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Relevant bibliographies by topics / Batik industries

Academic literature on the topic 'Batik industries'

Author: Grafiati

Published: 27 July 2024

Last updated: 29 July 2024

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Journal articles on the topic "Batik industries"

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Handayani, Widhi, Arianti Ina Restiani Hunga, and A. Ign Kristijanto. "Penetapan Skala Industri Batik Rumahan Menurut Kriteria Lokal: Studi di Desa Jarum, Kabupaten Klaten." MANAJEMEN IKM: Jurnal Manajemen Pengembangan Industri Kecil Menengah 12, no. 1 (September 6, 2017): 25. http://dx.doi.org/10.29244/mikm.12.1.25-34.

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Bayat Sub-district of Klaten Regency has been supplying batik to Yogyakarta and Surakarta since the 1960’s. The role of Bayat as a batik provider is inseparable from Jarum village, which was officially established as a tourism village by the Government of Klaten Regency in 2014. Considering that batik is produced under Putting Out System (POS) which employs home workers, the industrial scale criteria applied to formal industry is less appropriate if it will be applied to batik home-industry as a micro-small scaled industry. This research was conducted to describe the profile of batik industry in Jarum village as well as arrange criteria used by Jarum people to determine the scale of batik industry. This qualitative research data was collected by interview, observation, documentation, and literature study. The results showed that there were 19 industries producing batik cloth, 10 industries producing batik woodcraft, 1 industry producing batik T-shirt, and 1 industry producing batik painting. Based on local perception, 7 industries were categorized as large, 13 industries were categorized as moderate, and 11 industries were categorized as small. The criteria used to establish the industrial scale were production scale, number of employees, and marketing reach. Only 5 industries found to apply natural colorants for batik clothes production, while synthetic dyes were applied broadly for batik clothes, batik T-shirt, batik woodcraft, and paintings. Natural colorants less desirable by batik Juragans who use synthetic dyes because the application of natural dyes will prolong the production, limits the scale of production, tend to shows uncontrolled quality, and more difficult to sell.

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Maninggar, Nimas, and Delik Hudalah. "LOW-TECH INNOVATION AND LOCAL ECONOMIC DEVELOPMENT: CASE STUDY THE TRADITIONAL BATIK INDUSTRY IN PEKALONGAN MUNICIPALITY." TATALOKA 20, no. 1 (February 28, 2018): 1. http://dx.doi.org/10.14710/tataloka.20.1.1-11.

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Innovation is no longer purely a project of high-tech industries. The decade has seen a paradigm shift of the meaning and the process of innovation creation from a linear model that largely focuses on R&D, toward a non-linear model through informal and interactive processes. As a result, low-tech industries with a low level of R&D can also make innovations and benefit the regional economy. In Indonesia, such innovation may be linked to the development and survival of cultural industrial clusters. One of Indonesia’s unique cultural industries is batik. Using a qualitative analysis, this paper explores the impact of process and product innovations in the batik industry on the local economic development of Pekalongan Municipality, Indonesia’s largest batik-producing city. The study is based on semi-structured interviews with batik entrepreneurs, which show that innovations have contributed to the cutting of production costs and, thus, increasing the industrial units’ income; the emergence of new batik entrepreneurs; and an increase in tourist visits, supporting businesses and facilities.

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Ramadhan, Wisnu, Danur Lambang Pristiandaru, Yanif Dwi Kuntjoro, and Dwi Oktofianto. "The Symbolic Meaning of Redesign Batik Motives Kawung Solo based on Applied Mathematics Geometry Transformation and Village Promotion Efforts Kampung Matematika Karanglo, Karanganyar." Proceeding of Community Development 2 (February 21, 2019): 854. http://dx.doi.org/10.30874/comdev.2018.304.

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Indonesian Batik by UNESCO was designated as the Masterpieces of the Oral and Intangible Heritage of Humanity since October 2009. The famous Indonesian batik motif from Solo is the Kawung batik motif. One type of batik is stamped batik. In making batik, there is always a clear repetition, so that the image appears repetitive in the same shape. The problem with making stamp batik is the price of expensive batik stamp. Generally, one stamp of batik can only produce one motif. Therefore, the main problem that was solved in this study was how to develop a Solo-Kawung batik motif design that has a uniqueness from one motif in the stamp can produce many patterns of batik without losing the local identity. The values contained in kawung batik are simplicity, regularity, consistency, and mutual cooperation reflected in community life. This problem will be solved by applying the concept of Geometry Analysis with the Symmetry Group Theory which will then be used Geometry Transformation. The Energy Security Concept is Every aspect of development must be environmentally sound while still striving for effectiveness and efficiency. This research was developed and applied in Karanglo Village, Karanganyar Regency as a Batik Mathematics Village. The development of creative industries applied in Karanglo is an industry that originates from the utilization of individual talents to create welfare and employment through the creation and utilization of these creative and creative powers. There are three directions for developing creative industries, namely industries based on creative cultural industries, creative industries and copyright industries with environmental based.

