Relevant bibliographies by topics / Belgium – History – 16th century

Academic literature on the topic 'Belgium – History – 16th century'

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Published: 10 March 2023

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Journal articles on the topic "Belgium – History – 16th century"

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Poulain, Maxime, Jan Baeten, Wim De Clercq, and Dirk De Vos. "Dietary practices at the castle of Middelburg, Belgium: Organic residue analysis of 16th- to 17th-century ceramics." Journal of Archaeological Science 67 (March 2016): 32–42. http://dx.doi.org/10.1016/j.jas.2016.01.006.

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Rudnytska, Liudmyla. "Creation of the glass factory on the base of the village of Rokitne of Ovruch district of Volyn province." Kyiv Historical Studies, no. 2 (2018): 47–53. http://dx.doi.org/10.28925/2524-0757.2018.2.4753.

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The article highlights the history of the village of Rokytne of Ovruch district in Volyn, which was founded in the 16th century. The rapid development of the village is associated with the change of owner at the end of the 19th century, the Russian nobleman V. M. Okhotnikov and the emergence of merchant of the first guild of St. Petersburg Yu. M. Rozenberg. The Belgian fund was involved with the participation of which it was built an glass enterprise the outskirt of Rokytne village. The factory worked to satisfy needs of the government and produce glass bottle of different capacity. Construction of the Rokytnе glass factory was possible in the presence of a raw material base — quartz sand and forests, which were used as fuel and as building material. Intensive development coincides with the reconstruction of the glass factory in 1900–1902 years. At the same time, a working settlement arose, whose infrastructure was constantly expanding, especially with the construction of railway connection. The number of population has also increased at the expense of employees who came to work from different parts of the Russian Empire. The administration of Rokytne glass factory provided dwelling for all workers and the representatives of small and midsize businesses and they rented the apartments for organization establishments of trade.
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Pavić, Radovan. "Prilozi za dopunu i modifikaciju regionalizacije Republike Hrvatske." Geoadria 13, no. 1 (January 11, 2017): 19. http://dx.doi.org/10.15291/geoadria.566.

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1. The contribution considers the possibility and need for the standard regional structure of the Republic of Croatia divided into Pannonian, central (mountainous) and maritime part, to be supplemented and modifiedin the way that the central part i.e. Mountainous Croatia is defined in the dual way: The Gorski Kotar region as specially mountainous, and Lika as a special mountain depression (or mountain-encircled valley) space, thus making the undivided Mountainous Croatia.2. Instead of the expression regional division of Croatia the better expression is regional structure, because the concept of division has in itself political and geopolitical burdens. Countries normally consist of particular regions, whereas the division is something else: structure is a geographical aspect, and division has in itself political/geopolitical tension. Thus Croatia consists of regions and counties, and it is not divided in that way; Switzerland in the same way is not divided into ethnic groups, but it consists of them. However, there are those who consciously or unconsciously acknowledge ''division'' of Croatia in the way that: Istria and ''Croatia'' instead of Istria and the rest of Croatia. Unlike the mentioned, Belgium is divided (the Wallons and the Flemish), Ukraine is divided (Uniates and Eastern Orthodox).3. To understand a certain space it is necessary to have knowledge in geographical and historical sense, i.e. to perceive geography in a historical manner, and vice versa, which implies that it is the matter of historical geography, and at the same time about geographized history and historized geography.4. The major part of the work is devoted to the problem of geographical and functional location. Thus the region is specially located in the central part of Croatia, but has not taken over its central function due to many geographical, historical and geopolitical reasons.5. The position of the region can be, partly, equalled with the position in the space of "Croatian threshold", which is conquered only in the 21st century. Although centrally located in Croatia – after the Croatian space between the rivers Una and Vrbas (later Turkish Croatia) had been definitely lost in the 15th c. – the region did not also take over the role of functional central position. Consequently, the constant contrast between central location and absence of central functions remains. In historical and geographical meaning, the region, as a result, had a divisional meaning also because of relief and historical and geopolitical reasons (height relief, divisional role of the Croatian Military Border). In that way essential characteristic of the Croatian development of sovereignty is observed – it started in the maritime region, in the triangle Nin – Knin – Cetina, in this way the Zagreb region became the new region of the nucleus from the 15th and the 16th c.
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Joost-Gaugier, Christiane L., Colin Rowe, and Leon Satkowski. "Italian Architecture of the 16th Century." Sixteenth Century Journal 35, no. 2 (July 1, 2004): 605. http://dx.doi.org/10.2307/20477014.

