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1

Pirlot, Paul. Brains and behaviours: From binary structures to multiple functions. 2nd ed. Frelighsburg, Que: Orbis Pub., 1993.

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2

Symposium, International Astronomical Union. Birth and evolution of binary stars: Poster proceedings of IAU Symposium No. 200 on the formation of binary stars, 10-15 April 2000, Potsdam, Germany. Potsdam, Germany: Astrophysikalisches Institut Potsdam, 2000.

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3

Eggleton, Peter. Evolutionary Processes in Binary and Multiple Stars. Cambridge University Press, 2011.

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4

Evolutionary Processes in Binary and Multiple Stars. Cambridge University Press, 2006.

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5

Eggleton, Peter. Evolutionary Processes in Binary and Multiple Stars (Cambridge Astrophysics). Cambridge University Press, 2006.

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6

Lossless Compression Using Binary Necklace Classes and Multiple Huffman Trees. Storming Media, 2001.

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7

United States. National Aeronautics and Space Administration., ed. NRA, first multiwavelength, multiple layer doppler imaging of an active binary. [Washington, DC: National Aeronautics and Space Administration, 1998.

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8

United States. National Aeronautics and Space Administration., ed. NRA, first multiwavelength, multiple layer doppler imaging of an active binary. [Washington, DC: National Aeronautics and Space Administration, 1998.

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9

Ophir, Adi, and Ishay Rosen-Zvi. One Goy, Multiple Language Games. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198744900.003.0008.

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This chapter analyzes the characteristic features of the goy as a specific type of other, in both its legal (halakhic) and homiletical (aggadic) manifestations, as well as the division of labor between these two genres of the rabbinic corpus. It reconstructs the goy as a figure and a discursive position, and examines the technology of separation associated with it in both legal (laws of idolatry; purity; pedigree; murder, theft, recovering lost items; etc.) and non-legal (embryology; eschatology; daily liturgy; homilies on the exodus and the Sinai covenant; etc.) domains. The chapter demonstrates the consolidation of the binary, total, individualized discursive formation of Jew-goy opposition, through each of these aspects, and traces the triadic structure in which the opposition is embedded in the aggadic discourse, with God serving as the mediating position between the two parties. Analyzing the different domains together exposes the depth and comprehensiveness of the new structure.
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10

A Direct Sequence - Code Division Multiple Access/Binary Phase Shift Keying (DS-CDMA/BPSK) Modem Design. Storming Media, 1997.

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11

1940-, Eggleton P. P., Podsiadlowski Philipp 1962-, Osservatorio astronomico di Roma, Lawrence Livermore National Laboratory, and Astronomical Society of the Pacific., eds. Evolution of binary and multiple star systems: A meeting in celebration of Peter Eggleton's 60th birthday : proceedings held in Bormio, Italy, 25 June-1 July 2000. San Francisco, Calif: Astronomical Society of the Pacific, 2001.

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12

(Editor), Phillipp Podsiadlowski, Saul Rappaport (Editor), Andrew King (Editor), Francesca D'Antona (Editor), and Luciano Burderi (Editor), eds. Evolution of Binary and Multiple Star Systems: A Meeting in Celebration of Peter Eggleton's 60th Birthday: Proceedings Held in Bormio, Italy, 25 June - ... Society of the Pacific Conference Series). Astronomical Society of the Pacific, 2001.

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13

Franzese, Robert J., and Jude C. Hays. Empirical Models of Spatial Inter‐Dependence. Edited by Janet M. Box-Steffensmeier, Henry E. Brady, and David Collier. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199286546.003.0025.

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This article discusses the role of ‘spatial interdependence’ between units of analysis by using a symmetric weighting matrix for the units of observation whose elements reflect the relative connectivity between unit i and unit j. It starts by addressing spatial interdependence in political science. There are two workhorse regression models in empirical spatial analysis: spatial lag and spatial error models. The article then addresses OLS estimation and specification testing under the null hypothesis of no spatial dependence. It turns to the topic of assessing spatial lag models, and a discussion of spatial error models. Moreover, it reports the calculation of spatial multipliers. Furthermore, it presents several newer applications of spatial techniques in empirical political science research: SAR models with multiple lags, SAR models for binary dependent variables, and spatio-temporal autoregressive (STAR) models for panel data.
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14

Antonio, Claret, Giménez Alvaro, and Zahn Jean-Paul, eds. Tidal evolution and oscillations in binary stars: Third Granada workshop on stellar structure : proceedings of a workshop held in Granada, Spain, 26-28 May 2004. San Francisco, Calif: Astronomical Society of the Pacific, 2005.

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15

Tidal evolution and oscillations in binary stars: Third Granada workshop on stellar structure : proceedings of a workshop held in Granada, Spain, 26-28 May 2004. San Francisco, CA: Astronomical Society of the Pacific, 2006.