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Handayani, Widhi, Augustinus Ignatius Kristijanto, and Arianti Ina Restiani Hunga. "BEYOND THE MONEY: A CASE STUDY ON THE BENEFIT OF HAND-DRAWING BATIK TO FEMALE BATIK WORKERS IN JARUM KLATEN REGENCY." Jurnal Kawistara 8, no. 2 (October 1, 2018): 196. http://dx.doi.org/10.22146/kawistara.30210.

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Batik is a cultural product of Indonesia and it is produced by home industries under Putting Out System (POS). Although batik home industries are beneficial economically, their impacts on environment tend to be destroyed due to water pollution resulted from the process of POS. Moreover, batik production by POS is considered to disadvantage female homeworkers. This paper aims to explain the benefit of batik industries in Jarum Village, Klaten toward female homeworkers, even if water pollution occurs in the village. Batik industries give benefit because they provide employment for female homeworkers in Jarum Village. Unfortunately, the benefit from batik production not yet received by some female homeworkers due to low wages they get, in addition to the pollution which could contaminate the groundwater they use for domestic activities. Finally, batik benefits are not merely regarding economics context as batik provides a space for self-actualization, mainly to the elder workers.

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Zulhida, Aulia Dwi, and Ragil Haryanto. "Spesialisasi Kegiatan Produksi dan Kemitraan Subkontrak pada Klaster Batik Kota Pekalongan." Jurnal Wilayah dan Lingkungan 4, no. 2 (August 31, 2016): 95. http://dx.doi.org/10.14710/jwl.4.2.95-110.

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<p class="Abstract"><em>Pekalongan City is known as the batik city. Thus it has the city branding as "Pekalongan World's City of Batik." This branding is a result of people’s daily activity related to batik. Pekalongan has 860 batik industries in 2013 and have the specialization in the production activities and subcontracting partnerships. Most of the batik industries do not do the production process entirely by themselves, but by joining to the other industries with a particular specialization. This study aims to determine the specialization of production activities and subcontracting partnership in Pekalongan batik cluster. The results of this study show that there is a majority of ‘batik cap’ industries that is equal to 82% of the total industries in Pekalongan. The specializations consist of making the batik, convection, and making of the canting. These specializations are geographically grouped into a center due to the endowment factors such as labors, land, and infrastructures. Specialization of production activities also leads to partnership subcontracting in the batik cluster, which is known by a factor of specialty subcontracting. The subcontracting partnership gives negative and positive impacts, such as the reliance between the subcontractor and the principal, efficiency of production factors, and cost efficiency.</em><em></em></p>

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Roziqin, Ali, Nunuk Retnandari, Amaliana Fajrina, Iradhad Sihidi, and Muhammad Kamil. "The Local Government and Creative Industry: Experience from Batik Tulis Lasem Industries." Jurnal Bina Praja 13, no. 3 (December 30, 2021): 419–29. http://dx.doi.org/10.21787/jbp.13.2021.419-429.

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Recently, Batik Tulis Lasem had several problems with a product, starting from input until the market process. Also, there is the problem of capital and technological capabilities from Batik Tulis Lasem industry, poverty, and social inequality of the craftsman. This article aims to examine the role of local government in improving creative industries, especially Batik Tulis Lasem. Further, this article was conducted by qualitative descriptive approach, particularly using the case study. In addition, the researchers collected data from semi-structured interviews with official local government and Batik Tulis Lasem entrepreneurs in the period covered 2018-2019. The results showed that local government has an important role in improving creative industries, firstly as a regulator, secondly as a facilitator, and thirdly to ensure the existence of Batik Tulis Lasem through empowerment. The problems in Batik Tulis Lasem are the regeneration of entrepreneurs, including batik craftsman, the lack of empowerment by local government, and the lack of information technology knowledge among the majority of Batik entrepreneurs. As an implication, the government should increase empowerment for the Batik Tulis Lasem industry through the regeneration program of batik craftsman and increase capacity for digital marketing.

