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Journal articles on the topic 'Bhabha'

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Published: 4 June 2021

Last updated: 21 February 2023

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1

Rose, Gillian. "The Interstitial Perspective: A Review Essay on Homi Bhabha's The Location of Culture." Environment and Planning D: Society and Space 13, no. 3 (June 1995): 365–73. http://dx.doi.org/10.1068/d130365.

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In this essay the work of Homi Bhabha is discussed. The complexity of Bhabha's writing might be seen as symptomatic of the critically ineffectual obsession with textuality that many geographers have recently criticised. However, I argue that there are a number of reasons for Bhabha's convoluted textual style. I suggest that he is performing a subject position symptomatic of the contradictions of post/colonial discourse, contradictions he is also at the same time analysing. This performance has implications for geographers' current discussions of situated knowledge and self-reflection. It also has implications for the thcorisation of space, because Bhabha argues that the politics of subjectivity arc also the politics of spatiality. The essay ends with a discussion of the relation between Bhabha's politics of subjectivity and the politics of material corporeality.

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2

Shumar, Wesley. "Homi Bhabha." Cultural Studies of Science Education 5, no. 2 (January 29, 2010): 495–506. http://dx.doi.org/10.1007/s11422-010-9255-9.

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3

Santos, A. F., and Faqir C. Khanna. "Gravitational Bhabha scattering." Classical and Quantum Gravity 34, no. 20 (September 26, 2017): 205007. http://dx.doi.org/10.1088/1361-6382/aa89f4.

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4

Mayya, Y. S., Debashis Das, and P. P. Marathe. "Bhabha and electronics." Current Science 123, no. 3 (August 10, 2022): 330. http://dx.doi.org/10.18520/cs/v123/i3/330-342.

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5

Chakrabarti, Sumit. "Moving beyond Edward Said: Homi Bhabha and the Problem of Postcolonial Representation." International Studies. Interdisciplinary Political and Cultural Journal 14, no. 1 (November 1, 2012): 5–21. http://dx.doi.org/10.2478/v10223-012-0051-3.

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The essay takes up the issue of postcolonial representation in terms of a critique of European modernism that has been symptomatic of much postcolonial theoretical debates in the recent years. It tries to enumerate the epistemic changes within the paradigm of postcolonial theoretical writing that began tentatively with the publication of Edward Said’s Orientalism in 1978 and has taken a curious postmodern turn in recent years with the writings of Gayatri Spivak and Homi Bhabha. The essay primarily focuses on Bhabha’s concepts of ambivalence and mimicry and his politics of theoretical anarchism that take the representation debate to a newer height vis-ŕ-vis modes of religious nationalism and Freudian psychoanalysis. It is interesting to see how Bhabha locates these within a postmodern paradigm.

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6

Lee, Emily S. "Postcolonial Ambivalence and Phenomenological Ambiguity: Towards Recognizing Asian American Women's Agency." Critical Philosophy of Race 4, no. 1 (March 1, 2016): 56–73. http://dx.doi.org/10.5325/critphilrace.4.1.56.

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Abstract Homi Bhabha brings attention to the figure of the postcolonial metropolitan subject—a third world subject who resides in the first world. Bhabha describes the experiences of the “colonial” subject as ambivalently split. As much as his work is insightful, Bhabha's descriptions of the daily life of postcolonial metropolitan subjects as split and doubled is problematic. His analysis lends only to the possibility of these splittings/doublings as schizophrenically wholly arising. His analysis cannot account for the agonistic moments when the colonial subject is caught in not knowing, and in developing understanding about present circumstances. A framework with an account of context and horizons, such as in phenomenology, can better depict the experiences of the postcolonial metropolitan subject. Maurice Merleau-Ponty follows a gestaltian contact with the world, which advances that the “most basic unit of experience is that of figure-on-a-background.” One perceives the figure/theme because of and within the background/horizon. In this horizonal framework, human experiences are ambiguously open. The openness in the horizon of the gestaltian framework better accounts for the conditions Bhabha refers to as splitting. The ambivalence can be understood not simply as conundrums that defy understanding but as ambiguous moments for expanding, developing, and growing.

