Relevant bibliographies by topics / Berryman

Academic literature on the topic 'Berryman'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 January 2023

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Journal articles on the topic "Berryman"

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McGowan, Philip. "John Berryman’s Last Prayers." Literature and Theology 34, no. 2 (March 2, 2020): 184–205. http://dx.doi.org/10.1093/litthe/frz031.

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Abstract This article examines John Berryman’s last two poetry collections, Love & Fame (1970) and Delusions, etc. (1972) as the poetic articulations of Berryman’s intense scholarly engagement with philosophical and theological discourse. In eschewing confessional readings of his work, the article rehabilitates the term ‘confession’ as Berryman understood it: not as part of recurrent and reductive analyses of the Middle Generation but, rather, as a doctrinal node within Berryman’s theological conceptions of selfhood in relation to God and the role of prayer. In addition, this article connects Berryman's late work to theological frameworks beyond Christianity, principally to the work of S�ren Kierkegaard as well as to aspects of Jewish faith, both of which were enduring interests for Berryman.
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Leinwand, Theodore. "Berryman’s Shakespeare/Shakespeare’s Berryman." Hopkins Review 2, no. 3 (2009): 374–403. http://dx.doi.org/10.1353/thr.0.0107.

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Smith, H. "Review: Berryman's Shakespeare * John Berryman: Berryman's Shakespeare." Cambridge Quarterly 32, no. 2 (June 1, 2003): 187–93. http://dx.doi.org/10.1093/camqtly/32.2.187.

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REEVES, GARETH. "Songs of the Self: Berryman's Whitman." Romanticism 14, no. 1 (April 2008): 47–56. http://dx.doi.org/10.3366/e1354991x08000093.

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John Berryman's The Dream Songs and Walt Whitman's Song of Myself: the collocation sounds improbable, the former with their formal constrictions and regularities, their ironies and tensions, as well as their angularities, abruptnesses and disruptions, the latter free-form, open-ended, fluid, rhetorically fluent. Furthermore the collocation sounds unlikely in view of the fact that Berryman shared his generation's general, often knee-jerk, suspicion of Romanticism and ‘the romantic’ (the sliding back and forth in his prose between capital and lower-case ‘r’ signifying the kind of assumptions underlying the suspicion). The suspicion went with the territory, which was occupied by the forces of the New Criticism and the critical weaponry of T. S. Eliot, especially in the American academy (Berryman was an academic). (We have since learnt to question the New Criticism's anti-Romantic claims, and, even more, Eliot's championing of what was then called the ‘Classical’ over the ‘Romantic’ – but that is another story.)
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Mouw, Alex. "Berryman's Sickness Unto Death." Christianity & Literature 67, no. 2 (February 18, 2018): 361–78. http://dx.doi.org/10.1177/0148333117705668.

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In his copy of Søren Kierkegaard's The Sickness Unto Death, John Berryman inserted a handwritten note entitled “Sense of Guilt,” which ends in an existential prayer: “I tremble — I am afraid — Jesus, Son of God, help me.” Twenty years later, Berryman published one of his most substantial collections of poetry: 77 Dream Songs. And though the Dream Songs were published long after Berryman left his anxious comments in The Sickness Unto Death, I argue that they enact a struggle with the Christian concepts of despair and the self as Berryman learned them from Kierkegaard.
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Stephenson, Jon. "OBITUARY: A hard-nosed, hard-case ‘scoop king’." Pacific Journalism Review : Te Koakoa 10, no. 1 (April 1, 2004): 207–13. http://dx.doi.org/10.24135/pjr.v10i1.787.

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The death of Warren Berryman, founder and managing editor of The Independent Business Weekly, marks the end of an era in New Zealand journalism. Renowned as a gutsy, no-nonsense journo and ‘the consummate nosy bastard’, he pioneered investigative reporting in this country and earned respect from friend and foe alike. Pictured: Jenni McManus and Warren Berryman/John McDermott/Metro
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Meyers. "Bruegel and John Berryman." Style 49, no. 4 (2015): 470. http://dx.doi.org/10.5325/style.49.4.0470.

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Mezey, R. "A Sonnet for Berryman." Literary Imagination 3, no. 3 (January 1, 2001): 427. http://dx.doi.org/10.1093/litimag/3.3.427.

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Berryman, Alan A. "Reply from A.A. Berryman." Trends in Ecology & Evolution 11, no. 8 (August 1996): 336. http://dx.doi.org/10.1016/s0169-5347(96)91644-4.

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Monteiro, George. "Lines for John Berryman." Sewanee Review 123, no. 1 (2015): 37–45. http://dx.doi.org/10.1353/sew.2015.0004.

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Dissertations / Theses on the topic "Berryman"

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Rogers, Thomas Andrew. "Representations of Christianity in the works of John Berryman." Thesis, University of Sheffield, 2004. http://etheses.whiterose.ac.uk/6065/.