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Widiaty, Isma. "Relevance of Vocational High School Curriculum with the Industrial Needs of Making Batik Competences." Innovation of Vocational Technology Education 15, no. 2 (September 4, 2019): 76. http://dx.doi.org/10.17509/invotec.v15i2.19635.

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This study aimed to identify the relevance of vocational high school curriculum with the industrial needs particularly related to batik making competences. The data collection was carried out through a survey to 35 batik industries within Priangan area, West Java province, Indonesia. The instrument employed was a questionnaire consisting of batik making competence units based on Standar Kompetensi Kerja Nasional Indonesia (SKKNI), Indonesia National Performance Competence Standards. The respondents of the study were owners of the batik industries requested to measure competence standards on SKKNI in relation to the competences needed within batik industry. The results of the study showed that in general, the competences on the SKKNI taught in vocational high schools were relevant to the competences needed in the industry. There were a few competences classified irrelevant which were Canting and stamping tools. The findings indicated that the competences taught in the schools are in accordance with the standards set in the SKKNI. It is expected that teachers are able to strengthen the competences taught in schools and regularly coordinate with the industry to keep the curriculum updated.

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Pratiwi, Atikah Aghdhi, Naning Aranti Wessiani, Patdono Suwignjo, and Rihadatul Fadli. "Industrial Cluster Design using Value Chain Analysis and Diamond Porter’s Model (Case Study in Batik Trusmi Cirebon Center)." E3S Web of Conferences 517 (2024): 05005. http://dx.doi.org/10.1051/e3sconf/202451705005.

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Batik Trusmi is one of Batik industry areas with 164 Batik Industry listed. Batik Trusmi, currently a center for Small Medium Enterprises (SMEs), has the high potential to grow into an industrial cluster to give its stakeholders competitive advantage. The government’s plan to develop industrial areas in West Java, includes Trusmi Batik Area as one of industrial areas that will be developed over the next 20 years. This study focus on illustrating and describing the primary and secondary activities of the Industrial cluster and stakeholders function on the system by using Value Chain Analysis and Diamond Porter’s Model, and the Industrial Cluster Component and Condition Assessment of Batik Trusmi as the result. The Diamond Porter Model describes the conditions of Internal and External Aspects of the Industrial Cluster. The industrial cluster design delivered the desired result for Batik Trusmi based on the Industrial Cluster Success Criteria. The Cirebon Industrial and Trading Agency will oversee the integrated system, which will be able to increase the competitive advantage, manage demand distribution, standardize production processes and quality, develop a tourism brand for Cirebon, and put in place a monitoring and evaluation system to gradually develop the industries under the management of industrial cluster.

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Anwar, Khairul, Susminingsih Susminingsih, and A. M. Muh Hafidz Ma’shum. "Development Of Green Economy In The Batik Industry From A Maqashid Sharia Perspective." IQTISHADUNA: Jurnal Ilmiah Ekonomi Kita 12, no. 2 (December 19, 2023): 209–25. http://dx.doi.org/10.46367/iqtishaduna.v12i2.1471.

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This research aims to analyze the development of the green economy in the batik industry in Pekalongan from a sharia maqashid perspective. This research is field research with a qualitative approach. Data sources use primary data and secondary data. Data collection techniques use observation, interviews, and documentation. The informants consisted of batik entrepreneurs and four employees. The data analysis technique uses data triangulation with stages of data reduction, data presentation, and conclusion. The research results show that the home Pesisir Batik and Dudung Batik industries still need to fully implement the green economy concept. The green economy concept in the business has only been partially implemented, namely in the form of producing naturally coloured batik and minimizing batik waste. Generally, the two batik home industries cover five principles: hifz din, hifz nafs, hifz aql, hifz nasl and hifz mal. Activities to minimize waste pollution include protecting religion, life, and descendants. Likewise, with natural colouring activities on batik. Meanwhile, the sustainability of the batik business after the green economy concept consists of internal and external factors. This research can be used by industries that require consideration of moral values, namely goodness (maslahat) to preserve nature and the survival of human life.

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Hernanda, Pita Adis, Ida Sriyana, Sandhy Auliya Ma’arief, and Shinta Amelia. "Batik Waste Degradation Using Heterogeneous Fenton Method Using Catalysts To Reduce Environmental Pollution." E3S Web of Conferences 481 (2024): 03002. http://dx.doi.org/10.1051/e3sconf/202448103002.

