Journal articles on the topic 'Biographical journalism'
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1
Hynes, Terry. "Biographical Dictionary of American Journalism." American Journalism 7, no. 3 (July 1990): 208–9. http://dx.doi.org/10.1080/08821127.1990.10731300.
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Adam, Felipe, and Sérgio Luiz Gadini. "BIOGRAPHICAL CONTRIBUTIONS OF JUCA KFOURI AND TINHORÃO TO THE HISTORY OF BRAZILIAN JOURNALISM." Revista Observatório 6, no. 5 (August 31, 2020): a2en. http://dx.doi.org/10.20873/uft.2447-4266.2020v6n5a2en.
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The article aims to evaluate two biographical books by press professionals as instruments to rescue the history of Brazilian journalism. In the study, two works are analyzed for the performance of both in specific editorials of journalism: sports and cultural, respectively: Juca Kfouri: O militante da notícia (ALENCAR, 2006) and Tinhorão: O legendário (LORENZOTTI, 2010). Through three categories observed in the reading of the biographies - journalistic environment, spaces of belonging and legacy of the biographer -, it appears that the books highlight characteristics of the profession, prioritize the protagonist's memory and assist in the understanding of the Brazilian journalistic past. And, thus, they can serve as a brief script (albeit partial) for a biographical perspective on the history of journalism in important moments of 20th century in Brazil.
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Ólafs, Helga, and Anna Wojtyńska. "Icelandic chapter in the Polish book: a narrative perspective on Polish migration to Iceland." Wrocławski Rocznik Historii Mówionej 6 (October 30, 2016): 101–19. http://dx.doi.org/10.26774/wrhm.151.
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The paper presents a narrative perspective on Polish migration to Iceland based on one example of a woman, called Irena. Her biography served for an anthropological analysis used in biographical approach in social sciences with the assumption that the story of one life of a particular person can give some general knowledge – in this case about migration patterns and experiences. The story of Irena presented in this article is also an interesting example of the narrative journalism, since the biography is presented like a non-fiction essay, written by a journalist who accompanied Irena for several months during her stay in Iceland and was actually a part of her migration experience.
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Zoria, Alina. "Topics and Themes of Vitalii Portnikov’s Social and Political Journalism (the Case of Materials of the Internet Outlet Radio Liberty)." Scientific notes of the Institute of Journalism, no. 2 (75) (2019): 161–73. http://dx.doi.org/10.17721/2522-1272.2019.75.13.
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The article deals with the topics and themes of materials of V. Portnikov, the well-known political journalist in Ukraine and abroad. The urgency of scientific research is to study and expand the scientific discourse on political journalism, its topics and themes, relevance and reliability of information and introduction of new names. The objective of the study is to identify and analyze the main thematic lines and features of themes of V. Portnikov’s journalistic materials. The task of the study is to carry out a brief biographical analysis, which is necessary for understanding the personality of V. Portnikov; to ascertain and to generalize the thematic range of publicist’s materials; to define the problems of author’s materials through the line of topical issues, political situation and processes in Ukraine and the world as whole; to systematize creativity and professional attitudes of a publicist to political processes, leadership, states, authorities, regimes, etc. that helped in achieving the objective of the study. The methodological basis of the study that consisted of the topics and themes of V. Portnikov’s political journalism was based on the principles of historicity, objectivity, complexity and authenticity. A number of general and specific scientific methods were used to analyze the topics and themes of his publicistic materials. The descriptive method was used to outline the available materials of socio-political themes and topics of a journalist in the Internet outlet “Radio Liberty” for 2017-2018 and the first quarter of 2019. The content analysis method was used to identify the problem-thematic aspect of the publicist’s materials. The biographical method was used in studying the peculiarities of his creative activities and the method of differentiation in work was used to determine the thematic peculiarities and to find out the problematic aspects of his creativity. The qualitative analysis of V. Portnikov’s texts was the leading method of the study. The analysis of the author’s journalistic speeches showed that V. Portnikov accentuated the readers’ attention on the ugent issues, gave an objective and thorough assessment of the current situation. This author lets each topic pass through himself, thereby stimulating and appealing the audience to reflection, and also helped to understand and to rethink the most important sociopolitical processes.
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Safronova, Elena. "F. M. Dostoevsky’s Siberian Text: Problems and Perspectives." Неизвестный Достоевский 7, no. 3 (September 2020): 54–96. http://dx.doi.org/10.15393/j10.art.2020.4922.
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The review article is devoted to the analysis of studies of the Siberian period of F. M. Dostoevsky’s life and work. The main trends in the study of the author’s Siberian text are described. The entire variety of sources may be subdivided into four groups: memoirs and epistolary testimonies; journalism, biographical novels, essays, novellas, etc.; biographical studies; interpretations of Siberian works. One of the main issues is the problem of their reliability. Close to the memoir fraud remain biographical novels, biographical chronicles, documentary novels are close to being memoir falsifications, and so they often contain factual errors or free interpretation of events. They sometimes include home-grown myths about Dostoevsky's stay in Siberia, that were created by local residents. Some of these myths have already been exposed by the scientific approach. The article analyzes the biographical research of V. N. Zakharov, M. M. Gromyko, N. I. Levchenko, V. S. Vainerman, A. S. Shadrina, E. D. Trukhan, V. F. Grishaev and others. These studies are peculiar in that they are usually localized and represent research not into the Siberian text as a whole, but into its constituent parts: those related to Omsk, Kuznetsk, Tobolsk, Barnaul or Semipalatinsk. The article describes both fairly well-known and new biographical materials that have been published recently and significantly enriched the understanding of the Siberian period of the writer's biography and work, and provides an overview of interpretations of Dostoevsky's Siberian works. The paper identifies problems and outlines the perspectives of studying the Siberian text, and determines the archival collections where new documents about Dostoevsky and his environment can be discovered.
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Fedirko, Taras. "Self-censorships in Ukraine: Distinguishing between the silences of television journalism." European Journal of Communication 35, no. 1 (January 6, 2020): 12–28. http://dx.doi.org/10.1177/0267323119897424.
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This article builds on biographical interviews with public service broadcasting journalists, who have earlier worked for mainstream private media in Kyiv, Ukraine, to argue that journalists, according to their own understandings, engage in several different forms of self-censorship that do not necessarily have a direct relationship to external censorship. I identify and analyse three different forms of self-censorship – pragmatic, ethical and affective – that are simultaneously present in the same professional community of Ukrainian television journalists at a single historical moment, despite the fact that they operate in accordance with distinct logics. Taken together, they offer an empirical basis to challenge scholarly accounts that understand self-censorship as a singular phenomenon. The article proposes some initial analytical parameters and questions for a more nuanced analysis of the empirical heterogeneity of self-censorship.
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Borges, Rogério Pereira. "Writing on Self, Writing on the Other: Literary Journalism as Theoretical Parameter for the Biographical Genres." Brazilian Journalism Research 14, no. 3 (December 28, 2018): 774–97. http://dx.doi.org/10.25200/bjr.v14n3.2018.1123.
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This text proposes a theoretical approach of the biographical genres from the field of Literary journalism, having in perspective the discursive possibilities involved in this narrative construction. The “writing of oneself” and the “writing of the other” pass through frontiers of discourse in which Literary journalism, as it has been conceived in the contemporary world, also moves. To improve this debate, we bring the knowledge of Narrative and New History theories, in which there is an intense discussion about the work that unites objective data of reality and the capacity to elaborate a discourse that deepens in subjectivities. Our central argument is that Literary journalism, when articulated with biographical texts, can contribute to the theorizing and production of works of these genres.Este texto propõe uma abordagem teórica dos gêneros biográficos a partir do campo do jornalismo literário, tendo em perspectivas as possibilidades discursivas envolvidas nessa construção narrativa. A escrita de si e a escrita do outro transitam por fronteiras do discurso em que o jornalismo literário, tal como tem sido concebido na contemporaneidade, também se movimenta. Para aprimorar este debate, trazemos os conhecimentos de teorias da narrativa e da nova história, em que há uma intensa discussão acerca do trabalho que une dados objetivos da realidade e a capacidade de elaborar um discurso que se aprofunda em subjetividades. Nosso argumento central é o de que o jornalismo literário, quando articulado com os textos biográficos, pode contribuir para a teorização e produção de trabalhos desses gêneros.Este texto propone un abordaje teórico de los géneros biográficos a partir del campo del periodismo literario, teniendo en perspectiva las posibilidades discursivas involucradas en esa construcción narrativa. La “escritura de sí” y la “escritura del otro” transitan por fronteras del discurso en que el periodismo literario, tal como ha sido concebido en la contemporaneidad, también se mueve. Para perfeccionar este debate, traemos los conocimientos de teorías de la narrativa y de la nueva historia, en que hay una intensa discusión acerca del trabajo que une datos objetivos de la realidad y la capacidad de elaborar un discurso que se profundiza en subjetividades. Nuestro argumento central es que el periodismo literario, cuando se articula con los textos biográficos, puede contribuir a la teorización y producción de trabajos de esos géneros.
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Jørgensen, Aage. "Word and truth — a look at Johannes V. Jensen’s journalism. Part 1." Scandinavian Philology 19, no. 1 (2021): 139–63. http://dx.doi.org/10.21638/11701/spbu21.2021.109.
