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Books on the topic 'Beaver dams'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 January 2023

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1

Kim, Susan. Baby beaver rescue. New York: Simon Spotlight/Nickelodeon, 2009.

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2

Bloxam, Frances. Beau Beaver goes to town. Camden, Maine: Down East Books, 2008.

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3

The bully boys. Toronto: Puffin Canada, 2008.

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4

The bully boys. Toronto: Viking, 2000.

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5

The bully boys. Toronto: Puffin, 2012.

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6

R, Grol Lini. The Battle of Beaverdam: A historical drama in three acts. Guelph, Ont: Questex, 1997.

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7

Medin, Dean E. Small mammals of a beaver pond ecosystem and adjacent riparian habitat in Idaho. Ogden, UT: U.S. Dept. of Agriculture, Forest Service, Intermountain Research Station, 1991.

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8

Medin, Dean E. Small mammals of a beaver pond ecosystem and adjacent riparian habitat in Idaho. [Ogden, Utah]: U.S. Dept. of Agriculture, Forest Service, Intermountain Forest and Range Experiment Station, 1991.

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9

Crook, Connie Brummel. Acts of courage: Laura Secord and the War of 1812. Toronto: Pajama Press, 2012.

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10

ill, Battuz Christine, ed. Five busy beavers. New York: Sky Pony, 2018.

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11

Goldstone, Bruce. Spring stream, winter pond. New York: Macmillan/McGraw-Hill, 2002.

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12

Mauney, Mary Frances. Beaver Dam Lutheran Church Cemetery: A challenge for our time. Cherryville, N.C: John D. Mauney, Jr., 1992.

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13

Brian, Janeen. Where does Thursday go? Hunters Hill, N.S.W: A Margaret Hamilton book from Scholastic Australia, 2001.

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14

ill, King Stephen Michael, ed. Where does Thursday go? New York: Clarion Books, 2001.

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15

Furstinger, Nancy. Beaver Dams. Focus Readers, 2018.

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16

Beaver Dams. Focus Readers, 2018.

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17

Furstinger, Nancy. Beaver Dams. North Star Editions, 2018.

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18

Beaver Dams. Weigl, 2019.

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19

Bloxam, Frances. Beau Beaver Goes to Town. Down East Books, 2009.

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20

Beecher, Patricia J. Beaver Dams Homestead: The Diaries of Truman Grove Beecher. Fay's Fitness Company, 2003.

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21

Curzon, Sarah Anne. Laura Secord, the heroine of 1812 (Large Print Edition): A Drama. And Other Poems. BiblioBazaar, 2006.

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22

Curzon, Sarah Anne. Laura Secord, the heroine of 1812: A Drama. And Other Poems. BiblioBazaar, 2006.

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23

Curzon, Sarah Anne. Laura Secord, the Heroine of 1812: A Drama and Other Poems. IndyPublish.com, 2003.

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24

Curzon, Sarah Anne. Laura Secord, the Heroine of 1812: A Drama and Other Poems. IndyPublish.com, 2003.

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25

Curzon, Sarah Anne. Laura Secord, the Heroine of 1812: A Drama And Other Poems. IndyPublish.com, 2006.

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26

Curzon, Sarah Anne. Laura Secord, the Heroine of 1812: A Drama and Other Poems. IndyPublish.com, 2005.

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27

Curzon, Sarah Anne. Laura Secord, The Heroine Of 1812: A Drama And Other Poems. IndyPublish.com, 2005.

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28

Beau Beaver Goes to Town. Down East Books, 2009.

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29

Noll, Roger. Beaver Dam in Vintage Postcards (WI). Arcadia Publishing, 2005.

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30

Grol, Lini R. The Battle of Beaverdam. Capcat, 1997.

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31

Wohl, Ellen. Saving the Dammed. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190943523.001.0001.

