Dissertations / Theses on the topic 'Bataille'
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Danet, Laurent. "La bataille décisive." Thesis, Lyon 3, 2011. http://www.theses.fr/2011LYO30089/document.
Full textThe decisive battle is a vague but at once understandable notion by everyone. It works in the style of an ideological tablet. Its discursive use sends back to the popular imaging of the exploits of big captains, or to the trouble spots of meeting between titanic armies, to the uncountable faces tightened by the consciousness to play the survival of his king or its nation. The decisive battle also stays at the specialized author’s a notion collectively admitted mixing geographical concentration and historic acceleration, the reason for being of the war. But if we consider that belligerent parties, in this particular case the political communities, proceed of some psychic substance and either of a simple social order, the notion of decisive battle takes another depth. The psychic collective being indeed acquires an archetypal heritage absent in the politie seen as a purely rational actor. The historic empiricism and certain number of philosophers, psychologists and anthropologists authors, show that these archetypes would be the animus and anima poles sitting in the collective unconscious. The political forms of communities would express directly these archetypes, usually diluted in each of us with the screen of the individual unconscious. In every political shape, clan, tribe, nation, would correspond a specific relation between both poles. The historic adversities of Freudian Father Totemic are the chief, the king, God-the-Father, etc. Against him, the adversities of the matrix Goddness-Mother settle on territory, sanctuary, Mother-homeland, etc. It’s when there is geographical correspondence between two adversities, in this particular case when the homogeneous power of the chief corresponds in a clear way to the matrix collective territory, the walls of the City, or the borders of the State, for example, when decisive battle appears in the forefront of the theory and of the practice. This prospect could throw a new light on the international relations. The appeal to the decisive battle marks the feverish intention to annul definitively the enemy to maintain the purity of its maternal, original and performatrice matrix. This anxiety of the stain of the rape, certainly spatial but also cultural, denotes the collective sexual character of the war, in the sense that the war would be the sexual practice of the political communities. This anthropological practice turns out deeper than the war itself. The paroxysm of the international crisis replaces at present the decisive battle of the war, and indeed confirms the idea of secret archetypal drivers, without that these last ones are however determinist and fatal
Marmande, Francis. "Georges Bataille politique /." Lyon : Presses universitaires de Lyon, 1985. http://catalogue.bnf.fr/ark:/12148/cb348646783.
Full textAksoy, Mete Ulas. "Georges Bataille'." Phd thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/3/12610900/index.pdf.
Full texts formulation of sovereignty gives rise. Underlying this endeavor is to probe into the ways in which these implications enrich our understanding of sovereignty. One of the most important achievements of Bataille&rsquo
s approach to sovereignty is that it does not treat sovereignty as merely an administrative and legal issue. This achievement is highly critical in the sense that it enables us to realize the metaphysical dimension of sovereignty. This metaphysics has an important potential to render the problematic points in sovereignty visible. Through the analysis of these points, this study elaborates on the historical development of political authority and state sovereignty. Taking the anthropological data provided by Bataille into account the study claims that with the emergence of modernity, there came into existence a new metaphysical representation of sovereignty.
ANDRADE, MARIA GRACIEMA ACHE DE. "GEORGES BATAILLE`S ARCHANGELICAL POETRY." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2010. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=15795@1.
Full textCOORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
A poesia arcangélica de Georges Bataille versa sobre o único livro do autor integralmente composto por poemas, L’Archangélique (O Arcangélico), publicado pelo autor em Paris, em 1944. O presente estudo consiste numa tradução da obra para o português, de uma leitura dos poemas, do levantamento da teoria do autor sobre a poesia, e de uma problematização da experiência da tradução dentro dos termos do que seja a experiência poética tal como entendido por Bataille.
Georges Bataille`s archangelical poetry is a study dedicated to Bataille´s only book entirely made up of poems, L Archangélique (The Archangelic), published in Paris in 1944. The study consists of the book`s translation, from French to Portuguese, followed by a reading of the poems, a review of Bataille s theory of poetry and also some issues on the translation experience that is thought to be proposed in terms of Bataille`s poetic experience.
Baumann, Roland. "Georges Bataille et le cinéma." Paris 10, 2002. http://www.theses.fr/2002PA100150.
Full textNowadays, philosophy which has become lost among other discourses, is in the midst of dissolution. Confronted with the impossibility of analyzing the totality of the technical world, it is swallowed up by unawareness. While in the process of vanishing, it can only show the conditions of its own impossibility. Despite this pessimistic vision of the future of philosophy, we haven't resorted in our study, to scale down such a multiple and dissimilar work, as that of Bataille - which would be an act short of any philosophic signification - into a collection of biographical facts. Cinema plays a decisive role in the life and thoughts of Bataille. It has profoundly influenced his work. Above ail, we want to show this role, and in particular The Inner Experience and other writings of the Somme (so called Atheologic), as well as in the principal Posthumous Literary Works
DUSIO, CRISTINA. "LA BATAILLE LOQUIFER : EDIZIONE CRITICA." Doctoral thesis, Università di Siena, 2017. http://hdl.handle.net/11365/1005936.
Full textGiannattasio, Marco. "“Corpo a corpo” Bataille l’impolitico." Doctoral thesis, Universita degli studi di Salerno, 2015. http://hdl.handle.net/10556/2019.
