does the encounter with a different culture have an impact on it? In this research, migration has been employed to analyse the cultural aspects of bodily practices. Migration can be described as an embodied experience, in which a body is first displaced and then emplaced in two social locations - the community of origin and the culture of destination - a circumstance known as transnationalism. Interviews were carried out with women aged between 59 and 74, divided in three groups: RESIDENTS: women who were born in an Italian village and had lived all their lives there; MIGRANTS: women who moved from the same village to London and are still living in England; RETURNED: migrants who moved back to the village permanently after living in London. Four dynamics were identified to regulate the interplay of ageing, bodily practices, and migration: (i) Assimilation: encountering and integrating with the new community; (ii) Acculturation: observing, learning, and sometimes adopting norms and values of the culture of destination; (iii) Acceptance: the binding agent between body and self during the recognition of ageing; (iv) Adjustment: the set of changes in their habits that women put in place in order to accommodate transformations in their bodies and maintain social inclusion. Moreover, a new conceptualization of transnationalism is proposed, which helps to frame how, after many years of negotiation between the culture of origin and the one of settlement, migrants disengage from social normativity, gaining an augmented sense of agency.
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Pijpers, Kevin Marie Joseph Paolo. "Haptic encounters with archaeological knowing : bodily practices in excavation." Thesis, University of Leicester, 2017. http://hdl.handle.net/2381/40447.
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Modern accounts of the doings of scientists habitually obscure practices of bodily knowing. This thesis therefore speculatively prolongs a critique of the disembodiment of scientists, adapted from a philosophical tradition within Science and Technology Studies. Part one takes as point of entry the inheritance of modern science to the powerful philosophical imperatives of detachment and lucidity, emphasising a body deprived of its curious, inventive, and adventurous dimension. The sensing, moving, and relational body is reclaimed in a turn to ontology, not only as situated within its world(s), but also as continuously in passage through diverging experiential, and affectual states. Conceptually extending the body invokes haptics as an indigenous theory of touch, drawing on the moved, and moving body. Through haptics, the body’s renderings of objectivity are rethought as indeterminate and hallucinatory prehensions. Required for haptic knowing is then an ethos of yielding to material alterity, animating a kind of objective (un)knowing. Part two analyses archaeological theory for its ethico-political conditions of knowing. Rethinking touch in archaeological excavations, the suggestion is made that archaeological knowing is alchemical, favouring affectual and material relations over objects. Following and observing haptic encounters between participants in excavations at the Burrough Hill Iron Age Fort, and the Ardnamurchan Transitions Project, experiential affects are found to be crucial for the contingent material continuity of archaeological knowing. These affects are shown to groove the excavation and bodies of archaeologists, in their imaginings of a knowing, responsive to events in their environment.
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Bradley, Jessica. "Postmodern bodies and feminist art practice." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69635.
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This thesis examines, from a feminist perspective, conceptions of the body proposed by poststructuralist philosophy and postmodernist art practice. Within both feminist and postmodern critiques of the humanist subject, the body has come to be understood as a site of cultural inscriptions. In tracing the relationship between postmodernism and feminism, the thesis addresses specifically the shift from celebratory, affirmative female imagery typical of feminist art in the seventies, to the semiotic analysis of images of women which, in the eighties, problematized the question of sexual difference as one of representation. During the eighties women artists generally eschewed figurative representations of the female body in recognition of its over-determined socio-sexual status. Within this historical framework, the tension between the "de-materialized" body of postmodernity and the insistently present body of gendered experience is explored both in the work of feminist theorists and contemporary women artists. In conclusion, three corporeal sites--the cultural, the epistemological and the psycho-sexual--are analysed in the postmodern practices of Jana Sterbak, Nell Tenhaaf and Kati Campbell.
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Prentice, Rachel. "Bodies of information : reinventing bodies and practice in medical education." Thesis, Massachusetts Institute of Technology, 2004. http://hdl.handle.net/1721.1/17820.
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Thesis (Ph. D. in History and Social Study of Science and Technology (HASTS))--Massachusetts Institute of Technology, Program in Science, Technology and Society, June 2004."May 2004."
Includes bibliographical references (p. 247-253).
This dissertation recounts the development of graphic models of human bodies and virtual reality simulators for teaching anatomy and surgery to medical students, residents, and physicians. It considers how researchers from disciplinary cultures in medicine, engineering, and computer programming come together to build these technologies, bringing with them values and assumptions about bodies from each of their disciplines, values and assumptions that must be negotiated and that often are made material and embedded in these new technologies. It discusses how the technological objects being created privilege the body as a dynamic and interactive system, in contrast to the description and taxonomic body of traditional anatomy and medicine. It describes the ways that these technologies create new sensory means of knowing bodies. And it discusses the larger cultural values that these technologies reify or challenge. The methodology of this dissertation is ethnography. I consider in-depth one laboratory at a major medical school, as well as other laboratories and researchers in the field of virtual medicine. I study actors in the emerging field of virtual medicine as they work in laboratories, at conferences, and in collaborations with one another. I consider the social formations that are developing with this new discipline. Methods include participant observation of laboratory activities, teaching, surgery, and conferences and extensive, in-depth interviewing of actors in the field. I draw on the literatures in the anthropology of science, technology, and medicine, the sociology of science, technology, and medicine, and the history of science and technology to argue that "bodies of information" are part of a bio-engineering revolution.
(Cont.) that is making human bodies more easily viewed and manipulated. Science studies theorists have revealed the constructed, situated, and contingent nature of technoscientific communities and the objects they work with. They also have discussed how technoscientific objects help create their subjects and vice versa. This dissertation considers these phenomena within the arena of virtual medicine to intervene in debates about the body, about simulation, and about scientific cultures.
by Rachel Prentice.
Ph.D.in History and Social Study of Science and Technology (HASTS
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Lodder, Matthew C. "Body Art : Body Modification as Artistic Practice." Thesis, University of Reading, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.525734.