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The ability of beavers to create an abundant habitat for a diverse array of plants and animals has been analyzed time and again. The disappearance of beavers across the northern hemisphere, and what this effects, has yet to be comprehensively studied. Saving the Dammed analyzes the beneficial role of beavers and their dams in the ecosystem of a river, focusing on one beaver meadow in Colorado. In her latest book, Ellen Wohl contextualizes North St. Vrain Creek by discussing the implications of the loss of beavers across much larger areas. Saving the Dammed raises awareness of rivers as ecosystems and the role beavers play in sustaining the ecosystem surrounding rivers by exploring the macrocosm of global river alteration, wetland loss, and the reduction in ecosystem services. The resulting reduction in ecosystem services span things such as flood control, habitat abundance and biodiversity, and nitrate reduction. Allowing readers to follow her as she crawls through seemingly impenetrable spaces with slow and arduous movements, Wohl provides a detailed narrative of beaver meadows. Saving the Dammed takes readers through twelve months at a beaver meadow in Colorado's Rocky Mountain National Park, exploring how beavers change river valleys and how the decline in beaver populations has altered river ecosystems. As Wohl analyzes and discusses the role beavers play in the ecosystem of a river, readers get to follow her through tight, seemingly impenetrable, crawl spaces as she uncovers the benefit of dams.

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32

Crook, Connie Brummel. Acts of Courage: Laura Secord and the War Of 1812. Pajama Press, 2012.

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33

Crook, Connie Brummel. Acts of Courage: Laura Secord and the War Of 1812. Pajama Press, 2012.

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34

Beavers. 2nd ed. Rigby, 2000.

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35

Jennings, Dorothy. How Do Beavers Make Dams? Rosen Publishing Group, 2017.

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36

How Do Beavers Make Dams? Rosen Publishing Group, 2017.

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37

Jennings, Dorothy. How Do Beavers Make Dams? Rosen Publishing Group, 2017.

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38

Five Busy Beavers. Scholastic Canada, Limited, 2015.

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39

Battuz, Christine, and Stella Partheniou Grasso. Five Busy Beavers. Skyhorse Publishing Company, Incorporated, 2018.

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40

illustrator, Odell Catherine, ed. I'm done! 2018.

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41

Hélène, Barge-Mahieu, and Etudes et prospective archeologiques (Association), eds. Le Campaniforme dans le Midi de la France: Origine et identité culturelle : exposition du 6 juillet au 28 septembre 1992, Monastère de Notre-Dame de Beauregard, Orgon. Marseille: Editions E.P.A, 1992.

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42

Steiger, Diego. Awesome Dads Tattoos and Beards Calendar 2022: Annual Calendar for Beard Bearers and Men with Beards. Independently Published, 2021.

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43

Steiger, Diego. Awesome Dads Tattoos and Beards Calendar 2021: Annual Calendar for Beard Bearers and Men with Beards. Independently Published, 2020.

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44

(Contributor), Maureen Enns, ed. Grizzly Kingdom : An Artist's Encounter. Detselig Enterprises, 1995.

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45

Morelli, Sarah. A Guru's Journey. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042867.001.0001.

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This book provides the first ethnographic examination into the life of and the community formed around Pandit Chitresh Das, one of India’s most dynamic, outspoken, and captivating dancers. Born in Calcutta in 1944, Pandit Das immigrated to the United States in 1970 and was instrumental in establishing kathak, an Indian classical dance form, in the States. This work examines issues that arose in teaching, learning, and performing kathak in the United States over forty-five years. As a teacher, how does one transmit cultural and dance knowledge to culturally diverse groups of students? Within an artistic diaspora, how does a culture bearer–teacher maintain, modify, and frame dance repertoire, cultural norms associated with being a dancer, and philosophies surrounding the dance? And how do dancers negotiate the challenges of cultural expression in multicultural contexts? This ethnographic study of one of the longest-running sites of kathak transmission in the United States examines such questions, concluding that even in this hierarchical pedagogical tradition, students and teacher mutually navigate issues of artistic style and cultural meaning to create and sustain a dance culture.