Full textThe research aims to cross the thought of George Bataille, using three conceptual pairs: 1) SUBJECT - INDIVIDUAL 2) SOVEREIGNTY '- SIGNORIA 3) EXCESS - RESIDUAL Individual is a word that does not occur in Bataille’s texts, but is assumed here to emphasize something which is also very present in the work of the French. Under the name of Ipse, Bataille indicates in fact the subject, agent and simultaneously acted, that the consciousness of his singularity, and then of his death, he leans towards the infinite. The IPSE is then the actor of a movement, but not a party in the traditional sense. In it go hand in hand the desire for knowledge, the recognition of the constitutional inadequacy of knowledge, and the ineliminabilità of desire. The Ipse immersed in the flow of this movement is the one who makes experience of ecstasy, when undergoing the failure of its motion more precisely, what precisely towards knowledge. Ecstasy is an affirmation empty, devoid of a positive quality, which can not be inserted in the duration, has no stability or no reference to something known: Ecstasy is not a "state"; as does the voltage between known and unknown, it is a risky move, which is not subject to much repetition, as the possession. The subject is rather more specifically the "bearer" of selfhood, who beyond the epistemological question, lives materially as a tragedy impossible to be around. Merging the panic is inaccessible, but equally inaccessible is the quiet, where death does not stop for a moment to remind him of his finitude; finiteness is what the subject individual, can not stand. So far we have used the pronoun he, in reference to ipse and the subject; is not correct. In their vagueness and dynamism, these two terms are not very personal, perhaps even human. A fortiori, it must be recognized as they are neither opposite nor contradictory, but they are useful tools to mimic the knowledge, partial signs of recognition, that continually fall on each other... [edited by Author]
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Fechter, John. "Primitivism, transgression, and other myths the philosophical anthropology of Georges Bataille /." Diss., Connect to the thesis, 2007. http://hdl.handle.net/10066/999.
Full textKate, Laurens ten. "De lege plaats : revoltes tegen het instrumentele leven in Batailles atheologie : een studie over ervaring, gemeenschap en sacraliteit in "De innerlijke ervaring /." Kampen : Kok agora, 1994. http://catalogue.bnf.fr/ark:/12148/cb39991636x.
Full textMention parallèle de titre ou de responsabilité : Le @lieu vide : révoltes contre la vie instrumentale dans l'athéologie de Bataille : l'expérience, la communauté et le sacré dans "L'expérience intérieure." Bibliogr. p. [609]-627. Résumé en français.
Taylor, John. "Hierarchy : Georges Bataille and religious studies." Thesis, University of Wales Trinity Saint David, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683273.
Full textStrozzi, Gina Valbão. "Erotismo e religião em Georges Bataille." Pontifícia Universidade Católica de São Paulo, 2007. https://tede2.pucsp.br/handle/handle/2039.
Full textCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
The objective of the present work is to determine the use and conception, as well as the relation with each other, of the terms Erotism and Religion in the writings of Georges Bataille, emphasising Erotism: Death and Sensuality, The Tears of Eros and Inner Experience, texts which concentrate the main dimensions of his oeuvre. In these, the author exposes the epistemological element of erotic experiences and their religious foundations. Bataille composes an encounter between religion and sexuality, a meeting that defies the action of human continuity and discontinuity, superseding and condemning the being. Thus, life and death meet by means of the discovery of erotism and religion, being erotism the inner life substance of humans, deeply identifying them with religious experiences. The adopted approach for the present work was approximative and problem-focused, intended to dare to discover the essential meaning of the bataillian erotica, reaching an understanding. With no pre-conceived rigour, a journey throughout his works is hereby proposed. We go from the theoretical influences that caused the meeting of the aforementioned concepts to a critical and geographical interpretation of the chosen body of documents, favouring the conceptual structure of Erotism and Religion and their correlated terms: interdiction, transgression, sacrifice, death, life, continuity and discontinuity. Finally, the central focus of this study is on the concepts of Erotism and Religion and their inter-relation within the experience of mystical ecstasy
O presente trabalho tem por finalidade determinar o emprego, a concepção e a relação dos termos Erotismo e Religião em Georges Bataille. Serão enfatizados os textos que concentram as principais dimensões de sua obra, a saber: O Erotismo, As Lágrimas de Eros e a Experiência Interior. Nesses, o autor expõe a dimensão epistemológica da experiência erótica e seu fundamento religioso. Bataille elabora um encontro entre a religião e a sexualidade, encontro esse que desafia o ato da continuidade e descontinuidade humana, superando o ser e condenando esse ser. Assim, vida e morte se encontram no desvendar do erotismo e da religião, sendo o erotismo a substância da vida interior do homem, identificando-o em profundidade com a experiência religiosa. A abordagem praticada na pesquisa foi problematizadora e aproximativa, cuja intenção foi descobrir o sentido essencial da erótica batailliana, produzindo-lhe uma compreensão. Sem um rigor pré-feito, foi proposto um caminhar pelas obras. Passou-se pelas influências teóricas que forjaram o encontro dos conceitos a uma leitura crítico-geográfica do corpo documental eleito, privilegiando a estrutura conceptual de Erotismo e Religião e seus correlatos: a interdição, a transgressão, o sacrifício, a morte, a vida, a continuidade e a descontinuidade. Por fim, a investigação teve como ponto central os conceitos de Erotismo e Religião e a inter-relação existente na experiência do êxtase místico
Lahouar, Fredj. "L'écriture du désir chez Georges Bataille." Rennes 2, 2005. http://www.theses.fr/2005REN20049.
Full textDesire is appraised by the modern poetic and philosophic discourse and it enables one to approach the unclassifiable works of Georges Bataille, in which it is the theme and the text's thoughtful logic at once. Unappeasable, excessive, violent and object-free desire is displayed through techniques of repetition, articulating the inevitability of contradiction and highlighting the heterological ambition of the author to unwrap concepts, disciplines and genres beyond their sphere. Equally a methodical option and a mode of knowledge, desire allows one to identify the act of writing with the Nietzschean category of the philosopher-artist and makes his literature a miscellanous one, producing a refractory text that transgresses the established normative codes where mingle scriptable with non-scriptable elements, such as the cry, silence, emptiness and secret. The notion of desire is at the heart of Bataille's poetic pre-requisite and is defined as the will to counteract the annulment that the systematic progression implies. Bataille equally juxtaposes the latter with the non-systematic answer that opens out the act of writing into the prospect of oblivion and sets the impossible as its ultimate end
Berlantini, Germana. "L’altro « partage ». Georges Bataille e l’ecologia." Doctoral thesis, Università degli studi di Trento, 2022. http://hdl.handle.net/11572/347754.
Full textMonteil, Bruno. "La Bataille chez Hérodote et Thucydide, entre tragédie et politique : Logos et Ergon, délibération et récit de bataille : essai sur la représentation de la bataille dans l'historiographie grecque classique." Limoges, 1996. http://www.theses.fr/1996LIMO2006.
