Relevant bibliographies by topics / Bergen Arcs

Academic literature on the topic 'Bergen Arcs'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Bergen Arcs"

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Davydova, V. V., A. L. Perchuk, and B. Stoeckhert. "Petrology of coronite from the Bergen Arcs Complex, Norway." Moscow University Geology Bulletin 64, no. 3 (June 2009): 166–76. http://dx.doi.org/10.3103/s0145875209030041.

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Putnis, Andrew, Bjørn Jamtveit, and Håkon Austrheim. "Metamorphic Processes and Seismicity: the Bergen Arcs as a Natural Laboratory." Journal of Petrology 58, no. 10 (October 1, 2017): 1871–98. http://dx.doi.org/10.1093/petrology/egx076.

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Raimbourg, Hugues, Laurent Jolivet, Loïc Labrousse, Yves Leroy, and Dov Avigad. "Kinematics of syneclogite deformation in the Bergen Arcs, Norway: implications for exhumation mechanisms." Geological Society, London, Special Publications 243, no. 1 (2005): 175–92. http://dx.doi.org/10.1144/gsl.sp.2005.243.01.13.

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Andersen, T., H. Austrheim, and E. A. J. Burke. "Fluid inclusions in granulites and eclogites from the Bergen Arcs, Caledonides of W. Norway." Mineralogical Magazine 54, no. 375 (June 1990): 145–58. http://dx.doi.org/10.1180/minmag.1990.054.375.02.

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AbstractThe Grenvillian granulite-facies complex on Holsnøy island, Bergen Arcs, W. Norway, has been metamorphosed at eclogite-facies conditions during the Caledonian orogeny (ca. 425 Ma). The granulite-eclogite facies transition takes place along shear zones and fluid pathways. Mineral thermobarometry indicates PT conditions of 800–900°C and 8–10 kbar for the Proterozoic granulite facies metamorphism and 700–800°C and 16–19 kbar for the eclogite-forming event. Quartz in the granulite facies complex contains CO2 fluid inclusions with less than 2.5 mole percent N2; the molar volumes are compatible with the PT conditions of the Proterozoic granulite metamorphism. Quartz in pegmatitic quartz + omphacite and quartz + phengite/paragonite veins coeval with shear-zone eclogites contain N2 ± CO2 fluid inclusions. Combined laser Raman microanalysis and microthermometry show that the least disturbed inclusions have XCO2 = 0.1–0.3, and molar volumes less than 40 cm3/mole, which may agree with the PT conditions during Caledonian high-pressure metamorphism. Younger, low-density N2 and N2-H2O fluid inclusions are the results of decrepitation and redistribution of early inclusions during the retrograde PT evolution of the eclogites.
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Jamtveit, Bj�rn, Kurt Bucher-Nurminen, and H�kon Austrheim. "Fluid controlled eclogitization of granulites in deep crustal shear zones, Bergen arcs, Western Norway." Contributions to Mineralogy and Petrology 104, no. 2 (February 1990): 184–93. http://dx.doi.org/10.1007/bf00306442.

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Boundy, T. "Temporal and tectonic evolution of the granulite-eclogite association from the Bergen Arcs, western Norway." Lithos 39, no. 3-4 (February 1997): 159–78. http://dx.doi.org/10.1016/s0024-4937(96)00026-6.

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Centrella, Stephen, Håkon Austrheim, and Andrew Putnis. "Mass transfer and trace element redistribution during hydration of granulites in the Bergen Arcs, Norway." Lithos 262 (October 2016): 1–10. http://dx.doi.org/10.1016/j.lithos.2016.06.019.

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Austrheim, Håkon, and William L. Griffin. "Shear deformation and eclogite formation within granulite-facies anorthosites of the Bergen Arcs, western Norway." Chemical Geology 50, no. 1-3 (August 1985): 267–81. http://dx.doi.org/10.1016/0009-2541(85)90124-x.

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Altenberger, U., and S. Wilhelm. "Ductile deformation of K-feldspar in dry eclogite facies shear zones in the Bergen Arcs, Norway." Tectonophysics 320, no. 2 (May 2000): 107–21. http://dx.doi.org/10.1016/s0040-1951(00)00048-2.