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Since the establishment of the Johannes V. Jensen Centre at Aarhus University in 1993, studies of the Nobel Prize winner have shifted from the biographical to the textual. At the same time, the publication especially of early works with critical commentary has intensified. The present article traces some themes throughout a half-century of Jensen’s journalism which was first assembled in book form in 2014 under the title Word and Truth. The material brings more nuance to impressions of the poet’s opinions and positions, also because the anthologizing of his journalistic works has until now and for good reason skimmed only the cream. Now the dregs are considered as well, and even this portion of Jensen’s work impresses with its linguistically seductive energy and fascinating images. Most of the articles Jensen himself agreed to have reprinted and they were included in the so-called mythic volumes. Jensen regarded myth as a special genre, his own reply in all modesty to what H. C. Andersen had done for the fairy tale. Jensen’s journalism spans also biographically from the poet’s native soil in Jutland to distant parts of the world, with the capital as well as rural Tisvilde as important stops along the way. The poet’s efforts to protect nature and the implied archeological interests (not only in a Danish context) are reflected in a number of articles. Just as meaningful, but modernity-oriented, is an enthusiasm for technical development, machinery, traffic on land, sea and air. Life’s origins and the development of the species are viewed in a Darwinist perspective. The present article’s second part deals with Jensen’s tradition-bound understanding of the relationship between the sexes and, in that connection, with his fear of “sexual confusion” often mentioned, most painfully in the 1907 intimidation of his colleague Herman Bang. Finally, attention is given to the part of Jensen’s journalism which portrays his own travels and his writings on others’ contributions to the genre of travel literature.
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Amirov, V. M., and S. Y. Mamedova. "Interviews: from the Classic Genre to Modern Formats (Using the Example of the Programs “Wdud” and “How to talk?”)." Izvestia Ural Federal University Journal Series 1. Issues in Education, Science and Culture 27, no. 3 (2021): 30–37. http://dx.doi.org/10.15826/izv1.2021.27.3.052.
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The article on a significant theoretical basis and an example of the programs “Widow” and “How to Talk?” presents some aspects of the transformation of the genre of “classical” interviews into modern formats. It is proved that the genre is experiencing significant transformations and gaining new features, among which are analyticity, portraiture, journalism. The main strategies reflected in the activity of popular interviewers — Yuri Dud and Irina Shikhman are considered. Among these strategies, the choice of relevant and socially significant topics, provocativeness and intimization, promoting the hero’s self-presentation, independence in assessments, a high level of emotionality and a “biographical” approach, non-linearity of the composition and others are highlighted.
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Lukshin, Alexey F. "THE CRITICAL ANALYSIS OF THE BIOGRAPHICAL BOOKS ABOUT GENERAL P.N. WRANGEL IN THE RUSSIAN MAGAZINE JOURNALISM OF 2000S." RSUH/RGGU Bulletin. Series History. Philology. Cultural Studies. Oriental Studies, no. 1 (2017): 116–23. http://dx.doi.org/10.28995/2073-6355-2017-1-116-123.
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Vieira, Karine Moura. "SUJEITOS DO BIOGRÁFICO: jornalistas e a construção do status de autoria na produção da biografia como reportagem." Revista Observatório 4, no. 1 (January 1, 2018): 418. http://dx.doi.org/10.20873/uft.2447-4266.2018v4n1p418.
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O presente trabalho são reflexões desenvolvidas a partir da tese “Do fazer um saber: a construção do biografar: o discurso de autoria sobre a prática jornalística na produção de biografias por jornalistas brasileiros”, defendida em 2015 no Programa de Pós-graduação em Ciências da Comunicação da Universidade do Vale do Rio dos Sinos (Unisinos) e se debruça sobre a constituição dos jornalistas como sujeitos do biográfico. A partir dos discursos das suas práticas enquanto autores de biografias, Alberto Dines, Lira Neto, Mário Magalhães e Regina Zappa refletem sobre a processualidade do biografar, a circulação de saberes e a construção do seu status de autoria.
PALAVRAS-CHAVE: Biografia; jornalismo; autoria; reportagem; prática.
ABSTRACT
The present work is a reflection developed from the thesis "Do a know: the construction of biography: the discourse of authorship on the journalistic practice in the production of biographies by Brazilian journalists", defended in 2015 in the Postgraduate Program in Communication Sciences of the University of Sinos Valley (Unisinos) and focuses on the constitution of journalists as subjects of the biographical. From the discourses of his practices as authors of biographies, Alberto Dines, Lira Neto, Mário Magalhães and Regina Zappa reflect on the biographical process, the circulation of knowledge and the construction of his authorial status.
KEYWORDS: Biography; journalism; authorship; reporting; practice.
RESUMEN
El presente trabajo son reflexiones basadas en la tesis "De hacer un saber: la construcción de una biografía: el discurso escrito sobre la práctica periodística en la producción de biografías por periodistas brasileños" defendida en 2015 en el Programa de Posgrado en Universidad de Ciencias de la Comunicación del Valle del río dos Sinos (Unisinos) y se centra en la creación de periodistas como sujetos del biográfico. A partir de los discursos de sus prácticas como autores de biografía, Alberto Dines, Lira Neto, Mário Magalhães y Regina Zappa reflejan sobre procesualidad de la escrita, la circulación del conocimiento y la construcción de la condición de la autoría.
PALABRAS CLAVE: Biografía; el periodismo; autoría; informar; la práctica.
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Rodinova, Nataliya. "BORIS GRINCHENKO'S ENLIGHTENMENT ACTIVITY." Educational Discourse: collection of scientific papers, no. 9(11-12) (December 27, 2018): 79–90. http://dx.doi.org/10.33930/ed.2018.5007.9(11-12)-7.
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B. Grinchenko, as a good expert in Ukrainian history, defended the right of Ukraine and its people to their own lives, the right to receive education and read books in their native language. His scientific interests included such humanitarian disciplines as: pedagogy, linguistics, journalism, ethnography, history, literary criticism, bibliography, museology. If you compile a list of figures of history and culture, whose lives and activities he investigated, to whom he devoted an article, review or obituary, then a galaxy of advanced people of that time will appear. In scientific and publicistic studies B. Grinchenko primarily concerned the issues of oral folk art, as well as pedagogy, literature, history, social and political life. It was noted that the cheap book's publication of popular science, folklore, biographical, applied and entertainment content, embodied the idea of B. Grinchenko for the creation of the Ukrainian library, the introduction of readers to the Ukrainian book and the development of their education.
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Larangeira, Álvaro Nunes. "Arqueobiografia do pioneiro da imprensa no Brasil: nas pegadas do frei Tibúrcio." Revista FAMECOS 18, no. 3 (December 22, 2011): 765. http://dx.doi.org/10.15448/1980-3729.2011.3.10381.
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O artigo apresenta os caminhos e resultados do estudo da investigação arqueobiográfica, respaldada por documentos muitos dos quais inéditos, para resgatar a vida do frei Tibúrcio José da Rocha, o primeiro redator da primeira publicação editada em território nacional, a Gazeta do Rio de Janeiro. Tal personagem tem sido ignorado ou abordado superficialmente na historiografia biográfica do jornalismo, representando uma lacuna na composição das páginas completas da imprensa brasileira. Palavras-chave: Tibúrcio José da Rocha; Arqueobiografia; Imprensa. Archeobiography of the pioneer of the brazilian press: In the footsteps of friar Tibúrcio Abstract: The article presents the investigations and results of an archeobiographical study, supported by many unpublished documents, to revive the life of friar Tibúrcio José da Rocha, the editor of the first national publication published in Brazil, the Gazeta do Rio de Janeiro. He has been superficially treated or ignored in the biographical history of journalism, representing a gap in the pages of the history of the Brazilian press. Keywords: Tibúrcio José da Rocha; Archeobiography; Press.
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Erlihkson, Irina M. "The image of a highwayman on the Newgate Calendar pages." LOCUS people society cultures meaning 11, no. 3 (2020): 40–53. http://dx.doi.org/10.31862/2500-2988-2020-11-3-40-53.
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In the article the author investigates the problem of crime representation in English journalism of the 18th century, focusing on a unique historical source – the Newgate Calendar. The format and structure of the Newgate Calendar is a guide to Newgate Prison inmates, containing biographical information about the prisoners and a description of their crimes. The biographies of highwaymen are reconstructed, and the degree of social and psychological motives is determined.We believe that the image of a highway robber is an important structural element of criminal romanticism. An analysis of biographies shows that a significant proportion of crimes of this kind were simultaneously initiated by both greed for profit and purely ambitious considerations. The author comes to the conclusion that the desire to get into the upper echelons of the criminal world, due to the British perception of the image of a highwayman in a romantic way, regardless of belonging to a social stratum, led to the use of capital punishment.
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Holmes, Deborah. "Joseph Roth's Feuilleton Journalism as Social History in Vienna, 1919–20." Austrian History Yearbook 48 (April 2017): 255–65. http://dx.doi.org/10.1017/s0067237816000667.
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From April 1919 to April 1920, twenty-four-year-old Joseph Roth worked full time as a reporter on the newly founded Viennese daily Der Neue Tag [The new day]. It was his first regular job and, although he was later to become one of the best-paid journalists of the Weimar Republic, it was also the only one he would ever hold on a fixed contract. In spring 1919, Roth had recently returned from eastern Galicia, the place of his origins, where he had also been stationed during the war, first in the infantry, then as an army press officer. His position as a Heimkehrer in Vienna after the war was precarious for a number of reasons. Paid work was scarce in the impoverished city, and Roth had not finished—indeed, would never finish—his degree. More important, although he had already been resident in Vienna as a student before the outbreak of hostilities, the “Ostjude” Roth, like so many others, had no valid papers and no right to remain in the former imperial capital. Political parties across the spectrum were agitating for the largely Jewish refugees from the former eastern provinces of the fallen Habsburg empire to be sent “home”—even by force, if necessary. Roth's position at Der Neue Tag was therefore not only an important apprenticeship for his high-profile career in journalism—which in turn laid the foundations for his oeuvre as a novelist—but also constituted a vital existential anchor. Given their historical and biographical context, it seems surprising that the texts he produced for the new newspaper—two or three a week throughout this pivotal period in Vienna's transition from self-assured imperial capital to beleaguered Social Democratic outpost—have received comparatively little attention in Roth scholarship. This is in part a result of the acknowledged bias in research on German-language culture and literature during this era toward the Weimar Republic, in particular Berlin, and away from First Republic Austria: similar texts produced slightly later by Roth in and on the German capital are often studied and seem to have eclipsed the earlier Viennese texts. This article seeks to redress the balance within Roth scholarship while also suggesting what Roth's work for Der Neue Tag can contribute to our sociohistorical understanding of the period, despite or perhaps because of the literary techniques it uses.
