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Relevant bibliographies by topics / Bertolt Brecht

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Academic literature on the topic 'Bertolt Brecht'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 March 2023

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Journal articles on the topic "Bertolt Brecht"

1

Durrani, Osman, and Ronald Speirs. "Bertolt Brecht." Modern Language Review 84, no. 1 (January 1989): 260. http://dx.doi.org/10.2307/3732068.

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Oliveira, Willy Corrêa de. "Hans Eisler: Companheiro musical de Brecht." Pandaemonium Germanicum, no. 4 (November 5, 2000): 71. http://dx.doi.org/10.11606/1982-8837.pg.2000.64151.

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Dieser Artikel porträtiert den Komponisten Hanns Eisler, dessen Musik zahlreiche Stücke von Bertolt Brecht begleitet, anhand von Äußerungen von Eisler selbst sowie von Arnold Schoenberg und Bertold Brecht. Eisler, der ein neues politisches Bewusstsein in die Musik einführte - Brecht sprach von Misuk im Gegensatz zu Musik-, wäre 1998 100 Jahre alt geworden.

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Bohnert, Christiane, Ingrid Hasselbach, and Karlheinz Hasselbach. "Bertolt Brecht: Kalendergeschichten." German Quarterly 65, no. 1 (1992): 89. http://dx.doi.org/10.2307/406830.

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Parker, Stephen. "Diagnosing Bertolt Brecht." Lancet 377, no. 9772 (April 2011): 1146–47. http://dx.doi.org/10.1016/s0140-6736(11)60453-4.

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White, Alfred D., Steve Giles, and Rodney Livingstone. "Bertolt Brecht: Centenary Essays." Modern Language Review 95, no. 4 (October 2000): 1134. http://dx.doi.org/10.2307/3736694.

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Donahue, William Collins, Steve Giles, and Rodney Livingstone. "Bertolt Brecht: Centenary Essays." German Studies Review 23, no. 2 (May 2000): 411. http://dx.doi.org/10.2307/1432739.

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Kuzin, Aleksandr S. "OUR CONTEMPORARY BERTOLT BRECHT." Yaroslavl Pedagogical Bulletin 115, no. 4 (2020): 190–98. http://dx.doi.org/10.20323/1813-145x-2020-4-115-190-198.

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Haryati, Isti. "TRANSFORMASI TOKOH PEACHUM DARI DRAMA THE BEGGAR’S OPERA KARYA JOHN GAY KE DRAMA DIE DREIGROSCHENOPER KARYA BERTOLT BRECHT." Metahumaniora 12, no. 3 (December 2, 2022): 264. http://dx.doi.org/10.24198/metahumaniora.v12i3.41211.

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Tranformasi tokoh bisa terjadi ketika sebuah karya diresepsi oleh karya lain. Drama Die Dreigroschenoper karya Bertolt Brecht merupakan karya resepsi dari drama The Beggar’s Opera karya Jogn Gay yang tokoh utamanya, yakni Peachum mengalami tranformasi. Artikel ini membahas transformasi tokoh Peachum dari drama The Beggar’s Opera karya John Gay ke dalam drama Die Dreigroschenoper karya Bertolt Brecht. Studi ini mengaplikasikan teori resepsi hans Robert Jauss. Data penelitian ini berupa Hauptext dalam bentuk dialog dan monolog, serta Nebentext dalam drama The Beggar’s Opera dan Die Dreigroschenoper, serta data-data lain yang memuat informasi mengenai bagaimana trasformasi peran tokoh Peachum drama Die Dreigroschenoper. Sumber data dalam penelitian ini adalah teks drama berjudul Die Drei Groschenoper karya Bertolt Brecht, dan teks drama The Beggar’s Opera karya John Gay. Hasil analisis menunjukkan bahwa tokoh Peachum dalam drama Die Dreigroschenoper karya Bertolt Brecht mengalami transformasi peran dan karakter. Transformasi peran dan karakter Peachum dari drama The Beggar’s Opera karya Gay dan ke tokoh Peachum dalam drama Die Dreigroschenoper karya Bertolt Brecht disebabkan karena pengaruh horison harapan yang dipunyai oleh Brecht. Transformasi peran dan karakter yang terjadi dari resepsi karya tersebut berlatar ideologis. Idiologi marxisme yang dianut oleh Brecht menyebabkan Brecht menciptakan tokoh Peachum yang berbeda dan mementingkan materi (kapital) di atas segala-galanya.

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Musilová, Marta. "Eugen Berthold, Eugen, posléze Bert a nakonec Bertolt Brecht." Theatralia, no. 2 (2020): 176–78. http://dx.doi.org/10.5817/ty2020-2-12.