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The batik industry is one of the industries that develops from time to time. Among the problems that are still a concern today is industrial waste, especially the content of dyes. Reactive dyes found in batik wastewater are very harmful in the environment, and so far only a few industries process the batik waste before disposing of it into the environment. AOPs technology is a combination of several processes such as ozone (O3), hydrogen peroxide, UV light, titanium oxide, photocatalyst, electrolysis, electron beam, electrical discharge, and several others to produce hydroxyl radicals. One method of AOPs is the process of using fenton reagents. This study aims to identify the impact of variations that occur on the active components of batik color waste. The results showed that the use of zeolite catalysts tends to be more effective in absorbing polar components and less effective in absorbing organic matter. This statement is supported by a higher percentage of removal from natural zeolite than activated carbon which is 100%.

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Dissertations / Theses on the topic "Batik industries"

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Redzuan, Ma'rof Bin. "Constraints and potential in the development of rural industries : a case study of silverware and batik production in Kelantan, Peninsular Malaysia." Thesis, University of Hull, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.691265.

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Nugroho, Prihadi Verfasser], Einhard [Akademischer Betreuer] [Schmidt-Kallert, and Hartmut [Gutachter] Hirsch-Kreinsen. "The role of local institutions in industrial cluster development in Indonesia : The cases of Javanese batik clusters in Kampung Laweyan, Kampung Kauman and Lasem area / Prihadi Nugroho. Betreuer: Einhard Schmidt-Kallert. Gutachter: Hartmut Hirsch-Kreinsen." Dortmund : Universitätsbibliothek Dortmund, 2014. http://d-nb.info/110547609X/34.

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Books on the topic "Batik industries"

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Michael, Hitchcock, Nuryanti Wiendu, and University of North London, eds. Building on batik: The globalization of a craft community. Aldershot, Hants, England: Ashgate, 2000.

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Hitchcock, Michael, and Wiendu Nuryanti. Building on Batik: The Globalization of a Craft Community. Taylor & Francis Group, 2016.

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Hitchcock, Michael, and Wiendu Nuryanti. Building on Batik: The Globalization of a Craft Community. Taylor & Francis Group, 2016.

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Ibrahim, Johan Afendi, and Mohamad Zaki Ahmad. Perancangan dan pembangunan pelancongan. UUM Press, 2012. http://dx.doi.org/10.32890/9789675311895.

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Pelancongan merupakan satu industri yang sedang berkembang maju di dunia termasuk Malaysia.Ini disokong oleh pertumbuhan ekonomi global yang semakin baik di samping peningkatan kualiti hidup penduduk dunia seperti kadar pendapatan, kesihatan dan waktu terluang. Kesan daripada keadaan ini, mereka berupaya melakukan perjalanan ke setiap pelusuk dunia untuk bercuti, rekreasi dan tujuan-tujuan lain. Pelancongan dilihat mampu menjadi ejen perubahan terhadap landskap ekonomi, alam sekitar dan sosial sesebuah kawasan. Ia mewujudkan pusat-pusat pertumbuhan baharu, menjanakan peluang pekerjaan dan keusahawanan kepada penduduk tempatan serta menggunakan sumber jaya sedia ada sebagai tarikan pelancong.Kerajaan mensasarkan pembangunan pelancongan tertumpu di kawasan-kawasan luar bandar disebabkan lokasi ini mempunyai kekayaan alam semulajadi dan warisan kebudayaan. Perancangan dan pembangunan pelancongan di sesebuah destinasi perlu diuruskan dengan baik supaya destinasi mampu bertahan dalam tempoh yang panjang di samping menyumbangkan manfaat kepada persekitaran.

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Ahmad, Saiful Yazan, and Norlida Ab. Wahab. Mudahnya Takaful: Soalan lazim bagi rujukan dan kefahaman pantas. UUM Press, 2017. http://dx.doi.org/10.32890/9789672064190.

