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1

Finlay, Ian Hamilton. Blades. Little Sparta, Dunsyre: Wild Hawthorn Press, 1989.

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2

Tyler, Ben. Gay blades. New York: Kensington Books, 2003.

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3

Rubén Blades. New York: Chelsea House, 1992.

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4

Aki, ed. Méga blagues. Paris: Gründ, 2014.

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5

Tyler, Ben. Gay blades. New York: Kensington, 2004.

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6

Dunne, Nicola. Pine-blades. [London]: [Dunne], 1994.

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7

McCullough, Kelly. Drawn blades. New York: Ace Books, 2014.

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8

Cutting blades. Long Preston, North Yorkshire: Magna Large Print Books, 2005.

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9

Pereda, Raquel. Blanes Viale. Montevideo, Uruguay: Fundación Banco de Boston, 1990.

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10

Cutting blades. New York: Berkley Prime Crime, 2006.

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11

Davies, Jackson. Gone to blazes. Leicester: Linford, 2013.

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12

Estelarde, Dagoberto Cleber Betancor. Pension de Blanes. [Uruguay?: s.n., 1994.

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13

Gone to blazes. London: Robert Hale, 2012.

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14

ill, Jankowski Bill, ed. Billy Blazes' rescue. Pleasantville, N.Y: Reader's Digest Children's Books, 2003.

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15

Rosenberg, Aaron. Queen of blades. New York: Pocket Books, 2006.

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16

120 bonnes blagues. Paris: Deux coqs d'or, 2012.

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17

Pevel, Pierre. The cardinal's blades. Amherst, NY: Pyr, 2010.

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18

1830-1901, Blanes Juan Manuel, and Testoni Studios, eds. Juan Manuel Blanes. Montevideo, Uruguay]: El País, 2011.

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19

Buckskins, blades & biscuits. Surrey, B.C: Hancock House, 1995.

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20

Regan, Linda. Brotherhood of Blades. Sutton, Surrey, England: Crème de la Crime, 2011.

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21

Litman, Judy. Blades of grass. [Reston, Va: J. Litman Publications, 2006.

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22

Rosenberg, Aaron. Queen of blades. New York: Pocket Books, 2006.

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23

Copyright Paperback Collection (Library of Congress), ed. The kissing blades. New York, N.Y: Signet, 2003.

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24

Tulley, David. Blakes 7, shadow. Sale (25 Woodville Drive, Sale, Cheshire M33 INF): Frontier Worlds, 1985.

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25

Aneke, Ejike. Africa blames God. Ibadan, Nigeria: Spectrum Books, 2000.

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26

Tsai, George. Respect and the Efficacy of Blame. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198805601.003.0013.

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This essay examines the role of respect and of the interest in having another’s respect in enabling blame to be effective: to achieve the desired effect of attitudinal and behavioral modification in the blamed. It considers how the blamed agent’s moral psychology at the outset of the blaming transaction bears on the way in which blame is able (if at all) to achieve its desired effect. To address this issue, an account of blame’s operations in three different cases—standard, intermediate, and proleptic—is developed. On the basis of the account, a normative worry is then raised: when blame achieves its desired effect in cases where the blamer and blamed are far apart in their respective moral understandings and motivations, effective blame begins to approximate manipulation and coercion, leaving a moral residue.
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27

Carlin, Richard, and Ken Bloom. Eubie Blake. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190635930.001.0001.

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The book tells the story of one of the key composers of 20th-century American popular song. Through his music, Eubie Blake rose from the slums of Baltimore to the heights of Broadway success. His show Shuffle Along was the first African American show to win a major white audience, becoming the tenth most popular show of the 1920s. The show introduced future black stars—including Josephine Baker, Paul Robeson, and Florence Mills—and the syncopated chorus line, and introduced jazz-styled music to Broadway. Blake’s composing skills were matched by his piano mastery. Even in the Depression, Eubie continued composing innovative new works. At 61, he studied the Schillinger Method to expand his harmonic knowledge and ability to compose beyond the confines of traditional popular song. Blake’s persistence in maintaining his ties to ragtime and Broadway paid off in the late 1960s, when he was rediscovered due to new recordings and personal appearances. In the last decade of his life he influenced an entirely new generation of pianists and composers from the jazz and classical worlds. This is the first biography to explore the wealth of personal records, interviews, and deep research to illuminate Blake’s life and impact on over 100 years of American culture. It tells the true story of African American performers struggling to achieve recognition and success in the popular music world at a time of deep racism. Blake’s career blazed a path for countless others to rise above the limitations previously faced by blacks in the popular music world.
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28

Blake, Andrew. Blakes. Reed Books, 1996.

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29

Freedman, Linda. Continuing Visions. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198813279.003.0011.

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The questions that drove Blake’s American reception, from its earliest moments in the nineteenth century through to the explosion of Blakeanism in the mid-twentieth century, did not disappear. Visions of America continued to be part of Blake’s late twentieth- and early twenty-first century American legacy. This chapter begins with the 1982 film Blade Runner, which was directed by the British Ridley Scott but had an American-authored screenplay and was based on a 1968 American novel, Do Androids Dream of Electric Sheep? It moves to Jim Jarmusch’s 1995 film, Dead Man and Paul Chan’s twenty-first century social activism as part of a protest group called The Friends of William Blake, exploring common themes of democracy, freedom, limit, nationhood, and poetic shape.
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30

(Editor), Matthew Bell, Kevin Titterton (Editor), Howard Holmes (Editor), and Karen Keenan (Editor), eds. Blades Tales. Juma, 2000.

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31

Blake, Victoria. Cutting Blades. Berkley Trade, 2006.

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32

Wendig, Chuck. Blue Blazes. Angry Robot, 2013.

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33

Smith, Lester. Clashing Blades. Fast Forward Entertainment, 2005.

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34

(Narrator), Julie Maisey, ed. Cutting Blades. Ulverscroft Large Print, 2006.

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35

(Illustrator), Chris Price, ed. Ghost Blades. Mammoth, 1997.

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36

Kingdom Blades. Melissa McPhail, 2016.

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37

365 blagues. Hemma, 2002.

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38

Cutting Blades. Orion, 2005.

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39

Crossed Blades. Ace Books, 2012.

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40

Sarnataro, Patrick. Razors & Blades. Tate Publishing, 2015.

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41

Pelletier, Dominique, and Julie Lavoie. 100 Blagues! Scholastic Canada, Limited, 2013.

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42

Drackett, Phil. Flashing Blades. The Crowood Press Ltd, 1987.

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43

Paulsen, Gary. Blaues Licht. Carlsen, 2001.

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44

Blades Desire. Siren Publishing, 2008.

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45

Klonsky, Milton. Blakes Dante. Random House Value Publishing, 1988.

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46

Clashing Blades. Dynamite Entertainment, 2010.

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47

Morgan-Vanroyen, Mary. Blakes Promise. Romance Foretold Inc, 2001.

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48

Lowell, Melissa. Silver Blades. Gareth Stevens Publishing, 1998.

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49

Blake, Victoria. Cutting Blades. Ulverscroft Large Print, 2006.

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50

Pevel, Pierre. Cardinal's Blades. Orion Publishing Group, Limited, 2010.

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