Academic literature on the topic 'Basque Artists'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Basque Artists.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "Basque Artists"
1
Zulaika, Joseba. "Anthropologists, artists, terrorists: the Basque holiday from history." Journal of Spanish Cultural Studies 4, no. 2 (September 2003): 139–50. http://dx.doi.org/10.1080/143620032000117752.
Full text
2
Lekuona Mariscal, Ane. "El papel de las exposiciones en la escritura de la (androcéntrica) historia del arte del País Vasco = The Role of Exhibitions in the Writing of the (Androcentric) History of Art of the Basque Country." Espacio Tiempo y Forma. Serie VII, Historia del Arte, no. 8 (November 17, 2020): 301. http://dx.doi.org/10.5944/etfvii.8.2020.27391.
Full textAbstract:
Este artículo aborda desde una perspectiva feminista la importancia que han tenido las exposiciones a la hora de escribir, consolidar y naturalizar la historia del arte del País Vasco de los años 1950-1975. A partir de una revisión que comienza en la década de los setenta, se estudia cuáles han sido las tendencias más usuales a la hora de presentar a través de los medios expositivos este pasado artístico y, por tanto, cómo se relaciona este hecho con la sistemática invisibilización que vienen sufriendo desde entonces las artistas que produjeron obra en el periodo señalado. Por último, se cuestiona si con el paso de los años, las demandas feministas han tenido el impacto deseado en la manera de exhibir este legado histórico-artístico o si, por el contrario, todavía quedan tareas pendientes.AbstractThis article addresses from a feminist perspective the importance that exhibitions have had in the task of writing, consolidating and naturalizing the history of art in the Basque Country in the years 1950-1975. Based on a review that begins in the 1970s, the text studies the most common trends in presenting this artistic past through exhibitions and, therefore, how this is related to the systematic invisibility that artists who produced work in this period have suffered since then. Finally, it is questioned whether, over the years, feminist demands have had the desired impact on the way this historical-artistic legacy is exhibited or whether, on the contrary, there is still work to be done.
3
Méndez, Lourdes. "Du Guernica au Gure Aitaren Etxea Et à la Paloma de la Paz. Oeuvres d'art, artistes et enjeux politiques au Pays Basque espagnol." Article hors thème 19, no. 3 (September 10, 2003): 199–217. http://dx.doi.org/10.7202/015375ar.
Full textAbstract:
Résumé Du Guernica au Gure Aitaren Etxea et à la Paloma de la Paz Œuvres d'an, artistes et enjeux politiques au Pays Basque espagnol Depuis 1987, mener le Pays Basque espagnol vers la paix est un objectif que proclament les nationalistes basques « traditionnels » et « radicaux » sans qu'ils s'entendent sur les moyens à mettre en œuvre pour y parvenir. L'absence d'un accord entre eux transparaît lors de confrontations politiques pendant lesquelles des œuvres d'art soigneusement choisies leur serviront de bannière symbolique. Ces choix rendent compte de la complexité des interactions entre l'art et la vie sociale et laissent entrevoir comment les acteurs sociaux qui créent des événements culturellement significatifs réexaminent l'ordre culturel et produisent des interprétations divergentes d'une même œuvre d'art. En partant des concepts de « champ de production» et d' « espace esthético-rituel », nous essaierons de saisir les objectifs que poursuivent les nationalistes « traditionnels» et « radicaux » au cours des événements qui marquent le Pays Basque entre 1987 et 1995, et pendant lesquels ils se confrontent symboliquement à travers le Guemica, le Gure Aiteren Etxea et la Paloma de la Paz.
4
Touton, Isabelle. "Refugiados: desde los cómics de la memoria a los cómics de denuncia (en torno a Asylum de Javier de Isusi)." Neuróptica, no. 4 (December 21, 2023): 111–29. http://dx.doi.org/10.26754/ojs_neuroptica/neuroptica.2022410017.
Full textAbstract:
Resumen: Después de una reflexión inicial sobre las huellas gráficas (fotográficas y dibujadas) del exilio español de los perdedores de la guerra a finales de los años 30, en particular en el momento de la Retirada y de los campos de concentración en el sur de Francia, se propone un análisis de la novela gráfica Asylum de Javier de Isusi como trenzado de historias de vida de refugiados españoles del pasado, procedentes de Euskadi, y de refugiados de hoy en el País Vasco. Se muestra cómo la obra se inscribe en un recurso comparatista didáctico entre pasado y presente que utilizan tanto ciertas ONG como algunos periodistas y artistas militantes.
Résumé : Après une réflexion initiale sur les traces graphiques (photographiques et dessinées) de l’exil espagnol des perdants de la guerre dans la deuxième moitié des années 30, en particulier lors de la Retirada et l’enfermement dans les camps de concentration du sud de la France, nous proposons une analyse du roman graphique Asylum de Javier de Isusi comme résultat du tressage d’histoires de vie de réfugiés espagnols basques du passé et de réfugiés d’aujourd’hui au Pays Basque. Il sera aussi montré comment cette oeuvre s’inscrit dans un recours comparatiste didactique entre le passé et le présent qu’utilisent tout autant certaines ONG que des journalistes et artistes militants.