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7

Peierls, Rudolf. "Physics and Homi Bhabha." Nature 323, no. 6085 (September 1986): 212. http://dx.doi.org/10.1038/323212a0.

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8

Easthope, Antony. "Bhabha, hybridity and identity." Textual Practice 12, no. 2 (June 1998): 341–48. http://dx.doi.org/10.1080/09502369808582312.

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9

Bonciani, R., and A. Ferroglia. "Bhabha Scattering at NNLO." Nuclear Physics B - Proceedings Supplements 181-182 (September 2008): 259–63. http://dx.doi.org/10.1016/j.nuclphysbps.2008.09.047.

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10

Vijayakar, S. R. "Eighteenth Bhabha Memorial Lecture." IETE Technical Review 3, no. 6 (June 1986): 263–64. http://dx.doi.org/10.1080/02564602.1986.11437971.

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11

Beenakker, W., F. A. Berends, and S. C. van der Marck. "Small-angle Bhabha scattering." Nuclear Physics B 355, no. 2 (May 1991): 281–94. http://dx.doi.org/10.1016/0550-3213(91)90114-d.

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12

Beenakker, W., F. A. Berends, and S. C. van der Marck. "Large-angle Bhabha scattering." Nuclear Physics B 349, no. 2 (February 1991): 323–68. http://dx.doi.org/10.1016/0550-3213(91)90328-u.

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13

Arbuzov, A. B., V. S. Fadin, E. A. Kuraev, L. N. Lipatov, N. P. Merenkov, and L. Trentadue. "Small-angle Bhabha scattering." Nuclear Physics B - Proceedings Supplements 51, no. 3 (December 1996): 154–63. http://dx.doi.org/10.1016/s0920-5632(96)90020-1.

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14

Loide, R.-K., I. Ots, and R. Saar. "Bhabha relativistic wave equations." Journal of Physics A: Mathematical and General 30, no. 11 (June 7, 1997): 4005–17. http://dx.doi.org/10.1088/0305-4470/30/11/027.

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15

Venkataraman, G. "Homi Bhabha — A profile." Resonance 3, no. 7 (July 1998): 3–5. http://dx.doi.org/10.1007/bf02837307.

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16

Young, Robert J. C. "The Dislocations of Cultural Translation." PMLA/Publications of the Modern Language Association of America 132, no. 1 (January 2017): 186–97. http://dx.doi.org/10.1632/pmla.2017.132.1.186.

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The title The Location of Culture suggests that the book's author, Homi K. Bhabha, places an overriding importance on a culture's spatial and geographic situation. Lest Bhabha's readers get too fixated on culture's site and locality, however, the title's emphasis on place is soon qualified by an epigraph from the book's most-cited author, Frantz Fanon, that emphasizes temporality: “The architecture of this work is rooted in the temporal. Every human problem must be considered from the standpoint of time” (qtd. in Bhabha xiv). So, while culture must be located, the architecture of The Location of Culture is rooted in the temporal. The place and time of its moments of production are affirmed throughout its essays with a wealth of contemporary references and opening comments like “In Britain, in the 1980s …” (27). No book of theory is more self-consciously embedded in its own space and time. The Location of Culture, published in 1994, is a very English book, written from within the political, cultural, and intellectual world of the London of the 1980s and early 1990s, in which migrant activists from the Caribbean and South Asia such as Bhabha, Salman Rushdie, and Stuart Hall were challenging the verities of a long-established, socialist, masculinist, English intellectual and political culture. The brilliant innovation of The Location of Culture was to create a new language, a new articulation and understanding of minority positions—which is why the response to it has been so overwhelming, from academics, artists, and many others. The work that went into The Location of Culture was intimately related to Bhabha's own milieu and time: the book is the product of his decennium mirabile in London.