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Pollok, Kilian, Geoffrey E. Lloyd, Håkon Austrheim, and Andrew Putnis. "Complex replacement patterns in garnets from Bergen Arcs eclogites: A combined EBSD and analytical TEM study." Geochemistry 68, no. 2 (June 2008): 177–91. http://dx.doi.org/10.1016/j.chemer.2007.12.002.

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Dissertations / Theses on the topic "Bergen Arcs"

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Cohen, Anthony Stephen. "Isotopic investigations of granulites from northwest Scotland and west Norway." Thesis, University of Cambridge, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.279161.

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Marcel, Linda Aneha. "A lecture performance at Bergen Community College to promote community awareness of local composers /." Access Digital Full Text version, 1994. http://pocketknowledge.tc.columbia.edu/home.php/bybib/11625971.

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Thesis (Ed.D.)--Teachers College, Columbia University, 1994.
Includes tables. Typescript; issued also on microfilm. Sponsor: Robert Pace. Dissertation Committee: Lenore Pogonowski. Includes bibliographical references (127-132).
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Raimbourg, Hugues. "Mécanismes d'éclogitisation et conséquences pour l'exhumation des roches métamorphiques de haute pression : l'exemple de l'Arc de Bergen, Norvège." Paris 6, 2005. https://tel.archives-ouvertes.fr/tel-00010888.

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Martel, Jean-Mary [Verfasser], Frank [Akademischer Betreuer] Berger, Peter [Gutachter] Schegner, and Michael [Gutachter] Anheuser. "Series arc faults in low-voltage AC electrical installations / Jean-Mary Martel ; Gutachter: Peter Schegner, Michael Anheuser ; Akademischer Betreuer: Frank Berger." Ilmenau : Universitätsbibliothek Ilmenau, 2018. http://d-nb.info/1152096966/34.

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Brooke, Magdalene A. "Mauerkunst, lebenskunst: an anlysis of the art on the Berlin Wall." Scripps College, 2007. http://ccdl.libraries.claremont.edu/u?/stc,8.

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The art on the Berlin Wall has been looked at often for its social and political meaning. Instead, I intend to look at the artwork and text which appeared on the Berlin Wall as art. In this paper I will discuss the formal aspects of the art on the Berlin Wall as well as its import as an example of public art and as a forum created through visual representation.
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Xu, Tao. "Capturing the Epiphany of Time - A Bergsonian Reading of Virginia Woolf's Mrs Dalloway." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-24024.

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Beer, Suzanne. "Le cybermusée virtuel : du virtuel philosophique au virtuel technologique." Thesis, Paris 8, 2014. http://www.theses.fr/2014PA080060/document.

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Cette thèse reprend la critique de l’expression de « musées virtuels » des muséologues, remplacée par celle de cybermusée. Elle refait la recherche de ce que signifie la notion de virtuel dans ce domaine de Bernard Deloche, en particulier, à nouveaux frais. Partant des conceptions de Bergson et Deleuze, elle les compare avec le sens utilisé dans le domaine scientifique et technologique, en particulier dans celui de la réalité virtuelle. Les cybermusées relevant des arts numériques, ils auront tendance à utiliser ce sens, qui est réduit à être un champ de possibles, déchargé de la caractéristique créative de la notion philosophique. Une analogie entre le référent du champ muséal, la mémoire pure et le flux des micro-perceptions permet de chercher une définition du type de muséologie qui pourrait être à l’œuvre dans un cybermusée. Une figure proprement muséale du cybermusée est trouvée dans l’usage des métaphores paysagères des systèmes de visualisation des grands ensembles de données, retravaillées pour le terrain du patrimoine et autres objets muséaux numériques. L’immersion dans un environnement à la fois esthétique et cognitif est atteint. Des conceptions esthétiques des images numériques résolvent le problème de l’absence de « chose vraie » : l’esthétique anesthétique de Diodato, l’intimisme fragmentaire et génétique de Chirollet et Weissberg, et l’association d’images selon Aby Warbourg. Le cybermusée poursuit alors le même but que le musée imaginaire d’André Malraux, prenant en compte les spécificités du médium numérique. La thèse comprend une création de prototypes de cybermusées qui expérimente les idées de la réflexion théorique et les fait avancer
This thesis takes into account the critic of the expression of « virtual museums » made by some museologists who replace dit by the term « cybermuseum ». It comes back to the research of what virtual means in this topic that Bernard Deloche did, with new understandings. Coming from Bergsonian and Deleuzian approaches, it compares them with the meaning given to it in scientific and technological disciplines, especially for virtual reality, since cybermuseums are an expression of digital arts using this kind of technology. Cybermuseums tend to use this last meaning, which is a reduction to the field of possibility, affranchised of its philosophical creative characteristic. An analogy between museal field referent and pure memory or flux of microperception allows to look for a definition of a cybermuseum specific type of museology. A proper museal cybermuseum figure is found in information landscape metaphors from infoviz, which are rethought for digital museums typical uses. Immersion in together esthetical and cognitive environment is then reached. Esthetical conceptions of digital image solve the problem of a digital museum without « real things » : the anesthetic esthetic of Diodato, fragmentary intimism and genesis of Chirollet and Weissberg, image association of Aby Warburg. Cybermuseum therefore pursue a similor goal as Malraux’s « museum without walls », by taking into account digital medium specifities. The thesis contains a creation of cybermuseums prototypes which experiment theoretical ideas and makes them go forward
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Garceau, Jean-Sébastien. "La création esthétique comme nouveauté radicale : développements à partir de Bergson." Thesis, Université Laval, 2010. http://www.theses.ulaval.ca/2010/27087/27087.pdf.