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Berec, Nebojsa. "Stanislav Krakov: A biography." Zbornik Matice srpske za drustvene nauke, no. 157-158 (2016): 637–68. http://dx.doi.org/10.2298/zmsdn1658637b.
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The key goal of this paper is the reconstruction of key moments in Stanislav Krakov?s (1895-1968) biography. He was a famous Serbian man of letters, prominent interwar journalist, war hero and finally an emigrant publicist. The paper is based on personal testimonies, biographical notes, archive material from Stanislav Krakov Collection kept in the Archives of Yugoslavia, documents from the National Library of Serbia and the Yugoslav Cinematheque, periodicals and contemporary newspapers, as well as on testimonies of Krakov?s contemporaries. This paper shows the life of Stanislav Krakov from his early life circumstances: volunteering in the First and Second Balkan War, participation in the World War I as an officer, concluding with the perilous journey through Albanian mountains to the Adriatic Sea, and breakthrough on the Macedonian Front in 1918 via Kaymakchalan. Wounded and decorated several times, he did not stay in the army. He dedicated himself to literature and journalism. The stressful and jagged atmosphere in interwar Yugoslavia Defined Stanislav Krakov. While being a kind of a Balgrade dandy he was also a prominent patriotic figure - a decorated young veteran, editor of Politika and editor- in-chief of Vreme newspapers, writer of war novels, travel memoirs, theater critic, and so on. Family and ideological connections with general Nedic determined his journalist career and personal life during the World War II - when he was the editor of Obnova and editor-in-chief of Novo Vreme - as well as after it. As a collaborator, after the WWII, this well-known hero of the WWI and the Balkan Wars passed away as a fugitive and emigrant, never bringing to an end the intended monograph about general Nedic, nor his own memoirs.
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Доманский, Валерий Анатольевич. "TURGENEV AND SIBERIAN JOURNALISM BEGINNING 1880S YEARS." Tomsk state pedagogical university bulletin, no. 4(216) (July 6, 2021): 131–39. http://dx.doi.org/10.23951/1609-624x-2021-4-131-139.
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Введение. Проведен анализ сибирских газет начала 1880-х гг., в которых имеются сведения о И. С. Тургеневе: иркутские газеты «Сибирь» (1873–1887), «Восточное обозрение» (1882–1906) и томские «Сибирская газета» (1881–1888), «Сибирский вестник» (1885–1905). Цель – выявление рецепции личности и творчества великого русского писателя сибирским образованным обществом и понимание его роли в духовной жизни Сибири и России. Материал и методы. Использовались биографический, историко-литературный, историко-функциональный, культурно-исторический и сравнительно-типологический методы. Материалом послужили сибирские и центральные периодические издания 1880-х гг. Результаты и обсуждение. Тургенев оказался знаковой фигурой для культурной жизни Сибири. Его произведения продавались в книжных магазинах Томска, Омска, Барнаула, Иркутска, находились во многих библиотеках Сибири. С появлением первых сибирских газет на их страницах печатались рецензии и материалы о творчестве и событиях жизни русского писателя. Наиболее часто его имя встречалось на страницах «Сибирской газеты». История любви члена редколлегии «Сибирской газеты» С. С. Синегуба была известна в среде революционеров-народников. Она нашла, по мнению автора статьи, свое отражение в разработке любовной интриги Нежданова, Марианны и Соломина (роман «Новь»). Негласным редактором газеты являлся Ф. В. Волховский, политический ссыльный, судимый по «процессу 193-х». В 1877 г. Тургенев не был лично знаком с Волховским, но активно общался с Г. А. Лопатиным, его приятелем и соратником по политической деятельности, и вместе с ним основал Русскую общественную библиотеку в Париже. Особое внимание уделено анализу материалов о И. С. Тургеневе на страницах иркутских и томских периодических изданий: это перепечатки и комментарии статей центральных газет о произведениях Тургенева, собственные рецензии и отзывы о писателе сибирских литераторов. Некоторые из них – Н. И. Наумов, И. В. Омулевский (и, возможно, Н. М. Ядринцев) – были лично знакомы с ним и присутствовали на встречах И. С. Тургенева с редакцией журнала «Слово» и «Русское богатство». Именно в мартовском номере радикального журнала «Слово» в 1881 г. впервые в России опубликовано знаменитое стихотворение Тургенева «Крокет в Виндзоре» (1876). Заключение. Сибирская общественность внимательно следила за творчеством Тургенева, в сибирских газетах печатались сведения о его болезни. После смерти писателя сообщалось о панихидах, которые проходили в ряде сибирских городов. Рассмотрены некрологи и посмертные статьи о Тургеневе, талантливо написанные редакторами «Восточного обозрения» и «Сибирской газеты». В них отмечалось большое значение творчества выдающегося русского писателя и его общественной деятельности для формирования гражданского самосознания сибиряков. Introduction. The analysis of Siberian newspapers of the early 1880s, which contains information about I. S. Turgenev: Irkutsk newspapers «Siberia» (1873–1887), «Eastern Review» (1882–1906) and Tomsk; Sibirskaya Gazeta (1881–1888), Sibirskiy Vestnik (1885–1905). The purpose of the study was to identify the reception of the personality and work of the great Russian writer by the Siberian educated society and an understanding of his role in the spiritual life of Siberia and Russia. Material and methods. In the course of its implementation, a system of methods was used: biographical, historicalliterary, historical-functional, cultural-historical and comparative-typological. Results and discussion. Turgenev turned out to be a significant figure for the cultural life of Siberia. His works were sold in bookstores in Tomsk, Omsk, Barnaul, Irkutsk, and were in many libraries in Siberia. With the appearance of the first Siberian newspapers, reviews and materials about the work and events of the life of the Russian writer were printed on their pages. Most often his name was found on the pages of the «Siberian newspaper». The love story of S. S. Sinegub was known among the populist revolutionaries. She found, in the opinion of the author of the article, its reflection in the development of the love affair of Nezhdanov, Marianna and Solomin (novel «Nov»). The secret editor of the newspaper was F. V. Volkhovsky, a political exile, tried in the socalled «trial of the 193s» in 1877 y. Turgenev was not personally acquainted with Volkhovsky, but actively communicated with G. A. Lopatin, his friend and associate in political activities, and together with him founded the Russian Public Library in Paris. Particular attention in the article is paid to the analysis of materials about Turgenev on the pages of Irkutsk and Tomsk periodicals: these are reprints and comments and articles of central newspapers about the works of Turgenev, their own reviews and reviews of the writer of Siberian writers. Some of them – N. I. Naumov, I. V. Omulevsky (and, possibly, N. M. Yadrintsev) – were personally acquainted with him and were present at Turgenev’s meetings with the editors of the magazine «Slovo» and «Russkoe Bogatstvo». It was in the March issue of the radical magazine «Slovo» in 1881 that Turgenev’s famous poem «Croquet in Windsor» (1876) was first published in Russia. Conclusion. The Siberian public closely followed the work of Turgenev, information about his illness was published in Siberian newspapers. After his death, it was reported about memorial services, which took place in a number of Siberian cities. The author of the article reviewed obituaries and posthumous articles about Turgenev, talentedly written by the editors of «Vostochny Obozreniye» and «Sibirskaya Gazeta». They noted the great importance of the work of the outstanding Russian writer and his social activities for the formation of civic consciousness of Siberians.
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WEST, E. JAMES. "Ben Burns and the Boundaries of Black Print in Chicago, 1942–1954." Journal of American Studies 53, no. 3 (July 5, 2018): 703–24. http://dx.doi.org/10.1017/s0021875818000397.
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This article focusses on the career of Ben Burns, a white Jewish radical who came to play a central role in Chicago's black press during the mid-twentieth century. As an editor for periodicals such as theChicago Defender, Negro DigestandEbony, Burns helped to edit and develop some of the nation's most influential black publications. However, many of his readers remained oblivious to his racial identity – something which was both implicitly and explicitly obscured by his employers, and which was influenced by and manifested itself through the spatial politics of the workplace and the Chicago South Side. Drawing on a range of archival and biographical material, personal correspondence, and newspaper and magazine articles, this paper reconsiders Burns's literal movement through the terrain of Chicago's black press to assess his broader influence as a white editor in black journalism. Complicating depictions of Burns as a racial interloper, this article situates his contributions within a broader history of white participation in black print production. Furthermore, it demonstrates how the parameters of his role were heavily framed by the complex racial and spatial politics of the editorial room and Chicago's urban politics at mid-century.
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Roloff, Bianka Nieckel da Costa, and Cida Golin. "A cobertura jornalística das megaexposições de artes visuais no Brasil (2010-2016): o mapa quantitativo de um acontecimento saliente // The news coverage of the visual arts blockbuster exhibitions in Brazil (2010-2016)." Contemporânea Revista de Comunicação e Cultura 16, no. 3 (February 6, 2019): 602. http://dx.doi.org/10.9771/contemporanea.v16i3.23369.
