Relevant bibliographies by topics / Baudrillard

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Academic literature on the topic 'Baudrillard'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2024

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Journal articles on the topic "Baudrillard"

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King, Matthew James. "Object-Oriented Baudrillard? Withdrawal and Symbolic Exchange." Open Philosophy 2, no. 1 (May 22, 2019): 75–85. http://dx.doi.org/10.1515/opphil-2019-0008.

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AbstractBy comparing Object-Oriented Ontology (OOO) and Baudrillard through the lens of a study of the notion of withdrawal in Heidegger’s tool analysis and “The Question Concerning Technology”, this article explores the extent to which an Object-Oriented Baudrillard is possible, or even necessary. Considering an OOO understanding of Mauss’s gift-exchange, a possible critique of duomining in Baudrillard and a revision of Baudrillard’s understanding of art, the prospects of a new reading of Baudrillard and interpretation of OOO’s genealogy are established. These lines of comparison qualify the role of withdrawal in Baudrillard and symbolic exchange for OOO, and lead towards the conclusion that an Object-Oriented Baudrillard is possible, but may not, conversely, be considered necessary.
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Ismatuloh, Muhammad Aghni. "Jean Baudrillard's Hyperreal." Lakon : Jurnal Kajian Sastra dan Budaya 12, no. 2 (November 30, 2023): 129–42. http://dx.doi.org/10.20473/lakon.v12i2.47118.

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Abstract: Jean Baudrillard is one among many prominent thinkers of postmodernism. One among many his notable idea is the Hyperreal In his book Simulacra and Simulation, Baudrillard’s proposes the idea of something that transcend beyond the state of fake and reality, the Hyperreal. This concept can be found as a theme in lyrics of a song titled Idol by Yoasobi. This paper try to dissect the lyrics and finding the implication of Baudrillard’s concept of Hyperreal within the implicit and explicit meanings of the lyrics. Idol is a certain profession that has gain significant rise in the 21th century. The common perception is that they are selling ‘fake identities’ to their audience. Nevertheless, the truth is more complicated than it is as with using Baudrillard’s theoretical framework of the Hyperreal, idol has cross the boundary between falsehood and authenticity and become ‘real’ in their own sense. Keywords: Baudrillard, Hyperreal, Simulation, Idol, Yoasobi Abstrak: Jean Baudrillard adalah salah satu dari banyak pemikir terkemuka di bidang pascamodernisme. Salah satu gagasan terkenalnya adalah Hyperreal. Dalam bukunya yang berjudul Simulacra and Simulation, Baudrillard mengusulkan konsep akan sesuatu yang melampaui keadaan palsu dan kenyataan, yaitu Hyperreal. Konsep ini dapat ditemukan sebagai tema dalam lirik lagu berjudul Idol oleh Yoasobi. Artikel penelitian ini mencoba menguraikan lirik lagu tersebut dan menemukan implikasi konsep Hyperreal dari Baudrillard dalam makna tersirat dan tersurat dari lirik. Idol adalah profesi tertentu yang mengalami peningkatan signifikan pada abad ke-21. Persepsi umum tentang idol adalah bahwa mereka menjual 'identitas palsu' kepada audiens. Namun, kenyataannya lebih rumit daripada itu, dengan menggunakan kerangka teoritis Hyperreal dari Baudrillard, profesi Idol telah melampaui batasan antara kepalsuan dan keaslian sehingga menjadi 'nyata' dalam arti mereka sendiri. Kata kunci: Baudrillard, Hyperreal, Simulasi, Idol, Yoasobi
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MONIN, Maxim, Elena LEDENEVA, and Elena SHADRINA. "Сoncept of Alienation in the Works of K. Marx and J. Baudrillard." WISDOM 26, no. 2 (June 25, 2023): 256–63. http://dx.doi.org/10.24234/wisdom.v26i2.997.

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This article explores the idea of alienation in J. Baudrillard’s philosophy, which is both a continuation and a critique of K. Marx’s understanding of alienation. A comparison of both philosophies is drawn based on the specific example of the concept of alienation, which played an exceptionally important role in both Marx’s and Baudrillard’s concepts. Baudrillard, like Marx, uses the concept of alienation mainly as a tool to criticize modern society and the human condition in it. Moreover, like Marx, Baudrillard views alienation in close connection with the notion of private property. Yet along with this, as the article demonstrates, Baudrillard, in contrast to Marx, sees alienation not at all as a separation of man from his own universal essence, but on the contrary, as a dissolution in the social (to which Baudrillard attributed not a universal, but a concrete-historical meaning; this is reflected, for example, in the name consumer society for Western society in the second half of the 20th century).
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Bakti, Indra Setia, Nirzalin Nirzalin, and Alwi Alwi. "Konsumerisme dalam Perspektif Jean Baudrillard." Jurnal Sosiologi USK (Media Pemikiran & Aplikasi) 13, no. 2 (December 17, 2019): 147–66. http://dx.doi.org/10.24815/jsu.v13i2.15925.