5
Muruzábal del Solar, José M. ª. "Félix Artieda, esmaltista." Príncipe de Viana LXXX, no. 274 (January 30, 2020): 653–72. http://dx.doi.org/10.35462/pv.274.2.
Full textAbstract:
ABSTRACT This article familiarises us with the life and artistic work of the Pamplona-born enamellist Félix Artieda (1900-1974). Trained in the tradition of a workshop which constructed, gilded and polychromed altarpieces, he studied in Pamplona with Javier Ciga and then at San Fernando in Madrid. He learnt the art of enamelling under Dr Victoriano Juaristi and at the Massana School in Barcelona. Most of his production is from the 1930s, when he worked, above all, using the champlevé technique. The themes of most of his works are religious, imitating medieval motifs, and from Basque folklore. Together with the above, a catalogue of twenty works in enamel by the artist, most of them previously unseen, is also presented. Keywords: enamel; artist; Navarre; 20th century. RESUMEN El presente artículo nos acercará el periplo vital y la producción estética, dentro del esmalte artístico, del autor pamplonés Félix Artieda (1900-1974). Este autor, formado en la tradición de un taller de construcción, dorado y policromado de retablos, estudió en Pamplona con Javier Ciga y en San Fernando de Madrid. La técnica del esmalte la aprendió con el doctor Victoriano Juaristi y en la Escuela Massana de Barcelona. La mayor parte de su producción se da en los años treinta, trabajando básicamente el esmalte campeado o champlevé. Sus obras son de temática religiosa, imitando motivos medievales, y temas etnográficos vascos principalmente. Se aporta, junto a lo anterior, un catálogo de veinte obras ejecutas al esmalte por el autor, la mayoría de ellas inéditas. Palabras clave: esmalte; artista; Navarra; siglo xx.
6
Méndez, Lourdes. "À l’abri des politiques de genre." Articles 27, no. 2 (January 5, 2015): 97–114. http://dx.doi.org/10.7202/1027920ar.
Full textAbstract:
L’auteure analyse le champ de l’art de la Communauté autonome basque de l’État espagnol à la lumière du processus de réflexivité institutionnelle. Celui-ci est traversé par des théories féministes, des mutations du féminisme, des lois pour l’égalité, des collectifs artistiques, des institutions du domaine de l’art, des plateformes politiques et des associations de femmes pour l’égalité dans l’art. Partant de l’idée que des initiatives comme l’organisation d’expositions de femmes artistes, le FEMINISTALDIA ou le festival Miradas de mujeres (Regards de femmes) ce ne sont que des adaptations pragmatiques à une conjoncture marquée par les lignes d’action des organismes pour l’égalité, l’auteure signale que celles-ci peuvent être contre-productives pour les artistes.
7
Gil, Pilar F., Socorro Conde, Marta Albisu, Francisco J. Pérez-Elortondo, Iñaki Etayo, Mailo Virto, and Mertxe de Renobales. "Hygienic quality of ewes' milk cheeses manufactured with artisan-produced lamb rennet pastes." Journal of Dairy Research 74, no. 3 (April 30, 2007): 329–35. http://dx.doi.org/10.1017/s0022029907002440.
Full textAbstract:
The use of artisan-produced lamb rennet pastes, but not any of the other commercial animal rennets, imparts a characteristic flavour to the cheese, so most Mediterranean ewes' milk cheeses are coagulated with this kind of rennet paste. In contrast to the advantages of using lamb or kid rennet pastes from the sensory point of view, questions are still raised as to their hygienic quality. The goal was to examine the microbiological and enzymic quality of lamb rennet pastes prepared by cheese manufacturers for their own use, and evaluate the hygienic quality of raw sheeps' milk cheeses made with them, using Idiazabal cheese as a model. Lamb rennet pastes prepared by artisan cheese makers from the Basque region of Spain (27), and Italy (8) were evaluated. For cheese making experiments 5 different lamb rennet pastes were selected among the 27 samples from the Basque Country region of Spain. Microbiological analyses were carried out on samples from rennet pastes, rennet extracts, milks and cheeses during ripening. Enzymic activities studied in rennet paste were: total coagulating strength and lipase. Analysis of variance and Student's t-tests was performed. The results show that the artisan-produced rennet pastes contain high levels of a variety of microorganisms. After 60 ripening days, which is the minimum ripening period required for Idiazabal cheese prior to its commercialization, no Eschericia coli, Clostridium, Salmonella spp. or Listeria monocytogenes were detected, and levels for the rest of the microorganisms were below the limits of the European legislative standards for cheese manufactured with raw milk. We can conclude that the use of artisan-produced lamb rennet pastes of questionable hygienic quality for the manufacture of raw milk hard cheeses yields products of good hygienic quality.
8
Behr, Bernd. "Relieve de Cine en Relieve." Philosophy of Photography 13, no. 1 (April 1, 2022): 165–73. http://dx.doi.org/10.1386/pop_00045_7.