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Este artigo busca sistematizar e analisar quais indícios o jornalismo acionou ao cobrir o acontecimento de seis megaexposições de artes visuais que circularam no Brasil entre 2010 e 2016, a partir da cobertura de jornais de referência em suas plataformas impressa e digital. Tendo como base os estudos do acontecimento, entendemos que o jornalismo configura-se como um lugar especializado de construção de sentidos sobre arte e de mediação entre esta e os públicos, mediando também o próprio ciclo de existência dos produtos culturais. Recorte parcial de pesquisa, problematizamos os dados quantitativos aferidos no exame das coberturas por meio de Análise de Conteúdo. Destaca-se a espetacularização do evento na celebração de aspectos biográficos do(s) artista(s), nos atributos passíveis de serem traduzidos na forma de números e na capacidade de atração de público, entre diversos outros indícios.
The news coverage of the visual arts blockbuster exhibitions in Brazil (2010-2016): the quantitative map of a spectacular event
This article pursues to systematize and analyze which evidences journalism has triggered to cover six visual arts blockbuster exhibitions that happened in Brazil between 2010 and 2016, from the coverage of important newspapers in their printed and digital platforms. Based on the event studies, we understand that journalism is a specialized environment for building senses about art, as well as a mediator between the craft and its publics, also mediating the cycle of existence of cultural products themselves. Partial cut-off of a master thesis, we problematize the quantitative data obtained in the examination of the coverages using the Content Analysis methodology. Stands out the spectacularization of the event in the celebration of biographical aspects of the artist(s), in the attributes that can be treated as numbers and in the ability of driving crowds, among several other aspects.
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Maia, Junno Sena, and Maristela Fittipaldi Vianna da Silva. "80 ANOS NA SALA DE REDAÇÃO: Lois e Clark e o estereótipo do Jornalista." Revista Observatório 5, no. 6 (October 1, 2019): 328–51. http://dx.doi.org/10.20873/uft.2447-4266.2019v5n6p328.
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Desde o seu nascimento, o cinema tem criado um sem número de produções ficcionais e biográficas com o personagem do jornalista no centro das narrativas. Uma das representações mais populares é o Superman e ao seu lado, Lois Lane. Com as mesmas particularidades do estereótipo do jornalista já conhecido, esses personagens influenciam o ideário popular. A presente pesquisa procurou analisar, ambos e a criação dessa persona e como isso afeta a sociedade. Tal pesquisa permitiu chegar à conclusão de que produções assim, acima de simples entretenimento, servem para conscientizar o público, elevar o debate e trazer um senso crítico a profissão do jornalista.
PALAVRAS-CHAVE: Superman; Lois Lane; jornalismo; cinema; TV; séries; quadrinhos; notícia; crítica.
ABSTRACT
Since his birth, cinema has created countless fictional and biographical productions with the character of the journalist at the center of the narratives. One of the most popular representations is Superman and on his side, Lois Lane. With the same particularities of the stereotype of the known journalist, these characters influence the popular ideology. The present research sought to analyze both the creation of this persona and how it affects society. Such research has led to the conclusion that such productions, above simple entertainment, serve to raise public awareness, raise debate and bring a critical sense to the journalist's profession.
KEYWORDS: Superman; Lois Lane; journalism; movie theater; TV; Series; fiction; news; critical.
RESUMEN
Desde su inicio, el cine ha creado innumerables producciones ficticias y biográficas con el personaje del periodista en el centro de las narraciones. Una de las representaciones más populares es Superman y, a su lado, Lois Lane. Con las mismas particularidades del conocido estereotipo del periodista, estos personajes influyen en las ideas populares. La presente investigación buscó analizar tanto la creación de esta persona como cómo afecta a la sociedad. Esta investigación llevó a la conclusión de que tales producciones, por encima del mero entretenimiento, sirven para aumentar la conciencia pública, generar debate y aportar un sentido crítico a la profesión del periodista.
PALABRAS CLAVE: Superman; Lois Lane; periodismo cine TV serie; historietas noticias crítico.
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Jefferson, Tony. "What is Racism? Othering, Prejudice and Hate-motivated Violence." International Journal for Crime, Justice and Social Democracy 4, no. 4 (December 1, 2015): 120–35. http://dx.doi.org/10.5204/ijcjsd.v4i4.261.
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The paper’s concern is the current difficulty, in journalism, the academy and politics, of discussing questions to do with race, ethnicity, difference and immigration because of the fear of being called a racist. It starts with an analysis of biographical interview data drawn from fifteen people who had variously acquired the label racist and who were part of a small-scale study into racism in the Midlands city of Stoke-on-Trent, UK conducted between 2003 and 2005. The interviews used the free association narrative interview method. This analysis revealed that most people do not consider themselves racist and that having a conviction for a racially aggravated offence or being a member of a far right organisation was not able to differentiate racists from non-racists. It also revealed a spectrum of attitudes towards immigrants or particular ethnic groups: strong expressions of hatred at one end of the spectrum; strong prejudicial feelings in the middle; and a feeling that ‘outsider’ groups should not benefit at the expense of ‘insiders’ (called ‘othering’) at the other end. The turn to theory for assistance revealed that, although hatred, prejudice and ‘othering’ are not the same thing, and do not have the same origins, they have become elided. This is primarily because cognitive psychology’s hostility to psychoanalysis marginalised hatred whilst its exclusive preoccupation with prejudice came effectively to define racism at the individual level. Progress in thinking about racism might consist of abolishing the term and returning to thinking about hatred, prejudice and ‘othering’ separately.
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Sumner, Carolyne. "Writing for CBC Wartime Radio Drama: John Weinzweig, Socialism, and the Twelve-Tone Dilemma." Articles 36, no. 2 (October 1, 2018): 77–88. http://dx.doi.org/10.7202/1051600ar.
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Radio drama was a quintessential source of entertainment for Canadian audiences during the Second World War, and the Canadian Broadcasting Corporation (CBC) used the art form to distribute propaganda and garner support for the Canadian war effort. Similarly, CBC radio drama became an essential artistic outlet for artists and composers to articulate their political beliefs to a national audience. This article frames Canadian composer John Weinzweig’s works for the CBC radio drama series New Homes for Old (1941) within the socio-political climate of the 1930s and 1940s and suggests that radio drama provided Weinzweig with a national soapbox for his radical socialist ideals during a time of political upheaval. My research draws on archival materials from Library and Archives Canada, the CBC Music Library Archives, and Concordia’s Centre for Broadcasting and Journalism Studies to build upon the biographical work of Elaine Keillor and Brian Cherney. I establish Weinzweig’s socialist ties and argue that his political leanings prompted him to simplify his serial language in favour of a simplified modernist aesthetic, which appealed to Canada’s conservative wartime audiences. This study of Weinzweig’s radio works reveals how the composer desired to make serial compositions accessible and palatable, and shows how he incorporated vernacular idioms such as folk songs and national anthems as foils to the elitist European serial aesthetic. In doing so, I show how Weinzweig uses a powerful and pervasive medium to promote his unique compositional style and also to reflect the cultural, political, and aesthetic ideals of leftist socialism.
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Davis, Tracy C. "Laborers of the Nineteenth-Century Theater: The Economies of Gender and Industrial Organization." Journal of British Studies 33, no. 1 (January 1994): 32–53. http://dx.doi.org/10.1086/386043.
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In the purview of theater history, as on the theatrical stage itself, performers' and writers' command on attention is almost complete. Ancient Greek gave a word to its mask builders (skeuopoio), but apart from distinct vocabulary, history leaves few traces of theatrical laborers. A glance through any number of theatrical books, periodicals, bibliographies, biographical guides, and encyclopedias reveals the predominance of performers in the public eye, though managers, directors, designers, and critics occasionally attract scholarly studies. Even among novels, journalism, and theatrical guidebooks—genres that venture behind the scenes—the personnel that dress, light, paint, and build shows are rarely present. Their identity and labor is marginalized in the annals because it is marginalized in the conceptualization of what is important in theater production. Susan Todd takes unusual measures to challenge this tradition by documenting the experience of women stage managers in the contemporary theater, but in the historical realm this has not been attempted. Writers devote attention to how the stage actually worked (how stage effects were achieved and how the creative chain of command functioned), but to date no one has examined the structures and traditions of backstage labor by asking basic questions about the sociopolitical organization of the work.Only in highly esoteric treatises or the lightest of literature do theatrica jewelers, armorers, weavers, hosiers, basket makers, shoemakers, furnishers, cosmeticians, perruquiers, costumiers, seamsters, dressers, property makers, carpenters, gas fitters, printers, or ticket takers usually appear. These are all specialized trades and occupations indispensable to the building and running of nineteenth-century theatrical entertainment.
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Larsen, Gretchen. "‘It’s a man’s man’s man’s world’: Music groupies and the othering of women in the world of rock." Organization 24, no. 3 (May 2017): 397–417. http://dx.doi.org/10.1177/1350508416689095.
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Groupies are understood as a particular type of fan that are most commonly associated with rock music. The ‘groupie’ identity is almost exclusively applied to female fans but sometimes also to female music producers and is largely used in a derogatory manner both by the popular media and by fans themselves. This article argues that the ‘groupie’ identity is used to ‘other’ and exclude women from creative production in rock music. This study draws on a rhetorical analysis of five published biographical accounts of groupies to examine how the labeling of certain people as ‘groupies’ works as an othering practice that serves to support and maintain the gendered norms of rock and identifies three underlying discursive processes. First, popular and music media played a significant role in stereotyping groupie as female right from the emergence of the label. Second, the notions of ‘credibility’ and ‘authenticity’, which are central to serious music journalism, are constructed in such a way as to stigmatize and therefore exclude women from rock, primarily by reframing ‘groupies’ as inauthentic consumers rather than proper fans. Finally, the intertwining of femininity with fandom, as occurs in groupiedom, serves to magnify cultural assumptions about women as sex objects and as passive consumers of mass culture. In elucidating both the gender and marketplace role politics at play in the ‘groupie’ identity and the mechanisms involved in othering women, space is opened in which alternative possibilities for understanding and enacting the role of women in rock can be imagined.