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Malaysia mendahului negara lain memperkenalkan undang-undang dan garis panduan yang berkaitan untuk menggalakkan kestabilan dan pertumbuhan kewangan Islam di negara ini.Akta Perkhidmatan Kewangan Islam (IFSA) telah diperkenalkan pada tahun 2013 bagi menyelaras beberapa akta dengan menambah baik beberapa peruntukan, termasuk Akta Takaful.Antara garis panduan yang telah diperkenalkan atau ditingkatkan oleh pihak berkuasa Malaysia yang memberi kesan secara langsung kepada takaful ialah Rangka Kerja Modal Berasaskan Risiko bagi Pengendali Takaful (Risk-based Framework for Takaful Operators), Garis Panduan Rangka Kerja Operasi Takaful (Guidelines on Takaful Operational Framework) dan Rangka Kerja Tadbir Urus Syariah bagi Institusi Kewangan Islam (Syariah Governance Framework for Islamic Financial Institutions).Industri takaful dijangka meneruskan momentum pertumbuhan pada masa akan datang dengan kemunculan pasaran baharu di negara-negara tertentu. Buku ini bertujuan untuk menjawab beberapa persoalan utama yang sering diketengahkan mengenai perniagaan takaful berdasarkan amalan pasaran semasa dan sebagai sumber rujukan pantas bagi sesiapa sahaja yang berminat.Perbincangan dalam buku ini berkisar persoalan yang pernah diajukan oleh masyarakat awam dan juga individu secara langsung atau tidak langsung ketika berurusan dengan Takaful.Penulis cuba menjawab persoalan tersebut dalam gaya dan bahasa yang mudah difahami oleh semua pihak.

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Book chapters on the topic "Batik industries"

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Alam, S., A. Budiman, D. Hidayat, and Sunarto. "Batik Bomba: Symbolic interaction through artwork." In Sustainable Development in Creative Industries: Embracing Digital Culture for Humanities, 1–6. London: Routledge, 2023. http://dx.doi.org/10.1201/9781003372486-1.

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Ningsih, Yosepin Sri, and Dewi Isma Aryani. "Fashion Design as a Method to Improve the Sustainability of Batik Lasem Industry." In Sustainability in Creative Industries, 35–44. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-52726-5_5.

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Hassan, Hanisa, Norhasliyana Hazlin Zainal Amri, Mohd Zaimmudin Mohd Zain, and Nurulahda Sulaiman. "Fashionpreneur: Sustaining Traditional Batik Craft Through Entrepreneurship Activity Among Students at Universiti Malaysia Kelantan (UMK)." In Sustainability in Creative Industries, 33–40. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-48453-7_4.

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Daruis, D. D. I., D. Mohamad, and N. K. Khamis. "Ergonomics in Small Home-Based Industries: Batik Making in Malaysia." In Proceedings of the 9th International Ergonomics Conference, 87–93. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-33986-8_10.

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Putra, G. M., and F. Ciptandi. "Design of a website-based competency improvement program at Sanggar Batik Katura Cirebon." In Sustainable Development in Creative Industries: Embracing Digital Culture for Humanities, 14–18. London: Routledge, 2023. http://dx.doi.org/10.1201/9781003372486-3.

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Yuningsih, Sari, Faradillah Nursari, and Prafitra Viniani. "Study of zero waste pattern cutting (ZWPC) for sustainability Batik shirt products." In Embracing the Future: Creative Industries for Environment and Advanced Society 5.0 in a Post-Pandemic Era, 81–85. London: Routledge, 2022. http://dx.doi.org/10.1201/9781003263135-16.

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Prabawa, B., A. Z. Majid, W. Lukito, and M. Anandhita. "Design at a strategic level: How Batik Fractal changes its business processes during the Covid-19 pandemic." In Embracing the Future: Creative Industries for Environment and Advanced Society 5.0 in a Post-Pandemic Era, 315–19. London: Routledge, 2022. http://dx.doi.org/10.1201/9781003263135-64.

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Yuningsih, S., E. P. Hokianti, and S. Puspitasari. "Fabric effectiveness on a batik shirt through design motifs." In Dynamics of Industrial Revolution 4.0: Digital Technology Transformation and Cultural Evolution, 177–82. London: Routledge, 2021. http://dx.doi.org/10.1201/9781003193241-33.

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Ciptandi, F., and M. S. Ramadhan. "The innovation application on Batik craft products in the New Normal Era in Indonesia: Does it have an impact?" In Dynamics of Industrial Revolution 4.0: Digital Technology Transformation and Cultural Evolution, 152–56. London: Routledge, 2021. http://dx.doi.org/10.1201/9781003193241-28.

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Saefudin and Efrida Basri. "Extraction of Renewable Natural Pigments in Indonesian Cultures for Coloring Batik Fabrics." In Physiology. IntechOpen, 2023. http://dx.doi.org/10.5772/intechopen.112448.