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46

Lochner, Michaela. SITULARIA – Klänge aus der Hallstattzeit. Verlag der Österreichischen Akademie der Wissenschaften, 2011. http://dx.doi.org/10.1553/978oeaw7002-0.

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Musizierende, die auf über 2.500 Jahre alten Ton- und Bronzegefäßen abgebildet oder als kleine Statuetten dargestellt sind, sind stumme Zeugen antiker Musik. Leiern, Panflöten oder Auloi in ihren Händen sind wichtige Basis, um die Musikkultur der älteren Eisenzeit in Mitteleuropa zu erforschen. Wie die Musik der Hallstattzeit (ca. 800–500 v. Chr.) tatsächlich klang, ist nicht überliefert. Sie wieder „hörbar“ zu machen, ist Ziel der Musikarchäologie. Darstellungen antiker Instrumente und Vergleiche mit noch heute existierenden archaischen Instrumenten, deren Stimmungen und Spieltechniken bekannt sind, halfen dieses musikalische Revival zu versuchen. Das Ensemble Cantlon lässt die Musikwelt der Hallstattzeit als charmant-vergnügliche Zeitreise auferstehen. Die Musiker Albin Paulus, Nadège Lucet, Niki Fliri, Pat Feldner sowie die Gastmusikerin Beate M. Pomberger spielen Leier, Hornpfeife, Panflöte, Knochen- und Gefäßflöte, Bass-Winkelharfe, Maultrommel und verschiedene Rasselinstrumente, die archaischen antiken und traditionellen Vorbildern entsprechen. Klänge und Musik, die ihre kulturellen Wurzeln im aktuellen Kontext haben, bieten eine künstlerische Imagination der letzten Epoche der Urgeschichte. Das akustische Erlebnis der CD SITULARIA – Klänge aus der Hallstattzeit wird durch ein mehrseitiges Booklet, das einen Überblick zur eisenzeitlichen Musikgeschichte bietet, vertieft. Der wissenschaftlich fundierte Text wird von zahlreichen Abbildungen begleitet.

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47

Die »General Comments« zu den VN-Menschenrechtsverträgen. Nomos Verlagsgesellschaft mbH & Co. KG, 2005. http://dx.doi.org/10.5771/9783748909996.

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Die Allgemeinen Bemerkungen (General Comments) der VN-Vertragsorgane sind Quellen des völkerrechtlichen Soft Law, welche die in den Verträgen gewährleisteten Rechte auslegen und konkretisieren. Sie sind jedoch in Deutschland den Praktikerinnen und Praktikern in Verwaltung, Gerichten und Anwaltschaft nur wenig bekannt, was wesentlich damit zusammenhängt, dass sie nur vereinzelt in deutscher Übersetzung vorliegen. Der vorliegende Band schließt diese Lücke. Neben der Übersetzung der Allgemeinen Bemerkungen zu den sechs VN-Menschenrechtsverträgen werden die einzelnen Verträge von renommierten Expertinnen und Experten mit Kurzkommentaren versehen. Die Kurzkommentare sind verfasst von: Theo van Boven, UN-Special Rapporteur on Torture, Prof. Dr. Gabriele Britz, Professorin für Öffentliches Recht und Europarecht Justus-Liebig-Universität Gießen, Prof. Dr. Eibe Riedel, Mitglied des CESCR-Ausschusses, Prof. Dr. Eckart Klein, ehemaliges Mitglied des CCPR-Ausschusses und geschäftsführender Direktor des Menschenrechtszentrum der Universität Potsdam, Dr. Hanna Beate Schöpp-Schilling, Mitglied im CEDAW-Ausschuss und Hendrik Cremer, Fachmann für Kinderrechte.

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48

Hobbs, Simon. Cultivating Extreme Art Cinema. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474427371.001.0001.