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Konstam, R. A. "16th century naval tactics and gunnery." International Journal of Nautical Archaeology 17, no. 1 (February 1988): 17–23. http://dx.doi.org/10.1111/j.1095-9270.1988.tb00619.x.

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Kulbaka, Jacek. "From the history of disabilities (16th-19th century)." Biuletyn Historii Wychowania, no. 38 (October 11, 2019): 19–37. http://dx.doi.org/10.14746/bhw.2018.38.2.

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The article presents various circumstances (social, legal, philosophical and scientific) connected with the care, upbringing and education of people with disabilities from the early modern era to the beginning of the 20th century. Particular attention was to the history of people with disabilities in the Polish lands. The author tried to recall the activity of leading educational activists, pedagogues and scientists – animators of special education in Poland, Europe and the world. The text also contains information related to the activities of educational and upbringing institutions (institutional, organisational, methodological and other aspects).
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Fernandes, Alexandre, Luiz Fernando Ferreira, Marcelo Luiz Carvalho Gonçalves, Françoise Bouchet, Carlos Henrique Klein, Takumi Iguchi, Luciana Sianto, and Adauto Araujo. "Intestinal parasite analysis in organic sediments collected from a 16th-century Belgian archeological site." Cadernos de Saúde Pública 21, no. 1 (February 2005): 329–32. http://dx.doi.org/10.1590/s0102-311x2005000100037.

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Parasite eggs found in organic remains collected from medieval structures in Raversijde (medieval name: Walraversijde), a village on the northern coast of Belgium, are discussed. The eggs were identified as Ascaris lumbricoides and Trichuris trichiura, both human parasites. Species identification allowed elucidating the origin of the organic sediments and the structures, in this case latrines used by humans. Capillaria sp. and free-living nematode larvae were also found in the latrine. Although neither parasite burden nor prevalence rates could be measured, the abundance of human intestinal parasite eggs indicated a high infection rate in the village residents, reflecting very poor sanitation.
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Waddell, Peter J. A. "The disassembly of a 16th century galleon." International Journal of Nautical Archaeology 15, no. 2 (May 1986): 137–48. http://dx.doi.org/10.1111/j.1095-9270.1986.tb00562.x.

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Noonkester, Myron C., and Boris Ford. "The Cambridge Cultural History, Volume 3: 16th Century Britain." Sixteenth Century Journal 24, no. 3 (1993): 752. http://dx.doi.org/10.2307/2542161.

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Bach-Szczawińska, Cecylia. "On the history of Krynki in the 16th century." Studia Podlaskie, no. 20 (2012): 9–25. http://dx.doi.org/10.15290/sp.2012.20.01.

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Dissertations / Theses on the topic "Belgium – History – 16th century"

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Henderiks, Valentine. "Catalogue critique de l'oeuvre d'Albrecht Bouts et les pratiques de son atelier." Doctoral thesis, Universite Libre de Bruxelles, 2009. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210361.

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La thèse a pour objet d’établir le catalogue critique de l’œuvre d’Albrecht Bouts (1451-55 / 1549). Fils de Dirk Bouts (1410-1420 / 1475), peintre officiel de la ville de Louvain, Albrecht et son frère aîné, Dirk le Jeune (1448 / 1491), héritent de l’atelier de peinture à la mort de leur père. L’œuvre de l’aîné reste très controversée, aucun tableau ne pouvant lui être attribué avec conviction. Il en est autrement du puîné, Albrecht, à qui la paternité du Triptyque de l’Assomption de la Vierge des Musées royaux des Beaux-Arts de Belgique peut être donnée avec beaucoup de vraisemblance. Le corpus de son œuvre, établi, en 1925, par Max J. Friedländer et, en 1938, Wolfgang Schöne, autour de ce retable autographe, comprend un nombre important de peintures. Ce catalogue n’a, toutefois, jamais fait l’objet d’une révision par les historiens de l’art. Seules quelques peintures ont été publiées de manière ponctuelle. Devant l’abondance des tableaux attribués au peintre, il convenait donc de réaliser une étude fondamentale afin de distinguer ses propres créations de celles de ses collaborateurs.

La thèse se compose de cinq chapitres. Le premier établit une biographie complète, sélective et chronologique, se basant sur les sources livrées par les archives de la ville de Louvain. Leur interprétation critique renouvelée et enrichie livre ainsi de nombreux arguments pour mieux définir l’individualité d’Albrecht Bouts et justifier le développement de sa carrière.

