Dissertations / Theses on the topic 'Bible. Psalms, CVIII – Criticism, interpretation, etc'

This study comprises two distinct sections. The first part is a study in the origins and methodology of Saint Jerome's Excerpta de Psalterio; and the second part a first translation into English of the Latin text, which is printed in the Corpus Christianorum Series Latina. In the first part, (the dissertation), I have arranged my research into three chapters. The first tackles the history of the Excerpta text, its title(s), and the question of Jerome's authorship. In this chapter I was particularly interested to research the links between this work and another by Origen, whom many scholars have suggested is the true author of the Excerpta. The second chapter takes a look at the educational background and situation of Jerome in the history of Biblical interpretation. Then it moves on to a more particular examination of Jerome's interpretative technique in the Excerpta. One of the aims of this chapter was to try to see Jerome's technique both as heavily indebted to, and yet innovatively building upon the work of other previous and contemporary Biblical interpreters. The third chapter examines in detail some of the characteristic uses of Hebrew words in Jerome's works, with an aim to assessing Saint Jerome's level of understanding of the Hebrew language. This is done with a view to reviewing the Excerpta in a new light, which takes into account all the linguistic work done by Jerome and not by Origen. This goes some way to clarifying dispute over the authorship of the work in question. This is followed by the Translation, the first (known) into English from the Latin of the CCSL, including footnotes and biblical references.

Thesis (MTh)--Stellenbosch University, 2013.
ENGLISH ABSTRACT: By means of literary, linguistic and comparative literary approaches, this study examines the literary structure of the alphabetical acrostic poems in the Psalms. First, a literary approach is used to analyze the form and content of each alphabetical acrostic poem to show that the literary structure of the poems is varied. Selected Psalms 9-10, 111 and 112 are translated from the Hebrew and compared to ancient Near Eastern languages especially Akkadian and Ugaritic. Second, by means of linguistic approaches, the literary structure of each poem is determined on both micro and macro levels using the researcher’s own translations of these psalms. Furthermore, a comparative literary approach is employed to compare the forms of ancient Near Eastern acrostics, in particular Akkadian, Egyptian and Ugaritic poems, to Hebrew acrostics. The analysis reveals both similarities with other ancient Near Eastern forms as well as the uniqueness of the Hebrew alphabetical acrostic poems. Both linguistic and literary insights are used to determine the relationship between the different forms. The findings suggest that the alphabetical acrostic poems were probably written around or after 1000 B.C.E. since the ancient Near Eastern poems were written before 1000 B.C.E. The unique 22-line form of the Hebrew alphabetical acrostics also indicates that Hebrew thought was distinct from what can be observed in other ancient Near Eastern texts. On the basis of this research, a conclusion is reached and suggestions for future research are made.
AFRIKAANSE OPSOMMING: Deur literêre, linguistiese en vergelykende literêre benaderings ondersoek hierdie studie die literêre struktuur van die alfabetiese akrostiese gedigte in die Psalms. Eerstens word ‘n literêre benadering gebruik om die vorm en inhoud van elke alfabetiese lettervers te ontleed om aan te toon dat die literêre struktuur van die gedigte verskillend is. Die gekose Psalms 9-10, 111 en 112 word uit die Hebreeus vertaal en in vergelyking met die Ou-Nabye-Oosterse tale, veral Akkadiese en Ugarities, bespreek. Tweedens, deur linguistiese benaderings, word die literêre struktuur van elke gedig op beide mikro-en makro vlakke bepaal deur gebruik te maak van die navorser se eie vertalings van hierdie psalms. Verder, word ‘n vergelykende literêre benadering aangewend om die vorms van die Ou-Nabye- Oosterse akrostiese gedigte, in die besonder Akkadies, Egiptiese en Ugaritiese gedigte, met Hebreeuse akrostiese gedigte te vergelyk. Die ontleding toon die ooreenkomste met ander antieke Nabye- Oosterse vorms sowel as die uniekheid van die Hebreeuse alfabetiese akrostiese gedigte. Beide linguistiese en literêre insigte word gebruik om die verhouding tussen die verskillende vorms te bepaal. Die bevindinge dui daarop dat die alfabetiese akrostiese gedigte waarskynlik geskryf is rondom of later as 1000 vC, angesien die antieke Nabye-Oosterse gedigte voor 1000 vC geskryf is. Die unieke 22-reël vorm van die Hebreeuse alfabetiese akrostiese gedigte dui ook aan dat die Hebreeuse denke te onderskei is van wat in ander antieke Nabye-Oosterse tekste gereflekteer word. Gebaseer op hierdie navorsing, word tot ‘n gevolgtrekking gekom, en word voorstelle vir toekomstige navorsing gemaak.