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Consumerism has revealed its form. The existence of the ideology has caused ridicule and even opposition from some groups of society, while some other groups support and make it a way of life. But times seem to influence more and more people to choose the consumerist path. Indications that support this argument can be seen from the phenomenon of society making material ownership a measure of success. This article explores consumerism in Jean Baudrillard's perspective using the literature study method. Several references such as books and journals and both written directly by Baudrillard and the works of other authors on the same theme. Baudrillard's three early works brought this study to the discussion of the concept of sign-values and simulation which had made a major contribution to the development of the sociology of consumption studies.AbstrakKonsumerisme sudah menampakkan wujudnya. Keberadaan paham ini memunculkan cemoohan bahkan penentangan dari sebagian pihak, sementara sebagian pihak yang lain justru mendukung dan menjadikannya sebagai cara hidup. Namun perjalanan waktu tampaknya menggoda semakin banyak orang untuk memilih jalan konsumeris. Indikasinya dapat dibaca dari kepemilikan komoditas tertentu sebagai ukuran kesuksesan hidup. Artikel ini mengupas tentang konsumerisme dalam perpektif Jean Baudrillard dengan menggunakan metode studi pustaka. Sejumlah referensi seperti buku dan jurnal dijadikan rujukan, baik karya yang ditulis langsung oleh Baudrillard maupun karya-karya penulis lain dalam tema yang sama. Tiga karya awal Baudrillard membawa studi ini mengerucut pada konsep nilai-tanda dan dunia simulasi yang telah memberi kontribusi besar dalam pengembangan ranah studi sosiologi konsumsi.
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Samsun, Meysem. "The end of art as a capitalist discourseKapitalist bir söylem olarak sanatın sonu." International Journal of Human Sciences 12, no. 2 (November 23, 2015): 1239. http://dx.doi.org/10.14687/ijhs.v12i2.3427.

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<p>In the present paper, the claim, art or painting is going through its end, is evaluated as a capitalist discourse; and some related samples were analyzed in terms of how they were passivized and become dysfunctional by the capitalist system. French thinker Jean Baudrillard is the most effective and distinguished sample of the claim, the end of art. In this point, after evaluating Danto’s ideas from the modern perspective, the claim of “end of art” will be discussed through Baudrillard’s post-modern perspective. When Baudrillard directed his gaze onto the world of art, the situation he saw was not a very optimistic one. Modern art and post-modern art, in which the thinker is also included, is the production of the Western World. As a result, in this sense, the literature of art is merely valid for the modern art taking its roots from the Western World and this domain of thinking. According to Baudrillard, art has lost its own privilege and purpose; it is not made for development of culture, but for consumption of this culture; and instead of existing through its own content of meaning, it has been unconsciously spread over all segments of the society. As a result, the discussion of what is art and what is not has progressively become more ambiguous.</p><p> </p><p><strong>Özet</strong></p><p>Bu çalışmada sanatın ya da resmin sonunun geldiği savı kapitalist bir söylem olarak değerlendirilmiş, sanatın kapitalist sistem tarafından nasıl edilgen ve işlevsiz kılındığına ilişkin örneklendirmelerle işlenmiştir. Sanatın sonu sav’ının, bu örneklendirme ile, en etkili duayen ismi Fransız düşünür Jean Baudrillard’dır. Burada, modern anlamda Danto’nun görüşlerine yer verildikten sonra ‘’sanatın sonu’’ savı, postmodern anlamda, Baudrillard üzerinden tartışılacaktır. Baudrillard bakışını sanat dünyasına çevirdiğinde gördüğü manzara iç açıcı değildir. Burada bahsedilen çağdaş sanat, postmodern sanat, düşünürün de içinde bulunduğu Batı dünyasının üretimidir. Dolayısıyla, bu bağlamda literatür, sadece Batı dünyası ve bu düşünce dünyasından beslenen çağdaş sanat için geçerlidir. Baudrillard’a göre sanat artık sahip olduğu ayrıcalığı ve amacını yitirmiş, kültürü geliştirmek için değil, tüketilmek için yapılmış ve kendi anlam içeriği ile var olmak yerine toplumun tüm katmanlarına bilinçsizce yaydırılmış ve neyin sanat olup neyin sanat olmadığı tartışmaları iyice bulanıklaşmıştır.</p>
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Maršálek, Jan. "Claude Lévi-Strauss v sociologii: Baudrillardova teorie společnosti konzumu." Teorie vědy / Theory of Science 31, no. 2 (November 11, 2009): 141–59. http://dx.doi.org/10.46938/tv.2009.18.

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Contrary to what is often thought, the structuralist approach has never been adopted in French sociology very extensively. When speaking about structuralism in this discipline, the work of Pierre Bourdieu is generally referred to. The present paper is intentionally heading in another direction and is questioning Lévi-Straussian traces in Baudrillard’s theory of the consumer society. First, Baudrillard acknowledges being in debt to Lévi-Strauss for his conception of consumption as a language. In this perspective exchanged goods are understood as object-signs. We believe nevertheless that Baudrillard goes even further when he analyzes the phenomenon of absurd violence, bearing in mind – even he does not directly disclose it – Lévi-Strauss’ concept of “free signifier”. All the same we finally conclude that Baudrillard’s use of Lévi-Strauss is rather cursory. Despite this fact it is of interest: Thus we follow Baudrillard’s analysis and consider the problem of social criticism, which is one of the main topics of his writings here discussed.
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Holt, Matthew. "Baudrillard and the Bauhaus: The Political Economy of Design." Design Issues 32, no. 3 (July 2016): 55–66. http://dx.doi.org/10.1162/desi_a_00399.