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This thesis is an investigation into the legitimacy and limits of the term "body art" in its vernacular sense, wherein it refers to methods of decorating or ornamenting the body, such as tattooing or piercing. Though the term is widely used and widely understood, it has rarely appeared in any writing which takes an explicitly arthistorical or art-critical approach, and has never been subjected to any sustained analysis which uses the methodologies deployed by specialists when engaging with other forms of art. If tattooing and its coincident technologies are "body art", they have not as yet been understood as such by art historians. The arguments made over the course of this work thus amount to a case for the applicability of art-historical and art-theoretical methodologies to body modification practice. The thesis first establishes the existence of a rhetorical yet broadly undefended case for the artistic status of practices which alter the form of the body. This claim is to be found amongst both the contemporary subcultural body modification community and amongst plastic surgeons. With particular reference to theories of art and aesthetics by John Dewey, Richard Shusterman, and Gilles Deleuze and Felix Guattari, the work investigates whether such claims are tenable. In light of these investigations, the thesis then presents a number of problems which immediately arise from such a claim - problems of authorship, ownership, objectivity and value - and attempts to resolve them through detailed analysis of a number of case-studies.
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Meyer, Carolyn. "Body talk as knowledge and practice." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ65509.pdf.
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Çelik, Zeynep Ph D. Massachusetts Institute of Technology. "Kinaesthetic impulses : aesthetic experience, bodily knowledge, and pedagogical practices in Germany, 1871-1918." Thesis, Massachusetts Institute of Technology, 2007. http://hdl.handle.net/1721.1/41721.
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Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Architecture, 2007.Includes bibliographical references (p. 239-276).
This dissertation studies a moment of transition in German aesthetics in the late nineteenth century. Starting in the 1870s, groups of artists, architects, historians, critics, connoisseurs, and museum officials in Germany declared that traditional aesthetics, which had operated "from above" with metaphysical concepts such as the beautiful and the sublime, was obsolete. According to these intellectuals, the old aesthetics needed to be replaced by a scientific and empirical "aesthetics from below." The emergence of the new aesthetics was closely related to the rise of mass politics and mass culture in the newly unified Germany. Concerned that an attentive and contemplative perception could not be afforded by the masses, these liberal-minded members of the educated middle classes theorized a new kind of aesthetic experience that was based on corporeal pleasure rather than intellectual judgment. According to this model, an aesthetic encounter with an artwork was primarily kinaesthetic: an artwork elicited an unconscious and immediate effect on the musculature of its beholder. I examine three episodes, in which this idea was employed to pedagogical ends at the turn of the twentieth century. In the work of the artist Hermann Obrist (1862-1927), the kinaesthetic model of experience became the basis of a new pedagogy for the arts, which utilized the unconscious movements of the body to choreograph the production and reception of aesthetic effects. The architect August Endell (1871-1925) theorized these effects further and attempted to invent an exact science of design, which correlated architectural forms to the reaction that they would produce in the human body.
(cont.) The same idea of kinaesthetic response appeared within art historical circles under the rubric of the Baroque at the turn of the twentieth century, particularly in the debates between Heinrich Wilfflin (1864-1945) and August Schmarsow (1853-1936) on the nature of the painterly (malerisch). The double slide lecture was an ingenious solution devised by the incipient discipline of modern art history simultaneously to utilize the pedagogical effectiveness of kinaesthetic experience and to control its sensual excess.
by Zeynep Çelik.
Ph.D.
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Lin, Wenyuan. "Bodies in action : multivalent agency in haemodialysis practices." Thesis, Lancaster University, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.429970.
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Bissell, David. "Mobile bodies : train travel and practices of movement." Thesis, Durham University, 2007. http://etheses.dur.ac.uk/2467/.
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This thesis investigates experiences of railway travel from a passenger perspective by looking at how passengers move through and dwell within spaces of the railway journey. It responds to a lack of attention to diverse processual enactments and theorisations of processes and practices that constitute these flows. Challenging both the theory that this particular 'space of flows' constitutes a non-place that is characterised by placelessness, and theories that rely on aggregate models of movement that serve to pacify the body, this thesis speaks to the neglected transient experience that acknowledges how the railway journey is continually brought into being by passengers through practice rather than given a-priori. It is based on in-depth empirical research that focuses on long-distance, intercity journeys as a particular space of flows. It develops a descriptive, multi-method approach to investigate what a travelling body is and how a body becomes a travelling body; how and to what extent travel-time is planned, organised, used and valued; and how the experience of time and space transform over the duration of a journey. For many, and contrary to economically-productivist studies, the railway journey is not a wasted time, but is valued and put to use in a variety of different ways that fold through and are integrally-linked to the commitments, motivations and obligations of other time-spaces. The resulting heterogeneity of practices within the confined space of the railway carriage also has significant implications for the sociality and forms of responsibility that develop. However, certain parts of the journey are more valuable than others and within this space of flows are many durations of immobility and passivity. Nevertheless, and contrary to other practice-based studies that privilege the body-in-action, passivity does not necessarily constitute a weak form of inhabiting the world. This research demonstrates how multiple configurations of passivity come into play at different points during the railway journey to assist in making the process of travel easier. In sum, this thesis mobilises new ways of looking at transient spaces which attempt to move beyond a sedentary metaphysics of space.
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Young, Helen Victoria. "Ambiguous citizenship : democratic practices and school governing bodies." Thesis, University College London (University of London), 2014. http://discovery.ucl.ac.uk/10021646/.
