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Books on the topic 'BoBW model'

Author: Grafiati

Published: 6 September 2023

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1

Young, Gordon J. A sensitivity analysis of the hydrology of the Bow Valley above Banff, Alberta using the UBC watershed model: Phase II. S.l: s.n., 1998.

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2

Svec, Henry Adam. American Folk Music as Tactical Media. NL Amsterdam: Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789462984943.

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American folk music has long presented a problematic conception of authenticity, but the reality of the folk scene, and its relationship to media, is far more complicated. This book draws on the fields of media archaeology, performance studies, and sound studies to explore the various modes of communication that can be uncovered from the long American folk revival. From Alan Lomax's cybernetic visions to Bob Dylan's noisy writing machines, this book retrieves a subterranean discourse on the concept of media that might help us to reimagine the potential of the networks in which we work, play, and sing.

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3

Bob and the model railway. [Place of publication not identified]: BBC, 2004.

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4

Henry, Mizer Robert. Bob Mizer. AMG: 1000 Model Directory. TASCHEN, 2016.

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5

Editions, Insight. IncrediBuilds - Star Wars: Boba Fett's Slave-1 3D Wood Model. Insight Editions, 2017.

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6

Memoirs of a Bow Belle. The Pentland Press, 1995.

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7

Buchler, Justin. A Unified Spatial Model of Congress. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190865580.003.0004.

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This chapter presents a unified model of legislative elections, parties, and roll call voting, built around a party leadership election. First, a legislative caucus selects a party leader who campaigns based on a platform of a disciplinary system. Once elected, that leader runs the legislative session, in which roll call votes occur. Then elections occur, and incumbents face re-election with the positions they incrementally adopted. When the caucus is ideologically homogeneous, electorally diverse, and policy motivated, members will elect a leader who solves the collective action problem of sincere voting with “preference-preserving influence.” That leader will threaten to punish legislators who bow to electoral pressure to vote as centrists. Consequently, legislators vote sincerely as extremists and get slightly lower vote shares, but they offset that lost utility with policy gains that they couldn’t have gotten without party influence. Party leaders will rarely pressure legislators to vote insincerely.

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8

Editions, Insight, and Michael Kogge. IncrediBuilds - Star Wars: Boba Fett's Slave-1 Deluxe Book and Model Set. Insight Editions, 2017.

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9

Saunders, Diane L., and R. F. Bob Raymond. Bow to Stern: How to Build a Model Ship from Scratch. Independently Published, 2019.

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10

Art of Bob Mackie. Simon & Schuster, Limited, 2021.

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11

Ross, Laura, Carol Burnett, Frank Vlastnik, and Cher. Art of Bob Mackie. Simon & Schuster, 2021.

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12

Publishers, Janssen. Bob Mizer: Athletic Model Guild (AMG): American Photography of the Male Nude 1940-1970, Vol. 7 (American Photography of the Male Nude 1940-1970). Janssen Verlag, 2007.

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13

Hudson, Bob. Clients, Consumers or Citizens? Policy Press, 2021. http://dx.doi.org/10.1332/policypress/9781447355694.001.0001.

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Adult social care was the first major social policy domain in England to be transferred from the state to the market. There is now a forty-year period to look back at to consider the thinking behind the strategy, the impacts on commissioners and providers of care, on the care workforce and on those who use care and support services. In this book, Bob Hudson meticulously charts these shifts. He examines the shift from philanthropic endeavour to state planning and provision, through to the marketisation of services and support. He challenges the dominant market paradigm, explores alternative models for a post-Covid future and locates the debate within the wider literature on political thinking and policy change.

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14

Alden, Maureen. Paradigms for Odysseus. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199291069.003.0006.

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The poem compares Odysseus with Heracles through shared epithets and exploits (including catabasis and archery), but the Heracles paradigm is discredited by Heracles’ murder of his guest-friend Iphitus. The vignette of Odysseus’ naming by his grandfather, Autolycus, identifies the source of the hero’s ancestral cunning and motivates his visit as a young man to Parnassus, where he kills a boar when hunting with his uncles, thereby effecting his initiation into adulthood. The boar hunt test is the pattern for the bow contest: Odysseus corresponds in each to the marginalized initiation candidate. The lightly armed Odysseus who, like Apollo, kills young men with his arrows gives way in the fight with the suitors to a heavily armed hoplite figure whose divine model is Apollo Delphinios, who at the new moon of the new year presides over the ἀπέλλα‎ (assembly) where young men make the transition into the community of adult men.

