Academic literature on the topic 'Bibliophilie – France'
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Journal articles on the topic "Bibliophilie – France"
Chatelain, Jean-Marc. "Bibliophilie et tradition littéraire en france au début du xviiie siècle." Revue d'histoire littéraire de la France 115, no. 1 (2015): 91. http://dx.doi.org/10.3917/rhlf.151.0091.
Full textTóth, Ferenc. "Vies parallèles. Deux diplomates bibliophiles hongrois entre Occident et Orient : François de Tott et Charles Émeric de Reviczky." Revue française d'histoire du livre 141 (November 30, 2020): 149–63. http://dx.doi.org/10.47421/rfhl141_149-163.
Full textSilverman, Willa. "THE ENEMIES OF BOOKS? WOMEN AND THE BIBLIOPHILIC IMAGINATION IN FIN-DE-SIÈCLE FRANCE." Contemporary French Civilization 30, no. 1 (January 2006): 47–74. http://dx.doi.org/10.3828/cfc.2006.3.
Full textKapor, Vladimir. "La Vogue des archéofictions au XIXe siècle: le passé ressuscité et le passé interprété." Nottingham French Studies 51, no. 1 (March 2012): 54–65. http://dx.doi.org/10.3366/nfs.2012.0006.
Full textBiron, Johanne. "Enquête sur la provenance et les pérégrinations de deux livres d’Heures enluminés du XVe siècle conservés aux Archives des jésuites au Canada." Renaissance and Reformation 39, no. 4 (April 5, 2017): 19–72. http://dx.doi.org/10.33137/rr.v39i4.28159.
Full textCardinali, Giacomo. "La lente dissolution de la bibliothèque grecque du cardinal Salviati. Une affaire de soldats, gentilshommes, papes, bibliophiles et pirates." Journal des savants 2, no. 1 (2020): 429–92. http://dx.doi.org/10.3406/jds.2020.6430.
Full textBazanov, P. N. "Publishing House of the Third Wave “Syntaxis” in France (1980–1992)." Bibliosphere, no. 2 (March 21, 2022): 96–103. http://dx.doi.org/10.20913/1815-3186-2022-2-96-103.
Full textSilverman, Willa Z. "Esthetic Languages of the Book in Fin-de-Siècle France: Japonisme, Symbolism, and Art Nouveau in the Private Library of Henri Vever." Quaerendo 48, no. 3 (October 22, 2018): 179–205. http://dx.doi.org/10.1163/15700690-12341410.
Full textRaynaud, Christiane. "Les belles forteresses des chroniques de Monstrelet et leur continuation dans les manuscrits de Georges d’Amboise (Paris, Bibliothèque Nationale de France, Ms. 2678-2679)." Specula Revista de Humanidades y Espiritualidad 8, no. 1 (January 31, 2024): 189–233. http://dx.doi.org/10.46583/specula_2023.1.1113.
Full textBéhotéguy, Gilles. "Le livre et la scène de lecture dans le roman français contemporain pour la jeunesse." Mémoires du livre 2, no. 2 (April 5, 2011): 0. http://dx.doi.org/10.7202/1001765ar.
Full textDissertations / Theses on the topic "Bibliophilie – France"
Malais, Nicolas. "Création littéraire et bibliophilie (1830-1920) : de la mise en scène du bibliophile à la mise en livre d'une poétique." Thesis, Paris 10, 2011. http://www.theses.fr/2011PA100176.