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School governing bodies in England have considerable formal powers and responsibilities. This qualitative research study explored their concrete practices drawing on understandings of deliberative democracy and citizenship as sensitising concepts. The empirical research was broadly ethnographic and took place in two primary and two secondary maintained schools. Data was generated primarily from interviews and observations. Considering school governors from the perspectives of deliberative democracy and citizenship draws attention to ambivalences and ambiguities in their role. These ambivalences and ambiguities cover issues of agency, representation, exclusion, knowledge and a singular conception of a ‘common good’. Firstly, despite their busy-ness, governors are largely passive in relation to decision making and dissensus can be socially awkward. Consensus is underpinned by a singular conception of the ‘common good’. Secondly, the voices of certain governors are marginalised. Some governors are positioned as representatives and their constitution as partial masks the partiality of all governors. Thirdly, there are ambiguities in relation to the valuing of different knowledges. Educational knowledge is valued but also inflected by managerial knowledge. The policy emphasis on the value of managerial knowledge and measurable data tends to displace other possible ‘lay’ knowledges. Fourthly, education and governing are constituted as apolitical and there is limited discussion of educational aims, principles and values. In all this, despite policy describing governors as ‘strategic’, their work is largely technical and operates within a constrained national performative system that renders alternative conceptions of ‘good’ education unsayable or unthinkable. These ambivalences and ambiguities operate, together with a dominant discourse of skills and effectiveness, to obscure possibilities for thinking otherwise about education.
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Keinänen, Marja-Liisa. "Creating bodies : childbirth practices in pre-modern Karelia /." Stockholm : Universitet Stockholms, 2003. http://catalogue.bnf.fr/ark:/12148/cb392301105.
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Nelson, Hilary. "Let our mind go and your body will follow." Thesis, University of Iowa, 2017. https://ir.uiowa.edu/etd/5580.
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This is a body of work produced at the University of Iowa. With these pieces I am interested in things that do not follow, that hold emotion but don't have a narrative. In the unknown being more real than the known, because there is life in the not understanding. And in lying about something there is no way you can pull off. There is a river of lava flowing below the surface, but there are no volcanoes.
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Drozd, Natalia. "Tailbone-ing movement practice." Thesis, Stockholms konstnärliga högskola, Institutionen för dans, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-916.
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The main purpose of the essay is to serve as a documentation of my research practice on the movement of the tailbone and its connections to my dancing body. The essay is being written from my personal perspective which springs out of my interest in the importance of using the tailbone whilst dancing. In the first part of the text I have included personal information to the reader about where my interest in the movement of the tailbone arose. One of the methods during the research was to write a process diary as a way to combine a physical practice and writing practice. This process diary is now a big part of this essay. In the essay you as a redear can follow how the research has transformed and changed throughout working time on the project. The second part of the essay reflects on the process of researching the tailbone-ing movement practice and what the practical presentation should look like. In the last pages of the essay you find a choreographic score which is both a documentation of the practice as well as a score to perform it. Working on the essay opens up new possibilties for further research on the importance of the tailbone and the pelvic floor in the dancing body.This master work includes both a performing and a written part.
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Brotherton, Pierre Sean. "The pragmatic state : socialist health policy, state power, and individual bodily practices in Havana, Cuba." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=84483.
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This thesis examines how the recent socio-economic and political arena in Cuba informs the relationship among the idea of population health, national statistics, and the everyday lives of individuals. Post-revolutionary Cuba has used measures of the health of individuals as a metaphor for the health of the body politic, effectively linking the efficacy of socialism and its governmental apparatus to the health conditions of the population. The creation of a model of health care that was informed by the revolutionaries' vision of a new social order, which in turn would help to create an ' hombre nuevo' (new man and new woman), effectively shaped a model of citizenship that was associated with a particular notion of health, and in addition defined a system of socialist values and ideals. Thirty months of ethnographic field research in the city of Havana focused specifically on the Family Physician-and-Nurse Program---an innovative primary health care program in which family physician-and-nurse teams live and work on the city block or in the rural community they serve. Drawing on my ethnographic findings, I explore two key themes. First, I examine how state policy, enacted through the government's public health campaigns, has affected individual lives, changing the relationship among citizens, government institutions, public associations and the state. Secondly, I examine how the collapse of the Soviet bloc (post-1989) and the strengthening of the US embargo is changing the relationship between socialist health-policies and individual practices and how it has redefined how state power becomes enacted through and upon individual bodies. In particular, I examine how individual practices play an important role in the maintenance of Cuba's population-health profile, as individual citizens give priority to their own health care needs, both material (such as food, medicines and medical supplies) and spiritual (including the re-emergence of religious
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Stilwell, Natasha. "The sense and sensation of body modification practice." Thesis, Goldsmiths College (University of London), 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.514386.
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Brown, Carol. "Inscribing the body : feminist choreographic practices." Thesis, University of Surrey, 1994. http://epubs.surrey.ac.uk/619/.
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Jeon, Minjee. "Ultrasound—Re:viewing Bodies." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5434.
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A medical evaluation of physical impairment imposes the additional burden of “labeling” the patient with the condition. The binary nature of the normal versus abnormal label emphasizes difference and can lead to trauma. Understanding differences, however, can lead to the generation of new forms and thus, more sensitive differentiation and representation. Tension is created by exploring different bodily forms—a dialectic between form and essence. I am designing a space that visualizes and illuminates difference as a source of trauma and amplifying the tension by comparing figures that represent varying degrees of normalcy. This forms a critique of idealized form and creates a context for people unaffected by this type of trauma to reflect on possible realities outside of their assumptions of normality.
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Forrest, Eve. "On photography and movement : bodies, habits and worlds in everyday photographic practice." Thesis, University of Sunderland, 2012. http://sure.sunderland.ac.uk/3304/.
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This study is an exploration of everyday photographic practice and of the places that photographers visit and inhabit offline and online. It discusses the role of movement, the senses and repetition in taking photographs. Ultimately it is about photographers and their photographic routines and habits. Since the advent of photography, numerous texts on the subject have typically focused on photographs as objects. This trend has continued into the digital age, with academic writing firmly focusing on image culture rather than considering new issues relating to online practice. Although various technological innovations have given the photographer flexibility as to how and what they do with their images, the contention of this thesis is that analogue routines have been mostly transposed into the digital age. Nevertheless, there remains a lack of empirical enquiry into what photographers actually do within online spaces. This study is one of the first to address this knowledge gap. Taking a unique approach to the study of photography, it draws upon work in various fields, including phenomenology, social anthropology, human geography and sensory ethnography, to produce an innovative conceptual and methodological approach. This approach is applied in the field to gain an in-depth understanding of what ‘doing’ photography actually entails. An in-depth analysis of interviews with and observations of North East photographers reveals how they engage with everyday life in a distinctive way. Habitually carrying a camera allows them to notice details that most would ignore. Online and offline movements often become entangled, and when photographers explore Flickr there is a clear synergy with the way in which they explore their local city space. This research is a call to others to give serious consideration to online and offline photography practices, and an attempt to stimulate new discussions about what it means to be a photographer in the world.