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Roberntz, Tuija. "Friheten i flödet : En studie av nuflöde och frihet i Henri Bergsons filosofi." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-41220.

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Ett av nyckelbegreppen i Henri Bergson filosofi är Nuflödet. Bergson använder nuflödet för att beskriva hur varat i tiden är konstituerat som rörligt. I denna uppsats undersöker jag vad som är frihetens plats i nuflödet genom att studera hur Bergsons tankar om de mänskliga villkoren, intuitionen, livet och evolutionen utvecklas i Tiden och den fria viljan - En studie i omedelbara medvetandefakta (1889), Intuition och intelligens – Introduktion till metafysiken (1903) samt Creative Evolution (1907). För att se intuitionens roll för friheten i Bergsons filosofi har jag gått i dialog med Gilles Deleuzes ”Intuition as a method” (Bergsonism, 1988) samt "Lecture Course on Chapter Three of Bergson's "Creative Evolution"(1960). Deleuze klargör vikten av Bergsons intuitiva metod för att nå frihet i nuflödet. För att göra en kritisk jämförelse vänder jag mig sedan till Daniela Vallega-Neus artikel "Disseminating Time: Durations, Configurations, and Chance." (2017). Denna jämförelse öppnar upp för en vidare förståelse av vad frihet inifrån nuflödet skulle kunna vara. Den möjliggör även en argumentation om dans som en alternativ metod för att uppnå frihet i nuflödet.
One of the key concepts of Henri Bergson’s philosophy is Duration. Bergson uses duration to describe how being in time is constituted as moving. In this thesis I am searching for what room there is for freedom within duration by studying how Bergson’s thoughts about human conditions, intuition, life and evolution evolve in Time and Free Will (1889), An Introduction to Metaphysics (1903) and Creative Evolution (1907). I do this in dialogue with Gilles Deleuze´s ”Intuition as a method” (Bergsonism, 1966) and “Lecture Course on Chapter Three of Bergson's "Creative Evolution"”(1960). Deleuze clarifies the importance of Bergson’s intuitive method to reach freedom in duration. To make a critical comparison I use the article "Disseminating Time: Durations, Configurations, and Chance." (2017) written by Daniela Vallega-Neu. This comparison opens up to a broader sense of how freedom within duration could be conceived. It also makes an argument for dancing as an alternative method in order to reach freedom in duration possible.
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Aho, Lucy. ""Det kanske inte finns någon där" : En tematisk analys av forskning om Ingmar Bergman och religion." Thesis, Karlstads universitet, Institutionen för samhälls- och kulturvetenskap (from 2013), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-80031.

