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Books on the topic 'Blake Art Prize History'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

1973-, Stout Katharine, ed. Turner Prize 10. London: Tate, 2010.

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2

Gallery, Tate, ed. The Turner Prize. London: Tate, 2007.

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3

Blake 2.0: William Blake in twentieth-century art, music and culture. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2012.

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4

Gorn, Elliott J. The manly art: Bare-knuckle prize fighting in America. Ithaca: Cornell University Press, 2010.

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5

The manly art: Bare-knuckle prize fighting in America. Ithaca: Cornell University Press, 1986.

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6

Nochlin, Linda. A life of learning: Charles Homer Haskins prize lecture for 2007. New York, NY: American Council of Learned Societies, 2008.

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7

American Council of Learned Societies, ed. A life of learning: Charles Homer Haskins prize lecture for 2007. New York, N.Y: American Council of Learned Societies, 2008.

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8

Ross, Peter. Let's face it: The history of the Archibald Prize. Sydney, Australia: Art Gallery of New South Wales, 1999.

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9

Blake and antiquity. New York: Routledge, 2002.

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10

1941-, Mason Michael, ed. William Blake. Oxford, England: Oxford University Press, 1994.

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11

1941-, Mason Michael, ed. William Blake. Oxford [England]: Oxford University Press, 1988.

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12

Peter, Porter, ed. William Blake. New York: E.N. Potter, 1986.

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13

1941-, Maynard John, and Cimatoribus Alessandra, eds. William Blake. New York: Sterling Pub., 2006.

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14

L' œuvre de William Blake: Apocalypse et transfiguration. Grenoble: ELLUG, Université Stendhal, 1992.

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15

Noble art: An artistic & literary celebration of the old English prize-ring. London: Unwin Hyman, 1989.

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16

Peterfreund, Stuart. William Blake in a Newtonian world: Essays on literature as art and science. Norman: University of Oklahoma Press, 1998.

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17

William, Blake. William Blake: Selected poetry. Oxford: Oxford University Press, 1996.

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18

William, Blake. Poems of William Blake. London: Sinclair-Stevenson, 1995.

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19

H, Stevenson W., ed. Blake: The complete poems. 3rd ed. Harlow, England: Pearson/Longman, 2007.

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20

William Blake: Selected poems. New York: St. Martin's Press, 1995.

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21

Volker, Rattemeyer, ed. Gotthard Graubner: Träger des Otto Ritschl Preises 2001 = Recipient of the Otto Ritschl Prize 2001. Düsseldorf: Richter, 2001.

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22

General-at-sea: Robert Blake and the seventeenth-century revolution in naval warfare. London: J. Murray, 1989.

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23

William, Blake. Selected poems of William Blake. London: Bloomsbury, 1994.

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24

The English prize: The capture of the Westmorland, an episode of the grand tour. New Haven: Yale University Press, 2012.

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25

William, Blake. William Blake: Selected poetry and prose. Harlow, England: Longman, 2000.

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26

Blake, William. William Blake: Paintings, watercolors and drawings. New York, N.Y: Salander-O'Reilly Galleries, 1992.

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27

Alpañés, María Dolores Sánchez-Jáuregui. The English prize: The capture of the Westmorland, an episode of the grand tour. New Haven: Yale University Press, 2012.

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28

1947-, Fuller David, ed. William Blake: Selected poetry and prose. Harlow, England: Pearson Longman, 2008.

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29

David, Punter, ed. William Blake: Selected poetry and prose. London: Routledge, 1988.

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30

Summerfield, Henry. A guide to the books of William Blake for innocent and experienced readers: With notes on interpretive criticism 1910 to 1984. Gerrards Cross, UK: C. Smythe, 1998.

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31

Bijutsukan, Hokkdaidōritsu Asahikawa. Ki no zōkei, Asahikawa Taishō ten: NHK hōsō 70-shūnen kinen = The Asahikawa Prize for contemporary wood art. [Asahikawa-shi]: Hokkaidōritsu Asahikawa Bijutsukan, 1996.