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Fisk, David Lee. "The conflict of the two : examining the determinants and impact of second chamber assertion /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC IP addresses, 2007. http://wwwlib.umi.com/cr/ucsd/fullcit?p3266849.
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Hosea, Birgitta. "Substitutive bodies and constructed actors : a practice-based investigation of animation as performance." Thesis, University of the Arts London, 2011. http://ualresearchonline.arts.ac.uk/3437/.
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The fundamental conceptualisation of what animation actually is has been changing in the face of material change to production and distribution methods since the introduction of digital technology. This re-conceptualisation has been contributed to by increasing artistic and academic interest in the field, such as the emergence of Animation Studies, a relatively new branch of academic enquiry that is establishing itself as a discipline. This research (documentation of live events and thesis) examines animation in the context of performance, rather than in terms of technology or material process. Its scope is neither to cover all possible types of animation nor to put forward a new ‘catch-all’ definition of animation, but rather to examine the site of performance in character animation and to propose animation as a form of performance. In elaborating this argument, each chapter is structured around the framing device of animation as a message that is encoded and produced, delivered and played back, then received and decoded. The PhD includes a portfolio of projects undertaken as part of the research process on which the text critically reflects. Due to their site-specific approach, these live events are documented through video and still images. The work represents an intertwining, interdisciplinary, post-animation praxis where theory and practice inform one another and test relationships between animation and performance to problematise a binary opposition between that which is live as opposed to that which is animated. It is contextualised by a review of historical practice and interviews with key contemporary practitioners whose work combines animation with an intermedial mixture of interaction design, fine art, dance and theatre.
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D'Amelio, Toni. "Ghost bodies : history, performance, and practice in contemporary dance in France 1980-2000." Thesis, University of Surrey, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.410973.
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Takeuchi, Reina. "Bodies of transmission: Embodiment, hybridity and transculturation in contemporary art and performance practice." Thesis, Queensland University of Technology, 2021. https://eprints.qut.edu.au/208262/1/Reina_Takeuchi_Thesis.pdf.
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This practice-led research project investigates embodiment, transculturation and hybridity in my contemporary art and performance practice. Describing complex configurations of modern cultures, transculturation expresses the melding of hybridity, cultural landscapes and creative disciplines. As an Australian-Japanese artist-researcher whose interdisciplinary practice spans visual arts and dance, I developed a series of performances, performative videos and installation-based artworks to create sense-making technologies, rhizomatic choreographic tools for embodied practices. The research used action research and reflexive practice, contributing knowledge to experimental creative practice research, as well as future investigations into collating, archiving and developing transcultural art.
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MacAllister, Louise Karen. "Shaping the family : anti-obesity discourses and family life." Thesis, University of Exeter, 2016. http://hdl.handle.net/10871/23947.
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This thesis examines the effects of anti-obesity discourses on parenting practices. While academics have paid attention to the political dimensions of anti-obesity policy and related discourses (for example Colls and Evans, 2009, Evans, 2006, 2010, McPhail, 2009, Rawlins, 2009), and others have considered the experiences of feeding and caring for families (for example Curtis and Fisher, 2007, DeVault, 1991 Warin et al, 2008, Valentine, 1999), the way in which anti-obesity policies become enrolled in, and possibly contested through, parenting practices remains largely uncovered. In response to this, the thesis explores the ways in which these anti-obesity policies and discourses are brought into family life, lived, experienced, and made meaningful, contributing to critical obesity geographies and broader literature on bodies, parenting, care, and consumption. The thesis draws on research interviews and focus groups with parents, in which accounts of parenting practices and understandings around body size were explored in light of contemporary UK anti-obesity discourse. Using this research to explore the everyday enaction of parenting knowledges around body size, these parenting enactions are investigated alongside the governance of body size and parenting, developing an account of the ways in which we can see the aims of the state enacted in everyday practices of care (Dyck et al, 2007). By paying attention to everyday practices, this thesis argues that anti-obesity discourse emerges not only through top-down practices of governance, but through mundane and personal relationships of care and engagement with bodies, food, and fat. However, caring practices are demonstrated as existing in multiplicity and the excesses of everyday life in relation to parenting and body size are given space in the thesis to challenge narrow accounts of what it means to be a ‘good’ parent or have a ‘good’ body size; it is argued that we need to take seriously the situated lay knowledges that are developed through everyday practices of care. The thesis contends that such notions of ‘good’ parenting, bodies, and size are enacted through anti-obesity discourse as a particular classed discourse of parenting knowledge and body size, which furthermore, reinforce gendered versions of bodies, parenting, and everyday life.
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Baensch, Allison L. "Body of knowledge self-organisation in a gentle bodywork practice /." View thesis, 2009. http://handle.uws.edu.au:8081/1959.7/46352.
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Thesis (Ph.D.)--University of Western Sydney, 2009.Accompanied by DVD entitled: Body of knowledge. DVD can be viewed at UWS Library. A thesis presented to the University of Western Sydney, College of Arts, Social Justice and Social Change Research Group, in fulfilment of the requirements for the degree of Doctor of Philosophy. Includes bibliographies.
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Sund-Levander, Märtha. "Measurement and evaluation of body temperature : Implications for clinical practice." Doctoral thesis, Linköpings universitet, Klinisk fysiologi, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-5200.