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17

Gupta, Arvind. "Bhabha's Relevance to India Bhabha and his Magnificent Obsessions by G. Venkataraman." Strategic Analysis 34, no. 3 (May 17, 2010): 456–58. http://dx.doi.org/10.1080/09700161003659111.

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18

Bufalo, R. "On the Bhabha scattering for z = 2 Lifshitz QED." International Journal of Modern Physics A 30, no. 16 (June 9, 2015): 1550086. http://dx.doi.org/10.1142/s0217751x15500864.

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In this paper, we compute and discuss the differential cross-section of the Bhabha scattering in the framework of the z = 2 Lifshitz quantum electrodynamics (QED). We start by constructing the classical solutions for the fermionic fields, in particular the completeness relations, and also derive the theory's propagators. Afterwards, we compute the photon exchange and pair annihilation contributions for the Bhabha's process, and upon achieving the results we establish the magnitude of the theory's free parameter by looking for small deviations of the QED tree results.

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19

Angelovska, Despina, and Lindita Ahmeti. "Кон Homi K. Bhabha (Ed.), Nation and Narration." Identities: Journal for Politics, Gender and Culture 1, no. 2 (January 1, 2002): 175–76. http://dx.doi.org/10.51151/identities.v1i2.52.

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Author(s): Despina Angelovska | Деспина Ангеловска Title (Macedonian): Кон Homi K. Bhabha (Ed.), Nation and Narration Title (Albanian): Për Homi K. Bhabha (Ed.), Nation and Narration Translated by (Macedonian to Albanian): Lindita Ahmeti Journal Reference: Identities: Journal for Politics, Gender and Culture, Vol. 1, No. 2 (Winter 2002) Publisher: Research Center in Gender Studies - Skopje and Euro-Balkan Institute Page Range: 175-176 Page Count: 2 Citation (Macedonian): Деспина Ангеловска, „Кон Homi K. Bhabha (Ed.), Nation and Narration“, Идентитети: списание за политика, род и култура, т. 1, бр. 2 (зима 2001): 175-176. Citation (Albanian): Despina Angelovska, „Për Homi K. Bhabha (Ed.), Nation and Narration“, përkthim nga Maqedonishtja Lindita Ahmeti, Identities: Journal for Politics, Gender and Culture, Vol. 1, No. 2 (Winter 2002): 175-176.

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20

Basto, Maria-Benedita. "Le Fanon de Homi Bhabha." Tumultes 31, no. 2 (2008): 47. http://dx.doi.org/10.3917/tumu.031.0047.

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21

Harris, Adrienne. "Bhabha Among the Clinicians: Introduction." Studies in Gender and Sexuality 12, no. 3 (July 2011): 149–55. http://dx.doi.org/10.1080/15240657.2011.585593.

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22

Kademani, B. S., Ganesh Surwase, Lalit Mohan, and Vijai Kumar. "Bhabha Scattering: A Scientometric View." DESIDOC Journal of Library & Information Technology 29, no. 4 (July 1, 2009): 3–11. http://dx.doi.org/10.14429/djlit.29.255.

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23

Caffo, M., H. Czyz, and E. Remiddi. "Bhabha scattering at high energy." Il Nuovo Cimento A 105, no. 2 (February 1992): 277–91. http://dx.doi.org/10.1007/bf02826033.

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24

Sreekantan, B. V., and Richa Malhotra. "Homi Jehangir Bhabha: A visionary." Resonance 15, no. 5 (May 2010): 462–75. http://dx.doi.org/10.1007/s12045-010-0074-9.

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25

Anh, Sa Thi Lan, Trieu Quynh Trang, Nguyen Thu Huong, and Ha Huy Bang. "Unparticle effects on Bhabha scattering." Canadian Journal of Physics 96, no. 3 (March 2018): 268–71. http://dx.doi.org/10.1139/cjp-2016-0955.