Full textStamp, Richard. "The work of friendship : Blanchot, Bataille, Hegel." Thesis, University of Warwick, 1999. http://wrap.warwick.ac.uk/34669/.
Full textArya, Rina. "Recovering the sacred in Bataille and Bacon." Thesis, University of Glasgow, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.426591.
Full textNunes, Tiago Ribeiro. "Bataille, Lacan e a tautologia do singular." reponame:Repositório Institucional da UnB, 2012. http://repositorio.unb.br/handle/10482/12037.
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Partindo do exame de alguns dos mais importantes textos que compõem o escopo filosófico-literário do pensamento de Georges Bataille, destacaremos o fato de que, assimilada a herança de Sade, de Nietzsche e de Freud, Bataille fez de seu projeto estético-filosófico uma via de acesso ao deslimite, via que conduz à paradoxal experiência do impossível. Ao longo da primeira parte de nosso trabalho, dedicada integralmente a Bataille, enfatizaremos que o pensamento batailliano, consagrado ao impossível, aponta para a possibilidade de uma experiência com a vida a se realizar fora do campo das injunções morais, na intensidade própria à convulsão e à vertigem. Na segunda parte desta tese, estabelecidas as conseqüências da submissão de um corpo vivo ao regime de linguagem, rastrearemos, em Freud e em Lacan, as alternativas possíveis para lidar com o mal-estar na civilização. Ao final, depois de examinar as mutações do gozo no pensamento lacaniano, demonstraremos que a relativa viabilidade de Georges Bataille ressalta uma dimensão indispensável à compreensão do saber-fazer lacaniano, a identificação a um modo de gozo singular. Tal como veremos, tal identificação compareceria em decorrência da transcriação do nome próprio: artifício por meio do qual um sujeito qualquer não apenas renuncia aos ideais que o suportam, como trata de enxertar, na carne do Outro, aquilo que nele há de mais heterogêneo, a mais heteróclita das paixões. ______________________________________________________________________________ ABSTRACT
Starting from an examination of some of the most important texts that compose the scope of the philosophical and literary thought of Georges Bataille, we will emphasizes the fact that, assimilated the legacy of Sade, Nietzsche and Freud, Bataille made his aesthetic-philosophical project one route that leads to the paradoxical experience of the impossible. Throughout the first part of our work, fully dedicated to Bataille, we emphasize that the bataillian thought points out to the possibility of an experience with life to be held outside the field of the moral injunctions. In the second part of this thesis, we will track out in Freud and Lacan, possible alternatives to deal with the malaise in civilization. At the end, we will demonstrate that the relative viability of Georges Bataille enphasizes a vital dimension to the understanding of the lacanian savoir-faire: the identification to a singular mode of enjoyment. As we shall see, this identification takes place as a result of the own name re-writing: the artifact through the means the subject can graft on the flesh of the Other the most singular kind of passion.
Bident, Christophe. "L'imaginaire de la mort : Bataille, Blanchot, Duras." Paris 7, 1992. http://www.theses.fr/1992PA070129.
Full textBataille, blanchot and duras : they are obsessed by death, not only a sick, political death, but also a sacred death, that the christian, bourgeois - and colonial - civilization endeavors to forget, in the heart of sacrifice, erotism or agony. To legitimate such an obsession. By its recognition through a theoretical universal or its translation into narrative formulas, has been their first ambition. Death, being always beyond the reach of experience, allows to legitimate only the invention of narrative praxes leading to the heteros : that is the archaic semiotic networks at work through the aesthetics of the novel. In such a process death appears originally as the foundation, the formation and the repetition element of the imagery ; the conversion of anxiety into pleasure collapses ; the pre-objectality of a terrifying relationship to the mother stands out; the specular stabilization of the abject falls into pieces ; a non-cathartic anxiety, that onlythe recognition of the praxis of the sacred can "turn into delight", passes on to the reader : a policy of a reading open on to the community. This protean power of fragmentation of the writing appears to bataille, blanchot and duras as an ethic necessity. Their meetings, their reciprocal esteem and their friendship rest upon their ethic view of the aesthetic "disaster"
Kanda, Koichi. "L'inscription de la mort chez Georges Bataille." Paris 7, 2004. http://www.theses.fr/2004PA070005.
Full textTo specify the notion of death in Bataille's works, to show the evolution of his idea on this topic and to examine the way in which the death is represented in his fictions, such are the aims of this thesis. The course of his philosophy about the death is divided into three stages. Before the Second World war, Bataille aspires to death that permits to deify the human being. However, when Bataille becomes aware of the idea of the impossibility of knowing what death is really like, the mimetic death is the only way to approach death while still living. The "mortal writing", being at the same time experience of the mimetic death and its transcription, occupies a crucial place in the thought of Bataille. His literary works are based on this "mortal writing". After the war, he systematizes his philosophy of the "not-knowledge" and writes a "Universal History". The death in the thoughts of Bataille, which means especially the experience of the loss of oneself, passes thus from the psychological drama to the philosophy of the "not-knowledge"
Iwano, Takuji. "L’expérience et la divinité chez Georges Bataille." Paris 4, 2007. http://www.theses.fr/2007PA040070.
Full textWhile undertaking a revolution of value in the philosophy, the theology, the literature and the economy (experience itself, new divinity, empirical truth, general economy), the thought of Georges Bataille remains in the tradition of the metaphysics on several aspects : nudity, origin, presence, phallocentrism, dualism, domination of the literature by the truth. But in his works we can read, beyond the intention of the author, what outwits and dislocates this tradition. It is possible to pursue the two in two main aspects : experience and divinity. As for the experience, one discovers the duplication of the inside and the outside, the interplay of the nudity and the truth, the play of difference and of repetition. As for the divinity, there is multiplication of duplication, the aporia of the dualism and the totality, the play of the death. All these are at the bottom of the tradition and they are irreducible to it, opening it to the outside for its alteration
Bowman, Luke. "Mystical Eroticism in Bataille, Miller, and Ikkyu." University of Dayton / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1366386886.
Full textLagana, Fabrice. "La chance dans l’œuvre de Georges Bataille." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040065.