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The general aim was to explore factors influencing the normal variation and measurement of body temperature. Additional aims were to study morbidity, mortality and the clinical presentation of pneumonia and predictors for survival in elderly nursing-home residents. Two hundred and thirty seven non-febrile nursing home residents (aged 66-99 years) and 87 healthy adults (aged 19-59 years) were included. In elderly individuals, the morning ear and rectal body temperature was measured at baseline and pneumonia and survival was observed at one- two and three-year. In healthy adults the rectal, ear, oral and axillary temperature were measured simultaneously on one morning and repeated measurements were performed in three subjects. Overall, the range of normal body temperature was wider then traditionally stated. In elderly nursinghome residents, functional and cognitive impairment and BMI < 20 were related to a lower body temperature and medication with analgesics to a higher. Compared to adults < 60 years elderly persons had a higher average ear and a lower rectal temperature. Men and postmenopausal women < 60 years had lower body temperature than premenopausal women. The repeated measurements showed a wide individual variability irrespective of the site of measurement, and that replicated measurements do not improve accuracy. When comparing the rectal temperature with oral, ear and axillary readings the average difference was > 0.5°C with a wide individual variation. The yearly incidence of nursing-home acquired pneumonia varied between 6.9% and 13.7%. Functional impairment, chronic obstructive pulmonary disease (COPD) and male sex were related to a higher risk of acquiring pneumonia and presenting non-specific symptoms were common. Age and functional impairment predicted mortality, irrespective of gender, while cerebral vascular insult, a lower body mass index and malnutrition in women and heart disease, COPD, medication with sedatives and mortality rate index in men were gender specific predictors. Surviving women had a higher baseline body temperature than non-surviving, while no such difference was found in men. When assessing body temperature, it is important to consider the site of measurement, technical design, operator technique, age and gender and, in elderly nursing-home residents, physical and cognitive impairment, body constitution and medication with analgesics. The best approach is to use an unadjusted mode, without adjusting to another site. To prevent a delayed diagnosis of pneumonia, one should be aware of a low baseline body temperature and lack of specific clinical symptoms in elderly nursing-home residents. Preserving and/or improving functional, cognitive, nutritional status and preventing agitation and confusion would improve survival in nursing-home residents.
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Sund-Levander, Märtha. "Measurement and evaluation of body temperature : implications for clinical practice /." Linköping : Univ, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-5200.
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Nogues, Rosa. "The body of sexuation : feminist art practice in the 1990s." Thesis, Kingston University, 2013. http://eprints.kingston.ac.uk/27842/.
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The representation of the female body at the centre of a number of art practices of the 1990s reveals a radical problematisation of sex. What constitutes the body as sexed? What is the sex of the female body? Is the female body the body of 'woman'? This thesis argues that these are some of the questions raised by the work of a loose group of artists who came to prominence in the 1990s, such as Rist, McCarty, Yuskavage and Beecroft, and whose work was largely excluded from the field of feminist art. Our claim is that the work of these artists requires that it be critically understood as a specific intervention within the field of feminist art and criticism. The fundamental question at the root of the thesis concerns the precise nature of the female body and its relation to sex and sexual difference. Our discussion is positioned outside both biology - where sexual difference is determined by the function in reproduction - and sociology, where the highlighting of the inequality of the social manifestations of sexual difference leaves the principle of the binary organisation of sex unexamined. Our argument is located within the field of feminist art criticism, and more specifically, the feminist critique of representation, and so, it is in terms of the psychoanalytic theory of Jacques Lacan, which provided the conceptual tools for this critique, that the specific problematic as regards the nature of the female body, which the practices discussed pinpoint, is addressed. The thesis investigates Lacan's conceptualisation of sexuatian as neither a biological nor a sociological category and argues that it provides an articulation of sex, based on the fundamental principle that 'there is no sexual relation', which leads not to a theory of sexual differentiation, but to an articulation of two possibilities of 'jouissance', the latter being that in terms of which the sexed body is produced. In engaging with the representation of the female body in the relevant art practices from the 1990s in terms of this conception of the body produced by sexuation, this thesis argues that these practices present a radical problematisation of sex. It is in terms of this fundamental feminist exercise of critically engaging with the meaning and nature of sex that their intervention within the field of feminist art and criticism must be understood.
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Jassal, Lakhbir Kaur. "Necrogeography matters : the powers of governing Indian and Chinese dead and their bodily remains in Great Britain, 1812-2012." Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/17897.
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This thesis explores the historical and contemporary cultural politics of funeral and body disposal among Indian and Chinese residents of Great Britain. The sanitation episteme launched in Britain during the eighteenth-century resulted in new systems for governing things deemed to be polluting or a threat to human health. This included the corpse/dead body and its bodily remains governed by an all-embracing state technique that I call ‘necropower’. Inspired by a Foucauldian approach to biopower, I examine how the governing of the dead is implicated in the formation of state power over non-Abrahamic ethnic groups. More specifically, in this thesis I analyze how the funeral and disposal practices of two ethnic minorities in the UK have been and are governed by the contours of state necropower. I argue that these bodies became the quintessential matter out of place in a state-regulated episteme. Beginning with funerary practices they have historically been deemed polluted and subject to state-based sanitary order, and they have emerged today through a new environmental and sanitary episteme inside a necroregime of power that is mediated by industry professionals. Drawing upon documented historical and contemporary material from the nineteenth to twenty-first century, interviews with state officials, professionals from the Death Care Industry, and Indian and Chinese minorities in Great Britain, I elaborate the various ways that these minorities seek to respond to, negotiate, and avoid expectations and regulations with respect to body and remain disposal.
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Dewing, Sarah. "Men's body-related practices and meanings of masculinity." Master's thesis, University of Cape Town, 2007. http://hdl.handle.net/11427/7483.
