Academic literature on the topic 'Baudelaire, Charles, 1821-1867 Cygne'
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Journal articles on the topic "Baudelaire, Charles, 1821-1867 Cygne"
Matangrano, Bruno Anselmi. "Cisne isolado, sujeito deslocado: Mallarmé em diálogo com Apolo, Baudelaire, Andersen e Eduardo Guimaraens." Aletria: Revista de Estudos de Literatura 24, no. 3 (December 31, 2014): 127–41. http://dx.doi.org/10.17851/2317-2096.24.3.127-141.
Full textPires, Márcia Eliza. "Charles Baudelaire e Cecília Meireles: ressonâncias poéticas sob o domínio da noite." Revista Texto Poético 15, no. 28 (October 15, 2019): 322. http://dx.doi.org/10.25094/rtp.2019n28a617.
Full textDarde, Augusto. "Correspondências e sinestesias quando Baudelaire aprecia Delacroix." Revista PHILIA | Filosofia, Literatura & Arte 2, no. 1 (June 13, 2020): 115–43. http://dx.doi.org/10.22456/2596-0911.98990.
Full textGuilhen, Ellen. "Mallarmé redivivo em Eduardo Guimaraens." Revista Texto Poético 15, no. 28 (October 15, 2019): 338. http://dx.doi.org/10.25094/rtp.2019n28a618.
Full textWanner, Adrian. "Populism and Romantic Agony: A Russian Terrorist's Discovery of Baudelaire." Slavic Review 52, no. 2 (1993): 298–317. http://dx.doi.org/10.2307/2499924.
Full textBrandão, Gilda Vilela. "Paris no imaginário cultural e literário do Rio de Janeiro Fin-de-siècle." FronteiraZ. Revista do Programa de Estudos Pós-Graduados em Literatura e Crítica Literária, no. 29 (December 16, 2022): 110–25. http://dx.doi.org/10.23925/1983-4373.2022i29p110-125.
Full textMendonça, Paulo. "Impressões russas da modernidade: Dostoiévski em viagem pela Europa." Anuário de Literatura 21, no. 1 (June 30, 2016): 70. http://dx.doi.org/10.5007/2175-7917.2016v21n1p70.
Full textRangel, Vagner Leite, and Maria Cristina Cardoso Ribas. "DO QUILATE DO OURO AO PURO LEITE ROMÂNTICO – O QUE A LITERATURA BRASILEIRA TEM?" Cadernos do IL, no. 51 (January 18, 2016): 081. http://dx.doi.org/10.22456/2236-6385.57165.
Full textGarcía Farrero, Jordi. "Educació i carrer: mirades des de l'antropologia i des de la literatura." Pedagogia i Treball Social 2, no. 2 (June 1, 2012): 47. http://dx.doi.org/10.33115/udg_bib/pts.v2i2.1533.
Full textGomes, Polyana Pires. "As flores do mal dos contos de Murilo Rubião." Raído 12, no. 29 (December 5, 2018): 81–93. http://dx.doi.org/10.30612/raido.v12i29.7618.
Full textDissertations / Theses on the topic "Baudelaire, Charles, 1821-1867 Cygne"
Seki, Kotaro. "L'incommunicabilité poétique chez Charles Baudelaire." Clermont-Ferrand 2, 2000. http://www.theses.fr/2000CLF20014.
Full textSlama, Marie-Gabrielle. "Malédiction de Baudelaire." Paris 4, 2007. http://www.theses.fr/2007PA040105.
Full textThis study analyses the initial critical response to Baudelaire’s works during his lifetime, in the period running from the publication of the Salons in 1845 and 1846 to the days following his death in September 1867. Based on a body of 271 texts - many of which were hitherto unknown - this study aims to debunk the Baudelairean myth of the cursed poet. In undertaking this process of demolition, this study first considers the poet’s detractors and then his supporters, before assessing the importance of the theme of the cursed artist in his works themselves. For Baudelaire deliberately created a cliché – linked to dandyism and anti-modernity – that was so compelling that it ultimately came to distort the reception of his work
Thélot, Jérôme. "Baudelaire : violence et poésie." Paris 4, 1990. http://www.theses.fr/1990PA040183.
Full textTouhami, Mounir. "Le "Beau" : catégorie ontologique dans l'oeuvre de Charles Baudelaire." Montpellier 3, 1993. http://www.theses.fr/1993MON30005.