Le second chapitre concerne l’étude de l’œuvre d’Albrecht Bouts et débute par un examen approfondi de la seule peinture au caractère autographe reconnu, le Triptyque de l’Assomption de la Vierge. L’examen combiné du style et de la technique d’exécution de cette œuvre de maturité du maître permet de mettre en exergue les influences de Dirk Bouts et d’Hugo van der Goes et de définir la personnalité artistique singulière d’Albrecht Bouts. Suite à cette analyse, le catalogue de son œuvre est reconstitué de façon linéaire, depuis sa genèse jusqu’à son terme. Chacune des peintures qui lui sont attribuées est ensuite étudiée de façon chronologique et détaillée, précédée d’une notice technique préliminaire reprenant les données matérielles et bibliographiques, dans le cinquième chapitre consacré au catalogue raisonné.

La révision du corpus de l’œuvre d’Albrecht Bouts est fondée sur un travail d’attribution reposant à la fois sur l’approche stylistique traditionnelle et sur les résultats fournis par les documents de laboratoire. Une importante documentation photographique et technologique des œuvres, dont certaines inédites, a ainsi été rassemblée et sa confrontation constitue un support essentiel à la démonstration.

Le troisième chapitre propose, à partir des hypothèses émises à propos de la biographie et du catalogue des œuvres d’Albrecht Bouts, une analyse de la production de son atelier, particulièrement intense à partir de la première décennie du XVIe siècle. Dans cette partie, l’objectif n’est pas d’établir un exposé circonstancié et complet de chaque peinture abordée, mais plutôt de rassembler des groupes cohérents d’œuvres, également fondés sur une approche combinée du style et de la technique d’exécution. Un même principe de renvoi aux notices dans le catalogue raisonné est adopté.

Enfin, le quatrième chapitre est consacré à la réalisation en série d’œuvres de dévotion privée dans l’atelier du maître. De nombreuses généralités et quelques études ponctuelles ont préparé le terrain, annonçant l’importance de ce phénomène sans, toutefois, en mesurer l’ampleur. C’est pourquoi, nous lui accorderons une investigation la plus exhaustive tant sur les pratiques en vigueur dans l’atelier, que sur l’iconographique et le contexte socio-économique de la création de prototypes par Albrecht, dans la foulée de l’héritage des modèles paternels.

Ainsi, ce travail permettra de mieux cerner la personnalité d’Albrecht Bouts, de retracer son individualité artistique, mais aussi de réévaluer la participation de son atelier, afin de rétablir chacun de ces éléments à leur juste place au sein de la peinture flamande de la fin du XVe siècle et du début du XVIe siècle

The subject of the thesis is to establish a critical catalogue of Albrecht Bouts’ (1451-55/1549) work. Son of Dirk Bouts (1410-1420/1475), official painter to the city of Leuven, Albrecht and his elder brother, Dirk the Younger (1448-1491), inherited their father’s workshop after his death. The work of the elder son, Dirk the Younger, is still a discussed topic since no painting could be attributed to him with certainty. It is quite different for Albrecht who is the likely author of the Tryptich of the Assumption of the Virgin from the Musées royaux des Beaux-Arts of Belgium. The corpus of his work, established in 1925 by Max J. Friedländer and in 1938 by Wolfgang Schöne based on this autograph altarpiece, includes an important number of paintings. This catalogue has however never been revised by art historians since then. Only some paintings have occasionally been published.

Considering the high number of paintings attributed to the master, there was a need to undertake a deeper study in order to distinguish Albrecht Bouts’ own creations from those of his workshop.

The thesis is divided into five chapters. The first one includes a complete, selective and chronological biography of the master, based on the data found in the archives of the city of Leuven. A newly enriched critical interpretation of these documents has allowed a better definition of Albrecht Bouts’s personality and a clearer understanding of the development of his career.

The second chapter is devoted to the study of the master’s work and starts with an in-depth examination of the Tryptich of the Assumption of the Virgin, the only painting recognized as an autograph work. The combined examination of the style and the technical execution of this altarpiece, painted during the mature period of his career, underlines both the influences of Dirk Bouts and Hugo van der Goes and helps to display his original artistic personality.

From there, the catalogue of his work is re-established, in the last chapter, from the very beginning to the end of his working life. In the last chapter devoted to the catalogue, each painting attributed to the master is carefully studied, on a chronological basis and in details, with an introductive technical note giving material as well as bibliographical information.

The review of the corpus of Albrecht Bouts’ work is based on a traditional stylistic approach and on the results given by laboratory documents. An important photographical and technological documentation of his works – some of them unpublished until now- has been gathered. Their comparison brought forward essential arguments on which our demonstration is based.

The third chapter, which builds on the two first ones, consists of an analysis of Albrecht Bouts’ workshop production, which was particularly active at the beginning of the XVIth century. The purpose was not to study thoroughly each painting but to extract coherent groups of works thanks to the same combined examination of style and technique. Like the master’s autograph work, each painting is subject to a careful study in the critical catalogue.

