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Books on the topic 'Bernstein'

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Author: Grafiati

Published: 4 June 2021

Last updated: 10 March 2023

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1

1938-, Davies Brian, Muller Johan, and Morais Ana 1939-, eds. Reading Bernstein, researching Bernstein. London: RoutledgeFalmer, 2004.

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2

Juhász, Előd. Bernstein és Budapest: Bernstein story II. [Budapest]: Szabad Tér, 1988.

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3

Clark, Neil D. L. Mythos Bernstein. Darmstadt: Wiss. Buchges., 2012.

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4

Venezia, Mike. Leonard Bernstein. New York: Children's Press, 1997.

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5

Leonard Bernstein. New York: Anchor Books, 1995.

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6

Venezia, Mike. Leonard Bernstein. New York: Children's Press, 1997.

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7

Burton, Humphrey. Leonard Bernstein. London: Faber and Faber, 1995.

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8

Gradenwitz, Peter. Leonard Bernstein. Leamington Spa: Berg, 1986.

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9

Peyser, Joan. Leonard Bernstein. London: Bantam Press, 1987.

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10

Myers, Paul. Leonard Bernstein. London: Phaidon Press, 1998.

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11

Peyser, Joan. Leonard Bernstein. Toronto: Bantam, 1988.

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12

Leonard Bernstein. London: Harrap, 1987.

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13

1912-1987, Wheeler Hugh, Wilbur Richard 1921-, Sondheim Stephen, Bernstein Leonard 1918-1990, and Voltaire 1694-1778, eds. Candide, Bernstein. Paris: Éditions Premières Loges, 2006.

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14

Freedland, Michael. Leonard Bernstein. London: Harrap, 1987.

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15

B, Haws Barbara, ed. Leonard Bernstein. New York: Collins, 2008.

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16

Burton, Humphrey. Leonard Bernstein. London: Faber, 1994.

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17

Jane, Fluegel, ed. Bernstein remembered. New York: Carroll & Graf, 1991.

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18

Bernstein polynomials. 2nd ed. New York, N.Y: Chelsea Pub. Co., 1986.

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19

Bernstein, Theresa. Theresa Bernstein. Stamford, Conn. (1 Strawberry Hill, Suite 1E, Stamford 06902): Smith-Gerard, 1985.

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20

Burton, Humphrey. Leonard Bernstein. New York: Doubleday, 1994.

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21

The Bernstein Bencher. Jerusalem: Bernstein Publishing Company, 1998.

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22

Im Bernstein: Roman. Innsbruck: Haymon, 2005.

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23

Peyser, Joan. Bernstein, a biography. New York: Ballantine Books, 1988.

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24

Guido, Salvetti, ed. Bernstein in Italia. Milano: Guerini, 1993.

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25

Working with Bernstein. New York: Amadeus Press, 2010.

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26

Gottlieb, Jack. Working with Bernstein. New York: Amadeus Press, 2010.

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27

Bernstein: A biography. New York: Beech Tree Books, 1987.

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28

Westbrook, Burton William, ed. Conversations about Bernstein. New York: Oxford University Press, 1995.

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29

Deitch, Kenneth M. Leonard Bernstein, America's maestro. Lowell, Mass: Discovery Enterprises, 1991.

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30

Prange, Peter. Das Bernstein-Amulett: Roman. Bern: Scherz, 1999.

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31

Leonard Bernstein: Der Charismatiker. Ditzingen: Reclam, 2018.

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32

Muller, Ann Davies, and Morais. Reading Bernstein Thinking Bernstein. Taylor & Francis Group, 2004.

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33

Davies, Brian. Reading Bernstein, Researching Bernstein. Routledge, 2015.

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34

Davies, Brian, Johan Muller, and Ana Morais. Reading Bernstein, Researching Bernstein. Taylor & Francis Group, 2004.

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35

Reading Bernstein, Researching Bernstein. Routledge, 2004.

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36

Peyser, Joan. Bernstein. Ballantine Books, 1988.

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37

Bernstein. ballantine books, 1987.

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38

Peyser, Joan. Bernstein. Vergara Editor S.A., 1988.

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39

Peyser, Joan. Bernstein. Bdd Promotional Book Co, 1989.

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40

Baber, Katherine. Leonard Bernstein and the Language of Jazz. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042379.001.0001.

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Abstract:

For Leonard Bernstein, music was a language capable of communicating more directly than in words, and jazz was a crucial part of his musical vocabulary. As an idiom made up of a range of styles--whether stride, boogie-woogie, swing, bebop, or cool--jazz was central to Bernstein’s compositional aesthetic, particularly in his approach to tonality and to defining American music. The blues, as a special part of this jazz idiom, also helped Bernstein articulate a personal identity, expressing everything from sensuality to humor to loss and isolation. This book will examine the shifting meanings of Bernstein’s jazz language in theatrical and symphonic works from across his career. His commitment to jazz in works like On the Town, West Side Story, and Mass also demonstrates Bernstein’s conviction that music could be socially engaged and that jazz was one of the most effective means of engagement. The plurality of jazz styles in Bernstein’s music resonates with many of America’s most significant political and cultural questions, including shifts in the relationship between African American and Jewish American identities. The language of jazz helped Bernstein find a voice in the political and musical senses and continually rearticulate his own American musical identity.

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41

Cajus Plinius Secundus d. Ä. staff, Gerhard Winkler, Joachim Hopp, Roderich König, and Wolfgang Glöckner. Steine : Edelsteine, Gemmen, Bernstein: Edelsteine, Gemmen, Bernstein. de Gruyter GmbH, Walter, 2011.

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42

Moore, Rob. Basil Bernstein. Routledge, 2013. http://dx.doi.org/10.4324/9780203818251.

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43

Laird, Paul. Leonard Bernstein. Routledge, 2013. http://dx.doi.org/10.4324/9781315053752.

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44

Shawn, Allen. Leonard Bernstein. Yale University Press, 2021. http://dx.doi.org/10.12987/9780300210170.

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45

Vernezia, Mike. Leonard Bernstein. Tandem Library, 1997.

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46

Villa Bernstein. Knaur eBook, 2004.

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47

Laird, Paul. Leonard Bernstein. Routledge, 2015. http://dx.doi.org/10.4324/9781315691541.

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48

Villa Bernstein. Droemer Knaur, 2002.

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49

LEONARD BERNSTEIN. BLOOMSBURY, 1995.

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50

Bernstein, Douglas A., Roy, Edward J., Srull, Thomas K., Wickens, Christopher D. Bernstein: Psychology. Houghton Mifflin (Academic), 1991.

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