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Though better known in the Anglophone world as the guru of postmodern “hyperreality”, the French philosopher and radical sociologist Jean Baudrillard devoted a great deal of attention to theorizing design. This paper singles out the moment—inspired by a conference he attended in 1972 in New York at MoMA—where he advances the argument that contemporary design, understood as articulating and incorporating the entirety of the artificial environment, is a direct manifestation of the most significant development in political economy since the industrial revolution—what Baudrillard calls the “political economy of the sign.” According to Baudrillard the origin of this expanded sense of design is the Bauhaus. That school sought to extend the role and mission of design to all fabricated phenomena, in the process collapsing any distinction between objects (and environments), turning them all into a fusion of art and technology, aesthetics and functionality. In explicating Baudrillard's argument, this paper also traces the missing presence of design in traditional political economy, arguing that Baudrillard was one of the first authors, albeit critically, to identify the now essential role of design in postindustrial capitalism.
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Drigo, Maria Ogécia. "A publicidade na perspectiva de Baudrillard." Comunicação Mídia e Consumo 5, no. 14 (September 2, 2009): 171–85. http://dx.doi.org/10.18568/cmc.v5i14.142.

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Resumo O propósito deste artigo é apresentar as idéias de Baudrillard sobre publicidade, tratadas na obra O sistema dos objetos. Assim, discutem-se os conceitos de arranjo e de ambiência que culminam no conceito de funcionalidade, os quais permitem apresentar as relações que se estabelecem entre os seres humanos, e entre eles e os objetos. Em seguida, aborda-se o papel da publicidade em meio a esses objetos/signos. Palavras-chave: Jean Baudrillard; comunicação; publicidade; funcionalidade; objetos/signos. Resumen El propósito de este artículo es presentar las ideas de Baudrillard sobre la publicidad, que constan en la obra El sistema de los objetos. Se discuten los conceptos de arreglo y de ambiencia que culminan en el concepto de funcionalidad, los cuales permiten presentar las relaciones que se establecen entre los seres humanos y entre ellos y los objetos. En seguida,se aborda el papel de la publicidad en medio de esos objetos/signos. Palabras-clave: Jean Baudrillard; comunicación; publicidad; funcionalidad; objetos/signos. Abstract This article intends to present Baudrillard’s ideas about advertising as considered in “Le système des objects”, his first book. The concepts of settlement, ambience and functionality are discussed. They make it possible to present the relations constructed among human beings and among humans and objects. We then discuss the role of advertising amongst these objects/signs. Keywords: Jean Baudrillard; communication; advertising; functionality; objects/signs.
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Raffel, Stanley. "‘Baudrillard on Simulations: An Exegesis and a Critique’." Sociological Research Online 9, no. 2 (May 2004): 57–65. http://dx.doi.org/10.5153/sro.908.

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This paper is an attempt to explain, apply, and ultimately to point to certain limitations of, Baudrillard's idea that ours is the age of simulations. As the concept has not always been clearly discussed in the literature, early sections of the paper are devoted to describing the notion and providing some specific examples. How Baudrillard can claim that the age of simulations represents a new, qualitatively distinct, stage of society is also examined. Having articulated the basic idea, the paper goes on to try to show its power by utilizing it to analyze a typical contemporary phenomenon, Starbucks. Thus far the paper's main aim has been to argue that simulation is indeed an illuminating concept. However, we next point to a serious dilemma which is certainly not resolved by Baudrillard himself. This problem is the fact that he leaves us, apparently, with no ability to ever see through simulations. In response to this difficulty, the final sections of this article try to show how it is actually possible to accept Baudrillard's basic insight as to the existence and spread of simulations but also possess resources to detect them, thus resisting Baudrillard's pessimistic conclusion that there is no viable alternative to either living in or producing a world of simulated things. In this section of the paper, a major additional focus is Baudrillard's analysis of the first Gulf War.
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Butterfield, Bradley. "Ethical Value and Negative Aesthetics: Reconsidering the Baudrillard-Ballard Connection." PMLA/Publications of the Modern Language Association of America 114, no. 1 (January 1999): 64–77. http://dx.doi.org/10.2307/463427.

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Like today's masses, the characters in J. G. Ballard's Crash are fascinated by what Jean Baudrillard calls the accident, especially when it involves the death of a celebrity. Ballard's characters, however, reenact their accidents as sexual rituals of a marriage between technology and death that are beyond the realm of moral judgment, making Crash sci-fi, hypothetical, unrealistic. Calling Crash “the first great novel of the universe of simulation,” Jean Baudrillard has drawn heavy criticism for missing the alleged moral point, both in Crash and in the still-real world. As a fiction writer, Ballard is given a wide moral berth, but when Baudrillard's theory turns sci-fi, the question of ethical boundaries is broached, and leniency is less likely. In defense of Baudrillard, I read him, like Ballard, in the Nietzschean tradition of a purposefully amoral, negative aestheticism, which I argue is of value to ethics and radical politics in a world governed by instrumental simulacra.
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Dissertations / Theses on the topic "Baudrillard"

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Kłosiński, Michał. "Baudrillard - teoria - literatura." Doctoral thesis, Katowice : Uniwersytet Śląski, 2013. http://hdl.handle.net/20.500.12128/5396.