Full textAbstract:
This series of images forms part of the ongoing project Soft Ground, Hard Light, which speculates on a multiscalar spatial ontology of photography emanating from the Arditurri silver mine complex in the Basque Country. Evoking the mountainous massif around Arditurri where silver ore and galena have been extracted since Roman presence in the area, the depicted topographies are, in fact, data transcriptions from atomic force microscopy (AFM) probing the analogue film stock of an early 1930s experiment in 3D cinema, Cine en Relieve, by the Basque cinematographer Teófilo Mingueza. In contrast to optical or electron microscopy, AFM uses a scanning probe to physically touch the specimen, recording its surface undulations at the atomic scale of a nanometre, or a billionth of a metre. As a haptic operation based on direct contact between instrument and sample, between apparatus and referent, AFM is literally a contact print, a ‘blind’ scan that senses not the visual content of the recorded image but ‘feels’ its underlying material substrate of silver nanoparticles within the 35 mm film emulsion. The resulting image assemblies visualize a topography resulting from the intra-action between the silver nanoparticles and the scanning probe as much as its transcription through the particular parameters afforded by the AFM analysis software. Hard Light, Soft Ground was initiated during an artist’s residency at Tabakalera Centre for Contemporary Culture, Donostia-San Sebastián, and is currently in production as part of the wider research project Esper Syndrome: Archaeotopologies of the Image at the Royal College of Art, funded by the AHRC through the London Arts & Humanities Partnership. With additional thanks to the Basque Film Archive and Gustavo Ariel Schwartz at the Materials Physics Centre, Donostia-San Sebastián.
9
Cárdaba-López, Irene, and Iraia Anthonisen Añabeitia. "A wider study of contemporary art based on Mikel Diez Alaba´s Mínimos series." Ge-conservacion 11 (July 3, 2017): 237–42. http://dx.doi.org/10.37558/gec.v11i0.488.
Full textAbstract:
This research is based on the work of the Basque contemporary artist Mikel Diez Alaba and his series called Mínimos, which gathers up to 144 small size pieces made out of acrylic paint applied on printed images. This collection was displayed on the Museum of Fine Arts of Bilbao during 2014.
The main objective of this paper is to reach a more integral conception of conservation –based on the latest theories regarding heritage-, focusing on material aspects and the conceptual characteristics of the artwork, alike. Thereby, the working method in Mínimos series has been analyzed, as well as the presence of elements linked to the natural heritage. All this, taken together allows the establishment of new strategies towards the conservation of contemporary artworks.
10
Soares, Isabel Teresinha Dutra, Letiane Streck, and Marcelo Trevisan. "Logística Reversa: Uma Análise de Artigos Publicados na Base Spell." Revista de Gestão Ambiental e Sustentabilidade 5, no. 2 (August 1, 2016): 76–97. http://dx.doi.org/10.5585/geas.v5i2.385.
Full textDissertations / Theses on the topic "Basque Artists"
1
Durandegui, Angel B. "The Guggenheim Bilbao Museum in the Basque nationalist press : discursive and rhetorical analysis." Thesis, Loughborough University, 2007. https://dspace.lboro.ac.uk/2134/10697.
Full textAbstract:
This study analysed the reporting of the debate over the Guggenheim Bilbao in the Basque nationalist newspapers Egin and Diario Vasco. I was looking at differences/similarities between the newspapers, and at how argumentation changed over time (1997/1998), drawing upon content analysis, discourse analysis of the ideological themes in the reporting and an indepth analysis of two editorials, one in Spanish and one in Basque. The content analysis confirmed that economy and Basque culture/identity were highly controversial themes; and that in 1998 the museum became more accepted. An analysis of rhetorical strategies e.g. quantification rhetoric for economic predictions; vagueness/evasiveness to portray the Basques' reception of modem architecture/art, permitted the examination of intragroup/intergroup models of interaction, strategies and underlying ideological dilemmas (Billig et ai, 1988). After the inauguration, Diario Vasco claimed that the museum was concerned with Basque modem art, while Egin maintained a cautious distance. The in-depth comparative analysis of political rhetoric in two Egin's editorials, reporting similar events in Basque or Spanish, confirmed that the use of these different languages involves different construction of the readership; and different strategies to convey communality between writer/reader. In the Basque language editorial, communality was cautiously constructed until an assertive we Basques stressed search of unity, differentiation, and sovereignty: conflict/differences between Basques were omitted, backgrounded or ironized, while differences with the Spanish foregrounded. In the Spanish editorial, an impersonal third person tone avoided using the rhetoric of we. Specific Basques were blamed for the repression of Basque secessionism. A dramatic tone suggested subtle criticism against ETA, yet implying that it was reasonable to include ETA among the human victims. The explicit nation state's deixis in the Spanish editorial implied Spain was the nation state. In the Basque context the nation state's deixis was ambiguous: we Basques might be used to address Basques beyond French-Spanish boundaries, suggesting a long-term representation/project that imagined Basqueness beyond its present-day administrative division or actual political influence. The implications of such fine detail differences were discussed.
2
Shabodien, Zareena. "Appraisal of Beyoncé Knowles as a popular artist: Analysing the evaluative discourse of the online fan base." University of the Western Cape, 2011. http://hdl.handle.net/11394/5388.