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Fokin, Pavel E. "The Last Newspaper Fyodor Dostoevsky Read (Based on the Collections of Vladimir Dahl State Museum of the History of Russian Literature)." Dostoevsky and world culture. Philological journal, no. 4 (2020): 197–218. http://dx.doi.org/10.22455/2541-7894-2020-4-197-218.
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Throughout Dostoevsky's life, reading newspapers was one of the most important sources of his inspiration. Reading newspapers, Dostoevsky drew on real factual material that reflected both the characteristic phenomens of the postreform Russian reality and the most incredible “adventures” of lost human souls and hearts. Daily acquaintance with the latest news from Russian and world life was an essential necessity for Dostoevsky. Even while abroad, he regularly visited libraries to read the most recent Russian newspapers. Journalism was inherent in his type of thinking and personality. He began his literary career as a newspaper feuilletonist; in 1873–1874, he edited the Grazhdanin (The Citizen) weekly; in1876–1877, his monojournal A Writer's Diary was focused on Russian and European periodicals. In 1881, having completed his novel The Brothers Karamazov, Dostoevsky decided to resume the publication of A Writer's Diary. He prepared only one issue which came out on the day of his funeral. The manuscript collection of the Vladimir Dahl State Museum of the History of Russian Literature contains Anna Dostoevskaya’s collection that includes a memorial copy of the last newspaper read by Dostoevsky on the eve of his fatal illness, the Novoe Vremya (The New Time) newspaper, No. 1764 dated January 25 (February 6) 1881. This item is a valuable biographical material and allows one to put additional touches on the picture of Dostoevsky's intellectual life of his last days. The article provides an overview of the newspaper’s contents contextualized within Dostoevsky's spiritual, political, and aesthetic interests and particularly within the articles included in the first issue of The Diary of a Writer for 1881 and the preparatory materials for it.
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Kuryanova, Valeria V. "TOLSTOVSKY TEXT IN WORKS BY A. BLOK." Scientific Notes of V.I. Vernadsky Crimean Federal University. Philological sciences 6(72), no. 3 (2020): 147–64. http://dx.doi.org/10.37279/2413-1679-2020-6-3-147-164.
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The article, based on the material of A. Blok’s work, examines the elements of the Tolstoyan text as a nominal supertext of literature. It is argued that the basis of this text is the myth of L.N. Tolstoy, which has been actively developing for a century and a half until today, but at the beginning of the 20th century, when Tolstoy’s tragic departure from his own home became popular, it became especially relevant. The structure of the Tolstoyan myth is analyzed, the mythologies associated with it (mythologized constant representations) created and reproduced by A. Blok in accordance with his own poetic worldview, personal attitude to the work and personality of L.N. Tolstoy. In light of the problem posed, the poet’s lyrics, his articles, and correspondence are examined. Attention is focused on the originality of the Tolstoy text in the creative heritage of Blok, based on the proximity of worldviews, the sacralization of the image of the great writer, rejection of criticism and profanation of the image of Tolstoy in contemporary art, journalism and memoirs. Unlike other modernist movements, the Symbolists did not set the task of overthrowing the idols of the past, but on the contrary, they even defended a certain continuity of traditions, all the more so with such an original author as Blok. But the desire to protect Tolstoy from attacks on his authority also makes it possible to develop a biographical myth about the writer. The question is raised about the features of the perception of this myth in the culture and literature of the first third of the XX century.
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Golovko, Vyacheslav M. "Book series “Life of remarkable people” in the creative biography of the Russian enlightener Ya. V. Abramov." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 59 (2021): 62–76. http://dx.doi.org/10.37816/2073-9567-2021-59-62-76.
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The paper discusses the role of the ideologist of cultural movement in the reformist populism of the 1880s – 1890s, enlightener and writer Ya. V. Abramov in the context of creation of the book series “Life of remarkable people. Biographical library of F. Pavlenkovˮ. Its educational concept and democratic character are largely determined by Abramov’s social and worldview intentions — ideological inspirer of so-called “going to the people”, “going to great cultural work”, who saw the goals of such work in releasing “constrained forces and abilities of the Russian folk spirit”, supporting the “mental activity of the Russian people”, in promoting its “generation of new forms of life”. The author suggests a hypothesis, according to which the ideological genesis of the series is contained in Abramov’s short story “The Philistine Thinker” (1881), where the idea on the educational significance of the biographies of prominent people, “benefactors of mankind” was first expressed. The paper traces affinity between updating the genre of popular scientific biographies of “great people” and the educational tasks of Abramov and Pavlenkov and highlights the role of “instructive biographies” of Abramov in creating the genre type of documentary and fiction books that synthesize the qualities of “contextual biography” and “biography of the hermeneutic model”. The classic exemplarity of Abramov’s books is determined by the genre-conditioning and structure-forming function of the concept of personality; a synthesis of artistry and journalism, documentary and imagery; principles of artistic typing when working with documentary material; actualization of genre dominants (biography-life description, biography-research, biography-portrait, etc.); the poetics of narrative, objectivizing the aesthetic nature of author's subjectivity.
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Zeveleva, Olga. "Towards a Bourdieusian sociology of self-censorship: What we can learn from journalists adapting to rapid political change in Crimea after 2014." European Journal of Communication 35, no. 1 (January 11, 2020): 46–59. http://dx.doi.org/10.1177/0267323119897798.
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This article explores self-censorship among journalists by drawing on Bourdieusian field theory and New Censorship Theory. The article analyses the experiences of local Crimean journalists in the period following Russia’s annexation of the peninsula, and during the rapid increase of Russian state control over local media. The analysis presented here draws on 70 biographical interviews conducted with local journalists who worked in Crimea for a period of at least 1 year between 2013 and 2017. In the first part of the article, I propose a Bourdieusian approach to self-censorship. In the second part of the article, I focus on illustrative examples of journalists who have risen to prominent positions in new post-2014 Crimean media, and detail three self-censorship practices: (1) governing ‘the other’ (a journalist engages in self-censorship only when it comes to ‘the ethnic other’: they refuse to practice self-censorship when working for Moscow-based Russian language media, but agree to self-censorship in local media targeting Crimean Tatars); (2) alerting the authorities (a journalist strikes deals with local politicians by not reporting on local infrastructural problems, instead directly asking the local government to fix them in return for favourable media coverage); and (3) self-censorship as patience (a journalist oversees positive reporting of local news and avoids negative topics as they wait patiently for Crimea’s growing pains to pass).
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Bednarczuk, Monika. "Modernity and the Jewish Stigma. Julian Tuwim, Alfred Döblin and Kurt Tucholsky: Biographies and Work." Acta Universitatis Lodziensis. Folia Litteraria Polonica 36, no. 6 (May 30, 2017): 69–98. http://dx.doi.org/10.18778/1505-9057.36.06.
Full textAbstract:
The paper deals with biographical, ideological and artistic links between Julian Tuwim, Alfred Döblin and Kurt Tucholsky. On the one hand, the basis of comparison are biographical similarities, the Jewish origin of those three writers, their family dramas, the experience of politically opressive school, the trauma of revolution or war, and the exile to name just a few. On the other hand, the article demonstrates the ways the modernity has influenced the attitudes and texts of Döblin, Tucholsky and Tuwim. While talking about modernity, the author focuses on such phenomena as secularisation and urbanisation processes, mass political movements, and new cultural challenges.Tuwim, Döblin and Tucholsky were born into assimilated Jewish families. Their perspective on the stereotypical Jews (the orthodox Jews as well as Jewish bankers or manufacturers) is marked with antipathy, or even contempt. The writers’ ambivalence towards the diapora and towards their own origin illustrate “Jewish self-hatred”; however, all three authors change their opinion on Jewry in the face of the growing anti-Semitic and Nazi danger, and especially the Holocaust. Döblin is proud of being Jewish after his visit to Poland in 1924, Tucholsky warns German Jews against the consequences of their passivitivy, and Tuwim publishes in 1944 his agitating manifesto We, Polish Jews. Last but not least, the three authors go into exile because of their Jewish ancestry and sociocultural activities. Therefore, it is no coincidence thatone cannot help having associations with Heinrich Heine: his biography can be interpreted as a prefiguration of a Jewish artist’s biography.Furthermore, Tuwim, Döblin and Tucholsky are notably sensitive to social questions, and their sensitivity to such issues results to some extent from their difficult childhood and youth. Especially significant seem in that respect family conflicts and the moving from city to city, since such experiences increase the feeling of loneliness and the vulnerability to depression. Nevertheless, Döblin, Tucholsky and Tuwim come with impetus into the cultural life of Germany and Poland and work in the areas of literature, cabaret (satire) as well as journalism. They share sympathy for the political left and fears of the orthodox communism. They are simultaneously advocates and ardent critics of great cities. They pay attention to new phenomena (the popularity of cars, the role of the press, the new morality) and react to them. Their aim is creating a culture which appeals to the masses and educates them in a non-intrusive way. However, the awareness of their own intellectual superiority imposes distance towards lower social groups. The distance stems, firstly, from the universal ambivalence artists feel towards the masses, and secondly, from the ideological moderation characteristic of petit bourgoisie and of the political centre. In general, Döblin, Tucholsky and Tuwim are idealists who hope for a humanitarian world which is impossible in the era of extrem political violence leading to the Holocaust.