Thesis (MA.)--Stellenbosch University, 2000.
ENGLISH ABSTRACT: This study investigates the image of Yahweh as warrior in a selection of Biblical-Hebrew psalms against the background of similar images in the broader Ancient Near East. In the psalms this image is closely linked with the emotions and experience of the psalmist. In the situation of conflict he calls on Yahweh to intervene and to destroy the enemy. It is in such circumstances that this image of Yahweh gives the necessary comfort. In order to investigate the image of Yahweh as warrior in the psalms, this study uses the Comparative Method. This method is based on the assumption that cultures and societies share certain ideas and characteristics. The specific approach within the Comparative Method is called the typological comparative approach. This approach focuses on the comparison of phenomena in cultures that are historically and geographically far removed from each other. This comparison is based on the assumption that certain cultural characteristics are universally shared. In this investigation the following psalms are analysed: 3, 21, 46, 68, 76, 83, 140, 144. The selection was made on the basis of the different literary genres within the psalms. As a background to this investigation a summary of warrior terminology and ideas in the rest of the Ancient Near East is presented. Afterwards the warrior image in the selected psalms is investigated. The investigation proceeded as follows: Chapter 1 is devoted to the research history with regard to the image of Yahweh as warrior in the Hebrew Bible; in Chapter 2 the metaphor as literary device is discussed; and in Chapter 3 the focus is on the institution of war in the Ancient Near East and the role of warriors in this regard. From Chapters 4 to 11 the warrior metaphors in the selected psalms are analysed. With each of the analysed psalms the following method is used: (1) a translation and text-critical notes; (2) a discussion of the literary genre; (3) an analysis of the poetic elements; and (4) an analysis of the warrior images. The psalmist's enemies are also Yahweh's enemies. In the psalms where he is portrayed as warrior, three characters always come to the fore, namely Yahweh, the psalmist and the enemy. While the enemy is portrayed in terms of typical hostile images, the relationship between Yahweh and the psalmist is defensive, and offensive between Yahweh and the enemy. In this study it is , also shown that when Yahweh intervenes, he saves and restores the honour of the psalmist. Yahweh is also praised for his acts of salvation in the past. This forms the basis for the psalmist call to Yahweh to intervene in his situation. He defeats the enemy by making use of different weapons. The psalmist's enemies are also Yahweh's enemies.
AFRIKAANSE OPSOMMING: Hierdie studie ondersoek die voorstelling van Jahwe as kryger in 'n seleksie Bybels-Hebreeuse psalms teen die agtergrond van soortgelyke voorstellings in die breër Ou Nabye Oosterse konteks. In die psalms hang hierdie voorstelling ten nouste saam met die emosies en ervarings van die digter. Die vyand stig gedurig stryd aan en soek die digter se ondergang. In sy situasie van stryd en aanvegting roep hy tot Jahwe om in te gryp en die vyand te verslaan. Dit is dan juis hierdie voorstelling van Jahwe wat in dié omstandighede 'n groot gerusstelling is. In hierdie studie word daar van die Vergelykende Metode gebruik gemaak. Hierdie metode is gebaseer op die aanname dat kulture en gemeenskappe sekere opvattings en idees met mekaar deel. Die spesifieke benadering wat binne die Vergelykende Metode gebruik word, word die Tipologies-Vergelykende benadering genoem. In hierdie benadering handel dit oor die vergelyking van verskynsels in kulture wat histories en geografies van mekaar verwyderd is. Hierdie benadering opereer met die aanname dat sekere kulturele opvattings universeel gedeel word. Die volgende psalms word in die ondersoek ontleed: 3, 21,46,68, 76, 83, 140, 144. Die seleksie is gedoen op grond van die belangrikste literêre genres in die psalms. As agtergrond tot die ondersoek, word 'n kort oorsig gebied van krygerterminologie en opvattings in die res van die Ou Nabye Ooste. Daarna is die krygerbeeld in die geselekteerde psalms ondersoek. Die ondersoek het soos volg verloop: in Hoofstuk 1 is daar aandag gegee aan die navorsingsgeskiedenis met betrekking tot die voorstelling van Jahwe as kryger in die Hebreeuse Bybel, in Hoofstuk 2 is die literêre verskynsel van die metafoor behandel en in Hoofstuk 3 is daar gefokus op die Ou Nabye Oosterse instelling van oorlog en die plek van krygers in die verband. Vanaf Hoofstuk 4-11 is die krygermetafore in die geselekteerde psalms geanaliseer. By elk van die geanaliseerde psalms word die volgende metode gevolg: (1) 'n vertaling en tekskritiese aantekeninge; (2) 'n bespreking van die literêre genre; (3) 'n analise van die styl-elemente; en (4) 'n analise van die krygermetafore. In die psalms waar Jahwe as kryger voorgestel word, tree daar altyd drie hoofkarakters na vore, naamlik die digter, die vyand en Jahwe. Die vyand word geteken in terme van tipiese "vyandsbeelde", terwyl Jahwe defensief teenoor die bidder optree en offensief teenoor die teëstanders. In hierdie studie word ook aangedui dat wanneer Jahwe ingryp, bewerk Hy redding en herstel Hy ook die digter se eer. Jahwe word geloof vir sy reddingsdade in die verlede. Dit vorm die basis vir die digter se hulpgeroep tot Jahwe om in te gryp in sy situasie. Hy verslaan die vyand deur van verskillende wapens gebruik te maak. Die digter se vyande word ook as Jahwe se vyand gesien.

