Academic literature on the topic 'Berne Convention'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Berne Convention.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "Berne Convention"
1
Rosenblatt, Heather. "Protocol to the berne convention." Computer Law & Security Review 13, no. 5 (September 1997): 307–11. http://dx.doi.org/10.1016/s0267-3649(97)80168-9.
Full text
2
van Bremen, Michiel, and David J. Thibodeau. "How and Why the U.S. Finally Joined the Berne International Copyright Convention." Leiden Journal of International Law 2, no. 1 (May 1989): 83–90. http://dx.doi.org/10.1017/s0922156500001102.
Full textAbstract:
On October 31, 1988, in a ceremony at the Beverly Hilton Hotel attended by Congressmen and members of the artistic community. President Reagan signed the 1988 Berne Convention implementation Act. This Act allowed the United States to join the international Berne Convention lor the Protection of Literary and Artistic Works as of March, 1989. Although the Act somewhat expands the availability of U.S. copyright protection to European atilhors, it affects U.S. authors' rights even less, practically speaking. Perhaps that explains why only three major U.S. daily newspapers, The New York Times, The Washington Post, and Los Angeles Times, briefly mentioned this historic moment for the internal ional copyright environment. This article explores why and how the U.S. has joined the Berne Convention after more than 102 years, and the effect that this will have un the availability of U.S. copyright protection to foreign authors. Before considering the technical consequences of the Berne Convention Implementation Act, we give a brief overview of two relevant international copyright treaties and their major differences.
3
Collins, Elizabeth. "Berne Convention: Britain lags on protection." Nature 317, no. 6034 (September 1985): 193. http://dx.doi.org/10.1038/317193b0.
Full text
4
Yanto, Oksidelfa. "KONVENSI BERN DAN PERLINDUNGAN HAK CIPTA." Jurnal Surya Kencana Satu : Dinamika Masalah Hukum dan Keadilan 6, no. 1 (March 1, 2016): 108. http://dx.doi.org/10.32493/jdmhkdmhk.v6i1.341.
Full textAbstract:
The object of copyright protection under the Berne Convention, namely: works of literature and art that encompasses all the results of the fields of literature, science and art in any manner or form any explication. Since the entry into force of the Berne Convention that was classified as Making Law Treaty and open to all countries that are not yet members to immediately become a member by way of ratifying and handed over the instrument of ratification to the Director General of WIPO. The participation of a country as a member of the Convention Barn, give rise to liability in the participating countries to implement national perundang¬undangan in the field of copyright. Especially in terms of law enforcement for the protection of copyrighted works. This relates to the arrangement in the Berne Convention on moral rights ( "droit moral"), author's rights to mengkluim as the creator of a work and the author's right to object to any act that intends to change, reduce or add to the authenticity of the creations that can be harm the honor and reputation of the creator.Keywords: Copyright, ratification, the Berne Convention
5
Lehmann, Michael. "Trips, the Berne Convention, and Legal Hybrids." Columbia Law Review 94, no. 8 (December 1994): 2621. http://dx.doi.org/10.2307/1123149.
Full text
6
Cuong, Nguyen Thai, and Nguyen Duc Nguyen Vy. "The Interpretations of Exceptions and Limitations Under Vietnamese Copyright Law in Case of Quotation of a Work." Vietnamese Journal of Legal Sciences 4, no. 1 (June 1, 2021): 34–45. http://dx.doi.org/10.2478/vjls-2021-0007.
Full textAbstract:
Abstract The exceptions and limitations in copyright law have been firmly established by the Berne Convention. Indeed, these foundations consolidate and facilitate the unification in protecting copyrights of member states’ domestic laws. Nevertheless, the understanding and interpretations of each member are notably different and inadvertently maintain the inconsistency in international law. On that basis, the article analyzes the practice of Berne Convention’s codification and application in Vietnamese laws and judicial practice. Thereafter, the article emphasizes that Vietnamese intellectual property law has attempted to internalize the Berne Convention’s provisions on the limitations and exceptions of copyright law and proposes solutions to ameliorate such attempts. The article then shows the practice in Vietnamese judgment in order to show how Vietnamese intellectual property law receive the provision of limitations and exceptions in copyright law.
7
Tomonori, Mizushima. "Korean Film Export & Import Corp. v. Fuji Television Network, Inc." American Journal of International Law 107, no. 3 (July 2013): 627–31. http://dx.doi.org/10.5305/amerjintelaw.107.3.0627.
Full textAbstract:
On December 8, 2011, the Japanese Supreme Court decided that the accession to a multilateral treaty by a state not recognized by Japan cannot create obligations between Japan and that state except with respect to obligations of universal value under general international law. The case arose in the specific context of the Berne Convention for the Protection of Literary and Artistic Works (Berne Convention) but has broader implications for the operation of multilateral treaties in general.
8
Tiefenbrun, Susan. "How Pirates Read and Misread the Berne Convention." Proceedings of the ASIL Annual Meeting 92 (1998): 375–76. http://dx.doi.org/10.1017/s0272503700058286.
Full text
9
Gagliani, Gabriele. "Intellectual Property-Related Local Content Requirements in International Trade Law: An Evolving Concept Amid Persisting Questions." Global Trade and Customs Journal 16, Issue 4 (April 1, 2021): 149–57. http://dx.doi.org/10.54648/gtcj2021016.
Full textAbstract:
Despite the challenges they pose under international trade law, recent discussions and cases at the World Trade Organization (WTO) demonstrate that local content requirements (LCRs) have enjoyed continued success among both developed and developing countries. This article focuses on a specific type of LCRs, intellectual property-related LCRs (IP-related LCRs). The article argues that the concept and related regulation of LCRs concerning IP rights have undergone a remarkable evolution under international trade law. The notion and regulation of IP-related LCRs, in particular, have changed from the 1883 Paris Convention on the Protection of Industrial Property (Paris Convention) and the 1886 Berne Convention on the Protection of Literary and Artistic Works (Berne Convention) to the General Agreement on Tariffs and Trade of 1947 and, later, the Agreement on Trade-Related Aspects of Intellectual Property Rights (TRIPS Agreement) and other Agreements at the WTO. Indeed, while the Paris Convention and the Berne Convention are still in force, the General Agreement on Tariffs and Trade (GATT) 1947 and the WTO Agreements have reframed the debate and implications of IP-related LCRs. Nevertheless, some questions on what is permissible under international trade law remain open at the WTO. Given LCRs continued success, some clarifications on their consistency with WTO law may be further needed. Local Content Requirements (LCRs), Agreement of Trade-Related Aspects of Intellectual Property Rights (TRIPS Agreement), General Agreement on Tariffs and Trade of 1994 (GATT 1994), World Trade Organization (WTO), Intellectual Property Rights
10
Levantis, Eleftherios N. "Vers une application efficace de la Convention de Berne." Revue Européenne de Droit de l'Environnement 6, no. 1 (2002): 42–47. http://dx.doi.org/10.3406/reden.2002.1461.