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32

Summerfield, Henry. A guide to the books of William Blake for innocent and experienced readers: With notes on interpretive criticism 1910-1984. Gerrards Cross, UK: C. Smythe, 1998.

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33

Uriel's eye: Miltonic stationing and statuary in Blake, Keats, and Shelley. University, AL: University of Alabama Press, 1985.

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34

Pop-Art auf Plattencovern: Andy Warhol, Peter Blake, und Richard Hamilton gestalten Plattenhüllen für Velvet Underground, die Beatles, und die Rollings Stones. Saarbrücken: Verlag Dr. Müller, 2008.

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35

Linnemann, Martina. Pop-Art auf Plattencovern: Andy Warhol, Peter Blake, und Richard Hamilton gestalten Plattenhüllen für Velvet Underground, die Beatles, und die Rollings Stones. Saarbrücken: Verlag Dr. Müller, 2008.

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36

William, Blake. William Blake: Visions de mons eterns, 1757-1827 : 17 d'abril-2 de juny de 1996, Centre Cultural de la Fundació "la Caixa". Barcelona: Centre Cultural de la Fundació "la Caixa", 1996.

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37

Blake, William. William Blake: Visiones de mundos eternos (1757-1827) : 2 de febrero-7 de abril de 1996, Sala de Exposiciones de la Fundación "la Caixa". Madrid: La Fundación, 1996.

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38

Amy, Cappellazzo, and Licata Elizabeth, eds. In company: Robert Creeley's collaborations. [Niagara Falls, N.Y.]: Castellani Art Museum of Niagara University, 1999.

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39

1972-, Crosby Mark Christopher, Essick Robert N, and Wark Robert R, eds. Genesis: William Blake's last illuminated work. San Marino, Calif: Huntington Library, Art Collections, and Botanical Gardens, 2012.

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40

Weiss, Martin. Showcasing Science. NL Amsterdam: Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9789462982246.

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Abstract:

Teylers Museum was founded in 1784 and soon thereafter became one of the most important centres of Dutch science. The Museum’s first director, Martinus van Marum, famously had the world’s largest electrostatic generator built and set up in Haarlem. This subsequently became the most prominent item in the Museum’s world-class, publicly accessible, and constantly growing collections. These comprised scientific instruments, mineralogical and palaeontological specimens, prints, drawings, paintings, and coins. Van Marum’s successors continued to uphold the institution’s prestige and use the collections for research purposes, while it was increasingly perceived as an art museum by the public. In the early twentieth century, the Nobel Prize laureate Hendrik Antoon Lorentz was appointed head of the scientific instrument collection and conducted experiments on the Museum’s premises. Showcasing Science: A History of Teylers Museum in the Nineteenth Century charts the history of Teylers Museum from its inception until Lorentz’ tenure. From the vantage point of the Museum’s scientific instrument collection, this book gives an analysis of the changing public role of Teylers Museum over the course of the nineteenth century.

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41

Crumlin, Rosemary. Blake Book: Art, Religion and Spirituality in Australia. Macmillan Art Publishing, 2011.

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42

Myrone, Martin, and William Blake. William Blake. Tate Publishing, Limited, 2019.

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43

Alan, Moore. William Blake. Princeton University Press, 2020.

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44

Button, Virginia, and Adrian Searle. The Turner Prize. Tate Publishing(UK), 1998.

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45

The Turner Prize. 4th ed. Tate Gallery, 2005.

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46

Turner Prize (Tate Gallery London). Tate, 2000.

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47

Art Gallery of Western Australia., ed. Under god's hammer: William Blake versus David Shrigley. Perth, W.A: Art Gallery of Western Australia, 2006.

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48

Button, Virginia. Turner Prize: Twenty Years. Tate, 2004.

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49

Daolio, Roberto, Eva Marisaldi, Angela Vettese, Sara Cochrane, Cristina Parrellla, Sisley Xhafa, Giorgio Verzotti, and Giacinto Di Pietrantonio. Talent/um, Tolerare: Querini-Furla Prize for Art. Charta, 2001.

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50

Gorn, Elliott J. The Manly Art: Bare-Knuckle Prize Fighting in America. Cornell University Press, 1989.

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