This dissertation argues that Psalm 108 introduces the eschatological notions of the king and of the kingdom into its canonical group (Pss 108–110) through its inclusion of a non-historically specific superscription, its quotation and paraphrase of earlier psalmic material (Pss 57 and 60), and its canonical placement in Book V of the Psalter. Chapter 1 presents this study’s thesis along with three undergirding assumptions: (1) the Psalter is a book; (2) individual psalms should be read in sequence; and (3) the Psalter progressively tells a story along redemptive-historical lines. Chapter 2 provides histories of interpretation of Psalm 108 and of research into inner-biblical exegesis and canonical approaches to the Psalter. This chapter shows differences among interpreters’ views of Psalm 108. It also shows how this work’s approach engages inner-biblical exegesis and Psalter exegesis (a canonical approach) to clarify the meaning of Psalm 108. Chapter 3 interprets Psalm 108 in its canonical context. It reveals how Psalm 108 participates in the narrative flow of the Psalter. The chapter concludes that Psalm 108 continues the story of eschatological redemption that began in Psalm 107, which records the eschatological return of Israel to the land. In continuation of this story, Psalm 108 bespeaks the eschatological conquest of the land. In response to the king’s prayer, God will go out with Israel’s armies and conquer the land, and through the king’s prayer, the kingdom comes. Chapter 4 compares Psalm 108 with Psalms 57 and 60 to clarify the message that Psalm 108 conveys by its quotation and paraphrase of these two earlier psalms. Chapter 5 highlights certain themes that Psalm 108 shares with Psalms 109 and 110, noting the development of these themes across the three psalms. Psalm 108 introduces the eschatological notions of the king and the kingdom to this Davidic triptych (Pss 108–110). Before discussing these psalms, this chapter also explores the theoretical tools of willed types and pregnant meaning to explain how the Psalter’s editor(s) could have organized Davidic psalms into a sequence while honoring David’s authorial intent. Finally, Chapter 6 concludes the dissertation.