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Refleksja Baudrillarda pozwala ujmować literaturę jako miejsce–jedno z ostatnich –w którym wytwarzane są współcześnie relacje społeczne oparte na wymianie symbolicznej, na uwodzeniu, pakcie, darze. Dyskurs francuskiego myśliciela wprowadza do nauki o literaturze pojęcia antropologiczne, dzięki którym możliwe staje się postawienie pytania o funkcję literatury (poezji) w spajaniu i wytwarzaniu wspólnoty. Baudrillard pomaga nam zrozumieć, że owa wspólnota symboliczna może istnieć dzięki literaturze, ponieważ przywraca ona językowi jego rytualny i ceremonialny charakter. Baudrillard pozwala uzasadnić –być może narcystyczne –poczucie literaturoznawcy, że wspólnota zawiązywana przez literaturę, przez narrację, przez sztukę, może się jeszcze opierać postępującemu procesowi dehumanizacji, który wyraża się w podporządkowywaniu wszystkich instytucji humanistycznych i społecznych „niewidzialnej ręce rynku”. Perspektywa nauk humanistycznych ufundowana jest, w ramach tego myślenia, poprzez akt etyczny, akt niezgody na „rzeczywistość”. Literatura ma być w tym ujęciu formą stosunków społecznych, tak jak jest nią, w rozumieniu Baudrillarda, śmierć, która stanowi integralny składnik narracji i poezji. Wspólnota zawiązywana wokół literatury jako tajemnicy, ulotnego doświadczenia życia i śmierci, możliwości wymiany ze zmarłymi, możliwości uwodzenia, to wspólnota odrzucająca hiperrzeczywistość, to wspólno-ta, która nie odnajduje się w wymianie ekonomicznej, nie wyznaje akumulacji (pieniędzy, znaków, dóbr), ale wybiera stratę (pieniędzy), zwrotność (dóbr -darów), anihilację (znaków). Literatura stanowi dla niej miejsce, w którym zawiera się –utracony w symulacyjnej hiperrzeczywistości –okrutny, bolesny, agonistyczny kontakt z innym. Baudrillard mówi: inny jest w nas, pasożytuje na nas tak, jak my pasożytujemy na świecie, nie można się na niego uodpornić ani go zniszczyć, bo wraz z nim unicestwimy również samych siebie. Literatura, poezja wyzwala się spod wszechwładzy informacji, występuje przeciw symulacji, przeciw budowaniu systemu odporności na innego, przeciw manipulującej znakami transpolityce. Wspólnota spajana przez nią domaga się etyki na przekór światu, który powiela, reprodukuje, konstruuje jednolite i totalne dyskursy, światu, który anuluje różnorodność i możliwość wymiany myśli pomiędzy różnymi dyskursami. Baudrillard pokazuje, że podporządkowanie rzeczywistości, seksualności, literatury, totalnym prawom (rynku, pożądania, potrzeb, produkcji znaczenia) wiąże się z zastąpieniem ich przez symulacje. Literatura poprzedza, preceduje przemiany społeczne, światopoglądowe, działa przeciwko alienacji podmiotu w systemie ekonomii zysku, bo sama jest darem myśli, który wymaga kontr-daru, zwrotu, wymiany. Wspólnota spajana przez literaturę jest „nihilistyczna” w geście odrzucenia hiperrzeczywistości symulacji, imperatywu konsumpcji, wiary w akumulację i zysk. Jest terrorystyczna, bo nie zgadza się na świat „dobra”, „sprawiedliwości” i „prawa”, w imię których pro-wadzi się transmisje wojen bez ofiar, wyświetla filmy o Holokauście z happy endem, a zwierzęta karmi resztkami ich bliźnich. Wspólnota spajana przez literaturę nie wyrzeka się zła i śmierci, jako odwrotności dobra i życia, nie wierzy w prawdę historii konstruowaną w nowoczesnych mediach. Nihilizm Baudrillarda należy rozumieć jako strategię terrorystyczną wymierzoną przeciw teorii i systemowi.
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Horlacher, Stefan. "Jean Baudrillard und die Ära des Verschwindens, oder: Das Verschwinden des Jean Baudrillard?: Überlegungen zur deutschen Baudrillard-Rezeption." Schüren, 2001. https://tud.qucosa.de/id/qucosa%3A37502.

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Gilt der französische Soziologe, Medien- und Kulturtheoretiker Jean Baudrillard in traditionellen Kreisen immer noch als ,neokonservativer Modephilosoph', ,AntiFeminist', ,theoretischer Anarchist' und ,Sandkorn im Getriebe der Wissenschaften', so gewinnen nicht nur angesichts virtueller Cyberwelten, gentechnologischer Fortschritte, elektronischer Kriege, viraler Angriffe auf Computersysteme und verheerender terroristischer Anschläge viele seiner Prognosen und Theorien zunehmend an Bedeutung. Und dies sowohl im soziologischen, politisch-ökonomischen, medientheoretischen als auch kultur- und literaturwissenschaftlichen Bereich.Doch während Baudrillard im anglo-amerikanischen Sprachraum bereits seit langem zum Gegenstand zahlreicher Einführungen und Studien geworden ist - ich verweise nur auf die ,Auseinandersetzung' zwischen Douglas Kellner und Mike Gane zu Anfang der neunziger Jahre - und dort allein in den letzten Jahren zahlreiche Neuerscheinungen zu verzeichnen sind, scheint sich in Deutschland die Lage anders darzustellen.
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Hanlon, N. "Baudrillard and the contemporary consciousness." Thesis, University of Cambridge, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.603654.