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Astaptseva, Khrystyna. "Fashion Referentiality of Stefaniia Martyniuk on the Pages of the Daily Newspaper “Novyi Chas”/”New Time” (1935-1939)." Scientific notes of the Institute of Journalism, no. 2 (75) (2019): 95–109. http://dx.doi.org/10.17721/2522-1272.2019.75.7.
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The objective of this paper is to introduce into scientific discourse the factual material about journalistic and editorial heritage of Stefaniia Martyniuk who is an unknown person up to the present day in world of fashion, turning to one more page in the forgotten history of the Ukrainian fashion-journalism. For reconstruction of social experience of Stefaniia Martyniuk it was used the biographical method. Analysis of documents, namely all issues of the newspaper “Novyi Chas”/”New Time” from 1926 till 1939, helped us to identify those numbers of the paper in which the thematic column “Nashym chytachkam”/“To our readers” was published. Using the method of periodization, we were able to trace the qualitative changes in development of the women’s column “Nashym chytachkam”/“To our readers”. The linguistic and stylistic (philological) method was used to analyze the stylistics and language of the column materials. For classification of journalistic heritage of Stefaniia Martyniuk, the genre method was applied. As well we used rhetorical analysis to study linguistic means in the editor’s texts. The discursive analysis was used to reveal correlation between publications and political, social and cultural preferences of Stefaniia Martyniuk. This paper focuses on the history of the women’s thematic column “Nashym chytachkam”/“To our readers” issued in 1935-1939. The main genres of the column were selected. All issues of the column were studied and a detailed description of the editor’s work process was represented. All publications were analyzed and the stylistic features of this thematic column were studied. The conceptual peculiarities of graphic design of the column and its illustrative material were highlighted. A fashion-glossary of the most commonly used fashion terms and meanings traced in the publications of the column “Nashym chytachkam”/“For our readers” was compiled.
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Chyra-Rolicz, Zofia. "Rola lidera społecznego w tworzeniu lepszej jakości życia." Nierówności społeczne a wzrost gospodarczy 64, no. 4 (2020): 209–21. http://dx.doi.org/10.15584/nsawg.2020.4.14.
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This paper presents the role of co-operative leaders in creating a better life in the communal scope. Pioneers and activists from succeeding generations established many forms of common co-operative activities in the 19th and 20th centuries in different areas of the Polish lands. The main goals were to consider the groups of people living in poverty among the peasants, craftsmen and merchants, and to combine them in common economic activities, including social and cultural work toward national spirit. There were still co-operative leaders operating during the inter-war period, during the Nazi occupation, after the Second World War and the times of transition after 1989/1990. Their activities are shown in the historical perspective, against social and local backgrounds, the methods of the co-operative movement, careers, personal attributes and achievements. The characteristics of these co-operative leaders from past and contemporary times can be useful in understanding actual challenges for co-operative leaders in a local scope. The paper is based on historical analysis of biographical and historical literature, scientific workshops and contemporary co-operative journalism. The system of co-operative education in towns and the countryside were destroyed during the transition period. The many occasional courses and training sessions, organized by co-operative auditory unions for their employees, cannot excise this gap. The education of contemporary managers is oriented toward free market rivalry, corporations and the race for enlarging surpluses, eliminating social responsibility for business organization and collaboration in the needs of local societies. Examples of co-operative leaders can be useful in the creation of activists for the social economy. Modern co-operative leaders should combine a charismatic personality with extensive knowledge and an annalistic mind. They are the hope for the revitalization of the co-operative movement.
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Gerasymenko, Nina. "Nonfiction in contemporary literature: advantage or disadvantage? (On the material of B. Humeniuk’s works «Blockpost», M. Mathios «Private diary. Maidan. War…», N. Rozlutsky «Notes of the mobilized")." LITERARY PROCESS: methodology, names, trends, no. 16 (2020): 16–22. http://dx.doi.org/10.28925/2412-2475.2020.16.2.
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The article is devoted to the problem of nonfiction in modern Ukrainian literature. The author, based on books by domestic writers about the Revolution of Dignity and the war in the East, in particular the works of B. Humeniuk, M. Mathios, N. Rozlutsky, etc., considers the literature of fact as a separate kind of modern literature, analyzes its features in the context of similar publications. for the further consistent "fitting" of the concept into the latest literary paradigm. Such works appeared in the array of military prose for the first time, but are still one of the most popular authors and societies of publications. In terms of genre, they are eclectic - they combine diary and Facebook entries, autobiographical details, journalism, short prose and poetry; the plot is based on real events with a slight touch of art. Such texts are also characterized by heightened emotionality, as most of the authors of non-fiction texts are eyewitnesses and active participants in the Revolution of Dignity in the war in eastern Ukraine. Nonfiction texts have led to various discussions about terminological use, as well as the correspondence between the concepts of «factual literature», «documentary», «factual literature», «nonfiction» and so on. Some domestic researchers use all these terms as synonyms, considering them phenomena of the same order, meaning unimagined literature about reality. Also in the material it is convincingly proved that today's numerical advantage of documentary over fiction is not ganja, but a characteristic feature of modern literature. The work is based on scientific principles of modern history and theory of literature, it combines descriptive, historical-biographical, comparative-historical (to compare different types of characters and track the dynamics of individual images), available elements of hermeneutic method, narrative and intertextual analysis.
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Vasic, Aleksandar. "The beginnings of Serbian music historiography: Serbian music periodicals between the world wars." Muzikologija, no. 12 (2012): 143–64. http://dx.doi.org/10.2298/muz120227007v.
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The transition of the 19th into the 20th century in Serbian music history was a period of music criticism, journalism and essay writing. At that time, Serbian musicology had not yet been developed as an academic discipline. After WWI there were many more academic writings on this subject; therefore, the interwar period represents the beginning of Serbian music historiography. This paper analyses Serbian interwar music magazines as source material for the history of Serbian musicology. The following music magazines were published in Belgrade at the time: Muzicki glasnik (Music Herald, 1922), Muzika (Music, 1928-1929), Glasnik Muzickog drustva ?Stankovic? (Stankovic Music Society Herald, 1928-1934, 1938-1941; from January 1931. known as Muzicki glasnik /Music Herald/), Zvuk ( Sound, 1932-1936), Vesnik Juznoslovesnkog pevackog saveza (The South Slav Singing Union Courier, 1935-1936, 1938), Slavenska muzika ( Slavonic Music, 1939-1941), and Revija muzike (The Music Review, 1940). A great number of historical studies and writings on Serbian music were published in the interwar periodicals. A significant contribution was made above all to the study of Serbian musicians? biographies and bibliographies of the 19th century. Vladimir R. Djordjevic published several short biographies in Muzicki glasnik (1922) in an article called Ogled biografskog recnika srpskih muzicara (An Introduction to Serbian Musicians? Biographies). Writers on music obviously understood that the starting point in the study of Serbian music history had to be the composers? biographical data. Other magazines (such as Muzicki glasnik in 1928 and 1931, Zvuk, Vesnik Juznoslovenskog pevackog saveza, and Slavenska muzika) published a number of essays on distinguished Serbian and Yugoslav musicians of the 19th and 20th centuries, most of which deal with both composers? biographical data and analysis of their compositions. Their narrative style reflects the habits of 19th-century romanticism and positivism: in some of these writings the language also has an aesthetic function. Serbian interwar music magazines also published some archival documents contributing to the future research of Serbian music history. Interwar period in the then Yugoslavia was a time of rapid development and modernization in various fields of culture. There was a great demand for music writings of general interest. Therefore, Revija muzike (January - June 1940) was totally oriented towards the popularization of music and the arts (such as drama and film). This magazine also published some popular articles on music history. Serbian interwar music periodicals were least active in the field of musicological analysis. However, in 1934, Branko M. Dragutinovic published a detailed analytic study of Josip Slavenski?s composition Religiofonija (Religiophonics) in Zvuk. There were also some interdisciplinary history articles in Serbian interwar music magazines. Being well aware of the fact that music history comprises not only music itself, but also music writing, schools, institutions and music life, our music writers used ?indirect? sources, such as literature and art, as well as music. Serbian interwar music periodicals opened many fields of research, thus blazing a trail in postwar Serbian musicology.
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Schoch, Lucie. "Stéréotypes de genre." Sur le journalisme, About journalism, Sobre jornalismo 8, no. 2 (December 20, 2019): 30–45. http://dx.doi.org/10.25200/slj.v8.n2.2019.400.
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FR. Cette étude s’intéresse aux interactions des femmes journalistes de sport de la presse romande avec leurs sources masculines. Les femmes journalistes de sport évoluent dans l’un des univers journalistiques les plus masculins, tant du point de vue de la présence des femmes dans la profession (13% seulement dans la presse romande malgré une récente féminisation) que de l’objet médiatisé. S’appuyant sur des observations réalisées dans deux quotidiens romands et 25 entretiens biographiques, l’étude montre que, face à des pratiques de terrain identifiées comme masculines, les femmes journalistes de sport mobilisent la féminité et certains stéréotypes qui lui sont associés dans leurs interactions avec les sources. Journalistes polyvalentes, non expertes dans le domaine du sport, ce sont des contraintes de position qui les amènent à déployer de telles stratégies. Mais la mobilisation du genre comme ressource dans le travail de terrain relève aussi d’une « identité stratégique » pour la plupart. Jouant de l’assignation, elles tirent profit du fait d’être une femme et parviennent à recueillir des informations qu’elles jugent sincères et authentiques et qui leur permettent de développer une approche « féminine » de l’information sportive dont la qualité est reconnue au sein de la profession. Néanmoins, bien rares sont les femmes journalistes qui parviennent à modifier les rapports de pouvoir genrés au sein de leur rubrique et la mobilisation du genre comme ressource professionnelle se révèle en outre ambivalente. Elle contribue à minorer les compétences journalistiques des femmes et nuit à leur reconnaissance professionnelle dans l’univers sportif ainsi qu’à leur carrière dans le journalisme.