Full textThis work aims to help understand the importance of bibliophilia within literary creation between 1830 and 1920. From the publicising of the bibliophile to the publishing of poetry, to study bibliophilic literary practices is to shed light on both the writing process and the resulting production of books whose materiality is meaningful. A first part studies the beginnings of a bibliophilic literary practice and its figures, such as Charles Nodier or Bibliophile Jacob, to highlight the evolution of bibliophilia from a mere collection among others to an original writing process. Torn between social experience and lyricism of the object, bibliophilia progressively defines itself in response to its own caricature. A second part considers bibliophilia as a literary and mythical source: bringing real and imaginary libraries together, bibliophilia deeply changes the relationship to the materiality of books amongst writers such as Marcel Schwob, Remy de Gourmont or Alfred Jarry. A third part takes a closer look at the book as an object and at the conditions of its production and reception. From Mallarmé and Charles Cros' experiences to those of Apollinaire and Blaise Cendars, it appears that a new type of literature needs a new type of book, the combined result of (typo)graphic experimentation and bibliophilic tradition
Biheng-Martinon, Louise-Mirabelle. "Le métier de relieur en France au XXe siècle." Paris 8, 2001. http://www.theses.fr/2001PA081976.
Full textGaboriau, Clémence. "Maurice Denis (1870-1943) illustrateur. Pratique d’un artiste du livre, acteurs et réseaux." Electronic Thesis or Diss., Sorbonne université, 2023. http://www.theses.fr/2023SORUL123.
Full textMaurice Denis (1870-1943), key artistic figure of the late 19th and first half of the 20th centuries, was a multi-talented artist who worked as a painter, decorator, theoretician and illustrator. He was very prolific and he left behind a considerable number of works, including nearly three hundred prints in his own hand, and almost a thousand engravings made by others based on his drawings. Many of these were intended to decorate literary, religious or historical texts. Dozens of illustrated books were published throughout his entire career. They are representative of the evolution of his pictorial production, from his early symbolist works to his final religious creations. As well as examining the mechanics of the illustrated book production process, set in the context of the artist's life and work, this thesis explores in depth Denis's relationships with the publishers and collaborators who helped to shape his status as an illustrator. This was the result of significant connections he made, with Jacques Beltrand (1874-1977), a wood engraver who was nearly the exclusive interpreter of Denis, but above all with Gabriel Thomas (1854-1932), a bibliophile and patron of the arts, whose combined action enabled the creation of some of his most notable editions. This study, based on a great amount of documents mostly held in private collections (including hundreds of letters and preparatory sketches), provides a new perspective on Denis's illustrative practice and examines the human and material conditions under which his books were conceived
Julia, Aurélie. "Frédéric Lachèvre ou le renouveau des études dix-septièmistes." Paris 4, 2006. http://www.theses.fr/2005PA040185.
Full textWho remembers Frédéric Lachèvre (1855-1943)? Usually forgotten by encyclopaedias and dictionaries, his name rings no bell anymore although the man devoted himself to what could be called “minor history” and spent many hours bringing out the minors of XVIIth century from dusty archives! Only few specialists may remember the remarquable Bibliographies collectives de poesies du XVIIe siècle which earned Frédéric Lachèvre the nickname of “bibbliographe-bénédictin”. Nothing in this man could predict such a fate: promised to a brilliant career in Finance, it was only when he was forty-five when the autodidact published his first studies on Jacques Vallée Des Barreaux, Théophile de Viau, Saint-Pavin, Claude de Chouvigny. . . Under his pen, it is the world of a little known century which emerges. His commentaries with personal remarks could make one smile: his vision belongs to a particular milieu from a particular time. Recalling the scientific work of Frédéric Lachèvre evokes various notions as bibliophily, bibliography, censorship. . . Along with them reppear erudite persons like Charles Nodier, Jean-Jacques Brunet, Pierre Louÿs, Fernand Vandérem, Georges Mongrédien. . . With a light and pleasant style, sometimes sarcastic and caustic, the work of Frédéric Lachèvre is an invitation to bury oneself in the earthy world of minor poets
Galindo, Denis Varry Dominique. "Erudition et bibliophilie en France au XIXe siècle la Société des Bibliophiles lyonnais (1885-1914), cénacle d'amis des livres, société savante et association d'éditeurs amateurs en province sous la Troisième République /." Lyon : Université Lumière Lyon 2, 2008. http://demeter.univ-lyon2.fr/sdx/theses/lyon2/2008/galindo_d.