This dissertation examines the use of water imagery in the book of Psalms and argues that the psalmists primarily employed this imagery to allude to four accounts of God's works in the Pentateuch--the waters of creation, the water in the Garden of Eden, the flood, and the crossing of the Red Sea--as paradigms for understanding their present and the future. Each chapter examines the use of the water motif in a particular book of the Psalms. In each chapter I attempt to prove, through verbal and thematic links, that the authors of the Psalms were biblical theologians in that the Pentateuch shaped their worldview. Because of their scripture-shaped worldview, they employed water imagery from earlier scriptures to interpret present-day events. The psalmists' use of water imagery also pointed to the future. Through water imagery they alluded to the Garden of Eden to express hope for a new future Eden. For the psalmists the creation of the world was a model of how God would one day remake creation. The flood and the crossing of the Red Sea are also paradigmatic events that guided the psalmists' understanding of God's work of salvation and judgment in the present and the future. The psalmists' hope for a future of divine salvation and judgment took its design from the flood and the Red Sea.

The pnmary purpose of this dissertation is to define the function of Psalm 90 and its relationship with regard to adjacent psalms. Keeping this purpose in mind, the dissertation is composed of two main parts. The first part deals with textual notes, structural analysis, the date of the psalm and the possible situation it arose from, and then an attempt is made about the function of the psalm. Concerning the structural analysis, this study reveals that the psalm forms a unity in contrast to the views of Muller and Zenger who have argued for the division of the psalm into two parts. The function that the psalm has within itself is to appeal to Yahweh to intervene in the dilemma the psalmist was facing in the exilic or postexilic situation. However, since the psalm itself does not hint at any clue as to what the actual situation for the appeal was, the study is extended to the examination of the canonical perspective with regard to adjacent Psalms 89 and 91. This consists of the second part, and here Psalm 90 is compared to Psalms 89 and 91 in terms of lexical, thematic, and structural aspects. The study of this part shows that Psalm 90 forms close links with the lament section of Psalm 89 (vv. 39-51) as well as Psalm 91, and the conclusion suggests that Psalm 90 should be interpreted in the light of Psalm 89, thus reflecting the destruction of the Davidic dynasty described in Psalm 89. Concerning the relationship between Psalms 90 and 91, the latter serves as an answer to the former in order to persuade the readers that Yahweh 1s a refuge to those who seek security and protection from him.
Old Testament
Th. M.(Old Testament)

This dissertation argues that Book IV of the canonical Hebrew Psalter (Pss 90–106) sustains the hope that God will keep his covenant with David by installing a future king from David’s line. Chapter 1 introduces the debate, states the thesis, surveys the history of psalmic interpretation, and summarizes recent canonical views that see David either diminished or sustained in Book IV. Chapter 2 presents an eclectic canonical methodology that honors the five-book division, accounts for superscriptions, incipits, and closings, senses a broad narrative progression, acknowledges psalmic collections, recognizes lexical, thematic, and structural resonance beween psalms, and considers inner-biblical allusions. Chapter 3 explores the covenantal contradiction in Psalm 89 and proposes that Psalm 90 continues and complements the lament in Psalm 89 which questioned the character and reign of God due to the fallen Davidic throne and the severed Davidic line. Chapter 4 analyzes Psalms 90–92 and argues that a reimagined Moses enters Book IV to intercede for Israel (90) in response to the unfulfilled Davidic covenant in Psalm 89. Psalms 90–92 then allude to Deuteronomy 32–33 and progress from pained petition (90) to promised protection (91) to restored rejoicing (92). Chapter 5 explores the message and function of Psalm 101 and argues that its intra-book links, Davidic title, royal voice, lamenting tone, future orientation, inter-psalm allusions, and strategic placement make it a central psalm sustaining Davidic hope in Book IV. Chapter 6 explores the lexical and thematic resonance among Psalms 90, 102, and 103 and argues that the afflicted Davidide in Psalm 102 applies and echoes the plaintive prayer of Moses in Psalm 90 and that the Davidic praise in Psalm 103 answers both Psalms 90 and 102. Thus David is forgiven and restored along with the people in Psalm 103. Chapter 7 concludes by reviewing the evidence from each chapter and proposing that the overall structure and message of Book IV sustains the hope that God will keep his covenant with David.