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16

Claret, Antonio. Tidal Evolution and Oscillations in Binary Stars: Third Granada Workshop on Stellar Structure: Proceedings of a Workshop Held in Granada, Spain, 26-28 (Astronomical Society of the Pacific Conference). Astronomical Society of the Pacific, 2005.

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17

Kopal, Zdenek. Binary and Multiple Stars as Tracers of Stellar Evolution: "Proceedings of the 69th Colloquium of the International Astronomical Union, Held in ... Ingramcontent, 2011.

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18

Miksza, Peter, and Kenneth Elpus. Regression. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199391905.003.0010.

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This chapter presents the logic and technique of analyzing data using simple linear regression and multiple linear regression. Regression is a remarkably versatile statistical procedure that can be used not only to understand whether or not variables are related to each other (as in correlation) but also for providing estimates of the direction of the relationship and of the degree to which the variables are related. Beginning with a simple bivariate case analyzing a single predictor on a single outcome, the flexibility and ability for regression to analyze increasingly complex data, including binary outcomes, is discussed. Particular attention is paid to the ability of regression to be used to estimate the effect of a predictor on an outcome while statistically “controlling” for the values of other observed variables.
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19

Renker, Elizabeth. Poetic Realisms. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198808787.003.0005.

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This chapter argues that multiple heterogeneous subtypes of realist poems circulated actively and to a broad readership during the postbellum period. These subtypes included but were not limited to the three heuristic categories presented in this chapter: gothic and phantasmagoric realism; social or earthly realism; and comic, commercial, and advertising realism. These subtypes often work in implicit modes of relation to the explicit romance/realist binary formulations traced in Chapter 2. Those explicit formulations undergird how these more implicit versions played out in a larger print-culture conversation. Yet, over the long history of scholarship that assumed a priori that poems were not an active part of “realism,” these implicit and attenuated realist poetries have been easy to miss. This chapter brings them back into a thicker history of postbellum realist poetries, demonstrating their wide circulation; their familiarity to readers; and their influence across print culture.
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20

Carrol, Alison. Reimagining Alsatian Identities. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198803911.003.0006.

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This chapter considers attempts to reimagine what it meant to be Alsatian after the region’s return to France through discussion of two areas of daily life: language and festivities. The region’s elites offered alternative visions of Alsace through debates over the use of French, German, and Alsatian dialect, and discussions over how the region’s past and present should be presented at festivities and in exhibitions. In so doing, they drew upon the region’s social and cultural practices, as well as its local context, position in France, and cross-border links. Their attempts are suggestive of questions over how to reconcile difference within the French nation, and their efforts to differentiate what was Alsatian from what was German reveal that rather than viewing loyalties in binary terms as ‘for or against’ France, nationalization in Alsace would be better understood as a spectrum that allowed for the expression of multiple loyalties and attachments.
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21

Carrol, Alison. Conclusion. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198803911.003.0008.

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In 1918 Alsace was restored to French rule after almost fifty years of annexation into the German Empire. Its return was greeted with enthusiasm in Alsace and across France, but reintegration proved much more difficult than expected. This concluding chapter traces how the return of Alsace to France was shaped by the border, and suggests that consideration of the border as a driver of change encourages us to avoid a binary view of Alsace as either French or German or falling between two nations. Instead, a focus on the border encourages the consideration of Alsace as a dynamic force and draws our attention to the multiple languages that the population adopted to describe return. It underlines that reintegration proved a multi-cornered struggle and reveals that nations are not formed in isolation, but rather through interactions involving actors at the centre, at the periphery, and beyond the national boundaries.
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22

Dubino, Jeanne, Paulina Pajak, Catherine W. Hollis, Celiese Lypka, and Vara Neverow, eds. The Edinburgh Companion to Virginia Woolf and Contemporary Global Literature. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474448475.001.0001.

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This book considers the global responses Woolf’s work has inspired and her worldwide impact. The 23 chapters address the ways Woolf is received by writers, publishers, academics, reading audiences, and students in countries around the world; how she is translated into multiple languages; and how her life is transformed into global contemporary biofiction. The 24 authors hail from regions around the world: West and East Europe, the Middle East/North Africa, North and South America, East Asia and the Pacific Islands. They write about Woolf’s reception in Ireland, France, Italy, Germany, Poland, Estonia, Russia, Egypt, Kenya, Mexico, Argentina, Uruguay, Brazil, the United States, China, Japan and Australia. The Edinburgh Companion is dialogic and comparative, incorporating both transnational and local tendencies insofar as they epitomise Woolf’s global reception and legacy. It contests the ‘centre’ and ‘periphery’ binary, offering new models for Woolf global studies and promoting cross-cultural understandings.
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23

Meeusen, Meghann. Children's Books on the Big Screen. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496828644.001.0001.