Full textAbstract:
Magister Artium - MAThis research uses the Systemic Functional Linguistics (SFL) approach, more specifically, the appraisal theory to analyse the online message postings by fans of the popular music artist, Beyoncé Knowles. Through their online writings, insight into their evaluative discourses is gained. This research focuses on the emotional, judgemental and evaluative stance in their writings, especially; the linguistic choices that the online fans use in order to convey their attitudes: appreciation and judgement and affect towards Knowles. In order to do such an analysis, the study considers the different Systemic Functional Linguistic (SFL) levels of meaning (interpersonal, textual and experiential metafunctions). Several questions become pertinent: What kinds of interpersonal relations and identities are implicated on the message boards? (Interpersonal metafunction). How are these expressed textually? (Textual metafunction). What kinds of experiences/fields are implicated in the messages? (Experiential metafunction). The research concludes that in terms of identity, fans tend to latch onto a Hip-Hop culture in order to create and maintain a connection to Knowles. Fans display this linguistically by writing certain words out phonetically as they would be pronounced orally. Gender boundaries are transgressed irrespective of the fans' gender. Posts also demonstrate colourful expressive responses in relation to Knowles. Whether the fan is male or female, both feel comfortable in using emotive language to demonstrate the impact which she has on their lives. In terms of appreciation fans tend to express that she has inspired and changed their lives. Attitudes explored demonstrated that a number of Knowles' fans hold positive viewpoints and therefore they would align themselves positively towards her. The element of judgement was explored from different perspectives in relation to Knowles. One, being a website which suggested that Knowles had undergone an evil transformation. For evidence, these fans used her lyrics, gestures and images selectively as a way to "prove" their arguments. As a contribution to knowledge, this research is useful in the sense that when individuals log online and leave their posts on message boards, they do not always realise the impact of the message that they leave behind. Using SFL and the appraisal theory, one is able to establish the attitudes: judgements, appreciation and affect individuals hold towards a particular topic or person (in this case towards Knowles). Through linguistically analysing message boards, one is able to connect individuals to possible identity options. In essence, the letters and words which individuals have strung together create a greater picture than what was possibly intended. Linguistically, it opens more avenues for exploration.
3
Carvalho, Ednúsia Pinto de. "A atenuação retórica em artigos de pesquisa: um estudo contrastivo com base em corpora." http://www.teses.ufc.br, 2011. http://www.repositorio.ufc.br/handle/riufc/6644.
Full textAbstract:
CARVALHO, Ednúsia Pinto de. A atenuação retórica em artigos de pesquisa: um estudo contrastivo com base em corpora. 2011. 127f. Tese (Doutorado em Linguística) – Universidade Federal do Ceará, Departamento de Letras Vernáculas, Programa de Pós-graduação em Linguística, Fortaleza-CE, 2011.Submitted by nazareno mesquita (nazagon36@yahoo.com.br) on 2012-08-14T15:00:20Z No. of bitstreams: 1 2011_tese_EPdeCarvalho.pdf: 1630146 bytes, checksum: 3c417235cc5090a6cb9de83fc915f723 (MD5)
Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2013-11-14T14:12:48Z (GMT) No. of bitstreams: 1 2011_tese_EPdeCarvalho.pdf: 1630146 bytes, checksum: 3c417235cc5090a6cb9de83fc915f723 (MD5)
Made available in DSpace on 2013-11-14T14:12:48Z (GMT). No. of bitstreams: 1 2011_tese_EPdeCarvalho.pdf: 1630146 bytes, checksum: 3c417235cc5090a6cb9de83fc915f723 (MD5) Previous issue date: 2011
This thesis investigates, from a rhetoric-contrastive perspective, the uses and functions of rhetoric mitigation metadiscursive marks (here hedging devices) in research articles produced by Brazilian and German authors and understood as specialized texts (HOFFMANN, 1998), inserted in the expert-expert communicative context (PEARSON, 1998). To achieve this goal, the present study aims at answering the following questions: (a) how often are hedging strategies employed in the introduction and conclusion sections? (b) what is the relationship between the number of hedges in each subcorpus and the rhetorical characteristics of each analyzed section? (c) how often do the lexico-grammatical items performing the role of hedges appear in each subcorpus? The starting point for the investigation was the assumption that texts belonging to the same genre but written in different languages present striking rhetorical distinctions. Such differences in academic writing can be described by the use of hedges as discourse-pragmatic elements which characterize the "modus dicendi" of a given knowledge area; in the present case, Medicine. A corpus of 120 research articles from national and international medical journals was built, including texts written in German and Portuguese; the articles were collected from the CAPES periodics website. This corpus consists of 60 Medicine articles written in Portuguese and 60 articles written in German, divided into two subcorpora, namely, Corpus 1: Medicine-German and Corpus 2 : Medicine-Portuguese. The former is made of two subcorpora, (i) German Medicine Introduction (MAI) and (ii) German Medicine Discussion (MAD); the latter is also subdivided into two parts, (i) Portuguese Medicine Introduction (MPI) and (ii) Portuguese Medicine Discussion (MPD). The data were analyzed and processed in accordance with the Corpus Linguistics methodological principles, in an instrumental application of its methods. The data were treated with the help of a linguistic analysis software called WordSmith Tools (SCOTT, 1997), version 3.0, especially the Wordlist and Concord tools. In order to investigate and analyze the uses and functions of the hedges, from the Interactional Metadiscourse (HYLAND, 2005) and Intercultural Rhetoric (CONNOR, 2008) perspectives, given the corpora collected, we have proposed a classification model, in accordance with the taxonomies proposed by Hyland (2005), Cabrera (2004) and Martín-Martín (2008). The results of the analysis have pointed to the occurrence of a largest number of hedges, in both languages, in the discussion section of the articles, followed by the introduction section. Both present a high number of occurrences of indetermination devices (epistemic expressions, such as modal verbs, lexical verbs, semi-auxiliary verbs, and modal adjectives / adverbs) and disagentivization (impersonal expressions, passive voice).We can therefore conclude that the authors of the Medicine research articles, both those in Portuguese and in German, employ the same amount of hedges in order to achieve the communicative purposes of the research paper genre, given the position the authors occupy in the academic community and the interpersonal relationship they wish to establish with the audience. This research contributes to minimize the gap in the studies on hedging under a contrastive perspective, based on corpora of scholarly texts in Portuguese and German in the Medicine area.