Full textDissertations / Theses on the topic "Berne Convention"
1
Loverdou, Athina Fotini. "Copyright and freedom of expression : revising the Berne Convention." Thesis, Queen Mary, University of London, 2007. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1539.
Full textAbstract:
Commentators' views on the relationship between copyright law and the human right of freedom of expression are currently diverse. The root of the problem lies in the difficulty in balancing authors' rights with human rights in general and the right of freedom of expression in particular. The thesis aims to illustrate that copyright is challenging the effective recognition of the principles of human rights, in particular the individual's right of freedom of expression. This proposition is submitted through an analysis, carried out at the international, regional and national levels, of copyright and author's right laws in relation to the right of freedom of expression. At the three levels, the author's basic moral and economic rights are juxtaposed against another party's right of freedom of expression, indicating conflicts, current and potential, between the two sets of rights. Present limitations and exceptions to copyright law are examined in detail in order to determine whether, and if so to what extent, they effectively safeguard another party's right to freedom of expression vis-à-vis the author's rights. The fair use and fair dealing defences, the public interest aspect, the non-protection of ideas and the term of copyright protection are critically analysed to help unmask legal gaps and inconsistencies in this area under various international, regional and national laws. The thesis proposes that the Berne Convention (1971), generally regarded as the primary international copyright instrument, should be revised in order to alleviate the identified legal inconsistencies and conflicts between the two rights. On the basis that all human beings are entitled to human rights, the proposed revisions introduce firstly, the principle of non-discrimination, so that all authors are protected under the Convention, and secondly, the recognition in the Convention of the human right of freedom of expression, by providing that such right is taken into account in any proceedings concerning the application of the rights granted by the Convention.
2
Yun, Zhang. "The comparison of Chinese and British copyright law under the Berne Convention." Thesis, University of Aberdeen, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.429452.
Full textAbstract:
These articles discuss various aspects of copyright protected under the Berne Convention for the Protection of Literary and Artistic Works, the Copyright Law of the People’s Republic of China and Copyright, Design and Patent Act 1988 and the central theme is to compare the differences and similarities between Chinese and British copyright law under the Berne Convention. These problems are particularly acute after China’s admission to the World Trade Organization, such as the commitments made by Chinese government to protect copyright works of other member states. In the Introduction, the general structure of this dissertation is described. Chapter 2, 3 and 4 mainly answer the following questions: (1) what is protected? (2) who is protected? (3) how long is protected? (4) how much is to protect? And (5) how to protect? Chapter 2 is concerned with the copyright of Union authors and non-Union authors protected under the Berne Convention, which requires member states to follow the principle of national treatment. Chapter 3 generally introduces authors’ rights under British copyright law, the authors’ rights has been affected so much by European copyright directives in many ways, for example, protection terms, authorship of cinematographic works, right of reproduction, right of rental and the like. Chapter 4 addresses authors’ copyrights under the new amendment of Chinese copyright law before China’ admission to the World Trade Organization. Chinese copyright law has been adjusted to the Berne Convention’s requirement. The end of this chapter emphasizes on the introduction to the legal system of Chinese copyright protection. Chapter 5 contains a comparison of Chinese and British copyright law, this chapter mainly compares the differences and similarities with regard to the authorship of works, protection terms, economic and moral rights, remedies and legal systems of copyright protection. The dissertation concludes with the observation that some view of the points be put forward to the issue of copyright, such as the originality, national treatment, protection term and rights protected, legal systems and litigations.
3
Gervais, Daniel J. "La notion d'oeuvre dans la convention de berne et en droit compare." Nantes, 1996. http://www.theses.fr/1996NANT4001.
Full textAbstract:
La notion d'oeuvre est determinante dans le domaine de la propriete litteraire et artistique, car il faut qu'une creation soit consideree comme oeuvre pour etre protegee par le droit d'auteur. Or, cette notion n'est definie ni dans la convention de berne, ni dans d'autres accords internationaux, notamment ceux du gatt, malgre plusieurs tentatives. Cependant, la convention et d'autres textes legislatifs nationaux et internationaux, ainsi que les principes propres aux deux grands systemes de droit, permettent d'en degager le sens et les composants et, partant, d'en proposer une definitionThe notion of work is crucial in the field of intellectual property because a creation must be considered as a work in order to be protected by copyright. Yet, this notion is defined neither in the berne convention, nor in any other international agreement, such as the gatt accords, in spite of numerous attempts to do so. However, the convention and other national and international legislation, as well as the tenets of the two legal systems, allow us to find the meaning and components of the notion and, hence, to propose a definition
4
Four, Charles. "De la responsabilité des compagnies en matière de transports internationaux de marchandises les conventions de Berne /." Lyon : Université Lyon3, 2006. http://thesesbrain.univ-lyon3.fr/sdx/theses/lyon3/1990/four_c.
Full text
5
Aba'a, Megne Harry. "Lex loci protectionis et droit d'auteur." Thesis, Université Côte d'Azur, 2020. http://theses.univ-cotedazur.fr/2020COAZ0013.