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26

Greco, M. "Bhabha scattering near the Z0." Physics Letters B 177, no. 1 (September 1986): 97–105. http://dx.doi.org/10.1016/0370-2693(86)90023-7.

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27

Kuroda, S., T. Kamitani, K. Tobimatsu, S. Kawabata, and Y. Shimizu. "Bhabha scattering at high energy." Computer Physics Communications 48, no. 3 (March 1988): 335–51. http://dx.doi.org/10.1016/0010-4655(88)90200-7.

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28

Greco, Mario, Guido Montagna, Oreste Nicrosini, and Fulvio Piccinini. "Radiative Bhabha scattering at DAΦNE." Physics Letters B 318, no. 4 (December 1993): 635–41. http://dx.doi.org/10.1016/0370-2693(93)90466-u.

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29

Schwarz, Henry. "Texture as Substance: Reading Homi K. Bhabha Re-membering Frantz Fanon." PMLA/Publications of the Modern Language Association of America 132, no. 1 (January 2017): 179–85. http://dx.doi.org/10.1632/pmla.2017.132.1.179.

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[T]he idea of Man as his alienated image, not Self and Other but the “Otherness” of the self inscribed in the perverse palimpsest of colonial identity. (116)According to Isaac Julien, the director of Black Skin, White Mask, a film imagining the life of Frantz Fanon, Homi Bhabha is presented in a nonspeaking role as a colored, racialized “colonial subject” to lend “texture” to the cinematography (Interview). Unlike the eloquent postcolonial critics Stuart Hall and Françoise Vergès, who are interviewed extensively in the ilm, the mute Bhabha is a cipher, a visual trace of diference in the philosophical, cinematic, and audio montage that composes Julien's meditation on decolonization (Frantz Fanon [Director's cut]). In many ways, Julien's Fanon seems indebted to Bhabha's strong reading, against the grain of Fanon's oeuvre, in “Remembering Fanon: Self, Psyche and the Colonial Condition,” a foreword Bhabha wrote for a new British edition of Fanon's Black Skin, White Masks, published in 1986. Julien's Fanon is an interstitial igure, stitched together through multiple viewpoints and physically composed of cinematic elements juxtaposed in striking contrast to one another. He emerges from scraps of discourse cast of and reassembled, much as Bhabha's Fanon is captured in Fanon's ungrammatical utterance that betrays by ellipsis the nature of identity, which is that identity is “not”: “The Negro is not. Any more than the white man” (113). The revelation that the nature of identity is spatially split and temporally deferred-the deinition of Derridean diférance-is most truly represented in the colonial situation, where white mythologies of wholeness and authenticity are actualized as performances of power. When these mythologies are accompanied by paranoid fantasies of blackness that reveal the contradictory duplicity of white representations of the other-the simian Negro, the inscrutable Chinaman-this racial discrimination and its neurotic imagery reveal the nature of the white self and its pretense of universality: that the human is not whole and that the Enlightenment dream of self-presence is an illusion thrown up by the anxious exercise of mastery over those lesser humans, the Negroes.

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30

Bahri, Deepika. "Hybridity, Redux." PMLA/Publications of the Modern Language Association of America 132, no. 1 (January 2017): 142–48. http://dx.doi.org/10.1632/pmla.2017.132.1.142.