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Includes bibliographical references (leaves 83-94).The present investigation is about men and their bodies. Against the increasing visibility of the (idealised and eroticized) male body in Western popular culture as well as claims that men are becoming the new victims of 'the beauty myth', this study aims to examine men's appearance related practices in relation to meanings of masculinity. Semi-structured, in-depth interviews were conducted with fifteen men between the ages of 18 and 38. Using that method of discursive analysis developed specifically for the investigation of masculinities by Wetherell & Edley (1999), various subject positions taken up by the men in talking about their appearance related practices were identified. The men positioned themselves as unconcerned with appearance, untraditionally masculine, heterosexual, well-balanced and disembodied. A concern for appearance appears inconsistent with ideals of hegemonic masculinity (as valued by these men), and it is suggested that men are unlikely to constitute a large proportion of those individuals who might be described as 'victims' of 'the beauty myth'.
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Richards, Alison 1951. "Bodies of meaning : issues of field and habitus in contemporary Australasian theatrical performance practice." Monash University, School of Literary, Visual and Performance Studies, 2003. http://arrow.monash.edu.au/hdl/1959.1/7815.
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Evert, Lucinda. "Unidentified bodies in forensic pathology practice in South Africa : demographic and medico-legal perspectives." Diss., University of Pretoria, 2011. http://hdl.handle.net/2263/24911.
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Unidentified bodies in the forensic setting constitute a global problem. Though this should be of great concern to many governments, very little data on the extent of this phenomenon is available in international literature and few countries require that statistics on the number of unidentified deceased be kept. To determine the extent of this phenomenon in South Africa, a study into the number of unidentified deceased at the Pretoria Medico-Legal Laboratory and their demographic profile was undertaken. The study has indicated that between 7% and 10% of bodies remain unidentified at the Medico-Legal Laboratory in Pretoria. Publications further indicate that a total of 846 bodies remained unidentified at Medico-Legal Laboratories in Gauteng for the period January 2010 to August 2010. This number is very high when compared to international literature. Of great concern is the fact that these statistics do not include the cases in which persons die in hospital facilities from natural causes without an identity, which are not referred to the Forensic Pathology Service for investigation. The true extent of the problem may thus be far greater than imagined. Determining the true extent of this phenomenon in South Africa is therefore important, as these unidentified bodies have many social and economic consequences. Not only are families unaware that their loved ones have passed away, but they are also unable to bury and mourn them. Unidentified bodies at Medico-Legal Laboratory facilities also impacts on the service delivery capability of the government departments involved in the investigation of such cases. The drafting of additional legislation for the management of unidentified bodies is therefore required. A need to establish and enforce specific protocols to be followed in the event of unidentified bodies has also been identified. The creation of a National Unidentified Decedent website and DNA database is recommended as they will greatly assist in reducing the number of unidentified bodies throughout South Africa. It is however only through coordinated efforts and interdepartmental cooperation that these proposals will be successful. AFRIKAANS : Ongeïdentifiseerde liggame in die forensiese omgewing is ‘n wêreldwye probleem. Alhoewel dit ‘n bron van kommer vir meeste regerings behoort te wees, is baie min data oor die omvang van hierdie verskynsel beskikbaar in die internationale literatuur, met min lande wat vereis dat amptelike statistieke oor onbekende oorledenes versamel word. Om die omvang van hierdie verskynsel in Suid Afrika te bepaal, is ‘n studie na die aantal onbekende liggame by die Regsgeneeskundige Laboratorium in Pretoria en hul demografies profiel onderneem . Die studie het getoon dat tussen 7% en 10% van alle liggame wat deur die Regsgeneeskundige Laboratorium in Pretoria opgeneem word, onuitgeken bly. Publikasies dui ook aan dat 846 liggame ongeïdentifiseerd was by Regsgeneeskundige Laboratoriums vir die tydperk Januarie 2010 to Augustus 2010. Hierdie getal is aansienlik hoër as díe wat in die internasionale literatuur gesien word. ‘n Groot bron van kommer is die feit dat hierdie statistieke nie gevalle insluit waar die oorledene in ‘n hospitaal gesterf het as gevolg van natuurlike oorsake, sonder dat hul identiteit bekend is. Die ware omvang van die problem kan dus veel groter as geskat wees. Die bepaling van die omvang van hierdie verskynsel in Suid Afrika is belangrik, omdat ongeïdentifiseerde liggame beide sosiale en ekonomiese gevolge het. Nie net is families onbewus daarvan dat hul geliefdes gesterf het nie, maar kry hul ook nie die geleentheid om hul geliefdes te begrawe en oor hul afsterwe te rou nie. Ongeïdentifiseerde liggame by Regsgeneeskundige Laboratoriums het ook ‘n invloed op die diensleweringskapasiteit van die verskeie staatsdepartemente wat betrokke is by die ondersoek van sulke gevalle. Die opstel van addisionele wetgewing wat die bestuur van ongeïdentifiseerde liggame reguleer is dus nodig. Die behoefte aan spesifieke protokolle vir die hantering van sulke gevalle is ook geïdentifiseer. Daar word verder aangeraai dat ‘n Nasionale Onuitgekende Liggaam webwerf en DNS databasis geskep word in ‘n poging om die aantal ongeïdentifiseerde liggame in Suid Afrika te verminder. Dit is egter slegs deur middel van gekoördineerde pogings en interdepartmentele samewerking wat hierdie voorstelle sukses sal behaal. CopyrightDissertation (MSc)--University of Pretoria, 2011.
Forensic Medicine
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Morton, Katherine Jane Parker. "Anti-ageing and women's bodies : spaces, practices, and knowledges of cosmetic intervention." Thesis, University of Exeter, 2014. http://hdl.handle.net/10871/16000.