Full textAbstract:
Le principe de territorialité domine la matière de la propriété intellectuelle et en particulier celle du droit d’auteur. Si ce principe et la règle de conflit qu’il inspire, la lex loci protectionis, constituaient de véritables avancées à la fin du XIXème s., de nos jours, ils peinent à convaincre. En effet, le principe de territorialité qui est rattachable au principe de souveraineté dans sa dimension de régulation de l’ordre juridique interne subit de multiples remises en cause. Or, en raison de l’intensification des échanges transnationaux, de l’extension des marchés, de la montée des pouvoirs privés économiques, de l’exploitation dématérialisée des œuvres et notamment, la possibilité de les diffuser sur des réseaux mondiaux comme internet, la souveraineté tend à perdre en puissance. Cela oblige à questionner la pertinence d’un rattachement territorial vis-à-vis de réalités a-territoriales. Le maintien tel quel du principe de territorialité, en termes de conflit de lois, atteint alors la sécurité juridique et les attentes légitimes des parties. Le parti pris de ces travaux est celui d’une réévaluation. Il ressort en effet que le recul dans les relations transnationales du principe de souveraineté - qui sous-tend le principe de territorialité - devrait se traduire sur le plan de la règle de conflit, par un recul de ladite territorialité. A rebours de la tendance générale qui consacre l’hégémonie de la lex loci protectionis, les présents travaux proposent d’une part, d’en circonscrire la compétence dans les domaines où le principe de territorialité ne s’impose pas comme une nécessité, et d’autre part de réorienter le rattachement de manière à limiter la concurrence des lois applicables. Il s’agit, en d’autres termes, de réserver une place à l’universalisme compris comme un rempart contre la variabilité du droit applicable et l’insécurité juridique que cette variabilité pourrait emporterThe principle of territoriality dominates the field of intellectual property and that of copyright. If this principle and the conflict rule it inspires, the lex loci protectionis, were real advances at the end of the 19th century, they are nowadays difficult to convince. Indeed, the principle of territoriality, which is linked to the principle of sovereignty in its dimension of regulation of the internal legal order, is undergoing multiple challenges. However, because of the intensification of transnational exchanges, the extension of markets, the rise of private economic powers, the dematerialised exploitation of works and in particular the possibility of disseminating them on global networks such as the Internet, sovereignty tends to lose significance. This forces us to question the relevance of a territorial connection to a-territorial realities. Maintaining the principle of territoriality as it stands, in terms of conflict of laws, then reaches legal security and the legitimate expectations of the parties. The approach taken in this work is that of a re-evaluation. It emerges in fact that the retreat in transnational relations of the principle of sovereignty - which underlies the principle of territoriality - should be translated in terms of conflict rule by a retreat of the said territoriality. Against the general trend which confirms the hegemony of the lex loci protectionis, the present work proposes, on the one hand, to circumscribe its competence in the fields where the principle of territoriality is not imposed as a necessity, and on the other hand to reorient the connection in such a way as to limit the competition of the applicable laws. In other words, to reserve a place for universalism understood as a bulwark against the variability of the applicable law and the legal insecurity that this variability could entail
6
Lamlert, Wariya, and n/a. "International Uncertainty in the Exceptions for Individual Use in Copyright Law: A Comparative Study of Australia and Thailand." University of Canberra. School of Law, 2007. http://erl.canberra.edu.au./public/adt-AUC20080912.140432.
Full textAbstract:
The exceptions for individual use give rise to interesting and fundamental concerns drawing both international and national attention. There is uncertainty in the application of the individual use exceptions both in the international copyright treaties, particularly the three-step test of the Berne Convention, and in the national copyright legislation.
To have a better understanding of this concerns, this thesis aims to: investigate whether the exceptions for individual use can still maintain the balance of interests between the copyright holders and users; analyse the contribution that international copyright agreements and national copyright legislation may have made to assist in solving the conflict of interest between right holder countries and user countries in applying the exceptions for individual use; and conduct a comparative study of the application of the individual use exceptions in developed and developing countries.
The understandings that are found within this study are informed by relevant literature and by analysis of the application of the individual use exceptions. The thesis examines the application of the individual use exceptions in the international copyright treaties, namely, the Berne Convention, the TRIPS Agreement, and the WIPO Copyright Treaty in order to determine the appropriate ?balance? between the rights of owners and users in the three-step test. To explore the uncertainty in the individual use exceptions at the national level, a comparative case study is made between the exceptions for individual use in Australia, a developed country, and Thailand, a developing country.
The results of the study reveal three major answers. First, the exceptions for individual use are able to still maintain the balance of interest between right holders and users in the digital environment, if some amendments are made to keep pace with the digital environment. Secondly, to assist in the solution to the conflict of interest between right holder countries and user countries in applying the exceptions for individual use, the international copyright agreements can make a contribution by making some minor changes, mainly in the three-step test of the Berne Convention, and by continuing to provide special treatments for developing countries. Nationally, the contribution may be made by thoroughly protecting the right holders whilst also still allowing individual use by amending the copyright legislation to update to the digital age when necessary, enacting the relevant Acts, and establishing a collecting society.
Finally, from the comparison of the application of the exceptions for individual use as well as problems found and solutions proposed in developed and developing countries, in which Australia and Thailand are used as case studies, the comparison of the application of the exceptions for individual use can be divided into four categories: fair use exceptions (Australian fair dealing and Thai private use exceptions), free use exceptions, licences (Australian statutory licences and Thai compulsory licence), and limitation of legislative individual use provisions. In addition, the problem of different interpretations of the exceptions for individual use, the problem of conformity in the application of the exceptions for individual use according to the real purpose of the three-step test, which exists in Thailand, and the problem of response to the digital environment are all used as the frame for the comparison of the problems found and proposed solutions.
The findings of the study are significant as they can provide contributions to the copyright areas primarily in the legal aspect: amendment of the exceptions for individual use. In addition, they also contribute to the related aspect in the copyright areas: the economic aspect: the balance between developed and developing Countries; and the moral aspect: developing countries? development. In addition, the thesis proposes four useful recommendations to enable the balance of interest between the right holders and the users to be maintained: amendment of the wording in the three-step test of the Berne Convention, amendment of domestic copyright law and its exceptions for individual use, encouragement of the role of collective management organisations, and raising public awareness on the issue of copyright and its exceptions for individual use.
7
Nguyen, Thi Hong Nhung. "Droit d’auteur dans le cyberespace au Vietnam." Thesis, Lyon 3, 2012. http://www.theses.fr/2012LYO30008/document.
