Relevant bibliographies by topics / BeDevil

Academic literature on the topic 'BeDevil'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 January 2023

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Journal articles on the topic "BeDevil"

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Summerhayes, Catherine. "Haunting Secrets: Tracey Moffatt's beDevil." Film Quarterly 58, no. 1 (2004): 14–24. http://dx.doi.org/10.1525/fq.2004.58.1.14.

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Abstract In her vividly textured, complicated, and passionate film, beDevil, Australian Aboriginal artist and filmmaker Tracey Moffatt avoids easy stereotypes of victims and oppressors. She not only inspects some of the repressed stories of indigenous Australians, but also looks at the bewildered, bedeviled ways in which non-indigenous and indigenous Australians live with each other. Moffatt draws on all aspects of her artistic practice in this feature-length film.
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Silver, J. "The details bedevil DCOR." Kidney International 72, no. 9 (November 2007): 1041–43. http://dx.doi.org/10.1038/sj.ki.5002527.

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Rizvi, Wajiha Raza. "BeDevil: Colonialism and the children of miscegenation." Journal of International Communication 19, no. 1 (April 2013): 43–58. http://dx.doi.org/10.1080/13216597.2012.754363.

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Hall, Andrew M. R., Jonathan C. Chouler, Anna Codina, Peter T. Gierth, John P. Lowe, and Ulrich Hintermair. "Practical aspects of real-time reaction monitoring using multi-nuclear high resolution FlowNMR spectroscopy." Catalysis Science & Technology 6, no. 24 (2016): 8406–17. http://dx.doi.org/10.1039/c6cy01754a.

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FlowNMR spectroscopy is an excellent technique for non-invasive real-time reaction monitoring under relevant conditions that avoids many of the limitations that bedevil other reaction monitoring techniques.
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Kasereka, Lucien Wasingya, and John Kellett. "Back-to-basics: Fever is a syndrome and not just pyrexia." South Sudan Medical Journal 15, no. 1 (March 7, 2022): 33–38. http://dx.doi.org/10.4314/ssmj.v15i1.8.

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Fever is a common presenting complaint in sub-Saharan Africa. Although it has many causes, the symptoms of fever, with or without an elevated body temperature, should always make the clinician suspect infection. The other presentations associated with fever often help identify its likely cause. However, the features of fever that make it life-threatening continue to bedevil physicians.
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Collins, Felicity. "Disturbing the Peace: The Ghost in beDevil and The Darkside." Critical Arts 31, no. 5 (September 3, 2017): 107–14. http://dx.doi.org/10.1080/02560046.2017.1348686.

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Tooby, John, and Leda Cosmides. "Evolutionary psychology, ecological rationality, and the unification of the behavioral sciences." Behavioral and Brain Sciences 30, no. 1 (February 2007): 42–43. http://dx.doi.org/10.1017/s0140525x07000854.

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For two decades, the integrated causal model of evolutionary psychology (EP) has constituted an interdisciplinary nucleus around which a single unified theoretical and empirical behavioral science has been crystallizing – while progressively resolving problems (such as defective logical and statistical reasoning) that bedevil Gintis's beliefs, preferences, and constraints (BPC) framework. Although both frameworks are similar, EP is empirically better supported, theoretically richer, and offers deeper unification.
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Mimura, Glen Masato. "Black Memories: Allegorizing the Colonial Encounter in Tracey Moffatt's beDevil (1993)." Quarterly Review of Film and Video 20, no. 2 (January 2003): 111–23. http://dx.doi.org/10.1080/10509200308189.

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Blackwell, M. J. "Meetings for the relatives of refugees from Vietnam suffering from schizophrenia." Psychiatric Bulletin 14, no. 9 (September 1990): 533–37. http://dx.doi.org/10.1192/pb.14.9.533.