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Denna rapport är en metaanalys av forskning inom fältet film och religion som handlar Ingmar Bergman och religion. Syftet är att redogöra för framträdande religiös tematik i forskning om Ingmar Bergmans filmer. Metoden som har använts kan kallas för ”en tematisk analys av en litteraturöversikt”. Källmaterialet som ligger till grund för analysen utgörs av två vetenskapliga artiklar, ett kapitel ur en monografi samt ett antologibidrag. De teman som lokaliserats i litteraturen utgörs av tre huvudteman: ”religiöst berättarmönster”, ”Gud” och ”människans helighet”. ”Religiöst berättarmönster” har två sub-teman: ”bikt” och ”konst och religion” och ”Gud” utgörs av två sub-teman: ”en frånvarande och tyst Gud” och ”en tvetydig inställning”.
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Books on the topic "Bergen Arcs"

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Ragon, Michel. D'une berge à l'autre: Pour mémoire, 1943-1953. Paris: A. Michel, 1997.

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Visages du monde, Hauts de Cergy: Badia Berger architectes. Paris: Archibooks, 2014.

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International Symposium on Progress in Fish Vaccinology (3rd 2003 Bergen, Norway). Progress in fish vaccinology: The Grieg Music Hall Conference Centre, Bergen, Norway, April 9-11, 2003. Edited by Midtlyng Paul J, International Association for Biologicals, and VESO. Basel: Karger, 2005.

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Proske, Christine. Die Mauer: Chronik eines Aufbruchs. 3rd ed. München: W. Heyne, 1999.

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Die Mauer: Bilder einer Trennung. 2nd ed. München: W. Heyne, 1990.

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Museum, Berlin. Kunstgewerbe. Berlin: Das Museum, 1985.

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Mohamed, Elmedlaoui, ed. Syllables in Tashlhiyt Berber and in Moroccan Arabic. Dordrecht: Kluwer Academic Publishers, 2002.

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Schumann, Wolfgang. Friedrichstadtpalast, Europas grösstes Revuetheater. Berlin: Henschel, 1995.

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Germany), Kunstgewerbemuseum (Berlin. Kunsthandwerk der Gegenwart: Zeitgenössische Arbeiten aus der DDR in der Sammlung des Berliner Kunstgewerbemuseums. Edited by Keisch Christiane. 2nd ed. [Berlin]: Staatliche Museen zu Berlin, Kunstgewerbemuseum, 1994.

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Georg, Quander, and Barenboim Daniel 1942-, eds. Apollini et Musis: 250 Jahre Opernhaus Unter den Linden. Berlin: Propyläen, 1992.

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Book chapters on the topic "Bergen Arcs"

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Salimgaraeva, Laysan I., Aleksey V. Berezin, and Sergey G. Skublov. "Chemical Composition Features of Garnets from the Bergen Arcs Eclogites (Southern Norway)." In Springer Proceedings in Earth and Environmental Sciences, 205–13. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-49468-1_27.

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Scheibner, Lisa. "Was bleibt? Diskriminierungskritische Festivals nachhaltig gestalten." In Radikale Wirklichkeiten, 83–100. Bielefeld, Germany: transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839458884-007.

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Lisa Scheibner berichtet, ausgehend von ihrer Arbeitspraxis bei Diversity Arts Culture Berlin, welche Fragen und Maßnahmen bei der diskriminierungskritischen Konzeption und Umsetzung eines Festivals helfen können und listet viele praktische Hinweise auf: von der Konzeption, über die Planung bis hin zur Durchführung der Veranstaltung.
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Seekamp, A., M. Holch, J. Fauler, M. L. Nerlich, J. A. Sturm, and J. C. Frolich. "Untersuchung zur Leukotrienproduktion im Zusammenhang mit der ARDS-Entwicklung nach Polytrauma." In 107. Kongreß der Deutschen Gesellschaft für Chirurgie Berlin, 17.–21. April 1990, 197–202. Berlin, Heidelberg: Springer Berlin Heidelberg, 1990. http://dx.doi.org/10.1007/978-3-642-75576-7_41.

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Robinson, Harlow. "Fallen Arch." In Lewis Milestone, 167–91. University Press of Kentucky, 2019. http://dx.doi.org/10.5810/kentucky/9780813178332.003.0010.