Finally, the fourth chapter is dedicated to the serial production of private devotional works carried out in the master’s workshop. There were already many general writings and some occasional studies on the subject, but none of them really measured the importance of the mass production. We therefore undertook a deep and thorough research on the workshop practices ,on the iconography and on the social-economical context of the realisation of works by Albrecht following the prototypes created by his father.

The thesis contributes to a better knowledge and understanding of the life, the personality and the work of Albrecht Bouts and re-evaluates the participation of his workshop. This will give to each of these elements its proper place in the Flemish Masters Painting of the end of the XVth and the beginning of the XVIth centuries.


Doctorat en Histoire, art et archéologie
info:eu-repo/semantics/nonPublished

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Anthony, Danielle Tina. "Intimate Invasion: Andeans and Europeans in 16th Century Peru." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1515105243237725.

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Roberts, Dunstan Clement David. "Readers' annotations in sixteenth-century religious books." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610579.

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Davis, Lydia. "British travellers and the rediscovery of Sicily, 16th-19th century." Thesis, Southampton Solent University, 2006. http://ssudl.solent.ac.uk/579/.

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This project deals with the early period of what could be termed the 'Grand Tour' in Sicily, a subject which has previously been covered only in a small number of academic works. In particular, it looks at the history of British travel and travellers to Sicily, placing particular emphasis on the way in which classical considerations prompted, guided and inspired visitors to the island. Whilst covering a wide time span which ranges from the 8th until the 20th centuriy AD, the main body of the work focuses on the period between 1550 and 1770 and provides a study of the major British travellers to Sicily during this period - most particularly the journeys of Thomas Hoby in the 16th century, George Sandys and Isaac Basire in the 17th and John Breval in the early 18th century. It also looks at the cultural construction of Sicily itself during this period, and the major Latin and Italian historical sources which influenced, and in some cases were influenced by, travellers and writers from Britain. Much of this work involves the in-depth analysis of several of the major geographical and antiquarian texts from the 16th, 17th and early 18th centuries both in English and Italiaan. The results suggest that rather than the more traditional view of Sicily as a late addition to the Grand Tour, relatively undiscovered until the 1770s, the island had in fact generated a significant amount of interest from numerous erudite British travellers and antiquarians, who made a small but nevertheless important contribution to the body of work written upon the island and its culture and antiquities
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Martínez, Martínez Franklin de Jesús. "Cowlonialism : Colonialism, cattle and landscapes in 16th century New Spain." Thesis, Uppsala universitet, Institutionen för arkeologi och antik historia, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-418884.

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Cattle are not endemic to the American continent. Nevertheless, they are present and thrive in many landscapes, all the way from Canada to Argentina. The narratives about the process of colonisation of the American continent include human actors, but there is very little literature in comparison that deals on the influence of cattle in landscapes in the continent. In this thesis, I will contribute to the discussion about more-than-human processes of landscape modification, by analysing archival sources from the New Spain. This region included a big part of the West of the United States, Mexico and Central America. The period I analyse, between 1550 and 1602, represents the first decades of encounter between the Spanish settlers and indigenous communities, in the region of New Spain, where the Spanish established administrative institutions to manage their empire. The documents that I analysed showcase the transformations that cattle caused in the landscape, from how indigenous people lived, to what plants and crops could be cultivated. Inspired by Multi-species studies, ethography, and the concepts of “animal” and “landscape”, I use Actor-Network Theory to create a thoroughly described network of relations. In my analysis, I find that cattle influenced the activities that were performed in the landscape, as well as the ways that other actors interacted with each other. These actions, complemented by religious, economic and cultural ideas that circulated during the XVI century, would form what I call Cowlonialism, a regime of ideas and practices where cattle invade the land and displace their inhabitants, exercising power over other actors.
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Monette, Barbara. "The Anabaptist Contributions to the Idea of Religious Liberty." PDXScholar, 1994. https://pdxscholar.library.pdx.edu/open_access_etds/5060.