Full textThe notion of chance is similar to fortuity, but it is a critical concept, taking into accountthe death of God, thought by Nietzsche. It reverses values and representations. Fleeting,elusive, it refutes all the logic of labour and of action. It is accomplished in the moment. It leadsto a new ontology and a new morality, that of playing. Chance is an opportunity and a risk. Itappears as a demand, that of exceeding the limits of the given, and as a hazard, that of gettinglost in the night of ignorance. It takes shape in the 1930s in a context of war more and morethreatening. It is often expressed in the philosophy of Nietzsche that Bataille uses as a weaponagainst the Hegelian system. It appears as the residue or waste of only rational doctrines andpresents itself as a sensitive experience, rooted in the life of Bataille. It is a movement of excessleading the thinking process to excess. However, in the modern world, the extreme states havingno purpose (such as the atonement and salvation) and direct action having replaced sacrifice,art alone collects them. Bataille therefore transposes his research in an encounteredfragmentary writing that contravenes all standards of literature. He combines the forms and typesto showcase diversity, intensity and anxiety which characterise this experience. He invents atype of writing that never stops challenging itself to highlight the lack of certainty in a world whereall is unstable, threatened with extinction
Papanikolaou, Andreas. "Georges Bataille : érotisme, imaginaire politique et hétérologie /." Paris : Éd. Praelego, 2009. http://catalogue.bnf.fr/ark:/12148/cb42035439q.
Full textAndré, Tobias. "Georges Bataille et le Réel en transgression." Thesis, Bourgogne Franche-Comté, 2019. http://www.theses.fr/2019UBFCC005/document.
Full textIndividual wishes change over times, they’re connected with a specific historical setting.With the two world wars, the XXth century transforms the vibes. It conducts to a changement of the course of action. Sin and transgression are the conflictual elements that transform reality.Georges Bataille is the figurehead of this changing reality. This multiple-writer presents a philosophy questioning limits and their legitimacy. The person is the subject searching to define an unlimited world, thanks to a metaphysic and phenomenological dimension.Georges Bataille is looking to push out the limits: he deals with morality, rules and laws until he announces a saving of expenditure. All of these ambitious projects are gathered in twelve volumes. These books generate some interest for literature specialist, or curious people.Nowadays, philosophers and sociologists talk about the resurgence of the limits caused by the change of attitudes. We will explore these questions using Georges Bataille, his lectors and the influence of thoughts as support. We’re wondering if we could even transgress limits
Hamano, Koichiro. "Georges Bataille : la perte, le don et l'écriture /." Dijon : Éd. universitaires de Dijon, 2004. http://catalogue.bnf.fr/ark:/12148/cb39281688r.
Full textKu, Ting-chee, and 顧婷芝. "Confessing the impossible: Bataille,Foucault, Rimbaud, and transgression." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B31227417.
Full textNoys, Benjamin Charles. "The reception of Georges Bataille : post-structuralist readings." Thesis, University of Sussex, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364134.
Full textRosa, Natália Rolim. "Eu, Tigre: a exuberância erótica em Georges Bataille." Pontifícia Universidade Católica de São Paulo, 2010. http://tede2.pucsp.br/handle/handle/2161.
Full textThis dissertation analyzes the thinking of Georges Bataille with the objective to investigate in his intempestivity the conception of eroticism. The complex movement that the author wages to develop this concept allows new possibilities to approach the nature/culture border, as well as animality and humanity concepts. In the introdution of The Eroctism the author announces to be in search of the Man in its totality, turning himself against the fragmentaries lines to pursuit the idea of a whole. This pursuance will be given by human passion and its only object, that implies in a tour upon the human spirit and its inner life. In the innerness of the being there is the encounter with the most overwhelming experiences, with the holy, the beauty, the horror and the passion. In the Baitaille's proposition there isn't borders between man and animal, mind and body, life and death; these instances constantly overflows one another and is in this intempestive movement that he sees the totality of the being. In this complex and unexpected field of human inner life, the being oversteps the limitrophes of the objective conscience into disconcerting experiences in which the conscience dissolves itself in the corporeal. The intent of this work it's to comprehend the totality that the batailliam thought seeks to reach in the inner experience consception by the means of problematization of the notions of eroctism, animality and humanity
Esta dissertação analisa o pensamento de Georges Bataille com o objetivo de investigar em sua intempestividade a concepção de erotismo. O complexo movimento que o autor trava ao desenvolver esse conceito permite novas possibilidades para abordar a fronteira natureza/cultura, assim como os conceitos de animalidade e humanidade. Na introdução de O Erotismo o autor anuncia estar à procura do homem em sua totalidade, volta-se contra as linhas fragmentárias para perseguir a ideia de conjunto. Essa busca se dá pela paixão humana e seu único objeto, que implica num passeio sobre o espírito humano e sua vida interior. Na interioridade do ser há o encontro com as experiências mais avassaladoras, com o sagrado, a beleza, o horror e a paixão. Na proposta de Bataille não há fronteiras entre homem e animal, mente e corpo, vida e morte; estas instâncias constantemente transbordam uma na outra e é neste movimento intempestivo que vê a totalidade do ser. Neste campo complexo e imprevisto da vida interior humana, o ser ultrapassa os limítrofes da consciência objetiva para experiências desconcertantes em que a consciência se dissolve no corpóreo. O intuito do trabalho é compreender a totalidade que o pensamento batailliano busca atingir na concepção de experiência interior por meio da problematização das noções de erotismo, animalidade e humanidade
Hussey, Andrew John. "The inner scar : the mysticism of George Bataille." Thesis, University of Manchester, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.706128.
Full textGhorbel, Wafa. "Le mal dans l'oeuvre romanesque de Georges Bataille." Paris 3, 2004. http://www.theses.fr/2004PA030098.