Esta tese investiga sob uma perspectiva retórico-contrastiva, os usos e as funções das marcas metadiscursivas de atenuação retórica (hedges), em artigos de pesquisa, considerados, aqui, textos especializados (HOFFMANN, 1998), pertencentes ao contexto comunicativo: especialista-especialista (PEARSON, 1998), produzidos por autores (as) brasileiros (as) e alemães (as). Para cumprir tal objetivo, a pesquisa intenciona responder aos seguintes questionamentos: (a) qual a freqüência das estratégias de atenuação retórica utilizadas nas seções introdução e conclusão? (b) qual a relação existente entre o número de marcas metadiscursivas de atenuação retórica em cada subcorpus e as características retóricas de cada seção em análise? (c) qual a freqüência dos itens léxico-gramaticais que realizam as marcas metadiscursivas de atenuação retórica em cada subcorpus. Para tanto, parte-se do pressuposto de que textos pertencentes a um mesmo gênero discursivo, porém escritos em línguas distintas apresentam diferenças retóricas marcantes. Tais diferenças no discurso acadêmico escrito podem ser descritas pelo uso das marcas de atenuação retórica como elemento discursivo-pragmático caracterizador de um “modus dicendi” de uma determinada área do conhecimento, no caso, a Medicina. Para a investigação dessas marcas de atenuação, selecionamos um corpus composto por 120 artigos de pesquisa em Medicina de periódicos nacionais e internacionais, coletados, no site de periódicos da CAPES, escritos em língua alemã e em língua portuguesa. O referido corpus de estudo compõe-se de: 60 artigos em Medicina escritos em português e 60 artigos escritos em língua alemã, divididos em dois subcorpora, a saber, Corpus 1- Medicina Alemão, composto por dois subcorpora: (i) Medicina Alemão Introdução (MAI) e (ii) Medicina-Alemão Discussão (MAD) , Corpus 2- Medicina Português, com dois subcorpora: (i) Medicina Português Introdução (MPI) e (ii) Medicina Português Discussão (MPD). Na análise e tratamento dos dados, utilizamos os princípios metodológicos da Lingüística de Corpus, aplicando seu caráter instrumental. Para avaliar os dados dessa pesquisa, utilizamos o programa computacional de análise lingüística, WordSmith Tools (SCOTT, 1997), versão 3.0, as ferramentas Wordlist e o Concord. Para investigar e analisar os usos e as funções das marcas metadiscursivas de atenuação, sob uma perspectiva do Metadiscurso Interacional (HYLAND, 2005) e da Retórica Intercultural (CONNOR, 2008), tendo em vista os corpora em análise, propomos um modelo classificatório, em conformidade com as taxonomias propostas por Hyland (2005), Cabrera (2004) e Martín-Martín (2008). Conforme os resultados, a seção de discussão concentra o maior número de ocorrências das marcas de atenuação retórica nas duas línguas, seguida da seção de introdução. Ambas apresentam um elevado número de ocorrências das estratégias de indeterminação (as expressões epistêmicas, como verbos modais, lexicais, semi-auxiliares) e os adjetivos/advérbios modais,) e desagentivação (as expressões impessoais, voz passiva). A partir desses resultados, conclui-se que os autores tanto em português como em alemão nos artigos de pesquisa na Medicina fazem uso na mesma proporção de estratégias de atenuação para atender aos propósitos comunicativos do gênero textual-artigo de pesquisa, como também pela posição que ocupam na comunidade acadêmica e pela relação interpessoal que desejam estabelecer com a audiência. Essa pesquisa contribui para minimizar a lacuna existente com relação aos estudos sócio-retóricos das marcas metadiscursivas de atenuação, sob uma perspectiva contrastiva, em corpora escritos em português e alemão de artigos acadêmicos na Medicina.
4
BANDIM, Marcio Aercio Silva. "Indexação automática por atribuição de artigos científicos da área de ciência da informação." Universidade Federal de Pernambuco, 2017. https://repositorio.ufpe.br/handle/123456789/25272.