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Adaptation studies scholars suggest that no matter how interesting it may be to pick apart a film’s consistency with and departure from its source, these approaches can be limiting because books and movies operate as two very different mediums. Children’s Books on the Big Screen moves away from this approach by tracing a pattern across films for young viewers to highlight a consistent trend: when films are adapted from children’s and YA books, concepts like self/other, male/female, and adult/child become more strongly contrasted and more diametrically opposed in the film version. Children’s Books on the Big Screen describes this as binary polarization, suggesting that more stark opposition between concepts leads to shifts in the messages that texts send, particularly when it comes to representations of gender, race, and childhood. After introducing why critics need a new way of thinking about children’s adapted texts, Children’s Books on the Big Screen uses middle-grade fantasy adaptations to consider the reason for binary polarization and looks at the ideological results of polarized binaries in adolescent films and movies adapted from picturebooks. The text also explores movies adapted from The Wonderful Wizard of Oz to dig into instances when multiple films are adapted from a single source and ends with pragmatic classroom application, suggesting teachers might utilize this theory to help students think critically about movies created by the Walt Disney corporation. Drawing from numerous popular contemporary examples, Children’s Books on the Big Screen posits a theory that can begin to explain what happens—and what is at stake—when children’s and young adult books are made into movies.
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24

Fraunhofer, Hedwig. Biopolitics, Materiality and Meaning in Modern European Drama. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474467438.001.0001.

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Mapping the -- not always chronological -- trajectory from representationalist-naturalist theatre (Strindberg, Sartre) to the theatre of the historical avant-garde (Brecht, Artaud), this book puts milestones of modernist theatre in conversation with new materialist, posthumanist philosophy and affect theory. Arguing that existing modernization theories have been unnecessarily one-sided, Biopolitics, Materiality and Meaning in Modern European Drama offers a rewriting of modernity that cuts across binary methodologies – nature and culture, mind and matter, epistemology and ontology, critique and affirmative writing, dramatic and postdramatic theatre. Going beyond the exclusive focus on questions of identity, representation and meaning on the one hand or materiality on the other hand, the book captures the complex material-discursive forces that have shaped modernity and modern theatre. In powerfully prescient readings of modern anxiety, contagion and performance, the volume specifically reworks the biopolitical, immunitarian exclusions that mark Western epistemology leading up to and beyond modernity’s totalitarian crisis point. The book reveals the performativity of theatre in its double sense -- as theatrical production and as the intra-activity of an open and dynamic system of relations between multiple human and more-than-human actants, energies, and affects. In modern theatre, public and private, human and more-than-human, materiality and meaning co-productively collapse in a common life.
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25

Wilkinson, Taraneh. Dialectical Encounters. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474441537.001.0001.

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Discussions of Turkish Islam are still frequently dominated by political considerations and dualistic paradigms: modern vs. traditional, secular vs. religious. Yet there exists a body of Muslim institutions in Turkey, Turkish theology faculties, or ilahiyat faculties, whose work cannot always be so easily reduced to political considerations or black and white paradigms. By taking Turkish theology up on its theological rather than political concerns, this book sheds light on complex Muslim theological voices already entangled in encounters with a largely Western and Christian modernity. Rather than ask whether or not Turkish Muslim theology is “modern,” this book aims to re-frame the binary implied in such a question by delving into the conceptual worlds of Turkish Muslim theologians. As part of this reframing, this book examines how Turkish theology dialectically mediates multiple intellectual traditions, lending particular focus to Turkish Muslim engagement with Western Christian thought. Featuring the work of RecepAlpyağıl (Istanbul University) and Şaban Ali Düzgün (Ankara University), this study provides a concise survey of Turkish Muslim positions on religious pluralism and atheism as well as detailed treatments of both critical and appreciative Turkish Muslim perspectives on Western Christianity. The result is a critical reframing of the category of modernity through responses of Turkish theologians to the Western intellectual tradition alongside a detailed exploration of an ongoing chapter in Muslim-Christian relations.
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26

Goedde, Petra. The Politics of Peace. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780195370836.001.0001.

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This study explores the emerging politics of peace, both as an ideal and as a pragmatic aspect of international relations during the early Cold War. By tracing the myriad ways in which a broad spectrum of people involved in and affected by the Cold War used, altered, and fought over this seemingly universal concept, it deconstructs the assumed binary between realist and idealist foreign policy approaches generally accepted among contemporary policymakers. It argues that a politics of peace emerged in the 1950s and 1960s as a result of a gradual convergence between idealism and realism. A transnational politics of peace succeeded only when idealist objectives met the needs of realist political ambition. It maps three dynamic arenas that together shaped the global discourse on peace: Cold War states, peace advocacy groups, and anticolonial liberationists. The thematic focus on peace moves transnationally where transnational discourses on peace emerged. It reveals the transnational networks that challenged and eventually undermined the Cold War order. It deterritorializes the Cold War by revealing the multiple divides that emerged within each Cold War camp, as peace activists challenged their own governments over the right path toward global peace, and also challenged each other over the best strategy. The Politics of Peace assumes a global perspective once peace advocates confronted the violence of national liberation movements in the Third World. It thus demonstrates that the Cold War was both more ubiquitous and less territorial than previously assumed.
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27

Davidson, Larry. Cure and Recovery. Edited by K. W. M. Fulford, Martin Davies, Richard G. T. Gipps, George Graham, John Z. Sadler, Giovanni Stanghellini, and Tim Thornton. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199579563.013.0015.