Full textEvil in Georges Bataille’s novelistic work expresses itself in each component of the fictional universe. The characters’ bodies are plagued by filth, ugliness, diseases and death : the body’s text gives resonance. Their psychology is the victim of a deep malaise, of a suffocation to the bitter end of structured life. Revealing a will to embrace the Impossible while physical and psychological excrements, drunkenness, insanity, laughter and perversions are testifying to. We assist then to a work of destruction of all system governing (mutilating) the human existence (family, religion, ideologies). Space, setting of material and moral stain, of death and of decline joins to time, allegory of disorder, of night and of storm, favouring the installation of a devilish universe. The ambivalent existence of the woman is, finally, the personification of Evil against any idealistic representation
Vajzer, Tatʹâna. "La communauté éthique : Georges Bataille et Jürgen Habermas." Paris 7, 2009. http://www.theses.fr/2009PA070068.
Full textThe dissertation is devoted to the community ethics in the project of the "negative community" of the French philosopher Georges Bataille and in the project of the "positive community" of the German philosopher Jürgen Habermas. More accurately, I will consider Bataille's project of an asocial and intellectual (imaginary) community in the light of Habermas' rationalist criticism proposing another ethical model of the positive community in the contemporary democratic State. The two philosophers are absolutely different, almost not-comparable, but it seems to me all the more interesting to ask them the same questions on the notions of community, communication, common etc. This polemics in absentia, being hardly known today, touches for ail that the extremely painful moments of the post-traumatic European conscience during and after the Second World War and namely: community ethics, authority, the Absolute in the structure of social action, moral conscience, communicative action, radical Otherness, the limits of the (transcendental, post-metaphysical) Other as well as of the (social) others and so on. Thus, the two conceptions have the same goal: to prevent a new totalitarianism in Europe and to return into the European culture the effaced voice of the Other. However, they are opposite to one another in a radical way in the means of the realisation of their projects as well as in the presupposition of their reasoning
Santi, Sylvain. "Georges Bataille et la question de la poésie." Grenoble 3, 2003. http://www.theses.fr/2003GRE39011.
Full textTORTORELLA, ANDREA. "Pour une nouvelle perspective de l'Informité chez Bataille." Doctoral thesis, Università degli Studi di Milano, 2018. http://hdl.handle.net/2434/584524.
Full textNotre projet de recherche vise à récupérer, à travers l’utilisation du double instrument de l’herméneutique philo-sophique et de l’analyse littéraire des romans, une subjectivité informelle à l’intérieur de la pensée de Bataille. Tout d’abord, avant d’accomplir notre démonstration des aspects de l'informalité dans les romans obscènes de Bataille, nous souhaitons ouvrir une brève parenthèse autour des principaux interprètes de l'Informe, pour arti-culer notre lecture à partir de leurs théories. Afin d'aborder ce discours, nous débuterons par l’œuvre Documents (1929/30), publiée en 1995, par la volonté de D. Hollier, et nous essaierons de comprendre comment les deux révisions du concept d'Informe - bien qu'en contraste entre elles - ont limité les débats qui gravitent autour de ce mot, incluant avec la pensée esthético-figurative toutes les pistes parcourables. Dans cette perspective, l’Informe a perdu sa vocation intimement subversive pour obtenir le status de « joujou muséal » impliqué dans le milieu artistique. Après avoir esquissé l’informalité, et donné une perspective contemporaine, nous pourrons aboutir à une confrontation philosophique avec ses maîtres à penser : Nietzsche et Hegel. Ce n’est que grâce à un parallé-lisme et à la démonstration du dépassement des théories de ces deux auteurs par Bataille que nous pourrons comprendre comment l'auteur parvient à l’informalité qui se reflète jusque dans ses romans obscènes. Toujours au cours de ce passage on comprendra la véritable signification de la parodie chez Bataille, ainsi que le renver-sement des valeurs que l’auteur a appliqué comme lecture souveraine et déformatrice, en contraste avec les vé-rités despotiques, dans tous les domaines, à partir de la philosophie jusqu’à la littérature. Ainsi les polarités qui parviennent au manichéisme, à la division du monde entre positif et négatif, seront un aspect basilaire visant à la compréhension de l’œuvre entière, et surtout de leur bouleversement. Ce désordre sera procuré par l’inversion des valeurs morales divisées encore une fois par le haut et par le bas, auxquelles correspondra une valeur posi-tive à la polarité du haut et une valeur négative à celle du bas; leur bouleversement produira un mouvement de déformation dans la structure des romans mêmes, tout comme dans les personnages. Au cours de la dernière partie de notre étude, avant d’appliquer la théorie informelle, nous nous interrogerons brièvement sur les inver-sions majeures qui ont conduit notre auteur à prendre les distances du roman formatif (Bildungsroman) et à lui opposer un roman déformant (Verbildungsroman). Ce n’est qu’après avoir conçu l’inversion globale des valeurs que nous parviendrons au « jeu des polarités », qui nous mènera à la constitution d’un personnage informel. À partir de là, en effet, nous verrons que le personnage sera devenu une informité qui se manifeste à travers la nar-ration, la même subjectivité invisible et épouvantable qu’on aura rencontrée au cours du premier chapitre. Se consacrer à l'œuvre de Bataille, signifie pour nous, non seulement comprendre comment le personnage naît à partir de l’Informe, mais également comment cette informité pourrait être acquise au-delà des mores appliqués à l’intérieur de l’académie. Notre démonstration s’effectuera à travers un nouveau regard; l’Informe sera con-templé comme ce « devenir » qui ne devient pas, qui est aphone et imprononçable, mais qui a été malgré tout l’avant-garde des « devenirs deleuziens », des zones d’indistinctions, des sujets qui tentent une reconfiguration spatiale autonome, des subjectivités fluides des gender studies. C’est pour cela, à notre avis, que l’Informe mé-rite une plus grande réflexion au-delà de l’esthétique, afin d'orienter le terme vers un nouvel horizon dialogique, qui puisse ouvrir le concept au sens extrême de son immanence destructrice.
Rézette, Séverine. "Georges Bataille et saint Jean, visionnaires de l'Apocalypse." Paris 4, 1999. http://www.theses.fr/1998PA040182.
Full textTortorella, Andrea. "Pour une nouvelle perspective de l'Informité chez Bataille." Thesis, Paris 8, 2018. http://www.theses.fr/2018PA080038.