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This thesis constitutes a re-thinking of the work of Jean Baudrillard and its relationship with the intellectual context in which it is situated, and from which it emanates. One of the foremost Baudrillard scholars (Douglas Kellner) asks whether Baudrillard has become ‘the court jester of the societies on which he has chosen to comment’. Despite (and in a sense because of) this potential status, I argue that Baudrillard’s thinking is situated at a key site for an often banalised contemporary society and thought: that is, at a crossroads between sociology, philosophy and politics, and between populist and intellectual culture. Therefore, to attempt to understand his thought within the context of these various intersecting aspects may be viewed as a step on the path to better understanding our contemporary epistemological paradigm (and its relation to history). Through such an understanding we may find avenues to move beyond such modes of thinking, which is exactly what I attempt to do in the thesis. Chapter 1 (Becoming and Transvaluation) establishes a temporality of ‘becoming’(through Heraclitus and Nietzsche) as foundational for the methodology o the thesis. That methodology is more specifically related to the connected notion of Verwindung (as propounded by Vattimo and Heidegger), which refers to the process of re-conceptualising and rejuvenating the paradigm of thinking in which an individual (and collective) consciousness is situated, a process commensurate with Baudrillard’s ‘réversibilité’. Chapter 2 (Situatedness) explores the relationship between Baudrillard and Heidegger on the theme of death, and the implicit questions of subjectivity and temporality. The Heideggerian concept of Befindlichkeit (‘situatedness’), crucial to the German philosopher’s thinking on death, facilitates the uncovering of an aporia in Baudrillard’s theorising on temporality. Chapter 3 (History and Structure) builds on the critique of Baudrillard’ conception of temporality established in Chapter 2, moving to a consideration of the relationship between history and structure, which is a problematic that arises in particular out of Baudrillard’s attempt to overcome Foucault (Oublier Foucault, 1977). The later Baudrillard’s astructurality is considered in relation to the structural understandings of Foucault (episteme), Kuhn (paradigm), Vattimo, Gadamer and Heidegger (all three with epochal conceptions of Being).
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O'Reilly, John Anthony. "The vanishing of Jean Baudrillard." Thesis, University of Warwick, 1992. http://wrap.warwick.ac.uk/35985/.

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The Vanishing of Jean Baudrillard examines the question of Jean Baudrillard's desire for his own disappearance as theorist. The thesis is an evaluation of the philosophical significance of his work. This is only possible by disengaging his writing from the problematic of 'postmodernism'. The category as applied to his work serves to justify perceived frivolity and aesthetic indulgence. The age of post-modernity is understood to herald a civilization of the image, or of simulation. Baudrillard's analysis of the simulacrum is often brought to bear as a theoretical justification for this argument. However for Baudrillard the simulacrum is not an image. As he conceives it, the simulacrum has the effect of undermining basic principles of reason and causality. The simulacrum qua model has the structure of anterior finality. Ultimately it renders problematic traditional conceptions of theory and its relation to the world. The transformation of the question of production provides the key to his work. Production as the fundamental logic of political economy and representation is superseded by the process of reproduction and simulation. The scene of the real and representation gives way to the exacerbated representation of the obscenity of the hyperreal - the absolute proximity of the more real than real. The hyperreal is not the simple destruction of causality or the production of ends and values but their excess. According to Baudrillard all critical discourse is a function of the previous order of representation. It only serves to sustain the myth of the real and the values of subjectivity. Through his elaboration of the processes of seduction and the fatal strategy Baudrillard attempts to access events which absorb the subject, the real, value and all sense. In this way the vanishing which Baudrillard aspires to can be perceived, though not as a project. His writing becomes the attempted elucidation of an impossible event, without reason, use or future. It is an event that cannot be reconciled to any form of subjectivity.
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Jenkins, Philip. "Jean Baudrillard : deconstruction and alterity." Thesis, University of Bristol, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.341479.

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Olney, David James. "Jean Baudrillard and the existence of meaning /." Title page, contents and abstract only, 1999. http://web4.library.adelaide.edu.au/theses/09AR/09aro51.pdf.

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Zhang, Lei, and 張磊. "Virtuality and the city: Benjamin against Baudrillard." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B30486841.

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Westerlund, Anna-Vira. "En simulerad yrkesroll? : Baudrillard, hyperrealitet och examensordningen." Thesis, Linnéuniversitetet, Institutionen för pedagogik och lärande (PEL), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-98936.

