Academic literature on the topic 'Berru (Artist collective)'

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Journal articles on the topic "Berru (Artist collective)"

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Higersberger, Renata. "The Académie Julian in Paris and Its Polish Students." Rocznik Muzeum Narodowego w Warszawie. Nowa Seria / Journal of the National Museum in Warsaw. New Series, no. 13(49) (May 20, 2025): 349–74. https://doi.org/10.63538/rmnwns.013.18.

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The paper discusses the presence of Polish women at the Académie Julian, a private Parisian art school which offered the highest level of teaching, and competed with the state-owned École de beaux-arts. Its greatest popularity with female students from outside France occurred at a time when admission to state universities was forbidden to women, i.e. before 1904. Founded by Rodolphe Julian (1839–1907) in 1868, the school operated in several districts of Paris for the next century. Its longest-running atelier was located at 5 rue de Berri. Many Polish artists, such as Anna Bilińska, trained the
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Russo, Kathleen Lucey. "Elisabeth Vigée-LeBrun: Artist, Adventurer, Auto-Biographer." Paragone Past and Present 6, no. 1 (2025): 1–28. https://doi.org/10.1163/24761168-00601001.

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Abstract Elisabeth Vigée-LeBrun (1755–1842) was one of the most prolific and successful portrait painters in history. She was patronized by many powerful and aristocratic people of the age, most notably Queen Marie Antoinette, of whom she painted many portraits and with whom she had much in common. This included scandal for both of these women of the same age, particularly regarding rumored lovers. The Comte de Vaudreuil and the Comte de Calonne were two of these men painted by Vigée-LeBrun. Vigée-LeBrun also painted many beautiful self-portraits, including those with her daughter, Julie. Some
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Hamburger, Klára. "Unbekannte Liszt-Dokumente aus deutschen Bibliotheken." Studia Musicologica 53, no. 4 (2012): 383–457. http://dx.doi.org/10.1556/smus.53.2012.4.1.

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The first part of the present documentary publishes fifty-one autograph letters and five short notes of Ferenc Liszt from the collection of the Berlin State Library, written in French and German between 1836 and 1886. Some of those written to music publisher Hermann Härtel concern the edition of compositions such as Consolations and Études ďexécution transcendante, while others touch on his transcriptions. Other letters are addressed to various musicians, friends, lady-friends, etc., among them Richard Wagner and C. F. Weitzmann. In the second part there follow sixteen documents from the Libra
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Coltrain, Joan Brenner, Joel C. Janetski, and Shawn W. Carlyle. "The Stable- and Radio-Isotope Chemistry of Western Basketmaker Burials: Implications for Early Puebloan Diets and Origins." American Antiquity 72, no. 2 (2007): 301–21. http://dx.doi.org/10.2307/40035815.

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The timing and degree of reliance on maize agriculture in the Four Corners region of the American Southwest has been a central issue in studies that examine the origins of Puebloan society. Both diffusionist (various, but see Wills 1995) and migrationist (Berry and Berry 1986; Matson 1991) models have been proposed to explain the processes responsible for the movement of maize (Zea mays) north into the Four Corners region. This paper reports bone collagen stable carbon and nitrogen isotope values with paired accelerator radiocarbon dates on a large collection of human remains from western Bask
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Nedostupova, Lubov V. "Male anthroponymicon in the patois of Vysokoye Village, Voronezh Region." Neophilology, no. 1 (2022): 50–60. http://dx.doi.org/10.20310/2587-6953-2022-8-1-50-60.

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The relevance of this research is determined by the growing interest in folk language – the history keeper and the representative of modern knowledge about man. The fixation of unofficial names that mark the linguistic personality in the rural society allows one to see the existing forms of communication and relationships within the collective. The purpose of this study is to describe anthroponymic units that name male according to known facts, imitation of famous people, heroes or similarities to them, nationality or adherents of religion, event or fact from life, culinary preferences in the
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Widayati, Dwi, Rosliana Lubis, Nurhayati Harahap, and Rachmad Fadillah Maha. "Ecosophy in Pakpak Dairi Community Folklore." Research Journal in Advanced Humanities 5, no. 1 (2024). http://dx.doi.org/10.58256/ds5b0e15.