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The problems of diagnosis in transcultural psychiatry and the ideological and anthropological questions raised have received much attention in the psychiatric literature over the last 15 years. Even when the diagnosis is not in dispute, specific problems are encountered in the delivery of psychiatric care to patients from ethnic minorities (Littlewood & Lipsedge, 1989; Rack, 1982). Different explanatory models of illness and treatment, linguistic and cultural misunderstandings and numerous, apparently minor, practical difficulties bedevil treatment. Contributions to the psychiatric literature of practical use in management and service designs have been sparse.
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Holden, Thomas. "Hobbes on the function of evaluative speech." Canadian Journal of Philosophy 46, no. 1 (February 2016): 123–44. http://dx.doi.org/10.1080/00455091.2016.1147888.

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AbstractHobbes’s interpreters have struggled to find a plausible semantics for evaluative language in his writings. I argue that this search is misguided. Hobbes offers neither an account of the reference of evaluative terms nor a theory of the truth-conditions for evaluative statements. Rather, he sees evaluative language simply as having the non-representational function of prescribing actions and practical attitudes, its superficially representational appearance notwithstanding. I marshal the evidence for this prescriptivist reading of Hobbes on evaluative language and show how it sidesteps various textual and philosophical problems that bedevil the traditional interpretations.
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Dissertations / Theses on the topic "BeDevil"

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Summerhayes, Catherine, and catherine summerhayes@anu edu au. "Film as Cultural Performance." The Australian National University. School of Art, 2002. http://thesis.anu.edu.au./public/adt-ANU20090210.095136.

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This thesis investigates how Victor Turner’s concept of ‘cultural performance’ can be used to explore and analyse the experience of film. Drawing on performance theory, hermeneutics, phenomenology and Bakhtin’s dialogism, Sections One and Two develop this investigation through a theoretic discussion which relates and yet distinguishes between three levels of ‘performance’ in film: filmmaking performance, performances as text and cultural performances. The theory is grounded within four films which were researched for this thesis: Once Were Warriors (Lee Tamahori, 1994), Rats in the Ranks (Bob Connolly and Robin Anderson,1996), beDevil (Tracey Moffatt, 1993) and Link-Up Diary (David MacDougall, 1987). Section Three undertakes the close analyses of the latter two films. These analyses address specific cultural performances that are performed ‘across’ cultures and which are concerned particularly with Australian society’s relationship with indigenous Australians. ¶ Section One locates Turner’s concept of ‘cultural performance’ within his wider theory of ‘social drama’ and introduces the three-tiered mode of analysis which is developed throughout this thesis. His concept of ‘liminality’ is also investigated in order to consider specific relationships between performances which take place in film and theatre. Performances which take place in film are located in this Section within the theatrical understanding of performance as ‘for an audience’. I describe this relationship between performances in film and theatre through Kristeva’s interpretation of Bakhtin’s concept of heteroglossia as intertextuality, especially through her distinction of a ‘transformative’ intertextuality. Three specific concepts from theatre and performance theory are interrogated for their relevance to film theory: 1. Brecht’s theory of ‘gest’, 2. ‘direct address to the audience’ in relation to the ‘gaze’ in film and 3. Rebecca Schneider’s conceptualisation of ‘the performance artist’. ¶ Using these three tropes of performance, Section Two develops a theory of performance in film. Besides Turner’s concept of ‘cultural performance’, this theory draws on aspects of several other substantial bodies of work. These works include Richard Schechner’s performance theory, Michael Taussig’s understanding of ‘mimesis’, Vivian Sobchack’s phenomenology of film, Paul Ricoeur’s theory of text ‘as meaningful action’, Gadamer’s concept of ‘meaningful play’, Bakhtin’s conceptualisation of a ‘dialogic’ text and Catherine Bell’s theory of ‘ritualised behaviour’. The two analyses in Section Three do not rigidly follow the three-tiered process of analysis which is developed in the previous two Sections. They rather focus on the films as sites for particular cultural performances which are specific for each film and which need for their description, different aspects of the theory that is offered through this thesis. These analyses especially draw on my interpretation of David MacDougall’s ‘transcultural cinema’ and Jodi Brook’s conceptualisation of a ‘gestural practice’ in film, which she positions both in terms of Brecht’s theatrical concept of ‘gest’ and Walter Benjamin’s concept of the ‘shock’ of modernity. ¶ The film analyses are of one fiction film, beDevil, and one non-fiction film, Link-Up Diary. Both films use audiovisual images of Aboriginal Australians as content. According the terms of this thesis, these people must also be considered as filmmakers. Although this role may constitute varying degrees of authority and power, a film analysis which considers the filmmaking roles of people whose images are present in the filmic text also allows a particular consideration of the social relationships which exist between people who ‘film’ and people who ‘are filmed’. My focus on the cultural performances of these two films allowed an even closer description of this relationship for two reasons. Firstly, both Moffatt and MacDougall respectively present their own images in the films. Secondly, my analyses of these films as cultural performance draw out and describe the different ways in which the two films address the same ‘social drama’: the relationship between indigenous and non-indigenous Australians. My analyses expose how a description of these differences in address can extend beyond the distinction between one film as ‘fiction’ and the other as ‘non-fiction’ towards a description of the different ways in which people relate to each other, at both the individual level and at the level of society, through the production and reception of a particular film. While locating these films as cultural performances within in particular sets of social relationships, my consideration of film in this thesis in terms of theatrical performance also enables a description of the experience of film which draws on the social experience of live theatre. The theory developed in this thesis and its application in the analyses of these two films suggest further areas of research which might look more closely at whether or not, or how much people draw from the social practices of live theatre as they live their lives with film – a signifying practice which has existed just over one hundred years.
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Urseth, Leif H. "Bedell Smith and functionalist dilemmas." Diss., Manhattan, Kan. : Kansas State University, 2010. http://hdl.handle.net/2097/4219.