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The ensuing remarks on Homi Bhabha's collection of essays The Location of Culture are framed by the following questions: Under what discursive conditions does a text arrive? How do conditions beyond the text determine its reception and circulation? And why is Bhabha routinely associated more with ambivalence, interstice, and liminality than with the ways in which they illuminate problems of race, the archive, history, or the affective bodily subject of history? To focus these ruminations, I will discuss the intervention, impact, and afterlife of The Location of Culture through the concept of hybridity, arguably one of the greatest hits of postcolonial studies and one closely associated with the work of Bhabha. Informed by Mikhail Bakhtin's propositions about hybridity in linguistic utterance; by Sigmund Freud's theories of ambivalence; by Walter Benjamin's discussions of history, event, and language; by Jacques Lacan's discourses on ego, language, and subjectivity; by Michel Foucault's investigations of history, knowledge, and power; and by Jacques Derrida's theories of différance, Bhabha's formulations have gained currency well beyond the humanities. Appropriations of hybridity in globalization discourse, however, often do not honor Bhabha's poststructural politics or its rooting in a complex history of ideas even as the critics of hybridity fail to recognize its inception in archival moments and particular enunciative contexts. Bhabha's work not only poses questions to history in a mode characteristic of deconstruction, it also commences in history in a clearly postcolonial modality. I want to review missed appointments with pressing questions of history and race in the global reception of Bhabha's concept of hybridity, an approach that constitutes an implicit plea for the recognition and reanimation of these questions in contemporary uses of the term hybridity in the discourse of globalization.

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31

Cortés Gómez, Ismael. "El humanismo poscolonial como crítica del etnonacionalismo = Postcolonial humanism as a critique of ethnonationalism." UNIVERSITAS. Revista de Filosofía, Derecho y Política, no. 29 (December 13, 2018): 125. http://dx.doi.org/10.20318/universitas.2019.4512.

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RESUMEN: Aplicando una metodología hermenéutica intertextual, el artículo ofrece un análisis de diferentes momentos en la articulación del humanismo poscolonial, sistematizando los nexos conceptuales entre las propuestas de Fanon / Bhabha y Bhabha / Said. El artículo interpreta el humanismo poscolonial como una epistemología crítica que permite dilucidar los mecanismos de violencia cultural y epistémica inherentes a los proyectos y a las narrativas etno-nacionalistas, y plantea la posibilidad de un horizonte de ciudadanía intercultural en el contexto presente de crisis de la Unión Europea posBrexit.ABSTRACT: This article offers an analysis of different moments in the articulation of postcolonial humanism through a systematization of conceptual nexus among the proposals of Fanon / Bhabha and Bhabha / Said, the article highlights the contemporary dimensions of postcolonial humanism. By doing intertextual hermeneutic analysis, the article interprets postcolonial humanism as a critical epistemology that elucidates the mechanisms of cultural and epistemic violence inherent to ethno-nationalist narratives and strategies, in the current context of postBrexit EU crisis.PALABRAS CLAVE: interculturalidad; etno-nacionalismo; humanismo poscolonial; democracia; derechos universalesKEYWORDS: interculturality; ethno-nationalism; postcolonial humanism; democracy; universal rights

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32

Bauhn, Per, and Fatma Fulya Tepe. "Hybridity and Agency: Some Theoretical and Empirical Observations." Migration Letters 13, no. 3 (September 1, 2016): 350–58. http://dx.doi.org/10.33182/ml.v13i3.288.

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In this article, Homi Bhabha’s concept of hybridity is being discussed from the point of view of its impact on persons’ capacity for agency. Bhabha emphasized the emancipating and anti-authoritarian potentials of hybridity. In this paper it is argued that this positive evaluation does not hold for all cases of hybridity. It is also argued that the value of hybridity will depend on whether it expands or diminishes persons’ capacity for agency. A limited empirical study of Turkish immigrants in the Netherlands will illustrate this hypothesis.

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33

Graça, Rodrigo Souza Fontes de Salles. "Tradução cultural e política em Homi Bhabha: recepção de a tarefa do tradutor de Walter Benjamin." Cadernos de Ética e Filosofia Política 2, no. 27 (December 23, 2015): 96–113. http://dx.doi.org/10.11606/issn.1517-0128.v2i27p96-113.