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This thesis describes the representation of Christianity in the writings of John Berryman-his struggle with the faith being the most central and incessant preoccupation of his verse. Focussing on each major stage of his artistic development in tum, I demonstrate how its depiction is influenced by biographical factors, his scholarship and sources, and his evolving poetic style. In The Dispossessed the issue of faith is evident, but obscured; however, much of his unpublished verse of the period is characterised by a more transparent confessional idiom, frequently expressing his dilemma of conscience over the question of religious commitment. His failure to develop an effective poetic voice is the main reason why his religious poetry of the 1930s and 1940s remained in the private sphere. He achieved his stylistic breakthrough with Berryman's Sonnets, where the struggle with his conscience is depicted as a religious conflict, in which his adultery means a confrontation with the Law of God. Homage to Mistress Bradstreet features a more developed representation of a similar conflict; the two alternative life choices before him are personified in the characters of Anne Bradstreet and the 'poet'. Difficulties of faith continue to play a major role in The Dream Songs, where the poet, adopting the persona of Henry, directly confronts God and Christianity with the problem of evil and the historical quest for Jesus. His poetry portrays a perceived conflict between faith and reason, and an intellectual pursuit for the truth epitomised by his poem 'The Search'. However, the poet's 'conversion experience' during the composition of Love & Fame is depicted as a response to the direct intervention of God in his life. His subsequent devotional poetry is dominated by his new sense of relationship with the' God of Rescue', who increasingly becomes associated with the full Christian conception of Jesus Christ the Saviour.
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Cooper, B. B. "John Berryman and the spiritual politics of cold war American poetry." Thesis, University of Cambridge, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.597963.

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John Berryman continues to be critically perceived as an academic, establishment poet whose career represented a development from New Critical traditionalism towards a solipsistic, self-absorbed confessionalism. In this thesis, I seek to challenge such a limiting view through an exploration of his two long poems, Homage to Mistress Bradstreet and The Dream Songs, as works that extensively engage with contemporary American Cold War culture to a degree not admitted by such restrictive paradigms. Centrally, I examine the way in which Barryman’s engagement with religion occurs not simply as a personal questing, but as a form of cultural critique that is reflective of the politicised nature of Cold War American religious life. In chapter one, I interrogate the persistent critical tendency to codify American poetry since World War II in terms of an opposition between a ‘mainstream’ establishment centre and a countercultural ‘avant-garde’. I then seek in my second chapter to highlight the inadequacy of this canonical model, through an exposition of spiritual politics as a shared concern of the two poets most famously associated with the ‘establishment’ and ‘countercultural’ subdivisions of Cold War American poetry: Robert Lowell and Allen Ginsberg. In chapter three, I discuss the spiritual politics of Berryman’s Homage to Mistress Bradstreet. In chapter four, I challenge Christopher Rick’s suggestion that The Dream Songs is a ‘theodicy’, and show how recognition of the political nature of Berryman’s religious engagements actually exposes the poem as a form of ‘antitheodicy’, whereby its protagonist Henry is continually unable to reconcile the contemporary world in terms of any overarching scheme of divine justice. Finally, in my fifth chapter, I examine four key thematic concerns of The Dream Songs – World War II, the Cold War, Freudian psychoanalysis, and the minstrelsy and blackface traditions – in order to elucidate the heterogeneous contexts in which Berryman’s religiopolitical concerns operate.
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Boswell, Matthew James. "The Holocaust poetry of John Berryman, Sylvia Plath and W.D. Snodgrass." Thesis, University of Sheffield, 2005. http://etheses.whiterose.ac.uk/4835/.

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John Berryman, Sylvia Plath and W. D. Snodgrass are each commonly associated with the poetic movement known as ‘confessionalism’ which emerged in the USA in the late 1950s and early 1960s. They did not, however, write works of undiluted autobiography; through close readings of their Holocaust verse, I take the poetry, rather than the lives of the poets, to be the ultimate authority on what they had to say about history, about the ethics of representing historical atrocity in art, and about the ‘existential’ questions that the Nazi genocide raises. Chapter 1 offers the first sustained analysis of Berryman’s unfinished collection of Holocaust poems, The Black Book (1948 - 1958) - one of the earliest engagements by an American writer with this particular historical subject. In my second chapter I look at some of Plath’s fictionalised dramatic monologues, which, I argue, offer self-reflexive meditations on representational poetics, the commercialisation of the Holocaust, and the ways in which the event reshapes our understanding of individual identity and culture. My third chapter focuses on W. D. Snodgrass’s The Fuehrer Bunker (1995) - a formally inventive cycle of dramatic monologues spoken by leading Nazi ministers, which can be read as an heuristic text whose ultimate objective is the moral instruction of its readers. Finally, I suggest that while all three poets offer distinct responses to the Holocaust, they each consider how non-victims approach the genocide through acts of identification. For Snodgrass, it is important that we do identify with the perpetrators, who were not all that different from ourselves; for Berryman and Plath, however, the difficulty of identifying with the victims marks out the limits of historical understanding.
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Britz, Andreas. "Hidden in Plain Sight: John Berryman and the Poetics of Survival." Ohio University Honors Tutorial College / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1274991004.

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Praniess, Martin. "Das Godly-Play-Konzept die Rezeption der Montessori-Pädagogik durch Jerome W. Berryman." Göttingen V & R Unipress, 2007. http://d-nb.info/986382582/04.