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Germain, Emmanuel. "La Centrafrique et Bokassa, 1965-1979 : force et déclin d'un pouvoir personnel /." Paris ; Montréal (Québec) ; Budapest [etc.] : l'Harmattan, 2000. http://catalogue.bnf.fr/ark:/12148/cb372082125.

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Krieter, Beda. "Vergleich der normalen und der amblyopiebedingt verminderten Lokalisationsfähigkeit bei Kindern nach der Methode von Bedell und Flom /." [S.l.] : [s.n.], 2000. http://www.sub.uni-hamburg.de/disse/360/Disse.pdf.

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Bedei, Ivonne [Verfasser]. "Untersuchung zur MUC-18-Expression des metastasierenden malignen Melanoms mittels der RT-PCR-Methode / Ivonne Bedei." Ulm : Universität Ulm. Medizinische Fakultät, 2002. http://d-nb.info/1015323618/34.

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Germain, Emmanuel. "La Centrafrique de Bokassa (1965-1979) : force et déclin d'un pouvoir personnel." Perpignan, 1999. http://www.theses.fr/1999PERP0320.

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Le 31 décembre 1965, le colonel Bokassa s'empare du pouvoir en Centrafrique et y instaure une dictature personnelle qui dure jusqu'en 1979. S'auto proclamant successivement président-à-vie, maréchal puis empereur lors d'un sacre "napoléonien", il élimine sauvagement tous ses opposants. Dénoncé par les médias occidentaux comme un massacreur d'enfants, il est renversé en 1979. Comment a t il pu rester aussi longtemps au pouvoir ? Pourquoi a t-il eu des obsèques nationales ? Pourquoi fait-il maintenant officiellement partie des grands hommes de son pays ? Ces contradictions apparentes peuvent etre comprises à travers l'étude des rapports de pouvoir et d'obéissance en Centrafrique. La thèse soutenue tente d'analyser le rôle des structures du pouvoir et des mythes traditionnels dans la vitalité et la chute du régime. Elle relativise la perception occidentale des régimes autoritaires africains. Elle souligne le rôle des représentations mythiques du chef dans l'inconscient collectif centrafricain
On December 31, 1965, colonel Bokassa seized power in Central Africa and implemented a personal dictatorship which lasted until 1979. Nominating himself successively president-for life, marshal and finally emperor during a "napoleonic" coronation ceremony, he savagely eliminated all his opponents. Accused by the western media of having butchered children, he was overthrown in 1979. How did he succeed in remaining in power for so long? Why did he have national funeral? Why is he now officially recognised as a great man in his country? These apparent contradictions can be understood through the study of power and obedience in central Africa. This thesis aims to analyse the role of the power structures and the traditional myths in the vitality and the fall of the regime. It relativists the western perception of authoritarian African regimes and points out the role of the mythical representation of the chief in the Central African collective unconscious
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Moses, Jennifer. "Trying to get it right striving to integrate formalized acting methods in the character development of Theresa Bedell in Rebecca Gilman's Boy gets girl /." Morgantown, W. Va. : [West Virginia University Libraries], 2005. https://etd.wvu.edu/etd/controller.jsp?moduleName=documentdata&jsp%5FetdId=4025.