Full textWe can utterly assert that the aim of our analysis has lead, throughout the balancing/ a balancement of aphilosophical hermeneutic and a literature analysis, to the delineation of an informal subjectivity in GeorgesBataille’s thought. Afore the achievement of our theoretical demonstration, we will be glad to onset a briefparenthesis over the first commenters who had set a debate over the Formless, to enhance, thanks to them, ourassumption. Commencing from the work Documents (1929/30), reprinted by the will of Dennis Hollier in 1995.we will understand why its main analysis2 have secluded the debate into the esthetical- figurative corner,effectively closing the debate to other possible postulations. In this perspective, the formless has lost itssubversive tendencies to gain/obtain the pityfull status of «museal knick knack» implied into the artisticaldomain. Afterward having drafted the meaning of formeless by new, and given to it a contemporary perspective,we could start to settle a confrontantion with his philosophical roots: Nietzsche and Hegel. It is only due to theparallel with them both and to the overhaul of their theories, which we could assert that Bataille has in a wayreached the true meaning of formeless. The same formeless that is deeply rooted in his erotical novels. It is alsothrough these passages that we could understand the real meaning of parody in the bataillean sense, that is is aninversion of the moral values that the author has applied as a souverain and deforming lecture of his works. Themanicheism that the autor recour to use to divise the whole reality into two exact parts of positive andnegative,will be a peculiar aspect that leads to the comprehension of his entire work. This disorder wil beprocured, by the inversion of the moral values which are divided into an “high” and a “low”, and as consequent,the higher polarity will be related to the a positive value, and the low, to its tcontrary. Their upheaval willproduse an ethical swap of their positions, in a second stance this will lead to a real deformation of every kind ofpreassumption in his novels and of course in the characters, a rupture taken against every kind of normalizationor reduction to the norms. In the last part of our research, before going through the application the formlesstheory, we will briefly argumentate about the major inversion that had prevailed upon our author, obliging him totake the distance from the Bildungsroman and to oppose to it a Verbildungsroman. Only after conceived theglobal valorial inversion, we will arrive to this “Game of polarities”m which will lead to the constitution of ainformal character. Starting from there, effectively, we eill see that the character will become a formless thatmanifest itself thanks to the narration, the same invisible and terrifing subjectivity that we have already met inthe first part of our work. Consacrating ourselves to the Bataille’s works, will signify, not only trying tounderstand the character born under a formless will, but even also- how this formless could be gained far distantfrom the mores applayed into the university. Our demonstration, will be constructed to have a new eye: theformless will be conceived to be à “becoming” that can’t be, that is aphone and unpronounceable, but so forth, itis a right alternative to the “Deleuzian’s becoming”, to the Z.O.O and of the subjects that are trying to force areconfiguration of an autonomous space, of the fluid sexualities: and is for these reasons that we evinct that theformless needs a new recalibration, far from the aesthetical intuitions, in need to re-orienting itself to a newdialogical horizon, and to put itself to the extreme sens of a destructive immanence
Tortorella, Andrea. "Pour une nouvelle perspective de l'Informité chez Bataille." Electronic Thesis or Diss., Paris 8, 2018. http://www.theses.fr/2018PA080038.
Full textWe can utterly assert that the aim of our analysis has lead, throughout the balancing/ a balancement of aphilosophical hermeneutic and a literature analysis, to the delineation of an informal subjectivity in GeorgesBataille’s thought. Afore the achievement of our theoretical demonstration, we will be glad to onset a briefparenthesis over the first commenters who had set a debate over the Formless, to enhance, thanks to them, ourassumption. Commencing from the work Documents (1929/30), reprinted by the will of Dennis Hollier in 1995.we will understand why its main analysis2 have secluded the debate into the esthetical- figurative corner,effectively closing the debate to other possible postulations. In this perspective, the formless has lost itssubversive tendencies to gain/obtain the pityfull status of «museal knick knack» implied into the artisticaldomain. Afterward having drafted the meaning of formeless by new, and given to it a contemporary perspective,we could start to settle a confrontantion with his philosophical roots: Nietzsche and Hegel. It is only due to theparallel with them both and to the overhaul of their theories, which we could assert that Bataille has in a wayreached the true meaning of formeless. The same formeless that is deeply rooted in his erotical novels. It is alsothrough these passages that we could understand the real meaning of parody in the bataillean sense, that is is aninversion of the moral values that the author has applied as a souverain and deforming lecture of his works. Themanicheism that the autor recour to use to divise the whole reality into two exact parts of positive andnegative,will be a peculiar aspect that leads to the comprehension of his entire work. This disorder wil beprocured, by the inversion of the moral values which are divided into an “high” and a “low”, and as consequent,the higher polarity will be related to the a positive value, and the low, to its tcontrary. Their upheaval willproduse an ethical swap of their positions, in a second stance this will lead to a real deformation of every kind ofpreassumption in his novels and of course in the characters, a rupture taken against every kind of normalizationor reduction to the norms. In the last part of our research, before going through the application the formlesstheory, we will briefly argumentate about the major inversion that had prevailed upon our author, obliging him totake the distance from the Bildungsroman and to oppose to it a Verbildungsroman. Only after conceived theglobal valorial inversion, we will arrive to this “Game of polarities”m which will lead to the constitution of ainformal character. Starting from there, effectively, we eill see that the character will become a formless thatmanifest itself thanks to the narration, the same invisible and terrifing subjectivity that we have already met inthe first part of our work. Consacrating ourselves to the Bataille’s works, will signify, not only trying tounderstand the character born under a formless will, but even also- how this formless could be gained far distantfrom the mores applayed into the university. Our demonstration, will be constructed to have a new eye: theformless will be conceived to be à “becoming” that can’t be, that is aphone and unpronounceable, but so forth, itis a right alternative to the “Deleuzian’s becoming”, to the Z.O.O and of the subjects that are trying to force areconfiguration of an autonomous space, of the fluid sexualities: and is for these reasons that we evinct that theformless needs a new recalibration, far from the aesthetical intuitions, in need to re-orienting itself to a newdialogical horizon, and to put itself to the extreme sens of a destructive immanence
Hamano, Koichiro. "Georges Bataille : la perte, le don et l'écriture." Nancy 2, 2003. http://www.theses.fr/2003NAN21001.