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Rosby, Amy. "Subverting blackface and the epistemology of American identity in John Berryman's 77 Dream songs." Cleveland, Ohio : Cleveland State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=csu1216665711.

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Thesis (M.A.)--Cleveland State University, 2008.
Abstract. Title from PDF t.p. (viewed on Nov. 7, 2008). Includes bibliographical references (p. 50-52). Available online via the OhioLINK ETD Center. Also available in print.
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Klemner, Fredrik. "Lyrisk erfarenhet i John Berrymans The Dream Songs." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-53638.

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I den här studien undersöks den lyriska erfarenheten i John Berrymans verk The Dream Songs. Ämnet ”lyrisk erfarenhet” är hämtat från Alf Nymans studie Begreppet lyrisk erfarenhet med undertiteln Kunskapsteoretiska och estetisk-psykologiska studier i symbolisk och realistisk diktning, utgiven 1958. Nyman utvecklar i sin studie en teori om detta ämne vilket sedan appliceras på europeisk modernistisk poesi. Min ambition är att med Nymans teori genomföra lyrikanalys på en amerikansk poet som hör till en kategori poeter som tar avstånd från modernistiska ideal och utvecklar ett nytt idiom. Genom att redogöra för Nymans teori analyseras sedan fem dikter ur Berrymans verk. Målet är att urskilja vad det är i dikten som ger stöd för den lyriska erfarenheten. I en avslutande diskussion lyfter jag upp vad som varit genomgående tema i Berrymans poesi. Resultatet sätts också i relation till Nymans resultat för att på så sätt nå en kontextuell förståelse om ämnet.
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Krenz, Michael. "The sonnet is alive and well- a study of the sonnets of Richard Wilbur, John Berryman, and Gwendolyn Brooks /." View online, 1990. http://repository.eiu.edu/theses/docs/32211998880828.pdf.

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Kelsall, Cameron P. "Major Kiss." Ohio University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1337635108.

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Pekarske, Nicole. "Intermissa, Venus /." free to MU campus, to others for purchase, 2003. http://wwwlib.umi.com/cr/mo/fullcit?p3091955.

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Books on the topic "Berryman"

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Berryman, John. John Berryman: Poems. London: Faber and Faber, 2004.

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Matterson, Stephen. Berryman and Lowell. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-09016-7.

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Pasewicz, Edward. Henry Berryman pięśni. Kielce: Kserokopia.art.pl, 2006.

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The Thomas Berryman number. New York: Paperback, 2008.

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James, Patterson. The Thomas Berryman Number. New York: Little, Brown and Company, 2006.

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James, Patterson. The Thomas Berryman number. Boston: Compass Press, 1997.

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James, Patterson. The Thomas Berryman number. New York: Paperback, 2008.

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Mancini, Joseph. The Berryman Gestalt: Therapeutic strategies in the poetry of John Berryman. New York: Garland Pub., 1987.

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Mariani, Paul L. Dream song: The life of John Berryman. New York: W. Morrow, 1990.

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Rogers, Tom. 'God of rescue': John Berryman and Christianity. Oxford: Peter Lang, 2010.

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Book chapters on the topic "Berryman"

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Böker, Uwe. "Berryman, John." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4905-1.

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Matterson, Stephen. "Introduction: Tumbles and Leaps." In Berryman and Lowell, 1–14. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-09016-7_1.

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Matterson, Stephen. "Beginning in Wisdom." In Berryman and Lowell, 15–34. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-09016-7_2.

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Matterson, Stephen. "Towards a Rhetoric of Destitution." In Berryman and Lowell, 35–50. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-09016-7_3.

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Matterson, Stephen. "Excellence and Loss." In Berryman and Lowell, 51–69. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-09016-7_4.

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Matterson, Stephen. "History and Seduction." In Berryman and Lowell, 70–91. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-09016-7_5.

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Matterson, Stephen. "Defeats and Dreams." In Berryman and Lowell, 92–106. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-09016-7_6.

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Böker, Uwe. "Berryman, John: Das lyrische Werk." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4906-1.

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Gregson, Ian. "John Berryman and the Buried Women." In The Male Image, 39–66. London: Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27659-2_3.

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Haffenden, John. "The sick and brilliant public man, 1966-69." In The Life of John Berryman, 340–59. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003258599-16.

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Conference papers on the topic "Berryman"

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Damião, Breno M., and Amin Bassrei. "Equação de Gassmann: Condições de Validade e Derivação, Extensão de Berryman e Simulações." In 14th International Congress of the Brazilian Geophysical Society & EXPOGEF, Rio de Janeiro, Brazil, 3-6 August 2015. Brazilian Geophysical Society, 2015. http://dx.doi.org/10.1190/sbgf2015-128.

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В’юн, Ольга, and Світлана Гонсалєс-Муніс. "THE THEME OF DEATH IN JOHN BERRYMAN’S POEM «DREAM SONG 143»." In TENDANCES SCIENTIFIQUES DE LA RECHERCHE FONDAMENTALE ET APPLIQUÉE. European Scientific Platform, 2020. http://dx.doi.org/10.36074/30.10.2020.v3.19.

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