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Neste artigo é realizado análise do conceito de tradução cultural nos escritos do crítico literário Homi Bhabha (da década de 1980 a 2000) a partir de sua recepção de A Tarefa do Tradutor (1921), de Walter Benjamin. São destacadas a política e a noção de cultura implicadas na elaboração do conceito de tradução cultural, tendo em vista o vocabulário “benjaminiano”, tais como traduzibilidade, intraduzível, intenção (intencionalidade) e outros. Para tanto, são brevemente perpassadas as referências de Bhabha: à literatura de Salman Rushdie, às migrações contemporâneas e aos documentos da Índia colonial. Argumentamos que a recepção de A Tarefa do Tradutor mostra-se seminal nos textos de Bhabha para proposta político-analítica de destaque da alteridade pela tradução cultural.

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34

Bhabha and Chomsky. "Homi Bhabha Talks with Noam Chomsky." Critical Inquiry 31, no. 2 (2005): 419. http://dx.doi.org/10.2307/3651494.

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35

Chomsky, Noam. "Homi Bhabha Talks with Noam Chomsky." Critical Inquiry 31, no. 2 (January 2005): 419–24. http://dx.doi.org/10.1086/430971.

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36

Arbuzov, A. B., V. V. Bytev, E. A. Kuraev, E. Tomasi-Gustafsson, and Yu M. Bystritskiy. "Radiative corrections to the Bhabha scattering." Physics of Particles and Nuclei 41, no. 5 (September 2010): 636–89. http://dx.doi.org/10.1134/s1063779610050023.

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37

Penin, Alexander A. "Two-loop corrections to Bhabha scattering." Nuclear Physics B - Proceedings Supplements 157, no. 1 (July 2006): 6–10. http://dx.doi.org/10.1016/j.nuclphysbps.2006.03.002.

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38

Beenakker, Wim, and Giampiero Passarino. "Large-angle Bhabha scattering at LEP1." Physics Letters B 425, no. 1-2 (April 1998): 199–207. http://dx.doi.org/10.1016/s0370-2693(98)00176-2.

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39

Czakon, M., J. Gluza, and T. Riemann. "Harmonic polylogarithms for massive Bhabha scattering." Nuclear Instruments and Methods in Physics Research Section A: Accelerators, Spectrometers, Detectors and Associated Equipment 559, no. 1 (April 2006): 265–68. http://dx.doi.org/10.1016/j.nima.2005.11.148.

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40

Cacciari, M., A. Deandrea, G. Montagna, O. Nicrosini, and L. Trentadue. "Bhabha scattering at LEP. Small angle." Physics Letters B 271, no. 3-4 (November 1991): 431–34. http://dx.doi.org/10.1016/0370-2693(91)90113-5.

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41

Cacciari, M., A. Deandrea, G. Montagna, O. Nicrosini, and L. Trentadue. "Bhabha scattering at LEP. Large angle." Physics Letters B 268, no. 3-4 (October 1991): 441–46. http://dx.doi.org/10.1016/0370-2693(91)91605-u.

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42

Jadach, S., M. Melles, B. F. L. Ward, and S. A. Yost. "Bhabha process at LEP — theoretical calculations." Nuclear Physics B - Proceedings Supplements 51, no. 3 (December 1996): 164–73. http://dx.doi.org/10.1016/s0920-5632(96)90021-3.

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43

Reinhardt, J., A. Scherdin, B. M�ller, and W. Greiner. "Resonant Bhabha scattering at MeV energies." Zeitschrift f�r Physik A Atomic Nuclei 327, no. 4 (December 1987): 367–81. http://dx.doi.org/10.1007/bf01289561.

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44

Feng, Yi. "Mimicry and Masquerade in Faulkner’s American Indian Characters." Journal of Foreign Languages and Cultures 4, no. 2 (December 28, 2020): 90–103. http://dx.doi.org/10.53397/hunnu.jflc.202002009.