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Lamoureux, Eve. "Bertolt Brecht : un artiste engagé." Bulletin d'histoire politique 10, no. 2 (2002): 135. http://dx.doi.org/10.7202/1060530ar.

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Dissertations / Theses on the topic "Bertolt Brecht"

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Siljeholm, Olof. "Die Funktion der Bibel in Brechts Parabelstück Der gute Mensch von Sezuan und in zwei seiner Vorlagen." Tönning Lübeck Marburg Der Andere Verl, 2009. http://d-nb.info/997031301/04.

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Baker, Clara Martha. "Bertolt Brecht and the Bible." PDXScholar, 1985. https://pdxscholar.library.pdx.edu/open_access_etds/3436.

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This thesis presents evidence which supports Bertolt Brecht's oft-quoted statement that the Bible was the book which exerted the greatest influence upon his writings. While Brecht's early works, Die Bibel (1913), and Die Dreigroschenoper (1928), serve as the main examples, there are also references to biblical allusions from a number of his other writings and some of his poetry. There is general information on Brecht's religious background and en his extensive biblical knowledge which enabled him to use the Bible as one of his principal sources. Brecht's manner of usage and adaptation of religious and biblical material to suit his purposes is noted. As well, a consideration of the views and findings of a number of critics and writers with an interest in Brecht both as an individual and as a writer and poet, provides a degree of clarification of Brecht's approach to the Bible. Included too is sane detail which could posit the Bible as a possible catalyst in Brecht's examination of Marxism as a viable alternative to religion in meeting the needs and aspirations of mankind and of society.

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Neureuter, Hans-Peter. "Brecht in Finnland : Studien zu Leben und Werk, 1940-1941 /." Frankfurt am Main : Suhrkamp, 2007. http://catalogue.bnf.fr/ark:/12148/cb41341779d.

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Schmidt, Thomas. "Brechts Dreigroschenroman ein Kriminalroman? /." [S.l. : s.n.], 2003. http://www.bsz-bw.de/cgi-bin/xvms.cgi?SWB10605127.

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Gerber, Doris Ottilie. "Das Bild der Frau bei Bertolt Brecht /." Title page, contents and summary only, 1994. http://web4.library.adelaide.edu.au/theses/09ARM/09armg362.pdf.

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Ďurik, Andrej. "Bertolt Brecht Život Galileiho (možnosti interpretace B. Brechta v současném divadle)." Master's thesis, Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna, 2007. http://www.nusl.cz/ntk/nusl-78664.

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In my thesis I endeavoured to document the development of the view of Brecht?s works in our countries. It means mapping the interpretation attempts in the Czech Republic, coping with Brecht?s theoretical work, and last but not least with Brecht as a political man with social feeling due to what he remained many times miscomprehended. It is certain that the history mentions a large-minded, talented, educated personality, a strongly up to self-destructively hard-working one. On the one hand, he is artistically sensitive and fine, however, on the other hand he is a disintegrated and a very complicated person. In the course of time, I came to the conclusion that it is likely impossible to fully join a Brecht theoretician and a Brecht dramatist, while the theory of epic theatre significantly hungers for a formal aspect though on the other hand, it seems to fail to conform to ease and poetry of his dramas. It is important to say that Bertolt Brecht was practically a communist during all his life in a complicated period. His relationship to communism was developing and it can be learned that this relationship had undergone a long way from enthusiasm up to full disillusion. That is why this fact appears in my thesis; it is a statement, a truth about a great artist and a truth about the view and contemporary interpretations in our countries where he was quoted and belauded, as necessary. At staging, it is impossible to consider all aspects of Brecht personality. It is good since it leaves space for a man, one can be both Brecht a bit and also himself. It provides ?space? while showing a human being in his complicacy, it is as a search in the human soul and mind. He does not psychologize, he just states, shows a human being in particular situations including his behaviour, and at the end all these situations make a whole picture about us and about our period. Therefore, we can say that Bertolt Brecht is a great author of great dramas with timeless themes. His characters reflect contemporary people. As if nothing has changed, just the time is perceived in a bit different way, it oscillates and befogs our perception, with decoding matters becoming more difficult for us but with the essence remaining the same as before. His dramas are interesting as for formal aspect, they are ?up-to-date? providing space also for an experiment. They may serve as a formal reflection, the beauty of speech for itself.

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Lang, Joachim. "Episches Theater als Film : Bühnenstücke Bertolt Brechts in den audiovisuellen Medien." Würzburg Königshausen & Neumann, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2864715&prov=M&dokv̲ar=1&doke̲xt=htm.

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Boner, Jürg. "Dialektik und Theater die Dialektik im Theater Bertolt Brechts /." Zürich : Zentralstelle der Studentenschaft, 1995. http://catalog.hathitrust.org/api/volumes/oclc/35815830.html.