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The relationship between ideas and history is important in order to understand the past and the present. The idea of religious liberty and the realization of that ideal in sixteenth-century Europe by the Anabaptists in Switzerland and South Germany in the 1520s was considered to be revolutionary in a society characterized by the union of church and state. The main impetus of the idea of religious liberty for the Anabaptists was the application of the New Testament standard of the Christian church, which was an independent congregation of believers marked only by adult baptism. The purpose of the present study is to demonstrate the contributions of the Swiss Anabaptists to the idea of religious liberty by looking at the ministries and activities of three major leaders of the early Swiss movement: Conrad Grebel, Michael Sattler, and Balthasar Hubmaier. This thesis takes up the modern form of religious liberty as analyzed by twentieth-century authorities, as a framework for better understanding the contributions of the Anabaptists. My research then explores the establishment of the first Anabaptist church in history, the Zollikon church outside of Zurich, and examines its organization membership, motives, and strategies for evangelizing Switzerland. In all areas influenced by the Anabaptists, there was considerable acceptance of their doctrine of a separated church. Their teaching on liberty of conscience also influenced people in towns such as Zollikon and Waldshut. Possible historical links between the Anabaptist doctrines and establishment of later Baptist denominations are shown.
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Bishop, Jennifer Jane. "Precious metals, coinage, and 'commonwealth' in mid-Tudor England." Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708796.

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True, Thomas-Leo Richard. "Power and place : the Marchigian Cardinals of Sixtus V." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648270.

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Glowark, Erik. "The Christianization of Japan During the First Thirty Years of the Jesuit Apostolate." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11510.

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viii, 169 p.
The Jesuit mission to Japan (1549-1639) has long attracted the attention of historians because it coincided with a number of developments in Japanese history: increasing contact with Western powers, political reunification, and the transition to early modernity. However, few historians have placed the Jesuit mission in the wider context of Christianization, a process that many different peoples and cultures globally experienced during the premodern and early modern periods. This study examines Japan's participation in the world-historical process of Christianization during the first thirty years of the Jesuit apostolate. Making extensive use of Jesuit documents written between 1548 and 1561, this study demonstrates how the Japanese of the sixteenth century experienced Christianization and how that experience connected them to other missionized peoples and cultures across time and space.
Committee in charge: Jeffrey Hanes, Chairperson; Andrew Goble, Member; Robert Haskett, Member
10000-01-01
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LaCerva, Daniel Anthony. "Purepècha y Pescado: Food, Status, and Conquest in 16th Century Michoacán." University of Toledo / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1503004991079327.

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Books on the topic "Belgium – History – 16th century"

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Jan Moretus and the continuation of the Plantin Press: A bibliography of the works published and printed by Jan Moretus I in Antwerp (1589-1610). Leiden: Brill / Hes & De Graaf, 2014.

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Ledebur, Katja Schmitz-von. Die Planeten und ihre Kinder: Eine Brüsseler Tapisserienserie des 16. Jahrhunderts aus der Sammlung Herzog Albrechts V. in München. Turnhout: Brepols, 2007.

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Nadal, Gerónimo. The illustrated spiritual exercises. Scranton, Pa: University of Scranton Press, 2001.

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Humble, Richard. A 16th century galleon. New York: P. Bedrick Books, 1995.

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1961-, Bergin Mark, ed. A 16th century galleon. New York: P. Bedrick Books, 1995.

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The conquest of Abyssinia: 16th century. Hollywood, CA: Tsehai Publishers & Distributors, 2003.

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Famous warriors of 16th century Japan. Hollywood, CA: W.M. Hawley, 1993.

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Pennington, Anne Elizabeth. Music in medieval Moldavia, 16th century. Bucharest: Musical Pub. House, 1985.

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D'Accone, Frank A. Music and musicians in 16th-century Florence. Aldershot: Ashgate/Variorum, 2007.

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Gauldin, Robert. A practical approach to 16th century counterpoint. Long Grove, Illinois: Waveland Press, 2013.

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Book chapters on the topic "Belgium – History – 16th century"

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Epstein, Stephan R. "Middle Ages — 16th Century: Introduction." In Comparative Rural History of the North Sea Area, 76–81. Turnhout: Brepols Publishers, 2001. http://dx.doi.org/10.1484/m.corn-eb.3.299.

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Monzón, Cristina. "Tarascan Orthography in the 16th Century." In Studies in the History of the Language Sciences, 65. Amsterdam: John Benjamins Publishing Company, 2005. http://dx.doi.org/10.1075/sihols.109.04mon.

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Dibbets, Geert R. W. "Dutch philology in the 16th and 17th Century." In The History of Linguistics in the Low Countries, 39. Amsterdam: John Benjamins Publishing Company, 1992. http://dx.doi.org/10.1075/sihols.64.03dib.

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Kibbee, Douglas A. "French Grammarians and Grammars of French in the 16th Century." In History and Historiography of Linguistics, 301. Amsterdam: John Benjamins Publishing Company, 1990. http://dx.doi.org/10.1075/sihols.51.1.32kib.

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Perelló, M., and E. Rabasa. "Stone and brick flat vaults from the 16th century in Spain." In History of Construction Cultures, 356–63. London: CRC Press, 2021. http://dx.doi.org/10.1201/9781003173434-150.