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Studien har undersökt huruvida den specialpedagogiska diskursen så som den presenteras i examensordningen kan sägas generera en hyperreell specialpedagogisk yrkesroll. Det empiriska materialet bestående av examensordningarna för specialpedagogutbildningen (1993-2017) har analyserats med diskursteoretisk metod för att sedan placeras i relation till Jean Baudrillards teorier om det postmoderna samhällets simulerade verklighet. Studiens resultat visar att om examensordningens specialpedagogiska diskurs placeras inom ramen för en Baudrillariansk analys så finns det gemensamma nämnare som kan tolkas som genererande en hyperreell yrkesroll. Dessa gemensamma nämnare diskuteras med hjälp av tidigare forskning, diskursteori och Baudrillards teoretiserande av fenomen inom ramen för det postmoderna samhället. De specialpedagogiska implikationer som skulle kunna bli konsekvensen av ett hyperreellt yrkesutövande utreds också och placeras i en mer konkret, elevnära kontext.
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Schiro, Enrico <1985&gt. "Baudrillard metafisico. Una ricerca attraverso la critica." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amsdottorato.unibo.it/8729/1/Baudrillard%20metafisico.%20Una%20ricerca%20attraverso%20la%20critica.pdf.

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Obiettivo del lavoro è offrire un contributo positivo a una lettura filosofica dell’opera di Jean Baudrillard, che ne metta in rilievo il carattere metafisico, attraverso una ricognizione della critica e un confronto con alcune voci del dibattito contemporaneo. La tesi si compone di tre capitoli. Nel primo viene delineata la problematica e il contesto della ricerca. Attraverso la ricognizione di interviste, dialoghi e diari si fornisce una preliminare visione della metafisica di Baudrillard. Segue un confronto con alcune voci critiche sulle possibili interpretazioni della svolta occorsa nel pensiero di Baudrillard tra il 1976 e il 1977, in conclusione del quale proponiamo una nostra lettura di tale svolta, coerente con l’ipotesi di un esito metafisico del suo pensiero. Il secondo capitolo è incentrato sul riesame dello stato della critica e tiene conto delle ragioni che ci sembrano spiegare la marginalità della tematica metafisica nei principali studi baudrillardiani. Esaminiamo la produzione critica che ha posto esplicita attenzione al carattere metafisico del pensiero baudrillardiano e contestualizziamo lo sviluppo della problematica relativa alla leggibilità dell’opera, focalizzandoci su due questioni codificate nella letteratura secondaria: How to read Baudrillard (Kroker, Kellner, Gane, Butler) e l’effet Baudrillard (Gauthier, L’Yvonnet, Jacquemond, Capovin). Nel terzo e ultimo capitolo, invece, mettiamo alla prova la nostra lettura metafisica di Baudrillard attraverso un confronto con due voci dell’attuale dibattito sullo Speculative Realism (Harman e Meillassoux). Grazie al confronto puntuale con le tesi di questi due autori, la specificità del pensiero baudrillardiano viene individuata nell’aver saputo aprire una strada parallela alla via maggiore del pensiero post-metafisico, declinando la deriva iper-riflessiva e meta-linguistica della filosofia contemporanea in chiave speculativa.
The aim of this thesis is to offer a positive contribution to a philosophical reading of the work of Jean Baudrillard, which highlights its metaphysical character, through an examination of criticism and a comparison with some voices of contemporary debate. The thesis consists of three chapters. In the first one the problem and the context of the research are outlined. Through the survey of interviews, dialogues and diaries, a preliminary vision of Baudrillard's metaphysics is provided. Following, is a comparison with some critical voices on the possible interpretations of the breakthrough occurred in the thought of Baudrillard between 1976 and 1977, in conclusion of which we propose our reading of this turning point, consistent with the hypothesis of a metaphysical outcome of his thought. The second chapter focuses on the review of the state of criticism and takes into account the reasons that seem to explain the marginality of the metaphysical theme in the main Baudrillardian studies. We examine the critical production that has explicitly paid attention to the metaphysical character of Baudrillardian thought and contextualize the development of the problem concerning the readability of the work, focusing on two issues codified in the secondary literature: How to read Baudrillard (Kroker, Kellner, Gane, Butler) and the effet Baudrillard (Gauthier, L'Yvonnet, Jacquemond, Capovin). In the third and last chapter, instead, we test our metaphysical reading of Baudrillard through a correlation with two voices of the current debate on Speculative Realism (Harman and Meillassoux). Thanks to the punctual parallel with the theses of these two authors, the specificity of Baudrillardian thought is identified in having been able to open a path parallel to the major path of post-metaphysical thinking, declining the hyper-reflexive and meta-linguistic drift of contemporary philosophy in a speculative key.
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Sawicki, John D. "Towards a politics of apathy, baudrillard, bartleby, and adorno." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ28657.pdf.

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Books on the topic "Baudrillard"

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Horrocks, Chris. Introducing Baudrillard. New York, NY: Totem Books, 1996.

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Gane, Mike. Jean Baudrillard. 1 Oliver's Yard, 55 City Road, London EC1Y 1SP United Kingdom: SAGE Publications Ltd, 2000. http://dx.doi.org/10.4135/9781446262313.

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Stearns, William, and William Chaloupka, eds. Jean Baudrillard. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-21844-8.

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Jean Baudrillard. 2nd ed. London: Routledge, 2008.

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François, L'Yvonnet, and Barré François, eds. Jean Baudrillard. Paris: Éditions de l'Herne, 2004.

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Mike, Gane, ed. Jean Baudrillard. London: SAGE, 2000.

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Remember Baudrillard. Paris]: Fayard, 2019.

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Zoran, Jevtic, ed. Introducing Baudrillard. Trumpington: Icon, 1999.

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Jean Baudrillard. Milton Park, Abingdon, Oxon: Routledge, 2007.

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Chris, Rojek, and Turner Bryan S, eds. Forget Baudrillard? London: Routledge, 1993.