Full textFirst we had to find how dandyism could be considered as an experience of the beautiful, as a need to distinguish oneself from the properties and the arbitrary laws which day after day, take man away from his authentic and deep reality. Conscious of these evils, baudelaire's works are more a denunciation of human perversity than a celebration of it. However, baudelaire's poetry does not escape from the ambiant reality; on the contrary it makes use of it in order to catch its deep meaning. So the notion of "modernity" must not be mistaken with the one of actuality, for the author of les fleurs du mal. It is this intense acuity and deep vision which goes beyond the appearances, to grasp the quintessence of things and to give way to the hiddel dimension of the real. From the "transitory", does the poet apprehend the "eternal" and, this is how modernity shall be understood : as an aesthetics of reconciliation in which duality is transcended. Thus, the poetical language of les fleurs du mal becomes the place in which the ontological harmony between man and the universe is achieved. For the sake of the poetical authenticity, baudelaire gets romanticism out of
Ebine, Ryusuke. "Baudelaire et le progrés." Paris 4, 2005. http://www.theses.fr/2005PA040403.
Full textTo Baudelaire belief in progress entails three forms of degradation which are inseparable. While he exercises a creative energy hard to find in modern society, he is also conscious of the Evil which this involves, and which awakens in him a feeling of guilt. But because to him the Evil is inherent in the whole of Nature, this sense of remorse confirms his moral superiority over the partisans of progress, with their faith in the original goodness of Man and Nature. Seeking like-minded spirits who share his sense of dereliction, the poet attempts to establish with them a harmonious community which he contrasts with the social disorders of the nineteenth century. Thus the first part of this treatise aims to clarify the ways in which the poet resists a society besotted with progress, aesthetically, morally, and socially degraded. The second part, however, demonstrates that this resistance always ends in failure. As his pursuit of the ideal only leads to a realization of its impossibility, so the sympathy which he feels for others breaks down the moment he encounters their true image. In the face of this dilemma of resistance, there is no ultimate solution, only a perpetual repetition. The third part examines his reactions to the art of his age. By scrutinizing his relations with the artistic developments of the age, especially progressivist art and realism, one can trace how his hostility to progress is reflected in his own poetic and critical practice
Talviste, Katre. "Baudelaire et la poésie estonienne." Université Paris-Est Créteil Val de Marne (UPEC), 2007. http://www.theses.fr/2007PA120012.
Full textThe first publication of Baudelaire’s poems in Estonian coincides with the beginnings of modern Estonian literature. His works were discovered by authors who in 1905 initiated a movement of linguistic and literary modernization in Estonia and who have deeply influenced the development of the Estonian culture in the 20th century. Their numerous fruitful initiatives include the translation and interpretation of Baudelaire’s works, which has become a permanent interest for Estonian poets while the reception of Baudelaire follows the principal movements of the 20th-century Estonian literature. That parallel development is visible both historically and poetically: preferences for certain texts (especially poems from the Fleurs du mal), translation strategies and critical positions underline the predominance of the romantic concept of literature in Estonia. In the same time, Baudelaire’s works serve as a means of poetic self-examination and of broadening the familiar horizons. The implicit dialogue between translators that takes place through the versions of Baudelaire’s texts, and the open debates about his works, about translation and about the nature of poetics in which Baudelaire has been implicated have contributed to the modification of concepts inherited from the Romanticism. In the original work of the Estonian poets who have translated Baudelaire these concepts are still quite viable. In several respects, their poetic universe differs from that of Baudelaire, which contains some fundamentally foreign elements. However, they constantly return to Baudelaire in order to explore his poetics and his imagination, finding both an experience of cultural otherness and a test of empathy
Baudelaire’i luuletuste esmailmumine Eestis langeb kokku modernse eesti kirjanduse algusega. Tema loomingu avastasid kirjanikud, kes 1905. Aastal algatasid Eestis keele- ja kirjandusuuendusliku liikumise ning avaldasid sellega suurt mõju tervele 20. Sajandi eesti kirjandusele. Nende arvukate viljakate algatuste sekka kuulub väga olulisena ka Baudelaire’i tõlkimine ja tõlgendamine, mis on eesti luuletajaid püsivalt köitnud, nõnda et Baudelaire’i retseptsioon teeb koos eesti kirjandusega läbi kogu selle keskse arengutee 20. Sajandil. See paralleelsus on nähtav nii ajaloolisel kui ka poeetilisel tasandil: kindlate tekstide (iseäranis kogusse «Les Fleurs du mal» kuuluvate tekstide) eelistamine, tõlkestrateegiad ja kriitilised seisukohad annavad märku romantilise kirjanduskontseptsiooni valdavusest Eestis. Samas on Baudelaire’i looming poeetilise enesevaatluse ning senituntud horisontide avardamise vahendiks. Tõlkijate implitsiitne dialoog, mis kujuneb Baudelaire’i tekstide versioonidest, ning Baudelaire’ile toetunud eksplitsiitsed arutelud tema enese loomingu ning tõlkimise ja poeetika põhimõtete üle on kaasa aidanud romantismist päritud kontseptsioonide ümberkujunemisele. Baudelaire’i tõlkinud eesti luuletajate algupärases loomingus on need kontseptsioonid aga alles tugevasti juurdunud. Nende poeetiline maailm erineb Baudelaire’i omast arvukate omaduste poolest ning nii mõnigi viimases leiduv element jääb neile põhimõtteliselt võõraks. Ometi pöörduvad nad aina uuesti Baudelaire’i juurde tagasi, et õppida tundma tema poeetikat ja kujutluslaadi, mis pakuvad ühtaegu kultuurilise teissuse kogemust ning empaatiavõime proovilepanekut
Steele, Elizabeth Jane. "Les images de l'eau chez Baudelaire." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26925.