Full textAbstract:
Submitted by Fernanda Rodrigues de Lima (fernanda.rlima@ufpe.br) on 2018-07-25T20:45:05Z
No. of bitstreams: 2
license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5)
DISSERTAÇÃO Marcio Aercio Silva Bandim.pdf: 2955859 bytes, checksum: f785e2c570d629491a68df048840c67b (MD5)Approved for entry into archive by Alice Araujo (alice.caraujo@ufpe.br) on 2018-07-30T18:30:33Z (GMT) No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) DISSERTAÇÃO Marcio Aercio Silva Bandim.pdf: 2955859 bytes, checksum: f785e2c570d629491a68df048840c67b (MD5)
Made available in DSpace on 2018-07-30T18:30:33Z (GMT). No. of bitstreams: 2 license_rdf: 811 bytes, checksum: e39d27027a6cc9cb039ad269a5db8e34 (MD5) DISSERTAÇÃO Marcio Aercio Silva Bandim.pdf: 2955859 bytes, checksum: f785e2c570d629491a68df048840c67b (MD5) Previous issue date: 2017-02-20
Investiga o processo de indexação automática por atribuiçãona representaçãode documentos no contexto da construção de base de dados científicana área de Ciência da Informação, visando a associação entre palavras-chaves e o conhecimento registrado em artigos científicos. O problema de pesquisa deste trabalho está configurado na análise do processo e da qualidade resultante na representação do assunto mediante a indexação automática por atribuição de artigos científicos na área da Ciência da Informação. Realiza levantamento das linguagens documentárias e tipo de indexação automática utilizadas em bases de dados científicas. Investiga o uso do Tesauro Brasileiro em Ciência da Informação (TBCI) conjuntamente com o Sistema de Indexação Semi-Automática (SISA), na indexação automática por atribuição de publicações científicas da área de Ciência da Informação.Utiliza como metodologia a pesquisa exploratória, com base em revisão da literatura brasileira em Ciência da Informação sobre indexação automática por atribuição e em estudo de caso via experimento. Utiliza o corpus composto por 60 artigos científicos referenciados na tese de doutorado de Souza (2005) para comparar as palavras-chave destes artigos com os termos atribuídos pelo sistema SISA usando o vocabulário controlado Tesauro TBCI.Na etapa pragmática desta pesquisafoi realizada a indexação automática por atribuição do corpus formado por estes 60 artigos científicos, bem como, análise e avaliação intrínseca qualitativa, via índices de consistência e, avaliação extrínseca quantitativa, via índices de precisão, revocação e medida F, dos termos propostos para indexação.Ao se avaliar os índices de consistência, adotando-se o critério de consistência relaxada, foi constatada uma média de 15 % nos índices de consistência, com uma variação de um mínimo de 0% a um máximo de 42 %.Quanto aos índices de revocação, precisão e medida F analisados neste experimento foram obtidos os seguintes resultados: Precisão média de 20 %; Revocação média de 42 % e Medida F média de 25 %. Os resultados da pesquisa permitem concluirsobre a importância do emprego do vocabulário controlado em um sistema indexação automática por atribuição uma vez que o Tesauro tem forte influência nos resultados da indexação automática. Também é possível afirmar que neste tipo de indexação feita pelo sistema SISA a habilitação do arquivo de termos gerais TCITG tem forte influência nos índices de qualidade os quais foram analisados pelos valores médios obtidos pelos indicadores de qualidade ou índices de consistência. Foi constatado ainda, que o uso de palavras-chave como termos de indexação precisa ser melhor estudado e pesquisado no sentido de se criar instrumentos que propiciem aos autores dos artigos científicos melhor definição conceitual destes termos e maior controle terminológico.
This work investigates the process of automatic indexing by attribution in the representation of documents within the context of scientific database construction in the area of Information Science, aiming to associate keywords to the knowledge recorded in scientific papers. This work‟s research problem is the analysis of the process and the resulting quality in the representation of the subject through automatic indexing by attribution of scientific papers in the area of Information Science. It appraises documentary language and type of automatic indexing used in scientific databases. Investigates the use of the Brazilian Thesaurus of Information Science (TBCI) along with the Semi-Automatic Indexing System (SISA) in automatic indexing by attribution of scientific publications in the area of Information Science. Its methodology is exploratory research, based on the revision of Brazilian Information Science literature on automatic indexing by attribution and a case study through an experiment. Utilizes the corpus made up of 60 scientific papers referenced in Souza‟s doctorate thesis to compare the keywords used in those papers with the terms attributed by SISA using the TBCI controlled vocabulary. In the pragmatic stage of this research, automatic indexing by attribution of the 60-paper corpus was used, as well as intrinsic qualitative analysis and evaluation, through consistency indices, and extrinsic quantitative evaluation, through precision, recall and F-measure indices of the terms proposed for indexing. Evaluation of the consistency indices, adopting the relaxed consistency criteria, showed an average of 15% in the consistency indices, with a variation going from a minimum of 0% to a maximum of 42%. As to recall, precision and F-measure indices analyzed in this experiment, the following results were obtained: average precision of 20%; average recall of 42%; and average F-measure of 25%. The research results allow us to conclude the importance of the use of controlled vocabulary in an automatic indexing by attribution system since the thesaurus has a strong influence in the results of automatic indexing. It is also possible to assert that in this type of indexing by the SISA system, the habilitation of the general terms archive has a strong influence in the quality indices, which were analyzed through the average values obtained by quality indicators as consistency indices. It was also evidenced that the use of keywords as indexing terms needs to be further studied and researched in order to create tools that provide the authors of scientific papers with a better conceptual definition of these terms and better terminology control.