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15

Smith, Hazel. Improvisation in Contemporary Experimental Poetry. Edited by Benjamin Piekut and George E. Lewis. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199892921.013.26.

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This chapter characterizes recent developments in improvisation in contemporary experimental poetry. It traces the evolution of improvised poetry from the work of classic improvisers such as David Antin, Steve Benson, and Bob Cobbing to the present day. It argues that poetic improvisation has been marginalized not only within poetic practice but also within theories of poetic performance. It traces the development of poetic improvisation as “new sonic writing” into computerized modes of improvisation, particularly algorithmic text generation. It discusses the impact of social changes, such as increased gender equality, globalization, and transnationalism, on the evolution of poetic improvisation, which has become increasingly populated by women and also more ethnically diverse. It formulates the concept of a “posthuman cosmopolitanism” with regard to computerized improvisation.

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16

Fred-Rivera, Ivette, and Jessica Leech, eds. Being Necessary. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198792161.001.0001.

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What is the relationship between ontology and modality: between what there is, and what there could be, must be, or might have been? Throughout a distinguished career, Bob Hale’s work has addressed this question on a number of fronts, through the development of a Fregean approach to ontology, an essentialist theory of modality, and in his work on neo-logicism in the philosophy of mathematics. This collection of new essays engages with these themes in Hale’s work in order to make further progress in our understanding of ontology, modality, and the relations between them. Some essays directly address questions in modal metaphysics, drawing on ontological concerns. Others raise questions in modal epistemology and its links to matters of ontology, such as the challenge to give an epistemology of essence. There are also several essays engaging with questions of what might be called ‘modal ontology’: the study of whether and what things exist necessarily or contingently. Such issues can be raised and addressed directly, but they also have an important bearing on the kinds of semantic commitments engendered in logic and mathematics, e.g., to the existence of sets, or numbers, or properties, and so on. It is thus explored in some chapters to what extent one’s ontology—and indeed, one’s ontology of necessary beings—interacts with other plausible assumptions and commitments.

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17

Hall, Maurice. Negotiating Jamaican Masculinities. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036514.003.0002.

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This chapter presents an analysis of Jamaican masculinity. It begins by asserting that both gender and culture are largely intersecting discourses, and that the only way to make sense of Jamaican masculinity is to view it through the intersections of colonialism, race, and class. It locates U.S. male “leadership” models of masculinity within colonialist ideals that assume a universalized, idealized subject. It investigates sites of resistance among two iconic Jamaican figures: the late reggae artist Bob Marley and the late, former Jamaican prime minister, Michael Manley. Using these examples, it weaves together a deeply textured account of Jamaican life, and charts the construction of masculinity among three groups: the Rastas, rude boys, and mimics. It examines differential male and female socialization patterns and argues that among the rude boys, masculinity is constructed through the use and control of public space. The chapter concludes with a discussion of the scholarly debate about the implications of the masculinities in present-day Jamaica.

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18

Guffey, Patrick J., and Martin Culwick. Adverse Event Prevention and Management. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780199366149.003.0009.

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Adverse events are an unfortunate reality of caring for patients in our current healthcare system. Preventing and mitigating these events are an important part of quality improvement. First, an understanding of what events occur and how often they are occurring is critical to planning improvements. Incident reporting systems are one way of gathering this information. Then, events should be categorized and analyzed for improvement. The failure mode and effects analysis (FMEA) and bow-tie diagram are two tools for this purpose. Once an event has occurred, consideration should be given to the caregivers as well as the patient when managing and resolving adverse events. Prevention requires strong analysis of events and recognition of both latent (system) and human causes. Interventions have different degrees of effectiveness, ranging from highly effective forcing functions, to marginally effective encouraging statements. There are four steps to event management: mitigation, immediate management, refractory management, and follow-up.

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19

Kessler, Kelly. Broadway in the Box. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190674014.001.0001.