Full textGalindo, Denis. "Erudition et bibliophilie en France au XIXe siècle : la Société des Bibliophiles lyonnais (1885-1914), cénacle d'amis des livres, société savante et association d'éditeurs amateurs en province sous la Troisième République." Lyon 2, 2008. http://theses.univ-lyon2.fr/documents/lyon2/2008/galindo_d.
Full textThe bibliophilic circles, which were founded during the nineteenth century, can be divided into two main categories : some of them were above all learned societies, which devoted themselves to publish scholarly works and mainly historical documents or to reprint rare books ; others devoted themselves to publish luxuriously works of classical or contemporary literature. The members of each category wanted to create books without depending on professional publishers. Founded in Lyon in 1885, the Société des Bibliophiles lyonnais belonged to the first category. From its formation to 1914, thirty seven gentlemen, who were scholars and book collectors, came together in this club. They published twenty nine works, which represented very well the productions of the historical learned societies and they were interested particularly in the book as an object, so in its history and in the retrospective bibliography. Their publications, which were luxurious and conventional books, had besides to contribute to the aesthetic revival of Lyon's printing and to leave a mark in the bibliophilic history. But the most important aspect of the activities of the bibliophilic learned societies during the nineteenth century was effectively the part which they played in the development of the researches in the field of the history of the book
Goujet, Rodolphe. "La librairie ancienne à Paris : sociologie d'une profession." Paris 5, 2010. http://www.theses.fr/2010PA05H020.
Full textAs a former corporation, the profession of antiquarian booksellers has enjoyed a profound, historic heritage whose rhetoric has, for many years, given its members a strong lineage of professional and territorial traditions. For along time, the visible homogeneity of the community has believed in a certain amount of opposition to progress regarding the evolution of practices, methods and relations to the book object. Nevertheleess, this professional group seems to have a certain segmentation in its ranks based on approaches to the job which we consider "traditional" and "rational". While describing how these two bibliophilic trends formed in Paris, we try to understand how they reached a division of the market for the old book. By means of historical, morphological, and mythematical analyses, we try to clarify the processes which have allowed the emergence of professional identity and culture. Today, the stakes are much higher as the Internet revolution alters the conditions of the rules. By its calling into question the many relevant services through to the individual competence of the "expert", this new medium seems to upset the increasingly fragile balance of the world of the antiquarian booksellers
Le, Bail Marine. "L'amour des livres la plume à la main : écrivains bibliophiles du XIXème siècle." Thesis, Toulouse 2, 2016. http://www.theses.fr/2016TOU20099.
Full textAround 1830, the publishing sector experiences numerous shifts : with the printing system submitting itself to new mass producing principles, the status of the book itself is at stake. From this moment on, we witness the beginnings of a new form of bibliophilism, which builds itself by turning its back on the contemporary publishing standards. Some writers, amongst whom Charles Nodier, Paul Lacroix, the Goncourt brothers, Gérad de Nerval, or Octave Uzanne, are dedicated to collecting rare or valuable books, and find in this passion an inspiration for their own work. This study aims at showing the strength of the links between bibliophilism and writing during all of the XIXtch century. At the intersection of several disciplines such as book history, stylistic analysis, or history of literature, bibliophilism appears as a strongly poetical object and as a complex compilation of themes and topics about books. At the same time, bibliophilism ca be defined as a singular socio-cultural habit, that allows us to perceive all the tensions arisen by the development of modern and industrial ways of producing and selling books
Pety, Dominique. "Collection et écriture : les Goncourt en leur temps." Paris 3, 2001. http://www.theses.fr/2001PA030098.
Full textDuring the second half of the 19th century, the Goncourt brothers have been lovers and collectors of 18th century French art and Japanese art. Their literary works must therefore be reinterpreted in the light of their art collections. To put them back into context, we first proceed to a historical study. 19th century collecting deals with conflicting values, remmants of the past being either considered as a fertile heritage or as a deal weight, which reveals the anxiety of a period confronted with the hardship of creating something new. The Goncourt brothers overcame this anxiety by uniting their collections into an single work of art in the overwhelming space of their home and private museum. .
