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Books on the topic 'Blood – Symbolic aspects'

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Author: Grafiati

Published: 4 June 2021

Last updated: 6 February 2022

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1

Juice of life: The symbolic and magic significance of blood. New York: Continuum, 1995.

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2

Satriani, Luigi M. Lombardi. De sanguine. Roma: Meltemi, 2000.

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3

Satriani, Luigi M. Lombardi. De sanguine. Roma: Meltemi, 2000.

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4

Thicker than water: The origins of blood as symbol and ritual. New York: Routledge, 2004.

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5

Blood in history and blood histories. Firenze: SISMEL/Edizioni del Galluzzo, 2005.

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6

Rousseau, Vanessa. Le goût du sang: Croyances et polémiques dans la chrétienté occidentale. Paris: Armand Colin, 2005.

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7

Le goût du sang: Croyances et polémiques dans la chrétienté occidentale. Paris: Colin, 2005.

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8

Transfusionen: Blutbilder und Biopolitik in der Neuzeit. Berlin: Heitz, 2005.

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9

Nagai, Tatsuo. Über Blutmystizismus: Psychologie, Psychopathologie, Volksaberglauben, Märchen, Religion, Volksmedizin, Bluttransfusion, Wissenschaft. Berlin: Spotless, 1992.

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10

Blood and nation: The European aesthetics of race. Philadelphia: University of Pennsylvania Press, 1999.

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11

Oryan, Orna. Dam gufekh: Dam be-omanut ha-bazut shel nashim bi-shenot ha-70 ṿeha-80 = Your body's blood. Tel-Aviv: Resling, 2013.

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12

Swantz, Marja-Liisa. Blood, milk, and death: Body symbols and the power of regeneration among the Zaramo of Tanzania. Westport, Conn: Bergin & Garvey, 1995.

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13

Bynum, Caroline Walker. Wonderful blood: Theology and practice in late medieval northern Germany and beyond. Philadelphia, Pa: University of Pennsylvania Press, 2007.

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14

Blumentrath, Hendrik. Blutbilder: Mediale Zirkulationen einer Körperflüssigkeit. Bielefeld: Aisthesis, 2004.

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15

Les fluides d'Aristote: Lait, sang et sperme dans l'Italie du Sud. Paris: Les Belles Lettres, 2014.

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16

Men and "woman" in New Guinea. Novato, Calif: Chandler & Sharp, 1999.

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17

Fabre-Vassas, Claudine. La bête singulière: Les juifs, les chrétiens et le cochon. [Paris]: Gallimard, 1994.

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18

Le sang: Mythes, symboles et réalités. [Paris]: Fayard, 1988.

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19

The singular beast: Jews, Christians & the pig. New York: Columbia University Press, 1997.

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20

Camporesi, Piero. Juice of Life: The Symbolic and Magic Significance of Blood. Continuum Intl Pub Group (Sd), 1996.

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21

Meyer, Melissa L. Thicker Than Water: The Origins of Blood as Symbol ... and Ritual. Routledge, 2005.

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22

Meyer, Melissa L. Thicker Than Water: The Origins of Blood as Symbol and Ritual. Routledge, 2005.

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23

Schury, Gudrun. Lebensflut. Eine Kulturgeschichte des Blutes. Reclam, Leipzig, 2001.

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24

Carsten, Janet. Blood Will Out: Essays on Liquid Transfers and Flows. Wiley-Interscience, 2013.

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25

Carsten, Janet. Blood Will Out: Essays on Liquid Transfers and Flows. Wiley & Sons, Incorporated, John, 2013.

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26

Carsten, Janet. Blood Will Out: Essays on Liquid Transfers and Flows. Wiley & Sons, Incorporated, John, 2013.

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27

Bynum, Caroline Walker. Wonderful Blood: Theology and Practice in Late Medieval Northern Germany and Beyond (The Middle Ages Series). University of Pennsylvania Press, 2006.

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28

Bynum, Caroline Walker. Wonderful Blood: Theology and Practice in Late Medieval Northern Germany and Beyond (The Middle Ages Series). University of Pennsylvania Press, 2007.

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29

Levina, Marina. Pandemics and the Media. Lang AG International Academic Publishers, Peter, 2014.

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30

Pandemics and the Media. Lang AG International Academic Publishers, Peter, 2014.

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31

Roux, Jean-Paul. Le sang: Mythes, symboles et realites. Fayard, 1988.

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32

(Translator), Carol Volk, ed. The Singular Beast. Columbia University Press, 1999.

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33

Gracey, James. The Company of Wolves. Liverpool University Press, 2017. http://dx.doi.org/10.3828/liverpool/9781911325314.001.0001.

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Abstract:

Co-written by Irish filmmaker Neil Jordan and British novelist Angela Carter, and based on several short stories from Carter's collection The Bloody Chamber, The Company of Wolves (1984) is a provocative reinvention of the fairy tale of Little Red Riding Hood. Unraveling a feverish metaphor for the blossoming of a young girl's sexuality and her subsequent loss of innocence, the film entwines symbolism and metaphor with striking visuals and grisly effects. Released in the early 1980s, a time which produced several classic werewolf films (including An American Werewolf in London and The Howling), The Company of Wolves sets itself apart from the pack with its overtly literary roots, feminist stance, and art-house leanings. The film's narrative takes the form of a puzzle box, unfolding as dreams within dreams, and stories within stories, which lead further into the dark woods of the protagonist's psyche, as she finds herself on the cusp of womanhood. The book explores all these aspects, as well as placing the film in the context of the careers of its creators and its position as an example of the “Female Gothic.”

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