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Summerhayes, Catherine. "Film as Cultural Performance." Phd thesis, 2001. http://hdl.handle.net/1885/49365.

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This thesis investigates how Victor Turner’s concept of ‘cultural performance’ can be used to explore and analyse the experience of film. Drawing on performance theory, hermeneutics, phenomenology and Bakhtin’s dialogism, Sections One and Two develop this investigation through a theoretic discussion which relates and yet distinguishes between three levels of ‘performance’ in film: filmmaking performance, performances as text and cultural performances. The theory is grounded within four films which were researched for this thesis: Once Were Warriors (Lee Tamahori, 1994), Rats in the Ranks (Bob Connolly and Robin Anderson,1996), beDevil (Tracey Moffatt, 1993) and Link-Up Diary (David MacDougall, 1987). Section Three undertakes the close analyses of the latter two films. These analyses address specific cultural performances that are performed ‘across’ cultures and which are concerned particularly with Australian society’s relationship with indigenous Australians. ...
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Krieter, Beda [Verfasser]. "Vergleich der normalen und der amblyopiebedingt verminderten Lokalisationsfähigkeit bei Kindern : nach der Methode von Bedell und Flom / vorgelegt von Beda Krieter." 2000. http://d-nb.info/961782188/34.

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Books on the topic "BeDevil"

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How to bedevil a business. Bridgewater, Va: Lincoln Communications Corporation, 2000.

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Grace, Kay Sprinkel. Fundraising mistakes that bedevil all boards (and staff too): A 1-hour guide to identifying and overcoming obstacles to your success. Medfield, MA: Emerson & Church, 2009.

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Fundraising mistakes that bedevil all boards (and staff too): A 1-hour guide to identifying and overcoming obstacles to your success. Medfield, MA: Emerson & Church, 2009.

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Grace, Kay Sprinkel. Fundraising mistakes that bedevil all boards (and staff too): A 1-hour guide to identifying and overcoming obstacles to your success. Medfield, MA: Emerson & Church, 2009.

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Grace, Kay Sprinkel. Fundraising mistakes that bedevil all boards (and staff too): A 1-hour guide to identifying and overcoming obstacles to your success. Medfield, MA: Emerson & Church, 2009.

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Seyyid Ahmed el-Bedevî tarîkatı ve İstanbul'da Bedevilik. Cağaloğlu, İstanbul: Kitabevi, 2008.

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Vera, Caspary. Bedelia. New York: The Feminist Press, 2006.

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Vera, Caspary. Bedelia. New York: The Feminist Press, 2005.

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Bedeviled. New York: Signet Eclipse, 2009.

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Bedeviled. Mustang, Okla: Tate Pub. & Enterprises LLC, 2008.

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Book chapters on the topic "BeDevil"

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Miller, Daniel D. "Bedeviled by Nature." In Queer Democracy, 83–132. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003163923-3.

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Uszkalo, Kirsten C. "Introduction: Grounding Rage Possession." In Bewitched and Bedeviled, 1–17. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137498229_1.

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Uszkalo, Kirsten C. "Early Diagnostics." In Bewitched and Bedeviled, 19–45. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137498229_2.

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Uszkalo, Kirsten C. "Contemporary Theories." In Bewitched and Bedeviled, 47–57. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137498229_3.

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Uszkalo, Kirsten C. "Embodied Spirituality | Embodied Cognition." In Bewitched and Bedeviled, 59–83. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137498229_4.