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Nowadays, trends of Indonesian batik have increased to replace synthetic pigments with renewable natural pigments (chlorophyll, tannin, and others) due to strong consumer demands for more natural products. Production of renewable natural pigments from plant biomass (e.g., wood wastes) has been developed and produced in liquid, paste, and dry forms. Natural pigment production not only increases their selling-price capacity but should also exhibit biological activities that are environmentally friendly and beneficial for health. Abundant sources of chlorophyll/tannin in wood wastes (including mangrove origins) from forestry industries could potentially substitute for synthetic pigments, which sound environmentally harmful. Wood waste utilization could encourage and create economic opportunities in forest villages, centers of mangrove wood industries, and small/medium-scale batik/weaving enterprises. Natural colors of chlorophyll/tannin seem preferred by coastal and inland motif batik crafters. Accordingly, exploring various natural sources of tannin is essential for fabric/batik coloring, safe for food/beverages, and not endangering health.

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Conference papers on the topic "Batik industries"

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Puti, Adelia Nanda, and Sri Nurbani. "Designing Promotion of Festival Pekan Batik PekalonganDesigning Promotion of Festival Pekan Batik Pekalongan." In 4th Bandung Creative Movement International Conference on Creative Industries 2017 (4th BCM 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/bcm-17.2018.21.

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Lias, Hamdan, Ahmad Rasdan Ismail, Haslinda Abd. Hamid, and Sarah Wahidah Hasbullah. "Bamboo: A Batik Block Alternative to Aesthetically Produce Batik Pattern Design." In Proceedings of the 2nd International Conference on Design Industries & Creative Culture, DESIGN DECODED 2021, 24-25 August 2021, Kedah, Malaysia. EAI, 2022. http://dx.doi.org/10.4108/eai.24-8-2021.2315047.

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Shamsuddeen, Shazani, and Wan Samiati Andriana W M D. "Batik in Visual Art." In Proceedings of the 2nd International Conference on Design Industries & Creative Culture, DESIGN DECODED 2021, 24-25 August 2021, Kedah, Malaysia. EAI, 2022. http://dx.doi.org/10.4108/eai.24-8-2021.2315171.

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Roziqin, Ali, and Amaliana Nur Fajrina. "Will Creative Industries Survive in Industrial Revolution 4.0? An Experience from Batik Tulis Lasem, Indonesia." In 1st International Conference on Law and Human Rights 2020 (ICLHR 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210506.035.

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Purnomo, Muhammad Arif Jati. "The Existence of Batik Esuk-Sore Pekalongan Style." In 4th Bandung Creative Movement International Conference on Creative Industries 2017 (4th BCM 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/bcm-17.2018.5.

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Hidayat, Sujadi R. "Innovation of Hand-Drawn Batik in Context of Tourism." In 4th Bandung Creative Movement International Conference on Creative Industries 2017 (4th BCM 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/bcm-17.2018.33.

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Sarwono, Mr. "The Reposition of Tradition-Batik in The Culture-Mercantilism." In 4th Bandung Creative Movement International Conference on Creative Industries 2017 (4th BCM 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/bcm-17.2018.76.

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Waluyo, Handoyo, Wahyu Hidayat, and Reni Dewi. "Intellectual Capital as a Performance Measurement Model in Small Enterprises of Batik Industries in Central Java (Study on Batik SMEs in Laweyan Solo)." In Proceedings of the 4th International Conference on Indonesian Social and Political Enquiries, ICISPE 2019, 21-22 October 2019, Semarang, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.21-10-2019.2294376.

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Wahida, Adam, Endang Sri Handayani, and Figur Rahman Fuad. "Aesthetic Values of Classical Batik as the Source of Contemporary Painting Ideas." In 4th Bandung Creative Movement International Conference on Creative Industries 2017 (4th BCM 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/bcm-17.2018.22.

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Budi, Setyo, Tiwi Bina Affanti, and Sayid Mataram. "Applied Optical Art in the Parang Motif on Classical Javanese Batik." In Proceedings of the 2nd International Conference on Design Industries & Creative Culture, DESIGN DECODED 2021, 24-25 August 2021, Kedah, Malaysia. EAI, 2022. http://dx.doi.org/10.4108/eai.24-8-2021.2315273.

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Reports on the topic "Batik industries"

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Cindy, Massita Ayu, Akhmad Hanan, Ahmad Munawir Siregar, and Hidayatul Mustafidah Rohmawati. Laporan Hasil Studi Konversi Liquified Petroleum Gas ke Compressed Natural Gas untuk Sektor Industri dan UMKM di Jawa Tengah dan Daerah Istimewa Yogyakarta. Purnomo Yusgiantoro Center, November 2023. http://dx.doi.org/10.33116/pycrr-2.