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Faulkner once said that he made up his American native characters out of his imagination. His American Indian characters are hybrid and grotesque, a disturbing and troubling presence in his work. Yet some critics point out that the construction of Faulkner’s American Indians in Yoknapatawpha is not created out of a cultural vacuum and Faulkner assimilated both local and national popular thinking about American Indian people as presented in his stories. Homi K. Bhabha argues that the narration of a nation is a double address, and there is a split between the pedagogical narrative and the performative narrative of a nation. The pedagogical narrative is horizontal and historicist, which intends to indicate the people as one, whereas the performative narrative obscures the nation’s self as one and shows the heterogeneity of the nation. Bhabha argues that there exists a liminal space, a temporality of the “in-between,” in which the nation splits within itself, articulating the heterogeneity of its people rather than the homogeneity. Jacques Lacan’s paradigm of the relationship between the subject and the Other is helpful in the understanding of Bhabha’s national narration as a double address. I argue that Lacan’s paradigm of the intersection of the subject and the Other shows the liminal space of the national narrative by Bhabha. By combining Bhabha’s double narrative of the nation and Lacan’s graph on the subject and the Other, we could have a new understanding of Faulkner’s American Indian characters in his stories. In this essay, I show how some of Faulkner’s American Indian narratives are depicted as the Other, which reflects the characteristics of the pedagogical narrative; and how others can be read as the performative narrative due to the multiple effects of the mimicry of the American Indian characters such as Ikkemotubbe and Sam Fathers. I argue that Faulkner’s American Indian narratives are twisted and obscure which can be read as a double narrative, with both the characteristics of the pedagogical and the performative narrative. The narrative of American Indian characters can be regarded as happening in a liminal space where race is fluid and hybrid.

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45

Subhan, Asep, and Didimus E. Turuk. "Discourse on Creole Identity: from Ambivalence to Madness Post-Colonial Reading on Rhys� Wide Sargasso Sea." Indonesian Journal of English Language Studies (IJELS) 5, no. 1 (December 12, 2019): 18–23. http://dx.doi.org/10.24071/ijels.v5i1.2310.

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The portrayal of creole identity is presented in several literary works, one of them is in the portrayal of Antoinette Cosway in Jean Rhys Wide Sargasso Sea. Antoinette Cosway firstly is the minor character in Charlotte Bronts Jane Eyre. The research traces the link between Antoinette Cosways creole identity with her madness. According to Bhabhas ambivalence theory, creole identity possibly creates a new identity as the result of interrelation between colonizer and colonized. Based on the research, Antoinette Cosway failed to create a new identity and became a madwoman instead. The cause is the complex situation faced by her and the lack of supporting aspects for constructing a new identity.Keywords: creole identity, ambivalence, Antoinette Cosway, Homi Bhabha

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Dr. Waheed Ahmad Khan, Salman Hamid Khan, and Dr. Shaukat Ali. "Cultural Hybridity as Perpetuation of Americanization: A Study of the Selected Novels of Mohsin Hamid and Kamila Shamsie." sjesr 3, no. 4 (December 25, 2020): 35–42. http://dx.doi.org/10.36902/sjesr-vol3-iss4-2020(35-42).

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Cultural hybridity has prevailed by penetrating its roots in the globalized world. It has influenced the identity of people especially migrants of various countries. Identity in the case of cultural hybridity leads to conflict. Migrants wish to grow by absorbing influences from their own 'roots' but new 'routes' also inspire them. Homi K. Bhabha is of the view that migrants' cultural world changes after crossing the borders; they have an experience of living in an alien culture and thus learn new ideas. He criticizes the idea of a fixed identity which is developed by the migrants' native culture. Bhabha argues that identity is 'hybrid'; it is always in a state of flux because it is constantly in motion, pursuing unpredictable routes. However, Aijaz Ahmad believes that the identity of people does not develop independently. He does not consider cultural hybridity as synonymous with cultural differentials. Bhabha's celebration of hybridity ignores unequal relations of cultural power. He also ignores cultural and historical specifics in his theorization of hybridity. The study is qualitative and is based on interpretive analysis of the novels The Reluctant Fundamentalist and The Burnt Shadows which celebrate hybridity in cultures. The study unveils unequal relations of cultural power in hybridity.

