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1

Ackroyd, Peter. Blake. London: Sinclair-Stevenson, 1995.

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2

Bruder, Helen P., and Tristanne Connolly, eds. Sexy Blake. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137332844.

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Bruder, Helen P., and Tristanne Connolly, eds. Queer Blake. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230277175.

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4

Clark, Steve, Tristanne Connolly, and Jason Whittaker, eds. Blake 2.0. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230366688.

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Dent, Shirley, and Jason Whittaker. Radical Blake. London: Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230287402.

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Haggarty, Sarah, and Jon Mee. William Blake. Edited by Nicolas Tredell. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-38245-0.

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7

Bruder, Helen P., and Tristanne Connolly, eds. Beastly Blake. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-89788-2.

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Beer, John. William Blake. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230554863.

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9

Clark, Steve, and David Worrall, eds. Historicizing Blake. London: Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1007/978-1-349-23477-6.

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10

Bruder, Helen P. Queer Blake. Basingstoke: Palgrave Macmillan, 2010.

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11

Peter, Porter, ed. William Blake. New York: E.N. Potter, 1986.

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12

Books, Pocket, and Copyright Paperback Collection (Library of Congress), eds. Blake house. New York: Pocket Books, 1990.

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13

1941-, Mason Michael, ed. William Blake. Oxford, England: Oxford University Press, 1994.

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14

Harold, Bloom, ed. William Blake. New York: Chelsea House, 2008.

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15

Museum, British, ed. William Blake. London: British Museum Press, 2005.

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16

Raine, Kathleen. William Blake. New York, N.Y: Thames and Hudson, 1988.

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17

Peter, Blake. Peter Blake. Paris: Galerie Claude Bernard, 2009.

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18

Blame It On Blake. Independently Published, 2019.

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19

Kathryn, Nyssa. Blake. NW Partners PTY LTD, 2022.

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20

BLAKE. QPD, 1995.

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21

Blake. Loughcrew, Oldcastle, County Meath, Ireland: The Gallery Press, 2015.

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22

Blake. New York: Knopf, 1996.

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23

Blake. London, UK: Sinclair-Stevenson, 1995.

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24

Blake. Creative Media Partners, LLC, 2023.

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25

Smith, Victoria H. Blake. Independently Published, 2019.

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26

Lovers, Cute Journal. Blake. Independently Published, 2019.

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27

Henderson, A. Michele. Blake. Ardena M. Henderson Publishing, 2020.

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28

Smith, Victoria H. Blake. The Lovely Well, 2019.

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29

Ackroyd, Peter. Blake. Ballantine Books, 1997.

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30

Tillit, L. B. Blake. My Easy Read Books, LLC, 2022.

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31

William, Blake. Blake. Leopard Books, 1996.

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32

Yoder, Marcy, and Emily Owens. Blake. CreateSpace Independent Publishing Platform, 2014.

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33

Blake. Books on Tape, Inc., 1997.

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34

Bolton, Karice. Blake. CreateSpace Independent Publishing Platform, 2016.

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35

Brilliant, Alan. Blake. Unicorn Press, Incorporated, 2014.

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36

Blake. Zysk i S-ka, 2016.

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37

Blake. London: Minerva, 1996.

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38

ROBINSON, Smith. Lives of Blake: Lives of Blake. Antique Collectors' Club, 2019.

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39

Charles, King. Captain Blake. Kessinger Publishing, 2005.

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40

Dent, Shirley, and Jason Whittaker. Radical Blake. Palgrave Macmillan, 2014.

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41

Connolly, T., and H. Bruder. Sexy Blake. Palgrave Macmillan Limited, 2013.

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42

Connolly, T., and H. Bruder. Sexy Blake. Palgrave Macmillan Limited, 2013.

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43

VÁZQUEZ, Gonzalo. Clave Blake. Independently Published, 2018.

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44

K, Chesterton G. William Blake. Franklin Classics, 2018.

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45

K, Chesterton G. William Blake. Franklin Classics, 2018.

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46

Tucker, Robert. Burton Blake. Tell-Tale Publishing Group, 2019.

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47

Carlin, Richard, and Ken Bloom. Eubie Blake. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190635930.001.0001.

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The book tells the story of one of the key composers of 20th-century American popular song. Through his music, Eubie Blake rose from the slums of Baltimore to the heights of Broadway success. His show Shuffle Along was the first African American show to win a major white audience, becoming the tenth most popular show of the 1920s. The show introduced future black stars—including Josephine Baker, Paul Robeson, and Florence Mills—and the syncopated chorus line, and introduced jazz-styled music to Broadway. Blake’s composing skills were matched by his piano mastery. Even in the Depression, Eubie continued composing innovative new works. At 61, he studied the Schillinger Method to expand his harmonic knowledge and ability to compose beyond the confines of traditional popular song. Blake’s persistence in maintaining his ties to ragtime and Broadway paid off in the late 1960s, when he was rediscovered due to new recordings and personal appearances. In the last decade of his life he influenced an entirely new generation of pianists and composers from the jazz and classical worlds. This is the first biography to explore the wealth of personal records, interviews, and deep research to illuminate Blake’s life and impact on over 100 years of American culture. It tells the true story of African American performers struggling to achieve recognition and success in the popular music world at a time of deep racism. Blake’s career blazed a path for countless others to rise above the limitations previously faced by blacks in the popular music world.
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48

Bentley, G. E., ed. William Blake. Routledge, 2002. http://dx.doi.org/10.4324/9780203199039.

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49

Lucas, John. William Blake. Edited by John Lucas. Routledge, 2014. http://dx.doi.org/10.4324/9781315843490.

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50

Camilleri, I. C. Blake Curse. Pneuma Springs Publishing, 2012.

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