Full textAbstract:
Au 20è siècle, l’Internet a commencé à se développer. En matière de propriété littéraire et artistique, l’incidence des nouvelles technologies sur la création fut réelle et parfois positive. Cependant, les nouvelles technologies causent des conséquences négatives sur la création elle-même. C’est le phénomène du piratage des œuvres sur l’Internet. Les prérogatives d’auteur sont alors menacées, car tous les citoyens peuvent être des consommateurs des œuvres sans difficulté, ni rémunération pour l’auteur. Alors que la législation vietnamienne dans cette matière est encore silencieuse, aucune étude pertinente et approfondie n’existe pour l’instant au Vietnam. Cette thèse vise à apprécier l’efficacité de la protection et de l’exploitation du droit d’auteur dans le cyberespace au Vietnam tant en théorie qu’en pratique.La première partie se consacre à l’étude des enjeux de l’application du droit d’auteur dans le cyberespace. L’analyse porte au premier rang sur les influences de l’Internet sur les droits d’auteur. Il s’agit donc d’étudier les caractères ainsi que les attributs des prérogatives morales et patrimoniales de l’auteur afin d’analyser pourquoi et comment l’Internet peut les influencer. Le développement de ce travail aborde ensuite l’exploitation du droit d’auteur dans cet environnement. La pertinence de l’étude de cette question se trouve dans l’idée selon laquelle sans l’exploitation, les prérogatives de l’auteur sont dépourvues de valeur.La deuxième partie porte sur les mesures de protection du droit d’auteur ainsi que les aspects de droit international privé. À ce titre, deux types de mesures de protection des droit d’auteur sur l’Internet sont envisagés, à savoir d’une part, l’engagement de la responsabilité des acteurs relatifs à l’exploitation des œuvres sur l’Internet, et d’autre part, le renforcement des sanctions civiles, administratives tant que pénales. En outre, pour une meilleure protection du droit d’auteur sur l’Internet, les conflits de juridictions ainsi que les conflits de lois pour des litiges ayant des éléments d’extranéité provoqués par l’espace sans frontière comme Internet doivent être résolus. En effet, est retenu en général pour la détermination du tribunal compétent, un principe selon lequel le tribunal du domicile du défendeur est compétent de juger ainsi que le tribunal du lieu du délit. Quant à la loi applicable, d’après un principe posé par la Convention de Berne, dit lex loci protectionis, l’étendue et les moyens de recours garantis à l’auteur pour sauvegarder ses droits sont réglés exclusivement par la législation du pays où la protection est réclaméeIn the 20th century, the Internet began to develop. In terms of literary and artistic property, the impact of new technologies on the creation was real and sometimes positive. However, new technologies are causing a negative impact on the creation itself. This is a piracy phenomenon on the Internet. The prerogatives of author are so threatened because all persons can become consumers of the works without difficulty, or compensation for the author. While the Vietnamese law in this area is still quiet, the relevant study is currently rare in Vietnam. This thesis aims to assess the effectiveness of the protection and of the exploitation of copyright in cyberspace in Vietnam both in theory and practice.The first part is devoted to study of issues in the application of copyright in cyberspace. In this part, the influences of the Internet on copyright are firstly mentioned. It is therefore to study the characteristics and the attributes of prerogatives of the author to analyze why and how the Internet can influence them. The development of this work addresses the exploitation of copyright in this environment. The relevance of the study of this question lies in the idea that without the operation, the prerogatives of the author have no value.The second part focuses on copyright protection measures and aspects of private international law concerning copyright. As such, two types of measures to protect copyright on the Internet are considered, namely the one hand, the commitment of the responsibility of actors of the Internet for the exploitation of works in cyberspace, and the other hand, the strengthening of civil remedies as well as administrative and criminal penalties. In addition, for better protection of copyright on the Internet, conflicts of jurisdiction and conflicts of law in disputes with foreign elements caused by the border-free area such as the Internet must be resolved. In fact, is usually chosen for the determination of the competent court, a principle that the court of the place of the defendant is competent to judge and the court of the place of the offence. For the applicable law, according to principle laid down by the Berne Convention, said lex loci protectionis, the extent and the remedies afforded to the author to protect his rights shall be settled exclusively by the law of the country where the protection is claimed
8
Dinh, Thi Thanh Nhan. "Promoting innovation and development by rethinking the role of copyright limitations and exceptions in Vietnam." Thesis, Queensland University of Technology, 2016. https://eprints.qut.edu.au/92606/1/Thi%20Thanh%20Nhan_Dinh_Thesis.pdf.
Full textAbstract:
This thesis examines how Vietnamese copyright law should develop to promote innovation and development in the digital age. It focuses on the important role of limitations and exceptions to copyright in encouraging access to and reuse of copyright material. This research provide important recommendations for how the scope of copyright limitations and exceptions might be expanded by adopting fair use in order to embrace new opportunities provided by the digital economy. Furthermore, it suggests that Vietnam should extend the scope of some important provisions that provide privileges for education, libraries and people with disabilities.
9
Rodrigues, Daniela Oliveira. "Limites aos direitos de autor sob a perspectiva do direito internacional dos direitos humanos: estudo dos limites aos direitos de autor frente aos direitos de acesso ao conhecimento e à educação nos ordenamentos internacional e interno." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/2/2135/tde-11022015-082708/.