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This thesis examines women’s responses to ageing through cosmetic intervention, as part of broader practices of health and wellbeing. The thesis identifies a lack of geographical attention to the embodied and emotional dimensions of the ageing process and the management and modification of bodies through anti-ageing body-work. In response to this the thesis contributes to existing feminist geographical approaches to embodied experience by addressing the multiple ways that women respond to, and negotiate, the pressures of gendered socio-cultural norms and expectations associated with the body. The embodied methodological approach I take focuses primarily on semi-structured in-depth interviews with practitioners and consumers of anti-ageing technologies and techniques, and participant observation in anti-ageing ‘treatment’ sites, including aesthetic clinics and beauty salons. Informed by corporeal feminism (Grosz, 1994) I use these approaches to engage with the fluidity and ‘fleshy materiality’ of bodies (Longhurst, 2001). In doing so I contribute to existing knowledges of gendered body-work and self-care practices, both empirically and theoretically. The thesis contributes significant new empirical data to the study of the ageing body, enabling reflexive discussion of theoretical approaches, as well as offering new perspectives on theoretical questions on the body and cosmetic intervention. Through analysis of the spaces, practices, and knowledges of anti-ageing body-work the thesis extends existing geographical approaches to emotion and embodiment, gender and identity, and health and wellbeing. I identify contradictions between the medical and therapeutic rationales of anti-ageing body-work, and the ways that such tensions are enacted through the spaces, practices and professional identities associated with ‘aesthetic health’ (Edmonds, 2010). I also develop analysis of anti-ageing body-work in terms of the ‘reframing’ and ‘realignment’ of corporeal temporalities, ‘anticipatory’ biopolitical frameworks of bodily futures, and the emotional context and consequences of the materialisation of time on the body. I also consider such practices in terms of regulation and control, highlighting the growing normalisation of cosmetic intervention as implicated in disciplinary frameworks of corporeal anxiety in relation to gendered framings of body image, risk and responsibility. Finally, I draw attention to a number of future directions in which this research could be developed.
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Jones, Claire E. "An investigation into the role of body posture in mindfulness practice." Thesis, Canterbury Christ Church University, 2016. http://create.canterbury.ac.uk/14779/.
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Embodied emotion theory hypothesises a reciprocal relationship between physical expression of emotion and the manner in which emotional information is perceived. The Integrated Cognitive Subsystems (ICS) theory of depression and Mindfulness-Based Interventions (MBIs) propose the body as key in the development and treatment of depression. This study investigated the relationship between posture and outcomes of mindfulness practice; participants meditating in an upright posture were predicted to report greater mindfulness, positive affect and distress tolerance than in a slouched posture. A non-clinical, adult sample (N=39) carried out a 15-minute mindfulness breathing exercise in upright and slouched postures in a counter-balanced within-participant design, with outcome measures of mindfulness, affect and distress tolerance. Participants also reported qualitative experiences. Due to order effects, only data from the first posture participants adopted were analysed, converting the study into a between-participant design. Hypotheses were not supported; between-subjects analyses found no difference in participants’ reported mindfulness, affect or distress tolerance between the two posture groups; potentially due to measurement or power issues. Keeping with previous MBI research, negative affect decreased following the practice in both postures. There was tentative evidence that distress tolerance decreased in the slouched posture condition; although there was no change in the upright condition. Qualitatively, participants reported breathing was easier when upright. These two findings may provide some support for the importance of attending to an upright posture in mindfulness practice. Further research is required to understand the role of the body in depression and MBIs.
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Kahya, H. "'I feel whole today' : mind and body in counselling psychology practice." Thesis, City, University of London, 2014. http://openaccess.city.ac.uk/16080/.
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The current study investigated the experience of the Yoga Therapy for the Mind (YTFTM) 8-week course, a manualised yoga and mindfulness-based intervention, for mild to moderate depression and anxiety. Eight female students from across four YTFTM courses participated in semi-structured interviews exploring their experiences of the course. Interviews were analysed using an Interpretative Phenomenological Analysis, with thirteen subordinate themes emerging and grouping into four super-ordinate themes: Personal Journey of Change, Ambivalence, Mind/Body Connection and Group Experience. The findings of the study have been interpreted in light of relevant literature from across the fields of psychology, neuroscience and Buddhist and yogic philosophy. The findings echo previous research into comparable mindfulness-based courses, but suggest there may also be additional psychological benefits to the practice of yoga asana. These added benefits include a more holistic and embodied understanding of psychological distress and adaptive coping strategies, as well as enhanced wellbeing. Recommendations have been made with a view to influencing future courses and Counselling Psychologists interested in developing a more holistic approach to therapy.
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DeLong, Tyler Benjamin. "Eucharistic Unity, Fragmented Body: Christian Social Practice and the Market Economy." University of Dayton / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1427404705.
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Finkelman, Janis. "Structures." Thesis, University of Iowa, 2013. https://ir.uiowa.edu/etd/2493.
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In my artistic practice, I have defined the term “disorder” to mean a disturbance in established patterns, structures, or balances. I have defined the term “structure” to be an arrangement of constituents that results in a unified whole. I have defined “energy” to mean forces which either activate or are active upon entities. I seek to generate imagery that investigates relationships between disorder, structure, and energy.
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Messias, Luiz Fernando Fernandes. "Towards a new sissiography : the sissy in body, abuse and space in performance practice." Thesis, Central School of Speech and Drama, 2011. http://crco.cssd.ac.uk/31/.
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Along with the live performance of Sissy!, the present document constitutes research centred on the figure of the ‘sissy,’ defined in relation to the effeminate homosexual. The practice-based study proposes ‘sissiography’ as an original concept, conceived of as a negotiation between the three elements of body, abuse and space. Bodily traits are investigated under the coin ‘negotiable markers’ to include mannerisms, behaviours and sartorial choices commonly regarded as characteristic of the sissy. Abuse is studied in reference to Butler’s notion of ‘words that wound’ as well as to incidents of hate crime in London. Thirdly, sissy space is analysed in relation to safe and hostile urban zones. The study concludes that the unifying principle at the heart of sissiography is the concept of failure. In examining the writing of sissiness, the thesis considers existing scholarship on sissies and positions itself against the diagnostic concept of so-called Gender Identity Disorder. The argument developed here is underpinned by autobiographical elements. Historical discourses of male effeminacy are presented to challenge the notion of fixity in perceptions of the sissy. While offering a written investigation of the concept of sissiography, the study also develops an analysis through the researcher’s body in a series of studio experimentations and live performances. Practice is the central instrument of the enquiry, facilitating the writing of new sissy discourses. A cyclical mode of research leads from practice to theory and back to practice. The sissiography is thereby shown to be a form of inscription on the body, a form of writing space, of writing movement, of reinscribing history, of describing possible sissy futures.