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French, Hispanic, and Italian Studies, Department of
Graduate
Shimizu, Masashi. "L' inspiration nordique de Baudelaire." Valenciennes, 2003. http://ged.univ-valenciennes.fr/nuxeo/site/esupversions/ab8e2ce0-9ee9-4279-ba6d-eeb587129660.
Full textThis work has the object to explain, with the thematic method, the importance of "the North" in the aesthetic and artistic theory of 19th century french poet Charles Baudelaire (1821-1867). There are two texts of 1846 which permit to know that Baudelaire is interested in the schematic relation between the romanticism and the North, since Madame de Stae͏̈l. But this role of schema the Middle / the North in his aesthetic and artistic theory was neglected until now in these Baudelaire's studies. This work aims to define the relations between the romanticism and the North, and that between the artist's temperament and the North, in analysing his articles about the art and the literature, and the poem "The Lighthouses". This point of view permits especially to explain the choice of artists and their order in the poem "The Lighthouses" and equally to know the Baudelaire's idea of history against the 19th century Progress
Fisher, Martine. "Du commerce épistolaire : Baudelaire et ses correspondants, 1832-1866." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35701.
Full textBoric, Ivan. "Baudelaire et la culture classique." Toulouse 2, 1990. http://www.theses.fr/1990TOU20001.
Full textIn the work of charles baudelaire, classical culture (as it manifests itself in french literature between 1549 and 1715) plays a very important part. The component elements of this culture are thought again, taken up and often recast by the poet; in baudelaire's view, modernity is inseparable from tradition. Baudelaire reaches the limits of the classical culture but remains below the breaking point where modernity comes in
Books on the topic "Baudelaire, Charles, 1821-1867 Cygne"
Pichois, Claude. Baudelaire. London: Vintage, 1991.
Find full textPichois, Claude. Baudelaire. London, England: H. Hamilton, 1989.
Find full textLeakey, F. W. Baudelaire, Les fleurs du mal. Cambridge: Cambridge University Press, 1992.
Find full textCharles Baudelaire. London: Reaktion Books, 2008.
Find full textCuller, Jonathan. Baudelaire's satanic verses: The Cassal lecture 6 October 1994. (London): University of London, 1994.
Find full textBaudelaire, Charles. Fusées ; Mon cœur mis à nu ; La Belgique déshabilleé: Suivi de Amœnitates Belgicæ. Paris: Gallimard, 1986.
Find full textEva, Jacobs, ed. Baudelaire, collected essays, 1953-1988. Cambridge [England]: Cambridge University Press, 1990.
Find full textBabuts, Nicolae. Baudelaire: At the limits and beyond. Newark: University of Delaware Press, 1997.
Find full textBenjamin, Walter. The writer of modern life: Essays on Charles Baudelaire. Cambridge, Mass: Harvard University Press, 2006.
Find full textRosemary, Lloyd, ed. The Cambridge companion to Baudelaire. Cambridge: Cambridge University Press, 2005.
Find full textBook chapters on the topic "Baudelaire, Charles, 1821-1867 Cygne"
"B: BAUDELAIRE, CHARLES (1821-1867)." In Encyclopedia of Time, 53–71. Routledge, 2013. http://dx.doi.org/10.4324/9780203054147-2.
Full text"Charles Baudelaire (1821–1867; French)." In Romanticism: 100 Poems, 164–65. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108867337.053.
Full textConstable, Elizabeth. "Charles Baudelaire (1821-1867) and Stéphane Mallarmé (1842-1898)." In Edinburgh Encyclopaedia of Modern Criticism and Theory, 43–51. Edinburgh University Press, 2022. http://dx.doi.org/10.1515/9780748672554-006.
Full textConstable, Elizabeth. "Charles Baudelaire (1821-1867) and Stéphane Mallarmé (1842-1898)." In Introducing Literary Theories, 43–51. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474473637-006.
Full textConstable, Elizabeth. "5. Charles Baudelaire (1821±1867) and Steéphane Mallarmé (1842-1898)." In Modern European Criticism and Theory, 41–49. Edinburgh University Press, 2006. http://dx.doi.org/10.1515/9780748626793-006.
Full textWeir, David. "Introduction." In Decadence: A Very Short Introduction, 1–12. Oxford University Press, 2018. http://dx.doi.org/10.1093/actrade/9780190610227.003.0001.
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