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EN. This study focuses on the interactions of female sports journalists working in the Swiss-French daily press with their male sources. Female sports journalists work in one of the most male-dominated journalistic specialties, both in terms of the presence of women in the profession (only 13% in the French-speaking Swiss press, despite recent feminization) and in terms of media coverage. The study is based on observations of two daily newspapers and twenty-five biographical interviews, and demonstrates that, within this fieldwork identified as masculine, female sports journalists deploy femininity and stereotypes associated with it in their interactions with sources. Especially for non-disciplinary journalists (non-experts in the field of sports), vocational demands lead them to deploy such strategies. But mobilizing gender as a resource in their field work is also a “strategic identity” for most of them. In reversing the stereotype, they take advantage of being a woman and manage to gather information that they consider sincere and authentic and that allows them to develop a “feminine” approach to sports writing, whose quality is recognized within the profession. Nevertheless, very few women journalists manage to change the gendered power relations within their sector. Furthermore, the implementation of gender as a professional resource is ambivalent in that it also contributes to the underestimation of women's journalistic skills and undermines their professional recognition in the world of sports as well as their career in journalism.
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PT. Este estudo concentra-se nas interações de mulheres jornalistas de esporte da imprensa francesa com suas fontes masculinas. As mulheres jornalistas de esporte atuam em um dos universos jornalísticos mais masculinos, tanto do ponto de vista da presença de mulheres na profissão (13% somente na imprensa de língua francesa, apesar de uma recente feminização) quanto em termos de cobertura da mídia. Com base nas observações realizadas em dois diários franceses e em 25 entrevistas biográficas, o estudo mostra que, diante das práticas de campo identificadas como masculinas, as mulheres jornalistas de esporte mobilizam a feminilidade e certos estereótipos associados a elas em suas interações com as fontes. Jornalistas polivalentes, não especialistas no campo do esporte, são as restrições de posição que as levam a implementar essas estratégias. Mas a mobilização de gênero como um recurso no trabalho de campo também é uma « identidade estratégica » para a maioria delas. Ao desempenhar a tarefa, elas se beneficiam de ser uma mulher e conseguem coletar informações que consideram sinceras e autênticas e que lhes permitem desenvolver uma abordagem « feminina » das informações esportivas cuja qualidade é reconhecida dentro da profissão. No entanto, muito poucas mulheres jornalistas conseguem mudar as relações de poder de gênero dentro de suas rubricas e a mobilização de gênero como recurso profissional também é ambivalente. Contribui para subestimar as habilidades jornalísticas das mulheres e prejudica seu reconhecimento profissional no mundo do esporte e sua carreira no jornalismo.
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G. Bogatkina, Margarita, Elena S. Doroschuk, and Tatiana S. Staroverova. "The Multimedia Nature of Modern Literary Discourse." Journal of Social Sciences Research, SPI 1 (November 13, 2018): 40–43. http://dx.doi.org/10.32861/jssr.spi1.40.43.
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Today the convergence processes determine the most promising areas of modern science. This methodological setting in the field of journalism is implemented in a variety of multimedia forms, which has led to the creation of the fundamentally new information and communication environment and the emergence of a variety of multimedia projects. The question about the criteria and methods for creating a high-quality multimedia product remains open. The multimedia method of perception and presentation of materials require special philological preparation and mastering of the interdisciplinary technique of interpretation of the source materials, which would help to create its qualitative multimedia variation. To transfer the literary discourse into a multimedia projection, it is necessary to identify its semantic channels, contexts that can be implemented in the cross-media content using various technical means. In this regard, it is important to substantiate the basic principles of the contextual method of interpreting literary discourse. It is also proposed to highlight contexts that are present in the discourse and are actualized by the perceiving recipient including historical, biographical, literary, linguistic, philosophical, mythological, literary critical, as well as those of various types of art - painting, music, etc., and the scientific context. The structure-forming principle that allows comprehending these contexts as an integral system is the process of dialogic interaction of their intra- and extra-textual existence. The nature of the functioning of this context system is based on the implementation of the following factors: 1) the degree to which authorial/reader determinism manifests itself in the process of implementation of a specific context; 2) the degree of awareness/unconsciousness of the context embodiment in the work; 3) the degree of relative stiffness/probability of the context functioning; and 4) the degree of certainty/uncertainty of the implementation of the external context in the literary discourse. Considering an example of the story by Sholokhov, “The Fate of Man”, it is considered as the development of the context system in the form of a substantive basis for the further transfer of this text into a multimedia projection. It is revealed that the literary discourse is born at the junction of information and communication approaches to the text. The disclosure of the multimedia nature of literary discourse helps to restore the very process of its functioning and its dialogical nature. The contextual methodology for the interpretation of literary discourse also allows determining the dialogue channels - the context system that are the basis for the creation of high-quality multimedia content in the future. Since the multimedia method of material perception and presentation requires special preparation, it is advisable to develop the skills of multimedia thinking using the example of classical literature, based on the principles of contextual methodology. A philological literacy can also play an important role in the process of training future journalists.
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Fowler-Watt, Karen. "The Auto/Biographical Journalist and Stories of Lived Experience." Life Writing 17, no. 1 (January 2, 2020): 59–74. http://dx.doi.org/10.1080/14484528.2020.1710659.
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Loginova, P. G. "The Phenomenon of Emmanuel Macron. Book review of ‘Qu’est-ce que le macronisme?’ edited by E. Fottorino." Moscow University Bulletin of World Politics 12, no. 1 (November 19, 2020): 197–208. http://dx.doi.org/10.48015/2076-7404-2020-12-1-197-208.
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The book under review is a collection of essays ‘Qu’est-ce que le macronisme?’ (‘What is Macronism’?), published by ‘Philippe Rey’ in 2018. The reviewer thoroughly considers the structure and the contents of the book. Each chapter represents an essay, an interview or an article by a prominent scholar, a politician or a journalist who present their views on the presidency of E. Macron and prospects for the development of France. The reviewer notes that the general tenor of the book is positive: all authors emphasize high intelligence and ambitions of the French leader, which facilitated greatly his career development from a little-known politician to the head of the state. The reviewer concludes that this popular science edition offers a sufficiently accurate political portrait of E. Macron, provides interesting biographical details and can be recommended for IR scholars, political scientists, journalists, and linguists since it is written in an impressive and elegant French language. The book under review can also prove useful in studying the role of an individual in history.
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Głębicka, Ewa. "Loneliness over a Piece of Paper. Maria Dąbrowska as an Epistolographer." Tematy i Konteksty specjalny 1(2020) (2020): 470–87. http://dx.doi.org/10.15584/tik.spec.eng.2020.26.
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The article discusses Maria Dąbrowska’s vast correspondence, which complete, in a way, her „Dzienniki” [Journals] , constituting very valuable biographical material, so far published only in selected fragments. Among many of her sets of letters, the most interesting ones are those exchanged with her husband, Marian Dąbrowski, her partner, Stanisław Stempowski, and later on with his son, Jerzy, as well as with her very close friend and partner, Anna Kowalska. This article discusses the most important sets of letters from and to Dąbrowska, indicating their historical value and biographical significance.
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Mearns, Jim. "The journalist, the minister and the lost cairnfield of Cathkin Braes." Scottish Archaeological Journal 33, no. 1-2 (October 2011): 67–78. http://dx.doi.org/10.3366/saj.2011.0025.
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This paper reviews the use of sources in archaeological research, with particular reference to antiquarian material. Specific attention is paid to antiquarian texts by the Rev. David Ure and Mr Hugh MacDonald relating mainly to the site of Queen Mary's Cairn, Cathkin Braes, south-east of Glasgow. Brief biographical information is provided about the two antiquaries and their different approaches to recording sites discussed. The paper also looks at more recent work on the area and compares the modern approaches to reporting with the antiquarian and notes the uses of antiquarian sources in modern work.
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Ustinov, Andrei B. "“Chinary” in M. Kuzmin’s Journals." Literary Fact, no. 19 (2021): 200–252. http://dx.doi.org/10.22455/2541-8297-2021-19-200-252.
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The paper presents selected records from Mikhail Kuzmin’s diary that deal with – directly or indirectly – Daniil Kharms and his literary associates since the first mentioning of “mystic-futurist Vvedensky” on March 16, 1924, and up to the arrest of Kharms and Vvedensky in “Gosizdat Juvenile Sector case” in December 1931. The records reveal lots of new biographical facts and aspects of literary life of the time. The publication is provided with the necessary commentary and the introductory article that recreates the background of Kuzmin’s relations with “Chinary” and later with OBERIU in the context of Leningrad culture of the late 1920s-early 1930s. A special attention is paid to the writers of “Kuzmin circle” that had personal relationships with Vvedensky and Kharms.
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Bantman, Constance. "Jean Grave and French Anarchism: A Relational Approach (1870s–1914)." International Review of Social History 62, no. 3 (December 2017): 451–77. http://dx.doi.org/10.1017/s0020859017000347.
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AbstractThis article proposes a biographical approach to the study of anarchist activism, applied to the French journalist, editor, theorist, novelist, educator, and campaigner Jean Grave, one of the most influential figures in the French and international anarchist movement between the late 1870s and World War I. Adopting a relational approach delineating Grave’s formal and informal connections, it focuses on the role of print in Grave’s activism, through the three papers he edited between 1883 and 1914, and highlights his transnational connections and links with progressive circles in France. Due to the central place of both Grave and his publications in the French anarchist movement, this biographical and relational approach provides a basis to reassess the functioning and key strategic orientations of French anarchist communism during its “heroic period” (1870s–1914), by stressing its transnational ramifications and links beyond the anarchist movement.