Full textAbstract:
A presente dissertação se propõe a analisar a interação entre o sistema internacional de direitos humanos e o sistema internacional de propriedade intelectual e as implicações desta relação para o ordenamento jurídico brasileiro, no que concerne especificamente aos direitos de autor e direitos conexos. No ano em que o Acordo TRIPS completará vinte anos, é oportuna a reflexão a respeito da efetividade de suas regras, especialmente quanto à capacidade de interagir com os demais sistemas jurídicos internacionais, especialmente o sistema internacional de direitos humanos. A leitura da seção de princípios e regras gerais (especialmente do artigo 6°, referente à exaustão de direitos) e da seção relativa aos direitos de autor do Acordo TRIPS (especialmente do artigo 13, que estabelece a Regra dos Três Passos) parece indicar para a previsão de limites à exploração destes direitos em vistas dos objetivos de promoção do desenvolvimento e de equilíbrio de interesses entre, de um lado, autores e titulares e, de outro lado, utilizadores das obras artísticas e literárias protegidas. Contudo, tem se verificado que o sistema internacional de propriedade intelectual tem caminhado na via contrária. Com a proliferação, particularmente na última década, de acordos bilaterais e de livre comércio, temos assistido à propagação indiscriminada das denominadas regras TRIPS-plus, caracterizadas pela previsão de padrões mais rígidos para a proteção da propriedade intelectual em comparação àqueles previstos pelas regras do sistema multilateral de comércio, o que tem dificultado a aplicação de regras mais flexíveis e que possibilitam mais facilmente a adoção de políticas públicas focadas no desenvolvimento econômico e social dos Estados-membros da OMC. Em paralelo, visando a coibir eventuais abusos praticados pelos Estados em suas políticas de direitos de autor, o sistema internacional de direitos humanos que, por meio dos Pactos Internacionais de Direitos Civis e Políticos e de Direitos Econômicos e Sociais, busca estabelecer o equilíbrio dos interesses dos autores e usuários, em vista do aparente conflito entre os direitos fundamentais de primeira e segunda dimensões, caso dos direitos de autor e dos direitos de acesso ao conhecimento e à educação, respectivamente. Neste sentido, destacam-se, além das ações promovidas pela UNESCO para a ampla disponibilização de material de educacional para instituições de ensino e bibliotecas, a iniciativa capitaneada por Brasil e Argentina junto à OMPI, a conhecida Agenda para o Desenvolvimento, que tem revolucionado o modo como administrar as regras previstas nos tratados da OMPI, especialmente a Convenção da União de Berna. Por meio da Agenda para o Desenvolvimento foram propostas novas maneiras de se pensar e reconstruir o direito internacional da propriedade intelectual, levando em consideração o fortalecimento do domínio público, a disponibilização de material educacional em larga escala e acesso à informação por parte dos grupos hipossuficientes, começando pelos deficientes visuais. Alinhado às discussões nos foros multilaterais, o Brasil está passando por uma fase de reforma da Lei de Direitos Autorais, a qual tem na revisão das limitações aos direitos de autor, consubstanciadas no artigo 46, um dos principais pontos de atenção e insatisfação social, em vista das restrições atualmente impostas para a reprodução integral de obras artísticas e literárias. Ainda, o sistema nacional de direitos de autor tem sido desafiado pelas novas tecnologias e formas de promover o acesso à educação no sistema público de ensino. Assim, a proposta de propagação do material de ensino por meio de recursos educacionais abertos, em que o autor ou titular autoriza, no momento da aquisição do material pelo Estado, a reprodução, atualização e distribuição futura do material didático, sem que seja necessária nova autorização a cada tiragem ou alteração do conteúdo pelo corpo de professores. Em estrutura, o trabalho se divide em quatro capítulos. O primeiro capítulo (Direitos de Autor na Ordem Internacional) analisa o sistema internacional de propriedade intelectual, com foco nas regras internacionais relativas aos direitos de autor. O Segundo Capítulo (Interface entre Direitos de Autor e Direitos Humanos) aborda a presença dos fundamentos dos direitos humanos na estrutura dos direitos de autor e sua influência nas atuais demandas desta matéria. O terceiro capítulo (Direitos de Autor sob a Perspectiva Constitucional) analisa o sistema brasileiro de direitos de autor e as garantias fundamentais que envolvem este aparente conflito. Por fim, o quarto capítulo (Limites na Prática) apresenta o posicionamento da jurisprudência nacional e internacional sobre a matéria.The main goal of this dissertation is to investigate the interaction between international human rights law and the international intellectual property system, as well as the implications of this relationship to Brazilian copyright system. In the year when TRIPS Agreement is turning twenty years old, it is proper to reflect about the effectiveness of its rules, especially the ability to interact with other international legal systems, mainly the international human rights system. In the sections about general principles and rules (v. article 6, regarding exhaustion of rights) and copyrights (v. article 13, regarding Three Step-Test), TRIPS seems to indicate the limits for the exploitation of IP rights, bearing in mind promoting the development and balancing of the interests involved, mainly those related to authors and users of copyrights. However, it has been found that the international intellectual property system has moved in the opposite direction. International trade system have witnessed the proliferation of bilateral and free trade agreements, which contain indiscriminate TRIPS-plus rules, more restrictive than the rules established for the multilateral system, which obstacles the implementation of more flexible rules focused on economic and social development, allowed by WTO system. In order to curb abuses practiced by its Member States, the international human rights system, through the International Covenants on Civil and Political Rights and Economic and Social Rights, seeks to establish a balance between authors and users interests, considering the apparent conflict between fundamental rights of first and second dimensions, case of copyrights and access to knowledge and education, respectively. In this sense, must be mentioned the actions promoted by UNESCO to make available educational materials for institutions and libraries, and the initiative headed by Brazil and Argentina, the well-know WIPO Development Agenda, which has proposed a revolution in the manner how States should interpret the rules established in the treaties administered by WIPO, mainly the Berne Convention. New ways of thinking and rebuilding the international intellectual property law are being taken into account, like strengthening the intellectual goods in public domain, increasing the availability of educational material on a larger scale and conceding access to information to vulnerable groups, starting with visually impaired person. Considering this scenario, Brazil is reforming its Copyright Law. The role of limitations to copyrights, embodied in the article 46, is one of most important issues in the mentioned reform, and society is expecting for structural changes, especially because of the general dissatisfaction with the restrictions imposed by law for the reproduction of intellectual works. Still, the national system of copyright has been challenged by new technologies and new ways to provide access to education in the public school system. Thus, proposals like Open Educational Resources, which allows the State, upon previous authorization from the author, to reproduct, update and distribute of educational materials in a large scale. The dissertation is divided into four chapters. The first chapter (Copyrights in the International Order) analyzes the international intellectual property system, focusing on international copyright law. The second chapter (Interface between Copyrights and Human Rights) discuss the human rights framework and the influence of this system on IP Law. The third chapter (Copyright according the Constitutional Perspective) studies the Brazilian Copyright System considering the fundamental guarantees involved. Finally, the fourth chapter (Limits in Practice) analyzes national and international court cases about the matter.
10
Dagher, Chantal. "Analyse comparée franco-américaine de la protection des œuvres par le droit d’auteur." Thesis, Paris 2, 2017. http://www.theses.fr/2017PA020041.