5
Mello, Patricia de. "Análise de artigos brasileiros sobre indisciplina, violência e ato infracional na escola : base Scielo 1998-2014." Universidade Federal de São Carlos, 2015. https://repositorio.ufscar.br/handle/ufscar/8698.
Full textAbstract:
Submitted by Aelson Maciera (aelsoncm@terra.com.br) on 2017-04-27T17:48:30Z
No. of bitstreams: 1
TesePM.pdf: 2372518 bytes, checksum: 68bc38b6129468129ca615fede331397 (MD5)Approved for entry into archive by Ronildo Prado (ronisp@ufscar.br) on 2017-05-02T18:01:10Z (GMT) No. of bitstreams: 1 TesePM.pdf: 2372518 bytes, checksum: 68bc38b6129468129ca615fede331397 (MD5)
Approved for entry into archive by Ronildo Prado (ronisp@ufscar.br) on 2017-05-02T18:01:18Z (GMT) No. of bitstreams: 1 TesePM.pdf: 2372518 bytes, checksum: 68bc38b6129468129ca615fede331397 (MD5)
Made available in DSpace on 2017-05-02T18:06:32Z (GMT). No. of bitstreams: 1 TesePM.pdf: 2372518 bytes, checksum: 68bc38b6129468129ca615fede331397 (MD5) Previous issue date: 2015-06-24
Não recebi financiamento
This work consists in a thesis and is intended to contribute to the educational system and the theoretical and practical advancement that interfaces between the two concepts, with support from the “dialogue” category. The researcher makes use of authors specialized in areas such as law and education to present reflections on the dialogical approach among them. Supported by the methodology of content analysis proposed by Bardin (2011), based on bibliographic research, seeks to demonstrate that progress toward better relations in school is more promising when it takes the path of dialogue. Thereby, adopts Freire’s theory as the theoretical reference of the study. The thesis is entitled “Analysis of Brazilian articles on indiscipline, violence and offenses at school: SciELO base 1998-2014”, because it identifies the actual reality inside the schools and the scholar community, that is exposed daily in the media. The question that is proposing to investigate is: what are the literature contributions that address the relationship between offense and indiscipline in schools, highlighting the mediation of the dialogue category? The aim of the research is to indicate literature contributions to address the relationship between offense and indiscipline in schools, by mediating the dialogue category. To do so, it was necessary to focus on the concepts of indiscipline, offenses and dialogues in school; highlighting, based on some of Freire’s works, concepts that contribute to the dialogic approach of the conflicts in schools; analyzing papers published in Brazilian journals of reference about the relationship established between indiscipline and offenses.
Este trabalho constitui-se numa tese e tem como intenção contribuir com os sistemas educativos e com o avanço teórico-prático das interfaces entre os dois conceitos, com apoio da categoria “diálogo”. A pesquisadora lança mão de autores das áreas de direito e educação para apresentar reflexões sob o enfoque dialógico entre eles. Amparada na metodologia da análise de conteúdo proposta por Bardin (2011), com base em pesquisa bibliográfica, busca demonstrar que o avanço para a melhoria das relações na escola é mais promissor quando se assume o caminho do diálogo. Assim, adota a teoria freireana como referencial teórico do estudo. A tese está intitulada “Análise de artigos brasileiros sobre indisciplina, violência e ato infracional na escola: base SciELO 1998-2014”, porque identifica a atual realidade dentro da escola e na comunidade escolar, exposta diariamente na mídia. A questão que se propôs investigar foi: quais as contribuições da literatura para a abordagem da relação entre ato infracional e indisciplina na escola, com destaque para a mediação da categoria diálogo? O objetivo da pesquisa é indicar contribuições da literatura para a abordagem da relação entre ato infracional e indisciplina na escola, tendo por mediadora a categoria diálogo. Para tanto, precisou enfocar o entendimento dos conceitos de indisciplina, ato infracional e diálogo na escola; destacar, de algumas obras de Freire, conceitos que contribuam para a abordagem dialógica dos conflitos na escola; analisar artigos publicados em revistas brasileiras de referência sobre a relação estabelecida entre indisciplina e ato infracional.
6
Bhering, Mariana Cunha. "Juventude e educação escolar : contribuições e desafios presentes em artigos disponíveis na base Scielo entre 2010 e 2014." Universidade Federal de São Carlos, 2016. https://repositorio.ufscar.br/handle/ufscar/7984.