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Bhandari, Nagendra. "Negotiating Cultural Identities in Diaspora: A Conceptual Review of Third Space." Curriculum Development Journal, no. 42 (December 4, 2020): 78–89. http://dx.doi.org/10.3126/cdj.v0i42.33215.

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In association with different disciplines, the conceptualization of the third space with different jargons and theoretical tropes has evolved historically. However, this article makes a brief review about the concept of the third space in relation with formation of human subjectivities. Particularly, the ideas of Arnold Van Gennep, Victor Turner, Edward Burghardt DuBois, Gloria Anzaldua and Homi Bhabha are reviewed briefly. In fact, observing the cultural rituals and how they transform human subjectivities, Gennep locates the transitory space which is crucial informing changing roles and identities of human beings. From cultural rituals, Turner takes up this idea in the process of social changes. He identifies this space in between the interaction of structured and anti structured social roles. Likewise, DuBois expands this idea in examining subjectivities of Black people. But, Anzaldua incorporates all people and formation of their identities in her analysis. Multiple factors and allegiances are responsible in forming human identities in her concept. Similarly, Bhabha concentrates in colonial and post colonial context and analyzes how the cultural interactions of colonized and colonizer deconstruct the bipolar concept of cultural identities and give birth of a new form of identities in the hybrid space of cultural interaction. Bhabha’s conceptualization is relevant in conceptualizing immigrants’ cultural identities in diaspora.

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Adejunmobi, Moradewun. "Native Books and the “English Book”." PMLA/Publications of the Modern Language Association of America 132, no. 1 (January 2017): 135–41. http://dx.doi.org/10.1632/pmla.2017.132.1.135.

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Those of us working in the american academy have so internalized the grammar of postcolonial theory that we now take for granted interstices, hybridity, slippage, and liminality, among other terms commonplace in the discourse of postcolonialism. Beyond the terms themselves, we have taken to heart, absorbed, and extended the lessons from Homi K. Bhabha's The Location of Culture. Those lessons furnished a stimulative template for analyzing particular power asymmetries. Nevertheless, scholars have not referred as widely as we might expect to Bhabha's work in general and The Location of Culture in particular, especially in some fields for which postcolonial theory was supposed to be a natural fit, such as African literary studies. The index of African Literature: An Anthology of Criticism and Theory, a 764-page compendium assembling many of the most important interventions in African literature from the 1970s to the early twenty-first century, is an instructive example: it lists only three entries for Bhabha (Olaniyan and Quayson). Given that postcolonial theory and African literary studies share an interest and a language (the aftermath of British colonialism and English) in their research agendas, we might also ponder the frequency with which postcolonial theory in the vein of Bhabha, Gayatri Chakravorty Spivak, and Edward Said has elicited critique from scholars working with African literary texts and in African studies writ large. Individual persuasion is at work in these critiques but so also undoubtedly are positionality and location. We should read the critiques, then, not for their universal resonance, but for an understanding of debates unfolding in specific locations around the world, as well as in relation to the subject positions of individual scholars and their ideological proclivities.

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Montigny, M. de, F. C. Khanna, A. E. Santana, and E. S. Santos. "Galilean covariance and non-relativistic Bhabha equations." Journal of Physics A: Mathematical and General 34, no. 42 (October 15, 2001): 8901–17. http://dx.doi.org/10.1088/0305-4470/34/42/313.

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Leslie, Stuart W., and Indira Chowdhury. "Homi Bhabha master builder of nuclear India." Physics Today 71, no. 9 (September 2018): 48–55. http://dx.doi.org/10.1063/pt.3.4021.

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