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Nyström, Esbjörn. "Libretto im Progress Brechts und Weills Aufstieg und Fall der Stadt Mahagonny aus textgeschichtlicher Sicht /." Bern : Lang, 2005. http://catalog.hathitrust.org/api/volumes/oclc/61766436.html.

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Karcher, Simon. "Sachlichkeit und elegischer Ton : die späte Lyrik von Gottfried Benn und Bertolt Brecht - ein Vergleich /." Würzburg Königshausen und Neumann, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2791151&prov=M&dok_var=1&dok_ext=htm.

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Books on the topic "Bertolt Brecht"

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Mumford, Meg. Bertolt Brecht. New York, N.Y: Routledge, 2008.

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Speirs, Ronald. Bertolt Brecht. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18656-3.

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Berg, Günter, and Wolfgang Jeske. Bertolt Brecht. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-05060-1.

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Wagner, Frank Dietrich. Bertolt Brecht. Wiesbaden: VS Verlag für Sozialwissenschaften, 1989. http://dx.doi.org/10.1007/978-3-322-83681-6.

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Mumford, Meg. Bertolt Brecht. Abingdon, Oxon ; New York, NY : Routledge, 2017. | Series: Routledge performance practitioners: Routledge, 2018. http://dx.doi.org/10.4324/9781351180801.

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6

Molinari, Cesare. Bertolt Brecht. [Rome]: Laterza, 1996.

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Bertolt Brecht. Paderborn: Wilhelm Fink, 2008.

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1952-, Jaretzky Reinhold, ed. Bertolt Brecht. Hamburg: Rowohlt Taschenbuch, 2006.

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Payrhuber, Franz-Josef. Bertolt Brecht. Stuttgart: Reclam, 1995.

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Bertolt Brecht. Marburg: Tectum Verlag, 2016.

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Book chapters on the topic "Bertolt Brecht"

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Dehner, Anne, and Jan Knopf. "Brecht, Bertolt: Bertolt Brechts Hauspostille." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_6060-1.

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Lehmann, Jürgen. "Bertolt Brecht." In Russische Literatur in Deutschland, 199–220. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05373-2_7.

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Catani, Stephanie. "Bertolt Brecht." In Handbuch Kriminalliteratur, 123–26. Stuttgart: J.B. Metzler, 2018. http://dx.doi.org/10.1007/978-3-476-05430-2_15.

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Banghard, Melanie, and Jan Knopf. "Bertolt Brecht." In Kindler Kompakt: Lyrik des 20. Jahrhunderts, 139–42. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04504-1_26.

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Widmaier, Michael, Nicole Welz, Petra Haubner, Ann Christine Zuber, Rebekka Braun, and Jan Knopf. "Bertolt Brecht." In Kindler Kompakt: Drama des 20. Jahrhunderts, 85–94. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04526-3_15.

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Hayman, Ronald. "Bertolt Brecht." In The Craft of Literary Biography, 186–98. London: Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-07452-5_12.

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Knopf, Jan. "Brecht, Bertolt." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_6041-1.

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Haubner, Petra, Ann Christine Zuber, Jan Knopf, Manuela Dietz, and Denise Kratzmeier. "Bertolt Brecht." In Kindler Kompakt: Deutsche Literatur, 20. Jahrhundert, 78–86. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05520-0_10.

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Forcht, Georg W. "Bertolt Brecht." In Reihe Sprach- und Literaturwissenschaft, 59–78. Herbolzheim: Centaurus Verlag & Media, 2012. http://dx.doi.org/10.1007/978-3-86226-990-7_4.

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Knopf, Jan. "Brecht, Bertolt." In Metzler Autoren Lexikon, 92–96. Stuttgart: J.B. Metzler, 1997. http://dx.doi.org/10.1007/978-3-476-03720-6_45.

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Conference papers on the topic "Bertolt Brecht"

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"The Symbolic Representation of the Female Body in the Poems by Bertolt Brecht." In International Conference on Humanities, Literature and Management. International Centre of Economics, Humanities and Management, 2015. http://dx.doi.org/10.15242/icehm.ed0115091.

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Reports on the topic "Bertolt Brecht"

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Baker, Clara. Bertolt Brecht and the Bible. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.5319.

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DeWolfe, Brigitte. Aspekte des Charakterbegriffs im Werk von Bertolt Brecht. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.2862.

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Folk, Robert. Illusion und Verfremdung: Begriff, Form und Wirkung; Bezogen auf Bertolt Brecht: "Der gute Mensch von Sezuan,". Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.953.

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Mangan, John. Bertolt Brechts Exilleben und Parallelen zur Entstehung des Werkes Leben des Galilei. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.7128.

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Ghosh, Yashowanto. Bertolt Brecht's Leben des Galilei: A Mythic Dimension in Epic Theatre. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6442.

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