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Book chapters on the topic "Baudrillard"

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Gane, Mike. "Baudrillard." In A Companion to Continental Philosophy, 581–87. Oxford, UK: Blackwell Publishing Ltd, 2017. http://dx.doi.org/10.1002/9781405164542.ch53.

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Kellner, Douglas. "Jean Baudrillard." In The Wiley-Blackwell Companion to Major Social Theorists, 310–38. Oxford, UK: Wiley-Blackwell, 2011. http://dx.doi.org/10.1002/9781444396621.ch32.

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Wild, Gerhard. "Baudrillard, Jean." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2651-1.

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Baecker, Dirk. "Baudrillard, Jean." In Metzler Philosophen Lexikon, 85–90. Stuttgart: J.B. Metzler, 1995. http://dx.doi.org/10.1007/978-3-476-03642-1_33.

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Kellner, Douglas. "Jean Baudrillard." In The Blackwell Companion to Major Contemporary Social Theorists, 310–32. Malden, MA, USA: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470999912.ch13.

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Spiegel, Mirco. "Jean Baudrillard." In Hyperrealität und Transhumanismus, 43–74. Wiesbaden: Springer Fachmedien Wiesbaden, 2022. http://dx.doi.org/10.1007/978-3-658-39255-0_3.

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Emerling, Jae. "Jean Baudrillard." In Theory for Art History, 98–103. Second edition. | London; New York: Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780203113899-13.

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Luke, Timothy W. "Jean Baudrillard." In Palgrave Advances in Continental Political Thought, 289–307. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230501676_20.

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Jean, Baudrillard. "Baudrillard, Jean." In Encyclopedia of Contemporary Literary Theory, edited by Irena Makaryk, 246–48. Toronto: University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442674417-063.

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Stearns, William, and William Chaloupka. "Introduction: Baudrillard in the Mountains." In Jean Baudrillard, 1–6. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-21844-8_1.

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Conference papers on the topic "Baudrillard"

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Fuller, Robin. "Jean Baudrillard, design theorist." In 9th Conference of the International Committee for Design History and Design Studies. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/despro-icdhs2014-0007.

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Pujiningsih, Sri, Sawitri Dwi Prastiti, and Ika Putri Larasati. "How to Research into Accounting using Emiotic Approaches by de Saussure, Barthes, and Baudrillard?" In 2nd INTERNATIONAL RESEARCH CONFERENCE ON ECONOMICS AND BUSINESS 2018. SCITEPRESS - Science and Technology Publications, 2018. http://dx.doi.org/10.5220/0008786600900096.

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Bolshakova, Anastasia Sergeevna. ""Map" or "territory": knowledge in the digitalisation of primary education." In International Research-to-practice conference. Publishing house Sreda, 2023. http://dx.doi.org/10.31483/r-108234.

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The digitalisation of primary education is generating ethical paradoxes related to the clash between the values inherent in the digital world and the ethical and humanistic principles underlying any educational process. This clash manifests itself in the form of axiological risks, shedding light on the complex ethical landscape of digital education. This article focuses on one such risk - the risk of losing the value of knowledge. It describes the process of mutation of the concept of &quot;knowledge&quot; in modern conditions with reference to the concept of simulacra proposed by the French philosopher Jean Baudrillard.
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Sulaiman and Tengsoe Tjahjono. "Simulacra and Hyperreality in Novel Aku Lupa Bahwa Aku Perempuan by Ihsan Abdul Qudus: Perspective Jean Baudrillard." In 4th International Conference on Arts Language and Culture (ICALC 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200323.065.

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Kuznetsova, T. "SOCIO-CULTURAL DYNAMICS OF FASHION." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2569.978-5-317-06726-7/157-163.

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Fashion as a social and aesthetic phenomenon of modern culture and art. Fashion affects mechanisms as a regulator of people's behavior in their relationships in all spheres of society. Special attention is paid to the importance of fashion for different categories of people and its place in the formation and linguistic awareness of the cultural picture of the world. What is its power and why is the phenomenon noticed by such philosophers as G. bloomer, J. Baudrillard or R. Barth? Fashion is a cultural phenomenon that affects the formation of values and forms a factor in the socio-cultural life of society. Fashion manifests itself through verbal forms, but it can also influence the spiritual world of a person,being a source of various cultural norms.
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Kyriakou, Kyriakos, and Sofia Krimizi. "-ville: Not Rural but Micropolitan America: The Pedagogical Case of East and West Texas." In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.117.

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Young, instant and radically small, the american town operates as an extreme condition of minimal complexity and minimum urbanity. If America is the original version of modernity according to Baudrillard¹, then the extremities of that vast internal American territory- understood here as a sequence of Greysvilles, Crossvilles, Maryvilles but also Moscows, Paris, Florences spread out in Tennessee, Texas, Louisiana or Arizona- offer us an insight to an accelerated end state of that modernity. ‘-ville: not rural but micropolitan America’ produces an alternative understanding of urbanism that studies the american town as an instant and autonomous urban setup, one that is simple enough to be broken down in primary and identifiable elements. The towns are seen through a lens of radical remoteness as sprawled, diluted and scattered nodes of a network that strives to conquer a vast territory producing a contemporary reading of the internal fringes of the United States by carving a mute-scaler, cross country section through the rural, micropolitan American territory, radically positioned on only one colour of the post election map.
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Grishin, A. "THE PHENOMENON OF ALIENATION OF THE EDUCATIONAL PROCESS IN THE EXPONENTS OF SOCIAL VIOLENCE." In EXPONENTS OF SOCIAL AGGRESSION: GENERAL HUMANITARIAN DISCOURSES. FSBE Institution of Higher Education Voronezh State University of Forestry and Technologies named after G.F. Morozov, 2022. http://dx.doi.org/10.34220/esaghd2022_87-95.