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Abstract:

Liquefied Petroleum Gas (LPG) merupakan bahan bakar yang umum digunakan di Indonesia, termasuk untuk sektor industri dan UMKM. Namun, penggunaan LPG memiliki beberapa keterbatasan, seperti harganya yang relatif tinggi dan ketersediaannya yang terbatas. Saat ini, sektor industri dan UMKM di Jawa Tengah dan Daerah Istimewa Yogyakarta (DIY) banyak yang menggunakan LPG 3 kg golongan subsidi. LPG 3 kg subsidi adalah bahan bakar gas elpiji yang disubsidi oleh pemerintah. LPG 3 kg subsidi diperuntukkan bagi rumah tangga dan usaha mikro yang menggunakan LPG untuk memasak. LPG 3 kg subsidi dijual dengan harga yang lebih murah dibandingkan LPG 3 kg non subsidi. Pemerintah memberikan subsidi LPG 3 kg untuk membantu masyarakat miskin dan rentan miskin untuk mendapatkan akses energi yang terjangkau. Subsidi LPG 3 kg juga bertujuan untuk mengurangi beban pengeluaran masyarakat untuk kebutuhan memasak. CNG merupakan alternatif bahan bakar yang dapat mengatasi keterbatasan LPG. CNG merupakan bahan bakar yang lebih efisien, aman, dan ramah lingkungan dibandingkan LPG. Laporan studi ini bertujuan untuk mengkaji potensi konversi LPG ke CNG untuk sektor industri dan UMKM di Jawa Tengah dan DIY. Laporan ini disusun berdasarkan hasil penelitian yang dilakukan oleh tim peneliti Purnomo Yusgiantoro Center (PYC). Penelitian ini menemukan bahwa potensi konversi LPG ke CNG untuk sektor industri dan UMKM di Jawa Tengah dan DIY sangat besar. Hal ini dikarenakan wilayah tersebut memiliki banyak industri dan UMKM yang menggunakan LPG sebagai bahan bakar. Selain itu wilayah Jawa Tengah dan DIY dekat dengan sumber daya gas alam, di Blok Cepu (Lapangan Gundih, Lapangan North Kedungtuban, dan Alas Dara Kemuning (ADK)). Laporan ini merekomendasikan beberapa langkah untuk mendukung konversi LPG ke CNG untuk sektor industri dan UMKM di Jawa Tengah dan DIY baik dari pemerintah maupun sektor swasta.

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Nazioen Lehiatzeko Abantaila: Esperientzia arrakastatsua, Euskal Autonomia Erkidegoaren ekonomia eta gizarte garapenerako estrategia eraldatzailea bideratzekona. Universidad de Deusto, 2015. http://dx.doi.org/10.18543/pdmc8484.

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Abstract:

Ekonomia berriak eta ongizate gizarteek zergatik gomendatuko lukete geraleku berri bat jartzea lehiakortasunerako bidaia luzean, duela 25 urte argitaratu zen "nazioen lehiatzeko abantailaren" ildotik? Orain dela hogeita bost urte baino gehixeago, Euskal Autonomia Erkidegoak garapenerako bere estrategia eraikitzearen aldeko apustua egin zuen eta bere etorkizuna diseinatzeko erronkarekin konpromisoa hartu. Euskal Autonomia Erkidegoak ahalik eta autogobernu mailarik handiena eskuratu nahi zuen, Estaturik gabeko nazio izanik, diktadura luzetik atera ostean. Hain zuzen ere, diktadurak Espainiako ekonomia autarkikoa izatea eragin zuen, mendebaldeko demokrazietatik guztiz isolatua. Horrek guztiz mugatzen zuen euskal erakundeek beren etorkizuna eraikitzeko izan zezaketen ahalmena eta erantzukizuna, baita gizarteari ongizate maila handiagoa lortzen laguntzeko erabil zitzaketen tresnak ere. Garai hartan, euskal ekonomiak historiako krisi ekonomiko, politiko eta sozial handienetako bat bizi zuen: indarkeriak gogor jotzen zuen gizartea, langabezia % 25etik gorakoa zen, BPG jaisten ari zen, eta industria sektore gakoak –altzairuaren nagusitasunean eta industria metal-mekanikoaren inguruan egituratuak– erortzen ari ziren, domino fitxen moduan. Garai bertsuan, Europako sei herrialde Ekonomia Elkartea osatzen hasiak ziren, baina gu periferian geunden, guztiz baztertuta, Londres-Milan etorkizuneko ardatz izango zen "banana urdinetik" urrun. Administrazio berria eraikitzen hasi berriak ginen, inongo esperientziarik gabe, baina ilusio handiz; eta enpresa mundua garai berrietara moldatzen eta sindikatuekin bizitzen ikasten ari zen, diktadura zaharrak haiek ezkutuan utzi baitzituen. Erronka konplexu baina zirraragarri horren aurrean, apustu hori lantzeko pribilegioa izan genuenok, lehenengo, munduko ekonomiaren egoera azalduko zuten gako nagusiak eta aldaketaren joera nagusiak interpretatzeari ekin genion (gure analisiak eginez eta gure asmoak eta ametsak egi bihurtu nahian), eta euskal ekonomian izan zezaketen eragina aztertzen hasi ginen (“Munduko ekonomiak erakusten diguna"). Eta, abiapuntu horretatik aurrera, “Geure ekonomia eta geure herrialdea modernizatzeko eta nazioartekotzeko estrategia” deitutakoa definitzen hasi ginen. Zentzua eman nahi genion jokalari berriengandik (Estatuak, hiri-eskualdeak, lurraldeak…) espero zitekeen rolari; izan ere, rol horietan gure herrialde txikia –hirieskualdearen ezaugarriak zituena, nazioz azpiko eremua izanik, Pirinioen bi aldeetara egituratu gabeko eremuan–, beste batzuekin batera, protagonista izan zitekeen eta, horrela, gizarteari etorkizun oparoa eskaini. Arrakastako estrategia aurrera eramateko esparru eta tresna egokiak ere behar genituen. Paradigma berriek sortuko zituzten beharren eta garai hartako gure esparru politiko-ekonomikoak eskaintzen zizkigun tresnen (edukiak, gaitasunak, garapen potentzialak) arteko aldea identifikatu genuen, eta azterketa horri herrialdearen estrategia erantsi genion, geurea, arreta berezia eskaintzen ziena gure gizarteak, ongizate eta garapen maila jakin bat erdiesteko, behar zituen ekimenei eta faktore edo bektore kritikoei. Testuinguru horretan, Eusko Jaurlaritza Michael E. Porterrengana hurbildu zen, garai hartako bere ideia eta kontzeptuetara, eta lankidetza prozesu bati ekin genion (gaur egun oraindik ere indarrean dagoena). Horrela, "Euskal Autonomia Erkidegoko lehiatzeko abantaila” baino gehiago eraiki genuen, “lehiakortasunerako eta oparotasunerako bidaia" zirraragarri eta amaitu gabean. Euskal Autonomia Erkidegoak pribilegio bat du orduz geroztik: Porterrek proposatutako kontzeptuak, ikuspegi estrategikotik eta osotasunean, aplikatu zituen lehenengo nazioa izatea. Hain zuzen ere, kontzeptu horiek, urte batzuk geroago, "Nazioen Lehiatzeko Estrategia” liburu ospetsuan argitaratu zituen, orain dela hogeita bost urte. Lan horrek, mundu osoan zehar, politika eta estrategia zenbatezinak diseinatzea ekarri du, jarraitzaileak ugaritzea, prestatzaileak prestatzea, ikertzaile eta akademiko berri asko eta asko sortzea, policy maker berriak, lehiakortasunerako tresna berriak, eta oparotasun maila ikusgarriak planeta osoan zehar. Orduz geroztik, gure proiektu berezi, bizi eta aldakor honetan elkarrekin lan egin dugu, erronka berriei eta ekonomiaren eta gizartearen eskari berriei erantzunez, eta Herrialde mailako estrategia bat eraikiz eta gauzatuz. Horrek guztiak ekarri du gure emaitzak inguruko ekonomienak baino hobeak izatea. Michael E. Porterrek Lehiatzeko Abantailan proposatzen duen kontzeptuaren osagarri berriak ere (Lehiakortasunaz gainera, Shared Value Initiative eta Gizarte Aurrerapena) kontuan hartzen dituen esparru kontzeptuala aurrean izanik eta egunez egun ikasitako ekarpenekin, geure bokazio, izaera, borondate eta konpromisoarekin guztiz lerrokatuta. Prozesu amaigabea, pertsonak abiapuntu eta helmuga hartzen dituen estrategia eraikitzeko apustu zaharraren eredutik eta ulertzeko modutik hasi zena.

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