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Books on the topic 'Blown film'

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Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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Consult the top 18 books for your research on the topic 'Blown film.'

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1

Forster, W. C. Blown film. Telford: British Polymer Training Association, 1989.

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2

Cantor, Kirk. Blown Film Extrusion. München: Carl Hanser Verlag GmbH & Co. KG, 2011. http://dx.doi.org/10.3139/9783446428195.

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3

Cantor, Kirk. Blown film extrusion. 2nd ed. Cincinnati, Ohio: Hanser Publications, 2011.

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4

Colpaert, T. Analysis of a cross-directional control system for a blown film process. Manchester: UMIST, 1997.

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5

Artaud: Blows and bombs. [London]: Creation Books, 2003.

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6

Film and the interpretive process: A study of Blow-Up, Rashomon, Citizen Kane, 8 1/2, Vertigo, and Persona. New York: P. Lang, 1989.

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7

Blown Film Extrusion 3E. Hanser Publications, 2018.

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8

Blown Film Extrusion: An Introduction. Hanser Gardner Publications, 2006.

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9

Dixon, Franklin W. BLOWN AWAY (HARDY BOYS CASE FILE 108): BLOWN AWAY. Simon Pulse, 1996.

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10

Schwabe, Willmar, R. Oschmann, and O. E. Schubert. Blow-fill-seal Technology. CRC Press, 1999.

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11

Cartel =: Blow. Montréal: Alliance Atlantis Vivafilm, 2001.

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12

Chatterton, Mark, and Gary Carter. Blowin' Free: Thirty Years of Wishbone Ash. Firefly Publishing, 2001.

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13

(Editor), Rainer Oschmann, and Otto Ernst Schubert (Editor), eds. Blow-Fill-Seal Technology (Paperback Apv Band 40). Medpharm, 1999.

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14

Making Your First Blockbuster: Write It. Film It. Blow it Up! Michael Wiese Productions, 2019.

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15

Mavrody, Sergey. International Arthouse Cinema Almanac 2015: Chicago Blow-Up Arthouse Film Festival. CreateSpace Independent Publishing Platform, 2016.

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16

Pomerance, Murray. Cinema, If You Please. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474428682.001.0001.

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Cinema is a prime example of contemporary experience. However, film viewers seem infrequently to express their engagement with this experience in terms of rapt pleasure or plain delight. This book seeks to move beyond the purely rational language of meaning and “interest,” to regard some examples of cinematic work with the sort of pleasured rapture in which people partook in certain eighteenth century experiences of the aesthetic. In-depth analysis of sequences from Vertigo, A Matter of Life and Death, Clouds of Sils Maria, Personal Shopper, Blow-up, and many other films, urges readers to think and move beyond narrative storytelling; beyond contemporary cultural relevance; beyond moral and political stricture; and into a serious consideration of what it is to be “swept away” by a film. A guiding principle of this text is that new light can be thrown on beloved films by consideration of certain culturally established ways of achieving aesthetic delight that took form in or around the eighteenth century, including but not limited to: viewing Dutch oil paintings; listening to the music of Mozart; strolling through the English Pleasure Garden and public promenade, and reading of the voyages of Captain James Cook. Such socially organized pleasures are cast as historical foundations from which we might draw a better understanding of the pleasure and delight filmic moments can offer.

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17

Andy Warhol's Blow Job (Culture and the Moving Image). Temple University Press, 2003.

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18

Grundmann, Roy. Andy Warhol's Blow Job (Culture and the Moving Image). Temple University Press, 2003.

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