Full textIs expenditure possible ? This was the question Georges Bataille encountered during the first years of the war, a question that would drive him to radically change the direction of his past reflections. After having admitted to the impossibility of expenditure, he turned in effect - thanks to Maurice Blanchot - from the " will to loss " to the " will to chance " and sought less to realize expenditure himself than to let it happen on its own. The strange writing of La Somme athéologique, should be understood in relation to this shift in perspective. In order to remain faithful to the " will to chance ", Bataille found himself simultaneously in front of the prohibition and the obligation to write, and therefore similar to the writer described by Blanchot in " De l'angoisse au langage ". The present dissertation, which puts into relief these " dramatic events " experienced by Bataille during World War II, attempts to analyze certain post-atheological and literary texts
Largeaud, Jean-Marc. "Waterloo dans la memoire des francais (1815-1914)." Lyon 2, 2000. http://www.theses.fr/2000LYO20011.
Full textHoffmann, Candy. "Le "Sacré noir" chez Georges Bataille et Hubert Aquin." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040030.
Full textAffinities gather Hubert Aquin’s and Georges Bataille’s writings. These two authors explore a mystic way wich presents strong similarities, related to what Roger Caillois called « left sacred», that is to say the impure, malefic sacred, accessible to Georges Bataille by transgression, and which corresponds to the « privileged moment of communal unity ». The French author’s goal is to free the mystic experience from its religious background and to make ecstasy accessible to everybody. It is precisely by communicating that men can break their isolation and that of the others and reach ecstasy. Even if Hubert Aquin hasn’t the same cultural background than Georges Bataille, he also theorizes and represents in his novels a form of « extreme of the possible », which is very close to the bataillian « impossible ». This thesis aims to show how Georges Bataille’s theories of « inner experience » and eroticism highlight Hubert Aquin’s essays, Journal and novels, leading us to define the pecularities of the mystic way explored by the author from Quebec, and more generally and fundamentally, to focus on two different ways to think and to live the refusal of transcendence : the first, that of Georges Bataille, which consists in embracing the loss of God and ourself laughing, and the second one, that of Hubert Aquin, which consists in being ceaselessly and painfully torn between what takes away from the Christ and what moves closer to Him. The first chapter of the thesis is theoretical ; it is dedicated to three key concepts for our whole analysis : mysticism, sacred and eroticism. The object of the second chapter is the peculiarity of the new mystic theology of Georges Bataille in his theoretical texts compared to the traditional mystic experience. The third and last chapter emphasizes the specificity of the author from Quebec’s experience. How does Hubert Aquin conceive and represent « the extreme of the possible » in his writings ? It is to this question we try to answer
Willems, Sandrine. "L'instant retrouvé: temps et mouvement dialectique chez Georges Bataille." Doctoral thesis, Universite Libre de Bruxelles, 1994. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212668.
Full textPawlett, William. "Thinking excess : the radical sociology of Bataille and Baudrillard." Thesis, Loughborough University, 1999. https://dspace.lboro.ac.uk/2134/7270.
Full textMARTIN, CLARICE ARANTES. "EROTICISM AND TRANSGRESSION IN GEORGES BATAILLE AND JACQUES LACAN." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2014. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=25458@1.
Full textCOORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
Esta dissertação consiste em uma aproximação entre a concepção de erotismo em Georges Bataille e a noção de gozo em Jacques Lacan, em um momento específico de seu ensino: o Seminário VII. Bataille e Lacan, herdeiros do pensamento freudiano, concebem o erotismo na visada da morte, em um sentido específico próprio a cada um. A morte, aqui, assinala a incompatibilidade entre o desejo, nossa existência habitual e o gozo em si. Finalmente, destacamos que, para ambos os autores, abordar o erotismo pela via da transgressão exige a formulação de uma ética.
This dissertation is the approximation between the conception of eroticism in Georges Bataille and the notion of jouissance in Jacques Lacan, at a specific moment of this teaching: The seminar book VII. Bataille and Lacan, heirs of Freudian thought, conceive eroticism in sight of death, in a proper way to each one. Death, here, points to the incompatibility between desire, our usual existence and jouissance in itself. Finally, we emphasize that, for both authors, address the eroticism through transgression requires the formulation of an ethic.
Sendacz, Roberta. "Catherine Breillat e Georges Bataille: o ritual do impossível." Pontifícia Universidade Católica de São Paulo, 2008. https://tede2.pucsp.br/handle/handle/11772.
Full textThis paper sets out comparisons, differences and affinities between the works by Catherine Breillat, the movie maker, and by Georges Bataille, the philosopher. As authors who were born in different times and engaged themselves in different areas of knowledge, Breillat s thoughts are expressed through motion picture and those of Bataille in the form of writing. This is the reason why the dialogue implied in this paper has a thematic background. The privilege of both authors´ erotic view is used here as the central axis, starting from Bataille s idea that the sense of eroticism is the fusion, the suppression of limits. However, though both see the union of the bodies as corresponding to a violation of the identities, the presence of the female character in Breillat s films permeates such conception with a certain rare complexity concerning gender and love. The analysis of such particulars opens up the possibility of marking out not only strong points in common, but also significant distinctions between the two eroticisms
Cotejar as obras da cineasta Catherine Breillat e do filósofo Georges Bataille é o objetivo deste trabalho. Sendo autores nascidos em épocas diferentes, e alocados em distintas áreas do conhecimento, o pensamento de Breillat se apresenta na forma de filme e o de Bataille na da escrita. Por tal razão, o diálogo que aqui se propõe é de fundo temático. Toma-se como eixo central o privilégio da visada erótica nos dois autores, partindo da concepção batailliana de que o sentido do erotismo é a fusão, a supressão dos limites . Porém, ainda que para ambos a união dos corpos corresponda à violação das identidades, a presença do personagem feminino nos filmes de Breillat faz essa concepção ser atravessada por uma problemática rara do gênero e do amor. O exame de tais particularidades permite circunscrever pontos de contato intensos, mas também distinções significativas entre as duas eróticas
Hermosilla, Ordenes Estefanía. "La Sacralidad y perversión del Erotismo en Georges Bataille." Tesis, Universidad de Chile, 2008. http://repositorio.uchile.cl/handle/2250/110533.