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Kibbee, Douglas A. "Language Variation and Linguistic Description in 16th-Century France." In North American Contributions to the History of Linguistics, 49. Amsterdam: John Benjamins Publishing Company, 1990. http://dx.doi.org/10.1075/sihols.58.06kib.

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Traetta, L. "Giuseppe Ceredi. A Hydraulic Engineer in 16th-Century Italy." In Explorations in the History and Heritage of Machines and Mechanisms, 17–27. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-03538-9_2.

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Izzo, Herbert J. "Phonetics in 16th-Century Italy: Giorgio Bartoli and John David Rhys." In The History of Linguistics in Italy, 121. Amsterdam: John Benjamins Publishing Company, 1986. http://dx.doi.org/10.1075/sihols.33.07izz.

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Barrera, F. B. Orozco. "Stability and construction of the 16th century Mexican rubble masonry vaults in Jiutepec Morelos." In History of Construction Cultures, 19–25. London: CRC Press, 2021. http://dx.doi.org/10.1201/9781003173359-3.

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Ellis, Harold, and Sala Abdalla. "The age of the surgeon-anatomist: Part 1 – from the mid-16th century to the end of the 17th century." In A History of Surgery, 35–46. Third edition. | Boca Raton, Florida: CRC Press, [2019] |: CRC Press, 2018. http://dx.doi.org/10.1201/9780429461743-5.

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Conference papers on the topic "Belgium – History – 16th century"

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"A Short History of Income Property Valuation Models - The 17th to 21st Century." In 16th Annual European Real Estate Society Conference: ERES Conference 2009. ERES, 2009. http://dx.doi.org/10.15396/eres2009_385.

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Balunov, Igor. "HISTORY OF THE TOBOLSK TRINITY CHURCH: FROM THE FIRST WOODEN TO THE SECOND CATHEDRAL (LATE 16th - LATE 18th CENTURY)." In Тобольск в веках: история, архитектура и культура. Киров: Межрегиональный центр инновационных технологий в образовании, 2022. http://dx.doi.org/10.52376/978-5-907623-13-2_043.

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Stasyuk, I., and A. Gorodilov. "Archaeological investigations of the foundations of the Church of St. Paraskeva-Pyatnitsa (Mikhaylovsky) of the 16th century near Kingisepp (Leningrad Oblast) in 2019." In Bulletin of the Institute for the History of Material Culture Russian Academy of Sciences: (rescue archaeology). Institute for the History of Material Culture Russian Academy of Sciences: (rescue archaeology), 2020. http://dx.doi.org/10.31600/978-5-907298-13-2-2020-120-127.

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Masuyama, Yutaka, Kensaku Nomoto, and Akira Sakurai. "Numerical Simulation of Maneuvering of "Naniwa-maru," A Full-scale Reconstruction of Sailing Trader of Japanese Heritage." In SNAME 16th Chesapeake Sailing Yacht Symposium. SNAME, 2003. http://dx.doi.org/10.5957/csys-2003-015.

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Numerical simulation of maneuvering of “Naniwa-maru" was performed to clarify the maneuver characteristics in particular with wearing operation. "Naniwa-maru" belongs to a type called Higaki-kaisen, and the Higaki-kaisen is a type of the more generic class of vessels named "Bezai-ship". Bezai-ship are typical Japanese sailing traders in the 18th to the mid- 19th century which have different appearance and construction from those of Western tall ships. The present paper shows the numerical simulation of her wearing operation, and the results compared with the measured data. The equations of motion dealt with coupled ship motions of surge, sway, roll and yaw with co-ordinate system using horizontal body axes. The numerical simulation indicates ship response according to the measured time history of rudder angle, and shows the ship trajectory and the sailing state parameters such as heading angle, leeway angle, heel angle and velocity. The calculated results indicated the ship performance very well.
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Turilov, Anatolij. "The History of the “Second and a Half” South Slavonic Infl uence: The Cultural Ties of the Eastern and Southern Slavs in the Late 15th - Mid 16th Centuries and Their Regional Features." In Tenth Rome Cyril-Methodian Readings. Indrik, 2020. http://dx.doi.org/10.31168/91674-576-4.25.

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The report focuses on the cultural ties (mainly literary) between Eastern and southern Slavs in the late 15th – mid-16th century. The variants of these relations for the Moscow state and the Grand Duchy of Lithuania and Poland are compared.
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Kochetkova, Uliana E. "SIGNIFICANCE OF DECIPHERING THE ADAM ALPHABET IN THE HISTORY OF PHONETIC RESEARCH." In 49th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2022. http://dx.doi.org/10.21638/11701/9785288062353.28.