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Broadway in the Box shines a television-centric light on the cross-industry presence of a seminal American art form. Over seven chapters, it works to unearth, explore, and analyze pockets of over seventy years of television programming that have embraced, nodded toward, and satirized the American musical in its various forms. This concentrated exploration of the genre across American television allows for an explication of America’s shifting and at times wavering feelings toward the musical, its songs, and its stars. Further, examining these texts alongside constantly changing and at times intersecting entertainment industries uncovers forms of symbiosis and synergy that linked the cultural and economic futures of the musical across platforms. In the end, Mitzi Gaynor titillating America in a revealing and bejeweled Bob Mackie dress was not just the seventies being the seventies, but a single event reflecting a larger confluence of Broadway, film, Vegas, ratings, genre, and programming trends within a specific television model. Perhaps in a style similar to various Broadway and film retrospectives, Broadway in the Box takes individual events and brings them together to craft a larger commentary on American entertainments, economics, and industries. Broadway has always been in the box; someone just needed to plug it in to see what was on.

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20

Journals, Dirty. FXDB Dyna Street Bob, Motorcycle Maintenance Logbook: Harley Davidson Models, Vtwin - Biker Gear, Chopper, Maintenance Service and Repair Journal with Dates, Notes, Records, Safety Reminders. 6 X 9 151 Pages. Independently Published, 2021.

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21

Baracchini, Leïla. Entre désert et toile. Création d’un art san contemporain au Kalahari. Éditions Alphil-Presses universitaires suisses, 2021. http://dx.doi.org/10.33055/alphil.03150.

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En 1990, à D’kar (Botswana), était créé le premier projet d’art à destination des populations san naro du Kalahari : le Kuru Art Project. De ce projet allait émerger un mouvement artistique de portée internationale, désormais connu sous le nom d’art san contemporain. À partir d’une ethnographie détaillée, Entre désert et toile raconte comment l’art est venu à D’kar et a transformé les pratiques et les modes de représentation, mais aussi le regard porté sur celles et ceux que la culture populaire avait jusqu’alors fait connaître en Occident en tant que chasseurs-cueilleurs nomades ou « Bushmen ». Combinant documents ethnographiques et historiques, il retrace les mouvements circulatoires inhérents à la création et à la diffusion de ces oeuvres sur les marchés de l’art internationaux. Médiations, traductions, rapports de pouvoir : ce livre questionne également les enjeux propres à l’ethnographie d’un processus créatif en contexte postcolonial. Comment maintenir une pratique ethnographique sans se retrouver soi-même engagé dans une dynamique qui impose aux images ses propres codes ? Et dès lors, quelle forme lui donner ? Ces questions amènent l’auteure à développer, dans la dernière partie de l’ouvrage, un portrait fragmentaire et sensible d’une artiste du Kuru Art Project, Coex’ae Bob. À partir d’une démarche collaborative, l’ethnologue et l’artiste y proposent une déambulation entre tableaux, plantes, textes et images, où se dessine une relation intime au Kalahari d’aujourd’hui. Préface de Nathalie Heinich

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22

Mattison, Mike, and Ernest Suarez. Poetic Song Verse. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496837271.001.0001.

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This unique and accessibly written study discusses the relationship between the blues, rock, folk, jazz, and poetry in the twentieth and twenty-first centuries, but it is anchored in the 1960s, when a concentration of artists transformed modes of popular music from entertainment to art-that-entertains. The authors (a professional musician and a literary historian) synthesize a wide range of writing about music—biographies, histories, articles in popular magazines, personal reminiscences, and a selective smattering of academic studies—and examine the development of a relatively new literary genre that they call poetic song verse. Poetic song verse was nurtured in the 50s and early 60s by the blues and in Beat coffee houses, and matured in the mid-to-late 60s in the art of Bob Dylan, the Beatles, the Rolling Stones, the Doors, Jimi Hendrix, Joni Mitchell, Leonard Cohen, Gil Scott-Heron, and others who used voice, instrumentation, arrangement, and production to foreground semantically textured, often allusive, and evocative lyrics that resembled and engaged poetry. Among the topics Mattison and Suarez consider are: What, exactly, is this new genre? What were its origins? And how has it developed? How do we study and assess it? To answer these questions, the authors engage in an extended discussion of the roots of the relationship between blues-based music and poetry, and address how it developed into a distinct literary genre. The book balances historical details and analysis of particular songs with readability to create a lively, intelligent, and cohesive narrative that will provide a wide range of readers with an overarching perspective on the development of an exciting, relatively new literary genre.

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