Full textErnst, Gilbert. "La mort dans l'oeuvre de fiction de georges bataille." Paris 8, 1987. http://www.theses.fr/1987PA080134.
Full textAfter a brief survey on the frequency of the word "death" in georges bataille's work (including prose and poetry), and on the mortal condition of his heroes, this thesis attempts to define the relationships between death and the possible (the hegelian actual reality) and the impossible. The impossible is called death by the end of the first part. It is defined as the presence, in existence, of death itself and of the erotic experience. This double presence is then analysed in the second part, in relation to representation (a description of the fictional existence of the hero), and from a double point of view : the elaboration of a specific narrative construction, starting with the narrative and leading up to the concept of the "book" of death, and the creation of a typology designing the "doomed-todie-character" (his exit out of the possible thanks to eroticism and suicide). The third part of this thesis deals with the relationships of georges bataille's writing and death according to what was called the death of the writer, with a description of the possible role of the experience of death itself traced in bataille's own autobiography, as it could be deciphered throughout his work. But the main point will be about the reflexion of the writer on the power of literature over death. After analysing his theory on poetics (writing in the face of dying), the practical application of the theory is then tackled. His writing is seen as mimetic of the destructive process of death, as he dramatizes through movement the literary enactement of death; and the silence of death is literary present in the text trough the numerous repetitions and blanks. As a conclusion georges bataille will then be part into perspective with the contemporary reflexion on death
Thévenieau, Yves. "La question du recit dans l'oeuvre de georges bataille." Lyon 2, 1986. http://www.theses.fr/1986LYO20017.
Full textIn his 'sur nietzsche', georges bataille himself elaborates the idea of narrative as being that which comes to the rescue of reason; its manifestation in his work is all the more pregnant with meaning for being the child of necessity. Far from being merely one among other structures to be found in his work, narrative represents a most particular double-take breaking out in the very development of the text -text suddenly lodged in its own present moment by this necessitation which in turn is there by witnessed to and little by little revealed. Hence: "if sentences have any meaning, they have it by constellating that which was seeking to be. When they cry out freely, they die of their own brillance". This term 'narrative' (recit) comes naturally as being apt to describe seven texts (those fictions which the author published in his lifetime) characterised at once as fiction and by the presence of the narrator (recitant). In order of publication, these are 'histoire de l'oeil', 'madame edwarda', 'le petit', 'la scissiparite', 'l'abbe c. ', 'le bleu du ciel' and 'l'impossible'. We begin by showing, on the basis of these texts, how narrative manifests, gradually bringing out those signs whereby narrative writing can in general be identified. In this we are not involved in the giving of any personal 'reading': the idea of 'narrative' is neutral, underlining the way in which the text constitutes its own reading, or publication of a reading. Secondly, we demonstrate this 'narrative writing' working out from an example, 'le bleu du ciel'. Finally, we consider narrative from the point of view of textual heterogeneity- a key notion for bataille, and one to which the collection of his complete works has now given its full importance
Franco, Lina. "Politiques de la litterature : elio vittorini et georges bataille." Paris 7, 2000. http://www.theses.fr/2000PA070030.
Full textBonnet, Gérard-Louis. "Essai pour faire parler le silence de G. Bataille." Aix-Marseille 1, 1987. http://www.theses.fr/1987AIX10070.
Full textApicella, Nicola. "Georges Bataille et Alexandre Kojève : la blessure de l’Histoire." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH153.
Full textThis thesis proposes to genealogically question the formative power that Hegel's philosophy ex-erted on Georges Bataille's thought. From the end of the 1920s, the system of Absolute Knowledge constantly nourished the work of this intellectual who is often described, too hastily, as anti-systematic, and for whom the decisive meeting of Alexandre Kojeve, one of Hegel's first exegetes in France, played an exceptional role in redefining the limits and the stakes of discursive knowledge when confronted with the sovereignty of "non-knowing". Nevertheless, this operation was not line-ar: from the time of the review Documents and until his death, Bataille calibrated his Hegelianism (or anti-Hegelianism) very differently depending on the intellectual circumstances, by reacting first to the suggestions of surrealism, then to the impulse of new "bourgeois" doctrines such as psychoanal-ysis and sociology, and finally to the teaching of Alexandre Kojève. We therefore have at least three critical trajectories that cross and disrupt the Hegelian doctrine, which will emerge gradually as re-jected, then recovered with reservations and finally reworked in an original way. Three stages that show a Bataille capable of integrating into his thinking some discursive models that do not diminish its power but which, on the contrary, emerge enriched by a new impetus that removes any schema-tism from them towards a more fluid structure that shakes up their cardinal points. In this work of intellectual history, it has therefore been necessary to adopt a diachronic rather than a synchronic approach. The secondary literature that has focused on the contribution of Hegel's philosophy to Bataillian thought has often made the mistake of bringing together texts that are far removed in time in order to derive analogies and convergences that, with the aim of elucidating a certain inter-nal coherence to this thought itself, trivialize all its asperities and "wrong turns". What stands out is the idea that there is a block "Hegel-Bataille" or "Kojeve-Bataille" more or less well defined and dif-ficult to question. The weakness of this approach cannot be more blatant: not taking into considera-tion the very rich articulation of the issues that these pairs put in place at different times, marked by requirements that cannot always be staked, it paralyzes an intellectual relationship that was made and undone over the course of about twenty years. Thus, we try to follow the structural evolution of a posture, Bataille’s one, which makes of fluidity and hesitation its argumentative style. For this reason, we relied more on his texts, published and unpublished, than on the secondary references, seeking to limit cross readings and anachronisms to understand why, in 1950, Bataille confessed be-ing an "Hegelian by training" (de « formation hégélienne ») – a confession coming from someone who since 1929 had sided with the formless (informe) – and why Kojève will show him a growing respect and intellectual proximity
Camps, James. "Interpretation, the subject and the literature of Georges Bataille." Thesis, Cardiff University, 2015. http://orca.cf.ac.uk/74200/.
Full text