Full textAbstract:
L’appel au renforcement de la protection du droit d’auteur dans le but de mieux lutter contre la contrefaçon, surtout avec l’avènement et le développement incessant des nouvelles technologies, est-il justifié ? Le bilan des efforts déployés récemment sur la scène internationale pour réaliser un tel renforcement, ayant débouché sur l’élaboration du très controversé ACTA, démontre que la réponse à cette question ne peut être ni simple ni immédiate. Evaluer l’opportunité et déterminer la nécessité de renforcer cette protection ne peuvent se faire qu’après un examen approfondi des solutions juridiques, existantes déjà dans les dispositifs nationaux des deux Etats qui assurent chacun une protection efficace des droits des auteurs, tout en adoptant des approches diamétralement opposées en la matière à savoir, la France et les Etats-Unis. Une fois ces deux droits comparés, une inégalité dans le niveau de protection ressort, appelant des améliorations qui passent par une intégration d’institutions juridiques « venues d’ailleurs ». Cette intégration qui aura pour résultat d’harmoniser ces deux droits, dans le respect des particularismes nationaux, pourra se réaliser à l’aide du droit comparé. L’harmonisation des droits nationaux dans le respect de leurs différences est aussi l’oeuvre du droit international surtout lorsqu’il s’agit d’une matière qui ne peut être traitée qu’à l’échelle internationale, voire mondiale. Pour pouvoir comprendre les raisons de la persistance des différences entre les deux droits menant à cette inégalité, l’examen des instruments internationaux adoptés en la matière, censés harmoniser la protection du droit d’auteur, est indispensable. Le bilan de cet examen s’avère mitigé dans la mesure où, les spécificités nationales l’emportent, bloquant ainsi le processus d’harmonisation. Or, le droit comparé a comme rôle principal de préparer un terrain favorable à une harmonisation internationale réussie, en dégageant des solutions concrètes, pratiques et surtout adaptées puisque ne heurtant pas les traditions juridiques nationales qu’il aura réussi à identifierIs the call to strengthen the protection of copyright in order to better fight copyright infringement, especially with the advent and the constant development of new technologies, justified? The results of the recent efforts on the international stage to achieve such a purpose, which led to the drawing up of the very controversial ACTA, show that the answer to this question cannot be simple nor immediate. Assessing the appropriateness as well as determining the need to strengthen this protection can only be made after a thorough review of legal solutions that already exist in the domestic law of two states, each of which ensures effective protection of copyright while adopting diametrically opposite approaches in this field namely, France and the United States. Once these two domestic laws have been compared, inequality in the level of protection appears, calling for improvements that go through an integration of legal institutions "coming from somewhere else". This integration that will have as a result the harmonization of these two laws while taking into account the national specificities, can be realized using the comparative law. The harmonization of national laws while respecting their differences is the work of international law as well, especially when the subject matter could only be addressed on an international even global scale. To understand the reasons for the persistence of differences between these two laws leading to this inequality, review of international instruments adopted in this field which are supposed to harmonize the protection of copyright, is essential. The results of this review are mixed due to the fact that national differences prevail, thus blocking the harmonization process. However, comparative law's primary role is to prepare the ground for a successful international harmonization, by providing concrete, practical and appropriate solutions given the fact that they do not conflict with national legal traditions that the comparative law has managed to identify
Books on the topic "Berne Convention"
1
United States. Congress. Senate. Committee on Foreign Relations. Berne Convention: Report (to accompany Treaty Doc. 99-27). [Washington, D.C.?: U.S. G.P.O., 1988.
Find full text
2
C, Ginsburg Jane, ed. International copyright and neighbouring rights: The Berne Convention and beyond. 2nd ed. Oxford: Oxford University Press, 2006.
Find full text
3
Beyond the Berne Convention: Copyright, broadcasting, and the single European market. London: J. Libbey, 1991.
Find full text
4
United States. Congress. Senate. Committee on the Judiciary. The Berne Convention Implementation Act of 1988: Report (to accompany S. 1301). [Washington, D.C.?: U.S. G.P.O., 1988.
Find full text
5
United States. Congress. Senate. Committee on the Judiciary. The Berne Convention Implementation Act of 1988: Report (to accompany S. 1301). [Washington, D.C.?: U.S. G.P.O., 1988.
Find full text
6
United States. Congress. Senate. Committee on the Judiciary. The Berne Convention Implementation Act of 1988: Report (to accompany S. 1301). [Washington, D.C.?: U.S. G.P.O., 1988.
Find full text
7
Gervais, Daniel J. La notion d'œuvre dans la Convention de Berne et en droit comparé. Genève: Droz, 1998.
Find full text
8
Erich, Schulze. Hundert Jahre Berner Konvention. Frankfurt am Main: A. Metzner, 1987.
Find full text
9
Ricketson, Sam. The Berne Convention for the Protection of Literary and Artistic Works: 1886-1986. [London]: Centre for Commercial Law Studies, Queen Mary College, 1987.
Find full text
10
Ricketson, Sam. The Berne Convention for the Protection of Literary and Artistic Works: 1886-1986. London: Centre for Commercial Law Studies, Queen Mary College, 1987.
Find full textBook chapters on the topic "Berne Convention"
1
Fitzgerald, Brian, Sampsung Xiaoxiang Shi, Cheryl Foong, and Kylie Pappalardo. "Country of Origin and Internet Publication: Applying the Berne Convention in the Digital Age." In Copyright Perspectives, 29–50. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-15913-3_4.
Full text
2
Ricketson, Sam, and Jane C. Ginsburg. "The Berne Convention and Other Related International Conventions On Copyright." In International Copyright and Neighbouring Rights, 1175–205. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198801986.003.0018.