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This research highlights the ecosophy in the folklore of the Pakpak Dairi community (PDC). This qualitative descriptive research uses the critical ecolinguistics approach of Stibbe. The data collection was carried out by using note-taking techniques. The data were in the form of words, phrases and sentences related to the environment (ecolinguistics) in the folklore "Berru Leto". From the analysis, it was found that ecosophy is related to the teaching of life, especially in the relationship between humans and humans, humans and the environment, and humans and God. From this representation, the
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Brien, Donna Lee. "Disclosure in Biographically-Based Fiction: The Challenges of Writing Narratives Based on True Life Stories." M/C Journal 12, no. 5 (2009). http://dx.doi.org/10.5204/mcj.186.

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As the distinction between disclosure-fuelled celebrity and lasting fame becomes difficult to discern, the “based on a true story” label has gained a particular traction among readers and viewers. This is despite much public approbation and private angst sometimes resulting from such disclosure as “little in the law or in society protects people from the consequences of others’ revelations about them” (Smith 537). Even fiction writers can stray into difficult ethical and artistic territory when they disclose the private facts of real lives—that is, recognisably biographical information—in thei
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Moore, Kyle. "Painting the Town Blue and Green: Curating Street Art through Urban Mobile Gaming." M/C Journal 18, no. 4 (2015). http://dx.doi.org/10.5204/mcj.1010.

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Released in 2012 as an Android only open-beta, Ingress is an alternate-reality game for mobile devices. Developed by Niantic Labs, a subsidiary of Google, Ingress now has 7 million users worldwide (Ingress) on both Android and Apple operating systems. Players are aligned to one of two opposing factions, the Resistance (Blue) and the Enlightened (Green). Working on behalf of their faction, individual players interact with “portals” in order to establish dominance over material environments. Portals are located at places of educational or historical value, public artworks, “hyper-local” location
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Lyons, Craig, Alexandra Crosby, and H. Morgan-Harris. "Going on a Field Trip: Critical Geographical Walking Tours and Tactical Media as Urban Praxis in Sydney, Australia." M/C Journal 21, no. 4 (2018). http://dx.doi.org/10.5204/mcj.1446.

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IntroductionThe walking tour is an enduring feature of cities. Fuelled by a desire to learn more about the hidden and unknown spaces of the city, the walking tour has moved beyond its historical role as tourist attraction to play a key role in the transformation of urban space through gentrification. Conversely, the walking tour has a counter-history as part of a critical urban praxis. This article reflects on historical examples, as well as our own experience of conducting Field Trip, a critical geographical walking tour through an industrial precinct in Marrickville, a suburb of Sydney that
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Teh, David. "Fibre." M/C Journal 6, no. 4 (2003). http://dx.doi.org/10.5204/mcj.2216.

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At first, no doubt, only the reproduction and transmission of works of art will be affected. It will be possible to send anywhere or to re-create anywhere a system of sensations, or more precisely a system of stimuli, provoked by some object or event in any given place. Works of art will acquire a kind of ubiquity. We shall only have to summon them and there they will be…They will not merely exist in themselves but will exist wherever someone with a certain apparatus happens to be. (Paul Valéry, ‘The Conquest of Ubiquity’, 225-6) Paul Valéry made these remarks in 1934, as the first drive-in mo
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Books on the topic "Berru (Artist collective)"

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Rei, Marina. Só fachada: Kruella D'Enfer, MaisMenos, berru. Underdogs, 2021.

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2

1915-1996, Brugman Berry, and Brugman-De Vries Janny 1918-2006, eds. De Brugman collectie: Ode aan kunstenaarsechtpaar Berry Brugman en Janny Brugman-De Vries. Heinink, 2018.

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3

Stourdzé, Sam. Icônes: Photographies de la collection Claude Berri. Editions Léo Scheer, 2003.

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