Moustier, Béatrice de. "Jean-Baptiste de Lagoy (1764-1829). Un amateur de dessins provençal entre deux siècles." Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL019.
Full textJean-Baptiste de Lagoy (1764-1829), came from the rich Provence aristocracy. In his family manor at Arles, he devoted himself to the literary pastime of bibliophilia and built up his knowledge. He was forced out of Provence by the Revolution. He took refuge in Paris and organised his cabinet rue Caumartin. He acquired around 2,500 drawings in the space of twenty years. In a private sociable space, he demonstrated his expertise, and implements criteria, based on reflections on art which enabled attributions to be made, by way of comparison, and deciding who could be admitted into this circle. He bought medallions, "fine books", and drawings. Within this inner circle, Lagoy met people who sold him sheets of drawings from all the different schools and visitors who came to buy drawings from him. Clarac, one of Lagoy's close friends and an art critic, set out to establish the social figure of the connoisseur through two visited collections in Paris. His works had to be organised as opposed to the crowding together and confusion of the mere amateur collector. Expressing his taste, in terms of beauty and ugliness, the aesthetic, spontaneous, and subjective experience of pleasure or displeasure, was the way in which Clarac could express his visual experience when visiting the collections. Lagoy, in a handwritten inventory, classified his collection in terms of history and evolution, his taste informing his choices, and he highlighted the notion of "progress of the arts", a concept that was popular with theorists of the period, demonstrating how he was in tune with historical research
Books on the topic "Bibliophilie – France"
France), Bibliothèque municipale (Montpellier. 1919-1939, 20 ans de bibliophilie dans la collection Frédéric Sabatier d'Espeyran: Musée Fabre, avril-mai 1991. [Montpellier]: Ville de Montpellier, Bibliothèque municipale, 1991.
Find full textQuentin-Bauchart, Ernest. Les femmes bibliophiles de France: (XVIe, XVIIe & XVIIIe siècles). [Genève-Suisse]: Slatkine, 1993.
Find full text(France), Bibliothèque nationale, ed. La Passion des manuscrits enluminés: Bibliophiles français, 1280-1580. Paris: Bibliothèque nationale, 1991.
Find full textFemmes Bibliophiles de France (Xvie, Xviie, & Xviiie Siècles). Creative Media Partners, LLC, 2022.
Find full textFemmes Bibliophiles de France (Xvie, Xviie, & Xviiie Siècles). Creative Media Partners, LLC, 2022.
Find full textQuentin-Bauchart, Ernest. Femmes Bibliophiles de France (Xvie, Xviie, & Xviiie Siècles); Volume 2. Creative Media Partners, LLC, 2018.
Find full textFemmes Bibliophiles de France (Xvie, Xviie, & Xviiie Siècles); Volume 2. Creative Media Partners, LLC, 2022.
Find full textFabrizio-Costa, Silvia. André Corbeau: Un Bibliophile et érudit Entre France et Italie Au Nom de léonard de Vinci. Lang AG International Academic Publishers, Peter, 2019.
Find full textFabrizio-Costa, Silvia. André Corbeau: Un Bibliophile et érudit Entre France et Italie Au Nom de léonard de Vinci. Lang AG International Academic Publishers, Peter, 2019.
Find full textFabrizio-Costa, Silvia. André Corbeau: Un Bibliophile et érudit Entre France et Italie Au Nom de léonard de Vinci. Lang AG International Academic Publishers, Peter, 2019.
Find full textBook chapters on the topic "Bibliophilie – France"
McGarry, Pascale. "Les couleurs du livre (Oscar Wilde bibliophile)." In Entrelacs franco-irlandais, 145–67. Presses universitaires de Caen, 2004. http://dx.doi.org/10.4000/books.puc.1218.
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