D.Litt. et Phil.
Pentecostals tend to have a negative view of the Old Testament. Although no official distinction between the Old - and New Testament exists, in practice the Old Testament is regarded as less authoritative than the New Testament. This influences the way worship in the Old Testament is regarded. Pentecostals generally view the New Testament as prescriptive for the worship experience of the Church. This study wants to show that the Old - and New Testament are on equal footing regarding it's authority as the inspired Word of God, also concerning it's teaching on worship. A second problem addressed, is the place of the lament in worship. Pentecostals tend to think that Christians should always be positive and that God should be praised, regardless of the situation. This leads to a denial of the fact that Pentecostals experience pain and negativity and feelings of rage and anger in their lives. They try to hide those feelings from God, which leads to dishonesty in their relationship with Him. Lamenting is regarded as an act of un-faith. On the contrary, this study wants to show that lamenting is an act of bold faith. The psalms teach that we should be completely honest in our relationship with God. We may express all our feelings of negativity and pain and anger and fear and vengeance to God. By doing this, we place it in the hand of a God who cares and understands, a God who transforms us and our situations by the power of his love and grace. Different situations in life call for different types of psalms to be used in worship. Depending on our experience, we can praise or lament or use any of the other types of psalms we find in the book of Psalms. This study focuses on a selection of different types of psalms to ascertain how they can be used in the Pentecostal tradition. The following Gattungen are • discussed: Wisdom psalms, royal psalms, liturgical psalms, psalms of trust, psalms of lament and psalms of praise. The results of the study have shown that the use of the psalms in Pentecostal worship falls within the parameters of the characteristics of Pentecostal hermeneutics. The fact that they are not being used, is contrary to Pentecostal hermeneutics. They can be used in different ways, e.g: in the liturgy of the Church, in the prayer-life of the believer, during pastoral counselling, prophetically and homiletically.

John Donne was indisputably the foremost English preacher of his day. Many studies have focussed on his instructional methods; fewer have concentrated on how he tries to move his hearers. Donne especially liked preaching on the psalms. Since Christian antiquity, the seven psalms known as the penitential psalms have enjoyed a privileged place in church worship. They are central to the sacrament of penance. By Donne's time, changes in the Church of England's sacramental theology had all but eliminated the practice of penance. Nevertheless, Donne considers penance or, as it had become known, repentance, to be a crucial part of believers' lives. With his sermons on the penitential psalms Donne contributes to the vast body of literature surrounding the sacrament of penance, but his contribution is unique. He thinks that since the second person of the Trinity is identified with the Word of God, the institution of preaching God's Word is incarnational. In the sacraments, the priest ushers in the Body of Christ; in the sermon, Donne believes, the preacher's role is similar. For Donne, sermonizing is sacramental in effect. In his sermons he attempts to bring the real presence of God to his listeners. Moreover, his sermons display a "sacramental mimesis": they enact their subject matter by their very words and try to effect change in the listeners as the words are uttered. Further, Donne thinks that since God established all the ordinances of the church, none of them should be ignored. Therefore, Donne's twenty-one sermons on the penitential psalms reveal a preacher who is on the one hand a conservative churchman and on the other a startlingly innovative preacher.

ABSTRACT THE ROYAL PRIEST: PSALM 110 IN BIBLICAL- THEOLOGICAL PERSPECTIVE Matthew Habib Emadi, Ph.D. The Southern Baptist Theological Seminary, 2016 Chair: Dr. James M. Hamilton, Jr. This dissertation develops the biblical-theological rationale for the union of kingship and priesthood in Psalm 110 in the context of the entire canon. The thesis of this project is that a canonical reading of David’s depiction of the eschatological Melchizedekian priest-king develops God’s creational purpose for humanity to establish God’s kingdom (king) by mediating God’s covenantal blessings from his temple sanctuary (priest), and simultaneously advances God’s redemption project by depicting the order of royal priesthood that would bring the promises of the Abrahamic covenant to fruition. Chapter 1 introduces the thesis and methodological issues pertaining to this study, and surveys the research in the modern period in order to identify how scholars have handled the union of kingship and priesthood in a single figure in Psalm 110. Chapter 2 examines the concept of royal priesthood in the Torah. This examination demonstrates that Adam is the Bible’s royal priestly prototype and that his royal priesthood is recapitulated in important covenantal figures—Noah, Abraham, Melchizedek, Israel, and Aaron. Melchizedek, in particular, is a priest-king uniquely associated with Abraham and the Abrahamic covenant. Chapter 3 situates Psalm 110 in its Old Testament context and hones in on the patterns of David’s own life experiences—revealed in 1–2 Samuel—and the content of the Davidic covenant in order to show how David would have arrived at the conclusion that the messiah was to be a royal priest after the order of Melchizedek. Chapter 4 briefly investigates the intertestamental literature in order to show how the union of priesthood and kingship in Psalm 110 influenced the messianic expectations of the authors of the Testament of Levi, 1 Enoch, 2 Enoch, and 11QMelchizedek. Chapter 5 focuses on how the New Testament develops the union of priesthood and kingship in the person and work of Jesus Christ on the basis of Psalm 110. The Gospel of Mark and the epistle to the Hebrews pick up the royal priestly logic of Psalm 110 in their respective Christological arguments. Chapter 6 is the conclusion. It summarizes the arguments of the previous chapters and proposes some theological implications from this study.