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This chapter briefly discusses the history of the notion of "cure" in relation to serious mental illnesses from Pinel to the present day, including both theories on the nature of the illnesses and the nature of presumed therapeutic agents and mechanisms. The chapter then gives a brief overview of the notion of "recovery" in relation to serious mental illnesses, also from Pinel to the present day, and describes various definitions and forms of recovery as they have emerged over time. With this historical and conceptual background in place, the chapter then takes up the present state-of-the-art in psychiatry in relation to both concepts of cure and recovery, considers the empirical and neuroscientific evidence available relative to each concept, and then suggests several directions for research and philosophical reflection as the field continues to evolve. Two guiding principles that shape this discussion are that mental illnesses are not one-dimensional phenomena, but may be made up of several loosely related components which each have their own natural course, and that mental illnesses do not typically take over the entirety of a person's functioning, but also leave other aspects of functioning relatively intact. The combination of these principles suggests that cure and recovery are not likely to be binary functions in relation to serious mental illnesses (i.e., yes or no), but will more likely be more a matter of degree across multiple domains.
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28

Phillips, James. Technology and Psychiatry. Edited by K. W. M. Fulford, Martin Davies, Richard G. T. Gipps, George Graham, John Z. Sadler, Giovanni Stanghellini, and Tim Thornton. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199579563.013.0014.

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This chapter evaluates the multiple roles of technology in psychiatry, drawing on philosophical resources and mindful of psychiatry's need to benefit from technology without reducing itself to nothing but a technology. It approaches the topic of technology and psychiatry from three perspectives. First, it addresses technology as a way of thinking-technical or instrumental reason-and how technical reason informs psychiatric theory and practice. For this analysis it invokes a philosophical tradition that stretches from Aristotle to Toulmin and Gadamer. Second, it takes up technology as achievement, the most obvious example of which is psychotropic medications. For this dimension of technology in psychiatry it recruits philosopher Albert Borgmann, who has analyzed the tendency of technological products, analyzed as device paradigms, to transmute into commodities. Finally, the chapter takes up technology as instrument of investigation. Philosopher Don Ihde is the guide in this investigation into how the psychiatrically real can become what is revealed through the technological instrument. The final section addresses the overarching question of how to set the right balance between the technological and the non-technological in psychiatry-how psychiatry can make use of technology without losing its humanistic core. It notes that the binary of the technological and non-technology in psychiatry can be mapped onto other binaries: biology and psychology, mind and brain, medication and psychotherapy, diagnosis and patient, theory and instance, general and individual, technical and practical reason. These binaries are not precisely isomorphic with each other, but all contribute to evaluating the role of technology in psychiatry, both in the present and in the desired future.
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29

Anderson, Crystal S. Soul in Seoul. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496830098.001.0001.

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Soul in Seoul: African American Popular Music and K-pop examines how K-pop cites musical and performative elements of Black popular music culture as well as the ways that fans outside of Korea understand these citations. K-pop represents a hybridized mode of Korean popular music that emerged in the 1990s with global aspirations. Its hybridity combines musical elements from Korean and foreign cultures, particularly rhythm and blues-based genres (R&B) of African American popular music. Korean pop, R&B and hip-hop solo artists and groups engage in citational practices by simultaneously emulating R&B’s instrumentation and vocals and enhancing R&B by employing Korean musical strategies to such an extent that K-pop becomes part of a global R&B tradition. Korean pop groups use dynamic images and quality musical production to engage in cultural work that culminates the kind of global form of crossover pioneered by Black American music producers. Korean R&B artists, with a focus on vocals, take the R&B tradition beyond the Black-white binary, and Korean hip-hop practitioners use sampling and live instrumentation to promote R&B’s innovative music aesthetics. K-pop artists also cite elements of African American performance in Korean music videos that disrupt limiting representations. K-pop’s citational practices reveal diverse musical aesthetics driven by the interplay of African American popular music and Korean music strategies. As a transcultural fandom, global fans function as part of K-pop’s music press and deem these citational practices authentic. Citational practices also challenge homogenizing modes of globalization by revealing the multiple cultural forces that inform K-pop.
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