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This study aims to consider the significance of deciphering the Hebrew alphabet for the history of phonetic thought. Hermetic and Kabbalistic teachings endowed the Hebrew language with a divine meaning. Traditionally considered as given to Adam by God, this alphabet was called the Alphabet of Adam. The novelty and relevance of the current work are defined by the lack of a comprehensive description of the relationship between these traditional ideas and phonetics. The need for it is caused by the earlier observations about the possible influence of the 17th century concepts on the results of later measurements of vowels with tuning forks, and by the widespread opinion about the low significance of this period in linguistic science history. Though there can be found some publications devoted to concrete authors of the 16th–17th centuries, their contribution to the development of phonetic sciences has not yet been acknowledged. The current research is based on primary and secondary sources in Latin, English, French and Russian. The analysis showed that deciphering the vowels of Hebrew alphabet led to the first attempt to accurately describe vowel acoustic features, the empirical study of their articulatory characteristics and to the search for the “ideal” alphabet built of iconic signs. It also allowed the authors to develop methods for teaching deaf-mutes and systematize vowels. Thus the initial hypothesis about the significance of deciphering the Alphabet of Adam for the history of phonetic thought was confirmed. Refs 25.
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Štimac Grandić, I., D. Grandić, P. Šćulac, L. Matešić, and P. Krolo. "Reconstruction and Restoration of the Upper Bridge in Nin." In IABSE Symposium, Wroclaw 2020: Synergy of Culture and Civil Engineering – History and Challenges. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/wroclaw.2020.1210.

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<p>The Upper Bridge originates from the 16th century and is inscribed in the Croatian Registry of Cultural Objects as part of the cultural-historical city of Nin. The bridge was built on low bearing capacity and soft soil. For the most part, the bridge deck is supported on the stone embankment while the passage of sea under the bridge is allowed through three vaults. During its 450 years of existence, the Upper Bridge has been destroyed several times due to river floods or damaged as a result of the ground settlement. In the catastrophic flood that occurred in 2017 the middle third of the bridge was completely destroyed. The presented project of bridge reconstruction and restoration solved the problem of foundation of the bridge and flow problem through the extended flow profile underneath the vaults taking into account the earthquake resistance, durability of the structure and original appearance of the bridge.</p>
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Nava, Fernando Pérez, Isabel Sánchez Berriel, Alejandro González González, Cecile Meier, Jesús Pérez Morera, and Carmen Rosa Hernández Alberto. "AN INTERACTIVE 3D APPLICATION OF A HOUSE FROM THE XVI CENTURY IN SAN CRISTÓBAL DE LAGUNA AS A CASE STUDY FOR THE DISSEMINATION OF CULTURAL HERITAGE." In ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. Editorial Universitat Politécnica de Valéncia: Editorial Universitat Politécnica de Valéncia, 2021. http://dx.doi.org/10.4995/arqueologica9.2021.12061.

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At the end of the XVI century, the historic centre of San Cristóbal de La Laguna was definitively configured as we know it today, as can be seen in the first preserved map of the city, drawn in 1588 by the engineer Leonardo Torriani. It is the first non-fortified Spanish colonial city and its plan has provided a model for the colonial cities of America, making it a UNESCO World Heritage site. The dissemination of this legacy is a task of great importance. A tool of increasing importance for the dissemination and preservation of history and cultural heritage are reconstructions and virtual recreations in 3D. This paper presents a case of the use of these tools for the dissemination of the city's heritage. The 3D modelling of one of the most characteristic types of housing in San Cristóbal de La Laguna in the 16th century is carried out along with the 3D modelling of human virtual characters all based on the historical documentation of that time. With these elements a WebGL application has been implemented in which a user can visit the virtually reconstructed house and receive information on the construction systems and architecture in the city on the XVI century.
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Hudson, Bob. "Old Burmese weights were not opium weights. They were weights. What else do we know about them? | ရှေးဟောင်းမြန်မာ့အလေးများသည် ဘိန်းချိန်သည့်အလေးများမဟုတ်ပါ၊ အချနိ ်အတွယ်အလေးများသာ ဖြစ်သည်။ ယင်းတို့အကြောင်း ဘာတွေများ သိရပါသနည်း။." In The SEAMEO SPAFA International Conference on Southeast Asian Archaeology and Fine Arts (SPAFACON2021). SEAMEO SPAFA, 2021. http://dx.doi.org/10.26721/spafa.pqcnu8815a-29.