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Uszkalo, Kirsten C. "Performance | Contamination." In Bewitched and Bedeviled, 85–132. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137498229_5.

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Uszkalo, Kirsten C. "Reconciliation | Dispossession | Exorcism." In Bewitched and Bedeviled, 133–68. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137498229_6.

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Uszkalo, Kirsten C. "Conclusion: Reproducing and Representing Demoniacs." In Bewitched and Bedeviled, 169–75. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137498229_7.

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Saxton, Kirsten T. "Vera Caspary’s Bedelia: Murder as a Domestic Art, or Lethal Home Economics." In Bad Girls and Transgressive Women in Popular Television, Fiction, and Film, 75–95. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47259-1_5.

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"3 Narration (Gone Girl, beDevil, and Jurassic Park)." In Narrative and Narration, 29–46. Columbia University Press, 2021. http://dx.doi.org/10.7312/buck18143-005.

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Conference papers on the topic "BeDevil"

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Buschle, Markus, and Dick Quartel. "Extending the Method of Bedell for Enterprise Architecture Valuation." In 2011 15th IEEE International Enterprise Distributed Object Computing Conference Workshops (EDOCW). IEEE, 2011. http://dx.doi.org/10.1109/edocw.2011.23.

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Oruwari, Humphrey Otombosoba. "The Environmental Accounting: Experiences From Overseas and Solutions for Marginal Field Operators in Nigeria." In SPE Nigeria Annual International Conference and Exhibition. SPE, 2021. http://dx.doi.org/10.2118/207099-ms.

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Abstract Marginal oil field operators have been bedeviled by several challenges since its inception, among which are financial, technological, socio-political, ecological and environmental issues. The study examined how marginal oil field operating in Niger Delta region of Nigeria could integrate and incorporate environmental accounting for managing the environmental performance of their businesses efficiently. Using literature review and case study, the study revealed that at present, environmental accounting is gradually being implemented worldwide. It is the duty of companies to apply environmental accounting to the lives of individuals. The study summarizes some key points regarding environmental accounting, the introduction of environmental accounting in some countries around the world and demonstrates some challenges in our country's application of environmental accounting to provide some solutions to boost the application of environmental accounting to marginal oil field operators in Niger Delta. The study recommends that environmental accounting will enhance the operations of marginal oil field in Niger Delta region.
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ERTAN, Temuçin Faik. "LOZAN KONFERANSI İLE İLGİLİ BİR TERMİNOLOJİK DEĞERLENDİRME." In 9. Uluslararası Atatürk Kongresi. Ankara: Atatürk Araştırma Merkezi Yayınları, 2021. http://dx.doi.org/10.51824/978-975-17-4794-5.83.