Amen is the Hebrew word best known and most widely used in world religions even today. Its importance as a meaningful expression throughout biblical texts is given thorough study as well as its transmission throughout religious history. It has been transliterated and integrated into the prayers and liturgy of about every Christian church. In this thesis amen is traced down to its usage in Old Testament texts selected according to their liturgical setting. After examining the three sets of texts, progressive development stages have been produced. The first text of Deuteronomy 27 was basically a ceremony of civil nature for a Covenant commitment. All tribes of Israel were present and the amen response was stipulated to confirm their allegiance to Yahweh and to acknowledge the curses threatened. The second stage in the development of amen in Old Testament worship is an expected, not stipulated response to answer a doxology or a prayer. At this stage amen was pronounced by the worshipping congregation in cultic situations in general, particularly in the Psalms. A third and more developed liturgical response can be found in the spontaneous double amen spoken by the returnees from exile gathered for the reading of the Law session at Nehemiah's time. Amen had become a thriving force and a joyful outburst - not demanded, not simply expected, but spontaneous in the believers' response to Yahweh's guidance and love. The New Testament and Christians of all times inherited and adopted the same Hebrew word and sound of amen as confirmation and praise. A proposal is made in this study to set amen as a causal connection with the One who loved mankind first. The proposed derivation of amen from the Hiphil Imperative remits its origin to a causative plea, and persuades people to believe in what they have just heard or said, namely, that Jesus Christ is God's amen for the salvation of all mankind. Christians of all times and places should join in the praise of God through the same faith in His Amen. Thus amen becomes a binding concept for ecumenical understanding.
Biblical and Ancient Studies
D. Th. (Old Testament)

The thesis of this dissertation is to explore the importance of Hebrew as contained in the Old Testament or Hebrew Canon, for a grasp of the spirituality or spiritualities of the people we encounter in these texts. Furthermore, to gauge the continued and extended importance of this language knowledge as it pertains to contemporary spirituality or spiritualities based upon these scriptures. This will be done with the laity and academia in mind and hence we will study these spiritualities as they pertain both to experience and academic enquiry. We will also explore the possible personal and societal transformation, which could result from such an investigation. In view of this, we will limit our scope to three test psalms all from Book I of the Psalter; and our assessment of the importance of Hebrew for Biblical Spirituality will be based on only three key areas, namely language, exegesis and continued meaning.
Christian Spirituality
M. Th. (Christian Spirituality)

Text in Afrikaans
Die Nimsiede het gedurende die laat 9de en vroeë 8ste eeue oor Israel geregeer. Psalm 15 is waarskynlik gedurende die 8ste eeu, tydens die regering van koning Jerobeam II geskryf. ’n Mondelinge tradisie het in die tyd van die Omriede ontstaan en is gedurende die Nimsiede-periode voortgesit . Psalm 15 reflekteer iets van die sosio-ekonomiese konteks van hierdie tydperk. ’n Analise word gedoen om ’n moontlike verbinding met die regering van die Nimsiede te bevestig. ’n Analise word ook gedoen van die emosies wat in die psalm uitdrukking vind.
Old Testament and Ancient Near Eastern Studies
M. Th. (Old Testament)