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This chapter treats Milestone’s life and work from 1945 to 1949. The highly publicized failure of the expensive feature Arch of Triumph, produced by new Enterprise Studios, starring Ingrid Bergman and Charles Boyer in an adaptation of Remarque’s novel about refugees in Paris before the Nazi invasion, damaged Milestone’s artistic reputation. This coincided with Milestone being named by the HUAC as one of The Hollywood Nineteen and accused of pro-Communist sympathies. Although not called to testify, he supported those who were and attended HUAC hearings. A discussion of No Minor Vices and The Red Pony, another Steinbeck adaption starring Robert Mitchum and Copland’s score, concludes the chapter.
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"5 Please Move to Mitte Ernst Busch Academy of Dramatic Arts." In Berlin, 73–82. DETAIL, 2022. http://dx.doi.org/10.11129/9783955535926-009.

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"Margarete Berger Hamerschlag and the Theatre. Vienna, Rome, London." In German-speaking Exiles in the Performing Arts in Britain after 1933, 125–42. Brill | Rodopi, 2013. http://dx.doi.org/10.1163/9789401209199_008.

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Robinson, Terry, and Jane Scullion. "Acute respiratory distress syndrome (ARDS)." In Oxford Handbook of Respiratory Nursing, 137–44. Oxford University Press, 2021. http://dx.doi.org/10.1093/med/9780198831815.003.0006.

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The incidence of describing acute respiratory distress syndrome (ARDS) is approximately 23% in mechanically ventilated patients. The diagnosis of ARDS varies widely; studies report a variation in the population diagnosed with ARDS, from 10 to 86 cases per 100,000. Complications of mechanical ventilation are common and include ventilator-associated pneumonia (VAP), barotrauma from excessive airway pressures, and volutrauma from excessive tidal volumes which may both worsen ARDS. Pneumothorax occurs in some patients, necessitating the placement of chest drains. This chapter starts with describing ARDS and the Berlin Definition, and its incidence. It also covers aetiology and physiology, then goes on to its treatment and general management. This includes respiratory support, position changes, and other treatments. Situation-dependent prognoses are outlined. Specific nursing care is also described.
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Berger, Arthur Asa, and Nurdan Oncel Taskiran. "An Authopreter Narrative." In Advances in Media, Entertainment, and the Arts, 1–14. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-4903-2.ch001.

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Few people can show mathematics, physics, chemistry, geometry, or foreign language among the lessons they love in the educational process. It is no doubt that these lessons, which are difficult to understand and challenging to solve, still maintain their vitality in memories. Apart from these well-known essential areas, it is undeniable that among the new branches of science that developed in the 20th century, one is least as scary as the others. Semiotics (or semiology) is one of the problematic fields with its sophisticated theories in the 19th century until Arthur Asa Berger applied the edutainment (learning by fun) method to semiotics by his work “Saussure Suspects.”
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Berger, Arthur Asa, and Nurdan Oncel Taskiran. "An Authopreter Narrative." In Advances in Media, Entertainment, and the Arts, 1–14. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-4903-2.ch001.

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Few people can show mathematics, physics, chemistry, geometry, or foreign language among the lessons they love in the educational process. It is no doubt that these lessons, which are difficult to understand and challenging to solve, still maintain their vitality in memories. Apart from these well-known essential areas, it is undeniable that among the new branches of science that developed in the 20th century, one is least as scary as the others. Semiotics (or semiology) is one of the problematic fields with its sophisticated theories in the 19th century until Arthur Asa Berger applied the edutainment (learning by fun) method to semiotics by his work “Saussure Suspects.”
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Bryan, Simms. "Introduction." In Berg, 1–10. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190931445.003.0001.

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During Alban Berg’s lifetime, Vienna witnessed a change in the outlook for modern music from optimism to pessimism. In the later nineteenth century music flourished in Vienna, supported by a devoted middle-class audience, the talent of the city’s many Jewish musicians, the stimulus provided by other arts, and a general optimism about the future. A pronounced division in musical taste existed in Vienna between conservatives and progressives. The latter developed a controversial harmonic style associated with modernism that came to be termed “atonality.” The collapse of the Habsburg Monarchy and the turbulent aftermath to World War I signaled an end to tolerance for musical modernism.
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Conference papers on the topic "Bergen Arcs"

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Bienert, Andreas, and Eva Emenlauer-Blömers. "Melting Pots: Berlin Digital meets Berlin Culture." In Electronic Visualisation and the Arts. BCS Learning & Development, 2016. http://dx.doi.org/10.14236/ewic/eva2016.25.