Full textAbstract:
This chapter investigates the relationship between the Berne Convention and other related international conventions on copyright. Following World War II, seven major conventions on copyright and neighbouring rights have sprung from the side of, or alongside, the Berne Convention. These are the Universal Copyright Convention (UCC); the Rome Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organizations 1961 (Rome Convention); the Convention for the Protection of Producers of Phonograms against Unauthorized Duplication of their Phonograms 1971 (Phonograms Convention); the World Intellectual Property Organization (WIPO) Copyright Treaty (WCT); the WIPO Performances and Phonograms Treaty (WPPT); the Beijing Treaty on Audiovisual Performances 2012 (BTAP); and the Marrakesh Treaty to Facilitate Access to Published Works for Persons Who are Blind, Visually Impaired or Otherwise Print Disabled 2013 (Marrakesh VIP Treaty). None of these later conventions stands in contradiction to the Berne Convention: on the contrary, each can be seen as an important supplement to the international system of protection established by that Convention. The chapter focuses on the UCC and its Pan-American predecessors. This is now a topic that is chiefly of historical interest, but the role that the UCC has played as a ‘stepping stone’ or bridge to Berne has been of considerable importance.
3
Ricketson, Sam, and Jane C. Ginsburg. "Origins of the Berne Convention." In International Copyright and Neighbouring Rights, 38–76. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198801986.003.0002.
Full textAbstract:
This chapter discusses the origins of the Berne Convention. Although the network of bilateral copyright arrangements in force prior to 1886 was extensive, the protection which this offered to authors in countries other than their own was far from comprehensive or systematic. Apart from the early treaties with the German and Italian states, multilateral copyright agreements in the true sense took time to emerge. Of these, the Berne Convention was to be the first, and the most important. However, the need for a more uniform and broader-based kind of international protection had been recognized some time before this by authors and artists. The chapter deals with this development, and the different stages by which this early recognition was eventually transformed into the Berne Convention.
4
Ricketson, Sam, and Jane C. Ginsburg. "Treaty Interpretation and the Concept of Union." In International Copyright and Neighbouring Rights, 165–232. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198801986.003.0005.
Full textAbstract:
This chapter reviews the general rules of public international law regarding the interpretation of treaties, and analyses their application to the Berne Convention and related agreements. It begins with a consideration of matters of terminology, and then looks at the overall structure of the Berne Convention. The chapter then examines specific problems of interpretation and the rules of the Vienna Convention on the Law of Treaties 1969 (the VCLT) as applied to the Berne text. It also works through the interplay of the Berne Convention and later texts, specifically the Agreement on Trade-Related Aspects of Intellectual Property Rights 1994 (TRIPs Agreement) and the World Intellectual Property Organization (WIPO) Copyright Treaty (WCT). Finally, the chapter considers the concept of ‘Union’, which is a continuing Leitmotif throughout the text of the Convention and the meaning of which remains tantalizingly elusive.
5
Ricketson, Sam, and Jane C. Ginsburg. "The Rights Protected by the Convention: General Introduction; Moral Rights (Article 6bis)." In International Copyright and Neighbouring Rights, 577–614. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198801986.003.0010.
Full textAbstract:
This chapter begins by describing the articulation of rights in national legislation and under the Berne Convention. Each successive revision of the Convention has seen the addition of a new right or rights. The original Berne Act contained exclusive rights only in relation to the making and public performance of translations of works. Rights in relation to cinematographic adaptations and the mechanical reproduction of musical works were added at the time of the Berlin Revision; broadcasting and moral rights at Rome; public performance and recitation and adaptation, together with the droit de suite, at Brussels; and reproduction at Stockholm. The present Act now contains provisions for the protection of both moral and pecuniary rights. Meanwhile, in addition to filling in some of the Berne Convention gaps, later multilateral instruments have endeavoured to address the challenges of digital communications. The chapter then focuses on moral rights in the Berne Convention, and their treatment in later multilateral instruments. Moral rights have been recognized in the Berne Convention since the Rome Act; they are now protected under article 6bis of the Paris Act.
6
Reddy T., Prashant, and Sumathi Chandrashekaran. "New Delhi Challenges the Berne Convention." In Create, Copy, Disrupt, 115–52. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199470662.003.0005.
Full text
7
Ricketson, Sam, and Jane C. Ginsburg. "The Berne Convention and Neighbouring Rights." In International Copyright and Neighbouring Rights, 1206–308. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198801986.003.0019.
Full textAbstract:
This chapter evaluates the international agreements that have sought to provide protection to the categories of ‘non-authors’ whose productions may nevertheless be seen as closely relating to, or neighbouring upon, the traditional categories of authors’ rights. It begins with an account of the first major treaty in this area, the International Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organisation Organizations 1961 (the Rome Convention), and then considers the international agreements that have followed in the wake of Rome. These include Phonograms Convention 1971, the Satellites Convention 1974, the World Intellectual Property Organization (WIPO) Performances and Phonograms Treaty 1996 (WPPT), the Beijing Treaty on Audio-visual Performances 2012 (BTAP), and the relevant provisions of the Agreement on Trade-Related Aspects of Intellectual Property Rights 1994 (TRIPs Agreement). The chapter also looks at a number of other agreements touching upon authors’ and neighbouring rights. Several of these have never entered into force or have not yet reached the stage of a final text.
8
Bowrey, Kathy. "‘The Berne Convention Is Our Ideal’." In Across Intellectual Property, 102–15. Cambridge University Press, 2020. http://dx.doi.org/10.1017/9781108750066.011.
Full text
9
Ricketson, Sam, and Jane C. Ginsburg. "Membership, Territory, and Application of the Berne Convention and Later Agreements (The Final Clauses)." In International Copyright and Neighbouring Rights, 1073–172. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198801986.003.0017.
Full textAbstract:
This chapter examines the ‘final clauses’ of the Berne Convention and the later agreements. These cover a miscellany of matters, but are primarily concerned with questions of Union membership (eligibility and obligations) and the territorial application of each convention. The matter of membership raises some complex issues of international law, particularly in relation to the question of state succession. The relevant articles of the Paris Act which regulate these questions are: article 28, which is concerned with ratification of the Act by existing members of the Union; article 29, which is concerned with accessions by non-Union states; article 30, which deals with the reservations that may be made by countries ratifying or acceding to the Act; article 31, which is concerned with the application of the Act to dependent territories; and article 35, which is concerned with denunciations of the Convention. As it is the oldest of the conventions, most of the chapter’s discussion focuses on the Berne Convention, but interesting issues also arise with respect to those conventions of the ‘beyond Berne’ category, namely the World Intellectual Property Organization (WIPO) Copyright Treaty (WCT); the WIPO Performances and Phonograms Treaty (WPPT); the Agreement on Trade-Related Aspects of Intellectual Property Rights 1994 (TRIPs Agreement); and the Marrakesh and Beijing Treaties.