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Brailian, Nadiia. "Ukrainian student journals of the interwar period in the Czechoslovak Republic as a source for the martyrologist of Ukrainian emigration." Proceedings of Research and Scientific Institute for Periodicals, no. 10(28) (January 2020): 87–109. http://dx.doi.org/10.37222/2524-0331-2020-10(28)-7.
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The article investigates periodicals of Ukrainian students in the Czechoslovakia in the 1920s and 1930s — reveals 19 titles of journals that were published in the cities of the largest concentration of academic youth: Prague, Podebrady, and Brno. A list of these publications in alphabetical order, indicating the place of publication and the years of publication, is given in Appendix 1. All of these journals were reviewed de visu and analyzed for biographical publications on Ukrainians who died and were buried in the Czechoslovak Republic. The following materials have been found on the pages of five student publications, namely: «Ukrainsky Student» (Prague, 1920, 1922—1924) — contains 3 publications, «Studentsky Vistnyk» (Prague, 1923—1931) — 15, «Zhyttia» (Prague, 1924—1926) — 1, «Nasha Hromada» (Podebrady, 1924—1926) — 7, and «Natsionalna Dumka» (Prague, 1924—1927) — 5 publications. The deceased’s information was mostly printed in obituaries with more or less detailed biographies, but there were also small essays, memoirs, brief reports of death or funeral, and so on. Often, such information was published under a separate heading called «Memory of the Dead» (or «Posthumous News» or «Obituary»). In general, the pages of these student journals revealed information about 25 Ukrainians who were buried in the Czechoslovak Republic during 1923—1929. Based on the published information, an alphabetical index of these persons with biographical information about them was compiled (25 surnames, «Appendix 2»). The materials found are a valuable (and in many cases, the only) source of biographical information on Ukrainian immigrants who died and are buried in the Czechoslovak Republic, as well as helping to establish and preserve their burial sites. Keywords: Ukrainian students, Ukrainian emigration to the Czechoslovakia, periodicals, interwar period, Ukrainian burials in the Czech Republic.
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Finch, David J., Norman O'Reilly, William M. Foster, Andrea Dubak, and Jenna Shaw. "Predictors of Knowledge Transfer:A Biographical Analysis of Authors in Leading Management Journals." Academy of Management Proceedings 2015, no. 1 (January 2015): 12901. http://dx.doi.org/10.5465/ambpp.2015.12901abstract.
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Gasparyan, Naira. "T.E. Lawrence’s Idea on How to Solve the Armenian Question." Armenian Folia Anglistika 10, no. 1-2 (12) (October 15, 2014): 171–77. http://dx.doi.org/10.46991/afa/2014.10.1-2.171.
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T.E. Lawrence’s specific perception of the Turks and of the Armenians is analyzed within the frames of this particular research article. T.E. Lawrence’s biographical-documentary novel The Seven Pillars of Wisdom and his famous interview given to the American journalist and editor Lincoln Steffens have been the material of our cultural and linguostylistic study. An attempt is made to establish the true image of the Young Turks and the Armenians who were killed by the Turks because of their national identity. Lawrence depicts Turkish atrocities with some highlighted negative emotion.
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Stearn, Roger T. "The Mysterious Mr Le Queux." Critical Survey 32, no. 1-2 (June 1, 2020): 17–58. http://dx.doi.org/10.3167/cs.2019.112602.
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This article presents what is widely considered to be the best biographical account of the life of the controversial popular author, journalist and amateur spy, William Le Queux. The article originally appeared in Soldiers of the Queen, the journal of the Victorian Military Society, and is reproduced here with their kind permission in order to bring it before a new audience. It documents Le Queux’s life, from the little that is known about his early career through to his high-profile involvement in defence scaremongering before and during the First World War to his subsequent lapse into postwar obscurity.
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Hueso Montoro, César, José Siles González, Manuel Amezcua, Candela Bonill de las Nieves, Sonia Pastor Montero, and Miriam Celdrán Mañas. "Understanding the suffering of a patient with an illness: signs, context and strategies." Revista Latino-Americana de Enfermagem 20, no. 3 (June 2012): 619–28. http://dx.doi.org/10.1590/s0104-11692012000300026.
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The aim of this study is to understand the suffering of a patient with an illness, by using a secondary research method, that is, a qualitative meta-study. The primary data source of the meta-study includes "biographical reports". This project is based on a case study, in which the first-hand experiences of a patient with an illness were collected. The findings of the reports were compiled using the Archivos de la Memoria collection of the Index Foundation (Granada, Spain) and journals specialized in editing these materials. A selection of 20 biographical reports was targeted. The results of the meta-study show that suffering is a multidimensional process within a framework of ambiguous feelings. The suffering involves family and social network participation. Patients develop a range of strategies to overcome the illness. One of the effects is the fear of illness relapse or worsening.
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Winckler, Barbara. "Embarking upon a New Era through an Old Genre: Biographical Essays in Journals of the Nahḍah Period — Ǧurǧī Zaydān and al-Hilāl’s Early Years as Example." Oriente Moderno 99, no. 1-2 (June 17, 2019): 68–93. http://dx.doi.org/10.1163/22138617-12340208.
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Abstract Biography is a genre with a long history in Arabic literature. This paper aims at demonstrating how Ǧurǧī Zaydān (1861–1914), one of the most prominent figures of the Nahḍah, adapted biographical writing to the needs of his time. The new medium of the periodical press seemed to be the most adequate means for him to realize his endeavors. The paper points to the central position accorded to biographical essays in al-Hilāl, the journal founded by Zaydān in 1892. Zaydān who saw himself in the role of the ‘educator of society’ pursued a twofold aim: the dissemination of historical knowledge and the presentation of role models. Through an exemplary reading of selected biographical essays published in the early years of al-Hilāl, the paper analyzes the style and structure of the essays and demonstrates how Zaydān selected and grouped the portrayed persons, building up a body of texts to be read as a series of exemplary lives. Focusing on the specifics related to the publishing medium, it examines various forms used by Zaydān to interact with the reader. Whereas, in previous research, much emphasis has been laid on the contents debated in the periodical press, I argue that it is particularly revealing to examine the effects and impact of form and style, of textual strategies and medial practices.
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De Oliveira, Richard Bertolin, and Alberto Ferreira Da Rocha Junior. "Memória e imortalidade nas recordações de Sousa Bastos." Navegações 9, no. 2 (April 26, 2017): 185. http://dx.doi.org/10.15448/1983-4276.2016.2.23370.
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A obra Recordações de Teatro, escrita pelo autor, jornalista, dramaturgo, diretor e empresário português Antonio de Sousa Bastos (1844-1911), assemelha-se a um dicionário biográfico, contendo informações sobre uma lista numerosa de artistas, não só reconhecidos na cena teatral portuguesa e brasileira, mas também relevantes mundialmente. Na presente análise, atentamo-nos para os procedimentos da escrita biográfica de uma grande variedade de nomes registrados na obra e, por isso, livrados do esquecimento. Por meio da leitura desses textos biográficos, pode-se constatar também o fluxo cultural entre Brasil e Portugal nos séculos XIX e XX, promovido por uma quantidade numerosa de artistas que cruzavam o Atlântico nos dois sentidos da rota.********************************************************************Memory and immortality in the memoirs of Sousa BastosAbstract: Recordações de teatro, a work written by the Portuguese author, journalist, playwright, director and businessman, Antonio de Sousa Bastos (1844-1911), resembles a biographical dictionary, containing information about a large list of artists, not only recognized in the scenario of both Portuguese and Brazilian drama, but also globally relevant. In the analysis we develop hereby, we aim at studying the procedures of biographical writing of a variety of names registered in the work of Sousa Bastos and, therefore, salvaged from oblivion. By reading those biographical texts, one can also observe the cultural exchange between Brazil and Portugal in the nineteenth and twentieth centuries, promoted by a large number of artists who crossed the Atlantic in both directions of the route.Keywords: archive; biography; memory; Portuguese drama; Sousa Bastos.
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Heng, Terence. "Recent Methodological Opportunities in Online Hypermedia – a Case Study of Photojournalism in Singapore." Sociological Research Online 16, no. 2 (June 2011): 59–72. http://dx.doi.org/10.5153/sro.2381.
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This methodological paper reviews the recent work done by photojournalists in Singapore who have leveraged on the use of multimedia to create meaning-rich narratives of the social situations they investigate. Using an online multimedia project recently launched by journalists and photojournalists in Singapore, I will show how photographers’/photojournalists’ expertise, knowledge and combination of text and photographs serve to exemplify the opportunities that hypermedia affords to sociologists, and argue that hypermedia presentations are particularly useful in extending auto/biographical narratives, encouraging collaborative research, as well as interrogating the everyday social lives of our informants.
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Martin, Andrew. "A Bibliography of Biographical and Critical Works on Olive Schreiner by South African Academics and Researchers, 1994–2019." English in Africa 47, no. 2 (February 10, 2021): 119–27. http://dx.doi.org/10.4314/eia.v47i2.7.
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This selected bibliography consists of recent published biographical works on Olive Schreiner, literary criticism and multi-disciplinary studies of her writings by South African writers and critics from 1994 until 2019. A few works by foreign writers in South African book publications and literary journals have also been included. This bibliography has been drawn from the collection of the Amazwi South African Museum of Literature in Makhanda. It is hoped that this bibliography will promote interest in Olive Schreiner’s life and work.
Keywords: Olive Schreiner, bibliographies