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Bizzocchi, Jim, Arne Eigenfeldt, Philippe Pasquier, Jianyu Fan, and Le Fang. "Berlin Remix." In Electronic Visualisation and the Arts (EVA 2017). BCS Learning & Development, 2017. http://dx.doi.org/10.14236/ewic/eva2017.51.

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McNeil, John, and Andrew Reeves. "Mangere Arch Footbridge, Auckland, New Zealand." In Footbridge 2017 Berlin. Chair of Conceptual and Structural Design, Fachgebiet Entwerfen und Konstruieren – Massivbau, Technische Universität Berlin, 2017. http://dx.doi.org/10.24904/footbridge2017.09187.

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Schwandt, Hartmut, and Joachim Weinhold. "3D Technologies for Museums in Berlin." In Electronic Visualisation and the Arts (EVA 2014). BCS Learning & Development, 2014. http://dx.doi.org/10.14236/ewic/eva2014.61.

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Park, Cheolung, Dabeom Kim, Daehun Choi, Dongseok Kim, and Jaeyong Park. "Design and Vibration Serviceability Evaluation of Pedestrian Space Arch Bridge." In Footbridge 2017 Berlin. Chair of Conceptual and Structural Design, Fachgebiet Entwerfen und Konstruieren – Massivbau, Technische Universität Berlin, 2017. http://dx.doi.org/10.24904/footbridge2017.09456.

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Teng, Jun. "Implementation of a Dynamic Monitoring System for an Butterfly Arch Footbridge." In Footbridge 2017 Berlin. Chair of Conceptual and Structural Design, Fachgebiet Entwerfen und Konstruieren – Massivbau, Technische Universität Berlin, 2017. http://dx.doi.org/10.24904/footbridge2017.09833.

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Cassar, Luke Benjamin, and Frankie Inguanez. "ARC: Augmented Reality for Catering." In 2018 IEEE 8th International Conference on Consumer Electronics - Berlin. IEEE, 2018. http://dx.doi.org/10.1109/icce-berlin.2018.8576165.

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llombart, Jesus Marco. "BERLIN NEUE NATIONALGALERIE. A CONTEMPORARY VIEW OF THE CONSTRUCTION OF THE PLACE." In 6th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sgemsocial2019v/6.1/s17.049.

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Slavikova, Zuzana. "ARTISTIC RENDITION OF VALUES IN THE MUSIC OF ROMAN BERGER A SLOVAK COMPOSER AND PHILOSOPHER OF CULTURE OF THE 20th CENTURY." In 6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sws.iscah.2019.2/s03.027.

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Thomas, G., S. Mihm, M. Limburg, and H. Gruner. "The Arc Movement as a Source of Process Instability for Single-Cathode-Anode Systems – A New Method for Direct Investigation." In ITSC2017, edited by A. Agarwal, G. Bolelli, A. Concustell, Y. C. Lau, A. McDonald, F. L. Toma, E. Turunen, and C. A. Widener. DVS Media GmbH, 2017. http://dx.doi.org/10.31399/asm.cp.itsc2017p0056.

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Abstract:
Abstract The almost uncontrollable arc movement in a single-cathode-anode system limits the efficiency and process stability of this global used DC plasma spraying technique. A successful approach to stabilize the arc anode attachment and thus to increase process efficiency was the replacement of the convergent-cylindrical nozzle geometry by a convergent-divergent nozzle geometry with Laval contour. However, the advantages of this nozzle design were connected to an increased anode erosion caused by an excessive heat input from the anode attachment of the arc. Prerequisite for an optimization of the arc movement is its technical measurement and the dedicated correlation out of it with the plasma jet and the trajectory of injected powder particles. For this purpose Technical University of Berlin developed a new optical analysis method based on high-speed video recording to examine the arc movement, its position and intensity. The software based data together with the simultaneous measured voltage of the corresponding DC-arc clearly show for example the dependence of the arc movement from the position of the cathode tip in relation to center axis of the anode, impressively demonstrated for a new three-zone anode (convergent, conical and divergent). Thus a new tool is given to the developer of new anode geometries for increasing process efficiency and the lifetime of the single-cathode-anode system.
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