10
Ricketson, Sam, and Jane C. Ginsburg. "Administrative and Financial Provisions." In International Copyright and Neighbouring Rights, 1014–72. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198801986.003.0016.
Full textAbstract:
This chapter discusses the administrative and financial arrangements of the Berne Union. Although the Union could be regarded as an international organization, possessing a limited kind of international legal personality, it did not possess a permanent governing body, apart from the conferences of revision which met at irregular intervals. There was a permanent secretariat, the International Bureau, which, after 1893, was combined with the International Bureau of the Paris Union (later known as BIRPI). In 1962, co-ordination between the activities of the Berne and Paris Unions was enhanced by the constitution of an Interunion Coordinating Committee. Parallel changes were also made to the administrative provisions of the Paris Convention and the other industrial property conventions administered by BIRPI. At the same time, the World Intellectual Property Organization (WIPO) was constituted, becoming responsible for the administrative functions of both the Berne Union and the other industrial property unions. Finally, the financial and budgetary arrangements of each of the unions were revised. These provisions were retained unchanged in the Paris Revision of the Berne Convention, and, in the case of the administrative clauses, have provided the template for similar provisions in the WIPO Copyright Treaty (WCT) and subsequent treaties on copyright and related rights.
Conference papers on the topic "Berne Convention"
1
Turcan, Vladimir. "The state of Moldavian viper (Vipera Ursinii Moldavica) in the context of the action plan for their conservation (annexed to the Bern convention)." In Xth International Conference of Zoologists. Institute of Zoology, Republic of Moldova, 2021. http://dx.doi.org/10.53937/icz10.2021.62.
Full textAbstract:
Based on the generalization of data from previous publications and own results, regarding the distribution of Meadow Viper (Vipera ursini) in the Dniester - Prut interfluve, the current species state in the context of the Action Plan for conservation, annexed to the Bern Convention, is characterized. The need to complex study of local habitat status and to take measures for their conservation is discussed. The influence of some anthropogenic and climatic factors upon the habitats and the problems of their conservation in the current conditions of agrolandscape are analyzed.
2
Arenz, Martin C., Björn Weigel, Jan Habermann, Stephan Staudacher, Martin G. Rose, Ewald Lutum, and Wolfgang Berns. "Development and Application of a Fast-Response Total Temperature Probe for Turbomachinery." In ASME Turbo Expo 2016: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/gt2016-56132.
Full textAbstract:
The measurement of unsteady total temperature is of great interest for the examination of loss mechanisms in turbomachinery with respect to the improvement of the efficiency. Since conventional thermocouples are limited in frequency response, several fast-response total temperature probes have been developed over the past years. To improve the spatial resolution compared to these existing probes and maintaining a high temporal resolution, a new fast-response total temperature probe has been developed at the Institute of Aircraft Propulsion Systems (ILA) in cooperation with Berns Engineers. The design of the probe allows a sensitive measuring surface below one square millimeter. A detailed insight into the design of the probe, the measurement principle, the calibration process, and an estimation of the measurement uncertainty is given in the present paper. Furthermore, to prove the functionality of the probe, first experimental results of a simple test bed and of area traverses downstream of the first rotor of a two-stage low pressure turbine are presented. It is shown, that the new probe is capable of detecting rotor characteristic effects as well as rotor-stator-interactions. In addition, a hot-spot is investigated downstream of the first rotor of the turbine and the findings are compared to effects known from literature.
3
Psenner, Angelika, and Klaus Kodydek. "Researching the morphology of the city’s internal micro structure: UPM Urban Parterre Modelling." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5115.
Full textAbstract:
As conventional cadastral maps only show building perimeters, they contain no information about the city’s internal structure—about the complex interplay of architecture and its socio-economical use. Thus urban planning seems to spare little thought for what really takes place inside the buildings lining a street, although we perfectly know that the potentials of ground floor use and the structure of the correlating public street space are directly related. The Urban Parterre Modelling UPM-method refers to the city’s “parterre” as a holistic urban system: it covers both built-up and non-built-up areas. Thus street, ground floor and courtyard are treated as entity, so that their interrelations can come to light. Technically the method represents the merging of a common 3D-city-model and a Comprehensive Ground Plan Survey CGPS—a researching technique used in the 1960s until the 1990s (mostly in Italy and Switzerland). This new urban research method has been developed and tested in a pilot study by means of an in depth exploration of an exemplary historical street in Vienna. In September 2015 a new four years research program was financed by the Austrian Science Fund (Austria's central funding organization for basic research, FWF) and launched at the Department of Urban Design at Vienna University of Technology. Within this operational framework a variety of different street-level environments in Vienna are being examined. Given this perspective the paper is therefore addressing the following issues: How was the Viennese ground level originally used? Which urban functions were located there? What are the (historical) interrelations between public space and the life inside buildings? How does this micro system influence urban life and especially pedestrian behaviour?References: CANIGGIA, G. (1986): “Lettura di Firenze – Strukturanalyse der Stadt Florenz”. In Malfroy/ Caniggia: Die morphologische Betrachtungsweise von Stadt und Territorium. Zürich: ETH, Lehrstuhl f. Städtebaugesch. MALFROY, S. (1986): „Die morphologische Betrachtungsweise von Stadt und Territorium“. Zürich : ETH, Lehrstuhl f. Städtebaugeschichte MURATORI, S. (1960): Studi per un operante storia urbana di Venezia. Roma: Istituto Poligrafico dello Stato PETERS, M. (1990): „Stadtgrundriss als Arbeitsinstrument: dem Mittelalter auf der Spur“. In: Hochparterre 1990/4, 30-31 (http://dx.doi.org/10.5169/seals-119191) accessed 23.10.2017 PETERS, M. (1999b): „Elektronische Erfassung eines Industriequartiers: zusammenhängende Grundrissaufnahme in Zürich, ein Experiment“. In: Schweizer Ingenieur und Architekt, Vol.117, 779-784. RUEGG, A. (ed.) (1975): Materialien zur Studie Bern. 4. Jahreskurs 1974/75. Zurich: ETH/Schnebli/Hofer