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Lee, Rona May. "Disappearing bodies dry optics and watery places : a practice based investigation of constructions of subjectivity." Thesis, Oxford Brookes University, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.444329.
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Culbreth, Mair Wendelin. "Transactional Bodies: Politics, Pedagogies, and Performance Practices of the San Francisco Bay Area." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1514625617942998.
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Nitzan-Green, Yonat. "Saying it through the maternal body : understanding maternal subjectivity through art practice." Thesis, University of Southampton, 2010. https://eprints.soton.ac.uk/165505/.
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In referring to psychoanalyst and theorist Julia Kristeva‟s claim that the maternal body has no subject, this research aimed at finding answers to the following question: in what ways might a maternal subjectivity be understood through art practice? The research focused on three themes: fragmentation, invisibility and boundaries. Initially, these themes were researched in the context of the maternal body and the abject. The engagement with the maternal body has led to expanding the inquiry to include kibbutz childhood memory, in general, and bodily memories, in particular. This has led to revealing a childhood trauma. It was established that fragmentation, invisibility and questions of boundaries are rooted in trauma. Trauma has been further explored, to be revealed as a sequence of traumas, including the Israeli-Palestinian conflict and intergenerational trauma, which span private and public spheres. The methodology research in action has been developed through the use of the „observer-participant‟ position, as well as the methods of persona and performative acts. Installation has been developed as a shared space, where traumatic memory has been re-visited and audience became witness. The research contributes to new knowledge in the field of trauma, in the contexts of maternal subjectivity, kibbutz childhood and the Israeli-Palestinian conflict. The text provides a critical reflection for the practice, both construct this research.
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Sira, Natalia. "Body Image: Relationhsip to Attachment, Body Mass Index and Dietary Practices among College Students." Diss., Virginia Tech, 2003. http://hdl.handle.net/10919/27674.
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Body image or satisfaction with physical appearance has been established as an important aspect of self-worth and mental health across the life span. It is related to self-esteem, sexuality, family relationships and identity. Given the fact that physical appearance is a multifaceted structural concept that depends, not only on inner-biological, but also a psychological and socio-cultural components, the purpose of this study was to examine variables that are related to and influenced by satisfaction with physical appearance. Body mass index (BMI), eating disturbances, attachment (to mother, to father and to peers), global self-worth, parental control, peer influence and pressure regarding eating and media influence were examined in relation satisfaction with physical appearance. College students in a large southeastern university (195 males and 340 females) completed two subscales of Harter's Self-Perception Scale for College Students. Each subject self-reported his/her weight and height and these were used calculate weight/height ratio known as the body mass index. Participants also reported on attachment (to mother, to father and to peers) using the Inventory of Parent and Peer attachment scales (Armsden & Greenberg, 1987), Peer Influence Scale (Mukai, 1993) and the Media Influence scale which was developed for this project.
Differences between male and female perceptions of physical appearance in relationship to BMI were found: Among women, higher BMIs were associated with lower scores on perceptions of physical appearance (r = -. 429, p £ .001), whereas for males BMIs were not related to satisfaction with physical appearance. For both males and females, satisfaction with physical appearance was significantly and negatively (r = -.258, p £ .01) associated with media influence. Media influence was related to higher scores on the EAT 26 scale that measured disturbed eating attitudes and behaviors (r = .307, p £ .01). Females were affected by this association more so than were males. However, males appeared to not to be immune to such influence. Peer influence and peer pressure was another influential factor for both gender groups and it was associated with high eating disturbance scores (r = .369, p £ .01 for peer influence, and r = .413, p £ .01 for peer pressure). Attachment variables were associated with satisfaction of physical appearance and global self-worth in a different manner for adolescent females and males. For males, satisfaction with physical appearance was positively related to attachment to mother (r = .135, p £ .05) and father (r = .170, p £ .05) and negatively associated with maternal control (r = -. 246, p £ . 001). For females, only attachment to mother (r = .082, p £ .05) was positively associated satisfaction with physical appearance.
While there were many significant bivariate correlational findings, there were few significant coefficients in a regression analyses, presumably because of the high intercorrelations between the predictor variables. For females, BMI was the best predictor of satisfaction with physical appearance, whereas for males, the feeling of global self-worth was the strongest variable in predicting satisfaction with physical appearance.
Satisfaction with physical appearance is an essential part of global self-worth and is constructed differently by males and females. For females, high BMI was negatively related to satisfaction with physical appearance as well as global self-worth. On the other hand, for males neither global self-worth nor perceptions of physical appearance were affected by high BMIs. More research is needed to understand the complexity of influences on satisfaction with physical appearance as well as construction of global self-worth and its domains for both sexes.Ph. D.
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Parry, Caroline. "The Abramović Method: The Performance Art of Marina Abramović, 2010 to Present." Thesis, University of Oregon, 2015. http://hdl.handle.net/1794/19296.
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This thesis examines the performance art of Serbian artist Marina Abramović from 2010 to today following her emergence into mainstream media with the success of her performance The Artist Is Present (2010). This thesis investigates Abramović’s approach to performance and how the roles of artist and viewer change in face of increased fame, documentation, and age. The thesis argues that as Abramović ages, she is becoming increasingly preoccupied with her fame and with securing her legacy and that this concern is reflected by her increased documentation and self-promotion, as well as her interest in transitioning into the role of teacher rather than artist. This thesis ends with an optimistic look at the opening of The Marina Abramović Institute in late 2015 as a new type of institute in which Abramović's presence and legacy will be mediated not through the static and limited representation of photographs and relics but by the experiences and actions of the visitors themselves.