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The use of hard-core sex and brutal violence in films such as Antichrist, Romance and Irreversible has been branded by many as an unsophisticated attempt to attract audiences. These accusations of gimmickry have been directed towards a range of extreme art films, however they have rarely been explored in detail. This book therefore seeks to investigate the validity of these claims by considering the extent to which these often infamous sequences of extremity inform the commercial identity of the film. Through close textual analysis of various paratexts, the book examines how sleeve designs, blurbs, and special features manage these extreme reputations, and the extent to which they exploit the supposed value of extremity. The book positions the tangible home video product as a bearer of meaning, capable of defining the public persona of the film. The book explores the ways home video artefacts communicate to both highbrow and lowbrow audiences by drawing from contradicting marketing traditions, as well as examining the means through which they breach long-standing taste distinctions. Including case studies from both art cinema and exploitation cinema – such as Cannibal Holocaust, Salò, Or the 120 Days of Sodom, Weekend and Antichrist – the book explores the complicated dichotomies between these cinematic traditions, offering a fluid history of extreme art cinema while challenging existing accounts of the field. Ultimately, the book argues that extremity – far from being a simple marketing tool – is a complex and multifaceted commercial symbol.

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49

Vogtherr, Thomas, ed. In des Teufels Küche. Wallstein Verlag, 2021. http://dx.doi.org/10.5771/9783835347045.

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Präzise, detailreich, zeittypisch: Aufzeichnungen des Hannoveraner Archivars Georg Schnath aus der Internierung und Haft von Dachau bis Paris 1945-47. »In des Teufels Küche« gerät der Hannoveraner Archivar Georg Schnath (1898-1989) nach dem Ende des Zweiten Weltkrieges. Der vorherige Leiter der Gruppe Archivschutz bei der deutschen Militärverwaltung in Paris wird von Briten in Arrest genommen, von Amerikanern interniert und schließlich als französischer Kriegsgefangener bis zum Jahreswechsel 1947/48 in Paris in Haft gehalten. Während dieser Zeit entstehen Schnaths Aufzeichnungen, die Thomas Vogtherr nun erstmals ediert herausgibt und in ihren historischen Kontext einordnet: Über Deutschland, über das Leben in Lagern - und über sich selbst, einen Intellektuellen, dem der Boden unter den Füßen verloren ging. Schnath beschreibt seine neue Umwelt, versucht, sich zu rechtfertigen, und will Rechenschaft über sein Tun ablegen. Er bestreitet sein eigenes Mitwirken im Räderwerk des NS-Staats nicht. Doch er stilisiert sich als pflichttreuer deutscher Beamter, nicht als Mitwirkender oder Täter, sondern als Opfer einer unverschuldeten Veränderung der politischen Verhältnisse nach 1945. Seine detailreichen und über zweieinhalb Jahre geführten Aufzeichnungen sind daher ein ebenso informatives wie irritierendes Dokument ihrer Zeit.

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50

Williams, Gareth D. From Venice to Sicily. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190272296.003.0004.

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Chapter 3 focuses on Bembo’s complex motivations for leaving Venice for Messina in 1492, and particularly on four individuals who shaped his humanism both before and during his time in Sicily. It is surely no coincidence that Pietro departed for Sicily soon after assisting Angelo Poliziano, that revolutionary figure in philological method, in collating, during the great man’s visit to Venice in summer 1491, the celebrated ancient manuscript of Terence that belonged to the Bembo family. Constantine Lascaris’ reputation as a teacher was far reaching, but Giorgio Valla, Lascaris’ former pupil from his Milan days and later Pietro’s teacher in Venice, may well have helped Bembo toward Messina. The naturalistic interests in De Aetna were perhaps partly nurtured by Lascaris; they also bear the imprint of another major influence on the young Pietro in Venice: Ermolao Barbaro. He was appointed Venetian ambassador to Rome in 1490; scandal estranged him from the Republic in 1491.

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