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Lozan Konferansı, 20 Kasım 1922’de başlayan, iki dönemde gerçekleşen ve 24 Temmuz 1923 tarihinde imza ile sonuçlanan bir süreçtir. Lozan Konferansı ve Lozan Antlaşması ile çok sayıda yerli ve yabancı anı ve araştırma bulunmaktadır. Özellikle araştırma eserlerde konuyla ilgili temel kavramların kullanılmasında tutarsızlıklar ve rastgele tercihler söz konusudur. Oysa Lozan Konferansı ve sonunda imzalanan Antlaşma, tarih bilimi kadar, uluslararası ilişkilerin, siyaset bilimin ve devletler arası özel ve genel hukukun da ilgi alanındadır. Bu nedenle kavramların kullanılmasında özen gösterilmesi gereklidir. Bu çalışmayla Lozan Konferansı’nı ve Lozan Antlaşması’nı dönemin literatürüne uygun ve özgün söylem çerçevesinde ele alıp, terminoloji konusundaki yaklaşım sorunlarının giderilmesine katkı sağlamak amaçlanmaktadır. Böylelikle araştırmacının, kişisel tercihleri çerçevesinde değil de Lozan Konferansı’nın gerçekleştiği döneme uygun bir kavramlaştırma yapması önerilecektir. Söz konusu çalışma sırasında Lozan Konferansı tutanakları ve antlaşma metni temel kaynak olarak kullanılacaktır. Lozan Konferansı sırasındaki yazışmalar da incelenecek ve kullanılan ifadeler aynen yansıtılacaktır. Lozan-Ankara arasındaki telgraflar gözden geçirilerek gönderilen talimatlar incelenecektir. Lozan’da gündeme gelen konular ve kullanılan diplomatik söylem aslına uygun olarak sunulacaktır. Lozan’da hem görüşmelerde hem de antlaşma metininde geçen terimlerin yaygın kullanımı ile doğru kullanımı tartışılacak ve verilere dayalı olarak cevap verilecektir. Ayrıca yeni birtakım kavramlara da rastlandığında özgünlük analizi de yapılacaktır. Bu çalışmada, öncelikle Lozan Konferansı’nın özgün adının ne olduğu tartışılacaktır. Konferansın adının niçin “Yakındoğu İşleriyle İlgili Lozan Konferansı” olduğuna dair değerlendirme yapılacaktır. Daha sonra Musul Sorunu mu, Irak Sınırı Sorunu mu? Savaş tazminatı mı, tamirat bedeli mi? İngiltere mi, Birleşik Krallık mı? Azınlıklar mı, Gayrimüslimler mi? Batı Trakya Türkleri mi, Batı Trakya Müslümanları mı? Hatay Sorunu mu, Sancak Sorunu mu? Ankara Hükümeti mi, TBMM Hükümeti mi? Başbakan mı, İcra Vekiller Heyeti Reisi mi? gibi soruların cevabı aranacak ve bu bağlamda önerilerde bulunulacaktır. Bu arada kurulan komisyonlar ve alt komisyonların ele aldığı konularla ilgili de açıklamalar yapılacaktır.
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Reports on the topic "BeDevil"

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Ceylan, Mustafa. Toplumun Faizli Krediye Dair Değişen Algısı Hakkında Bir Mülakat Çalışması. İLKE İlim Kültür Eğitim Vakfı, March 2021. http://dx.doi.org/10.26414/ikm004.

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Faiz, en bilinen tabiri ile kiralanan paranın kira bedeli anlamındadır. İslam iktisadı, Bakara Suresi’nin 275 ayeti kerimesinde de bildirildiği üzere ticaretin helal, faizin (ribâ) haram kılınması düsturu ile hareket etmektedir. Bu çalışmanın amacı, yukarıda bahsedilen faizin haramlığı düsturu da temel alınarak, günümüz kapitalist sisteminde kilit rol oynayan faizin, bireylerin bakış açılarında nasıl bir yer edindiğini araştırmak için yapılmıştır. İslam iktisadının ilkelerini yerine getirmeye çalışılarak oluşturulan kurumların, toplum tarafından nasıl değerlendirildiği de öğrenilmiş olunacaktır. Çalışma boyunca nitel araştırma yöntemi kullanılmıştır. Nitel araştırmada veri toplamak için mülakat yöntemi tercih edilmiştir. Mülakata katılan kişi sayısı 23 kişi olarak belirlenmiştir. Temel bulgulara göre, mülakatlara katılan bireylerin çoğu çevreden borç istemeden bankalara gitmektedir. Toplumsal ilişkilerin, maddi konularda yeterince kapsayıcı olmadığı göze çarpmaktadır. Bununla birlikte bireyler kendi yuvalarını kurmak için yuvadan ayrıldıkları zaman kendi ailelerine karşı “el(yabancı)” statüsüne geçmektedirler. Araştırmamız için görüştüğümüz bireylerden, ihtiyacı olan maddi miktarı bulmanın yollarından biri olan alternatif kurumları bilen birey sayısının az olduğu tespit edilmiştir. Tekrar faizli kredi çekmeyi düşünen bireylerin bu kararlarındaki en önemli etken “hayallerini ertelememek üzerine kurulu bir dünya görüşüne” sahip olmalarıdır.
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Hydrogeologic framework of Antelope Valley and Bedell Flat, Washoe County, west-central Nevada. US Geological Survey, 2001. http://dx.doi.org/10.3133/wri014220.

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