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The article analyzes the problems of methodological construction of the ontological and ontic framework of the phenomenon of existential terrorism in the context of possible changes in the subordination and institutional potential of modern Russian society. The agenda includes the state of affairs in the modern educational environment in the aspect of its dynamic transformation towards the digitalization of the educational process and the associated possible loss on the part of teachers and students of their own individuality. This question is explicated in the paradigmatic orientation of the Marxist approach in relation to the loss of a person's true self and in the paradigmatic orientation of the neo-Freudian approach in relation to the ability of a person to carry out collective cooperation in the professional sphere. Terminologically, the article is made possible in the conditions of dialectical identifications of Platonism and Hegelianism, while the question of the correlation of the level of existential freedom, the ontic orientation of fear and the extroversion of existential terrorization is explicated in the theoretical generalizations of J. Bataille, J. Deleuze and J. Baudrillard.
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Rodríguez Cañestro, Sheila, and Javier Garcerá Ruiz. "Los límites del ver: una aproximación a la pintura contemporánea." In IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Valencia: Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.9271.

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La ponencia que presentamos plantea una reflexión sobre las posibilidades expresivas del lenguaje pictórico y sus consecuencias en el proceso del ver. Para abordar esta cuestión, analizaremos el trabajo de un grupo de artistas contemporáneos que, frente a la proliferación de la información visual de naturaleza exhibicionista que nos afecta día a día, utilizan una serie de estrategias formales basadas en una cierta negación de la imagen y obstaculización de la mirada. Hecho que suscita una reflexión necesaria en el contexto imagen [n] visible que la presente edición del congreso ANIAV propone. Para ello, nos serviremos de algunas reflexiones que el filósofo y teórico cultural coreano Byung-Chul Han está elaborando sobre el fenómeno de transparencia y exceso de visibilidad al que está expuesto el sujeto contemporáneo. Así también, aludiremos a otras reflexiones que autores como Walter Benjamin, Roland Barthes, Gilles Deleuze o Jean Baudrillard han planteado sobre dicho problema. Pretendemos así elaborar una aproximación al tema de la imagen [n] visible desde una perspectiva que reflexiona entorno a los límites entre visibilidad e invisibilidad. Como metodología, partiremos del proyecto expositivo titulado Ni decir de Javier Garcerá (coautor de este artículo) y de las propuestas de otros artistas contemporáneos como Qiu Shihua, Fu Xiaotong y Ohba Daisuke. A todos ellos los une su intención de estimular una apertura de la percepción que permita ver más allá de la representación pictórica, e incluso de cualquier imagen.
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BLANCO ARROYO, MARIA ANTONIA. "La estética del consumo a través de la fotografía contemporánea." In III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.4902.

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El propósito de esta comunicación es analizar los aspectos estético-filosóficos del paisaje que convergen en la creación fotográfica actual. La percepción visual nos introduce en una filosofía de la imagen, que nos permite comprender con mayor solidez las circunstancias socio-culturales del entorno actual: un universo híbrido e impermanente. Así pues, la obra del artista alemán Andreas Gursky cobra especial protagonismo en el seno de esta propuesta, pues en su fotografía se expone el entorno como organización estética de la cultura. El contenido de esta comunicación se articula a través de las imágenes del citado artista, y se nutre de las teorías de autores como Jean Baudrillard, Zygmunt Bauman, Gilles Lipovetsky, Nicolás Bourriaud, Theodor W. Adorno o Fredric Jameson. El pensamiento de los autores citados confluye en la escena fotografiada, que podría simbolizar el nuevo santuario de la estética posmoderna, proponiéndonos reflexionar sobre lo material y lo inmaterial: el consumo, el vacío, lo racional, la soledad, etc. Estos conceptos fluyen entre lo real y lo irreal. De hecho, Gursky, mediante sus intervenciones digitales crea una realidad manipulada, que está más próxima a lo real que la propia realidad.Una de las ideas principales de este discurso versa en torno a la constante renovación estética y el reciclaje cultural del paisaje. Se analiza el consumo como un comportamiento motriz de las nuevas topografías paisajísticas, y sistematiza la conducta humana en la actualidad, advirtiendo cómo este hecho conduce hacia una transformación del espacio que, progresivamente, influye en la calidad de vida del individuo y en sus lazos afectivos y emocionales. En definitiva, se analiza cómo la dinámica de vida ligada al consumismo que nos muestra la fotografía, conduce hacia una deshumanización cada vez más extrema, en la que el ser humano se convierte en sujeto-objeto que pertenece a un entorno cambiante y líquido.http://dx.doi.org/10.4995/ANIAV.2017.4902
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Qin, Meng. "Research on Baudrillard’s Advertising Theory Based on the Concept of “Image”." In 7th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.362.

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