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Bronze weights from Myanmar (old Burma) are popularly but incorrectly identified as “opium weights”. This paper examines the historical evidence for a system of weights and measures in old Burma going back to the 11th to 14th century Bagan period. It also examines the challenge to Southeast Asian archaeology, history and museology posed by the popular “Angel Weights” website and Facebook pages, which claim that a hoard of bronzes and associated documentation kept in a so-far undisclosed location represents a hitherto unknown collection of weights that date back to the Bagan and 14th to 16th century First Ava periods. This (so far) private curatorship of alleged historical data presents a dilemma: how does an academic deal with data that is available only on the internet, presented only from the viewpoint of its owners? မြန်မာပြည် (ယခင်ဗမာပြည်)မှ ကြေးရုပ်အလေးများကို လူသိများလှသော်လည်း ဘိန်းချိန် အလေးများဟူ၍ လွဲမှားစွာ ဖွင့်ဆိုလေ့ရှိသည်။ ယခုစာတမ်းမှာ အေဒီ(၁၁)ရာစုမှ (၁၄)ရာစု ရှေးခေတ် မြန်မာပြည် ပုဂံခေတ်ကာလတွင် သုံးစွဲခဲ့သော အလေးချိန်စနစ်တစ်ခုအတွက် သမိုင်းဆိုင်ရာ အထောက်အထားများကို လေ့လာရှာဖွေရန်ဖြစ်သည်။ အလားတူပင် အရှေ့တောင်အာရှ ရှေးဟောင်း သုတေသန၊ သမိုင်းနှင့် ပြတိုက်ဆိုင်ရာ ကြေးထည်ပစ္စည်းများနှင့် ဆက်စပ်အထောက်အထားများကို ယင်းတို့၏ မူရင်းနေရာ အတိအကျ မသိရှိဘဲ ပုဂံခေတ်မှ အေဒီ(၁၄_၁၆) ရာစု အင်းဝခေတ်တို့နှင့် သက်ဆိုင်သည့် ကြေးထည်ပစ္စည်းနှင့် အလေးများဟူ၍ “နတ်ရုပ်အလေးများ” ကွန်ယက်နှင့် ဖေ့စ်ဘုတ် လူမှုကွန်ယက်စာမျက်နှာများတွင် လူသိထင်ရှားဖော်ပြ ထားခြင်းတို့အပေါ် စောဒကတက်စရာရှိသည် များကို စစ်ဆေးလေ့လာသွားရန်လည်းဖြစ်သည်။ ဤသို့ (ဖော်ပြထားသည့်) ကိုယ်ပိုင်ပြသမှု များမှ သမိုင်းဆိုင်ရာ အချက်အလက် များကို လိုသလို သုံးစွဲနေမှုများသည်-“ပစ္စည်းပိုင်ရှင်တို့၏ အထင် အမြင်ဖြင့်သာ ဖော်ပြထားသည့် အင်တာနက် တွင်သာရနိုင်သော အချက်အလက်များနှင့် ပညာရပ်ဆိုင်ရာ လေ့လာမှုတို့မည်ကဲ့သို့ ဆက်စပ်နိုင်ကြ မည်နည်း”ဟူသော အကြပ်အတည်းတစ်ခုကိုလည်း ဖော်ပြ လျက်ရှိသည်။
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Gugeanu, Mariana, and Doina Gugeanu. "Structuri textile provenite din necropola bisericii Adormirea Maicii Domnului, Mănăstirea Căpriana. Cercetare și conservare-restaurare." In Cercetarea și valorificarea patrimoniului arheologic medieval. "Ion Creanga" State Pedagogical University, 2022. http://dx.doi.org/10.37710/idn-c12-2022-204-211.

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The archaeological research carried out at “The Assumption of the Virgin Mary” Church of Căpriana Monastery highlighted that starting with the 16th century a necropolis had been built in the pronaos and threshold of the church, including tombs of the boyar founders’ families. The archaeological inventory of the necropolis within “The Assumption of the Virgin Mary” Church contains also fragments of textile materials. The study of the archaeological textile materials of Căpriana Monastery, mainly the structure of the natural silk weavings and the chenille made by tablet weaving, respectively, led to the reconstitution of the techniques used to obtain these textile materials during the mediaeval period. This paper presents the research of several textile structures deriving from tomb no. 50, the Necropolis of “The Assumption of the Virgin Mary” Church, Căpriana Monastery. The paper also describes the process of conservation-restoration applied in the case of these textile structures. The conservationrestoration of the movable cultural heritage is firstly a matter of scientific research, compulsorily complemented by the intervention on the object using highly qualified methods of technical execution. A stage of major importance in the life of archaeological textiles, their conservation-restoration ensures the continuity of these slices of the history of mankind.
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