Full textAbstract:
Submitted by Izabel Franco (izabel-franco@ufscar.br) on 2016-10-05T14:44:33Z
No. of bitstreams: 1
DissMCBje.pdf: 1269512 bytes, checksum: 197e2328540a253776a867a6f83533ed (MD5)Approved for entry into archive by Marina Freitas (marinapf@ufscar.br) on 2016-10-20T18:14:33Z (GMT) No. of bitstreams: 1 DissMCBje.pdf: 1269512 bytes, checksum: 197e2328540a253776a867a6f83533ed (MD5)
Approved for entry into archive by Marina Freitas (marinapf@ufscar.br) on 2016-10-20T18:14:45Z (GMT) No. of bitstreams: 1 DissMCBje.pdf: 1269512 bytes, checksum: 197e2328540a253776a867a6f83533ed (MD5)
Made available in DSpace on 2016-10-20T18:14:54Z (GMT). No. of bitstreams: 1 DissMCBje.pdf: 1269512 bytes, checksum: 197e2328540a253776a867a6f83533ed (MD5) Previous issue date: 2016-02-23
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
The research aims to study and analyse the contributions and challenges present in the articles on the subject of Youth and Education in Brazil from 2010 to 2014. Furthermore, it looks forward to identify new ideas or paths for pedagogical practices or emancipatory policies for young people. We have as theoretical references the contributions of Albert et al (2008), Freire (1992, 2000, 2005.2010), Abramo (1997), Margulis and Urresti (1996.1998), Carrano (2005), Sposito (2009, 2003), Dayrell and Carrano (2014), Dayrell (2007), Castells (1999) Groppo (2011, 2015), Parents (1990), Gimeno Sacristán (2013). For this purpose, we made use of a literature search in Scielo from the following descriptors: students and high school; students and youth and adult education; youth and youth curriculum; youth, education and young school. We found and studied 38 articles. And from the content analysis method (Bardin, 2004), it has been possible to list 7 categories, as following: curriculum, teaching, subject practices, teacher training and research, social and educational policies, youth; work and education and educational social participation. As result, we have found elements that contribute to education of young students, which are: 1) the school must take ownership and understand the different media and new technologies in order to use them in favor of learning; 2) understanding the context of the classroom content and the use of multimedia as a way to make it the most significant and attractive in the education of young people; 3) to start from the knowledge of the students and to make use of dialogue; 4) to enhance intergenerational relationships in order to young people and adults feel part of the educational process; 5) to make the teacher training closer to the current context and the new youth demands; 6) school integration with its surroundings and its educational agents; 7) understaing the need of young people to gain more knowledge and job training to continue into higher education; 8) development of policies that consider young people as political subjects and those who have their careers marked by social inequalities; 9) to provide adequate infrastructure to enhance learning, with construction of laboratories and libraries; or to support the of such spaces if the school already has them; 10) the development of a political-pedagogical project that prioritizes permanence and success of students, considering the specifics of shifts, such as at night (historically undervalued).
A pesquisa tem como foco o estudo das contribuições e dos desafios apresentados nos artigos sobre o tema juventude e educação escolar no Brasil, nos anos de 2010 a 2014. Mais especificamente, o estudo também busca identificar quais os anúncios de práticas pedagógicas ou políticas públicas emancipatórias para o público jovem. Assim, temos como referências teóricos as contribuições de: Albert et al (2008), Freire (1992, 2000, 2005,2010), Abramo (1997), Margulis e Urresti (1996,1998), Carrano (2005), Sposito (2009, 2003), Dayrell e Carrano (2014), Dayrell (2007), Castells (1999) Groppo (2011, 2015), Pais (1990), Gimeno Sacristán (2013). Para tanto, fez uso de uma pesquisa bibliográfica na base Scielo a partir dos seguintes descritores: estudantes e ensino médio, estudantes e educação de jovens e adultos, juventude, currículo e juventude, jovem e educação e jovem e escola, totalizando 38 artigos. E a partir da metodologia da análise de conteúdo (BARDIN, 2004), foi possível elencar 7 categorias, são elas: currículo, práticas pedagógicas, sujeitos, formação docente e pesquisa, políticas públicas sociais e educativas, juventude; trabalho e educação e participação social educativa. Como resultado, verificamos elementos que contribuem para educação de jovens estudantes, são eles: 1) a escola precisa se apropriar e compreender os diferentes meios de comunicação e novas tecnologias, de forma a usá-los a favor da aprendizagem; 2) entender a contextualização dos conteúdos escolares e o uso de multimídias como forma de tornar o ensino mais significativo e atrativo para os jovens; 3) partir dos saberes dos estudantes e fazer uso do diálogo; 4) valorizar as relações intergeracionais para que jovens e adultos sintam-se parte do processo educativo; 5) necessidade de pensar a formação docente aproximada ao contexto atual e às novas demandas juvenis; 6) necessidade de integração da escola com seu entorno e com os próprios agentes educativos; 7) necessidade dos jovens obterem mais conhecimento para formação para o trabalho e/ou ingresso em curso superior; 8) elaboração de políticas que considerem os jovens como sujeitos políticos, que têm suas trajetórias marcadas pelas desigualdades sociais; 9) fornecer infraestrutura adequada para potencializar o aprendizado, com construção de laboratórios e bibliotecas, ou uso de fato dos mesmos, se a escola os possuir; 10) elaboração de um projeto político-pedagógico que priorize a permanência e o sucesso dos estudantes, considerando as especificidades dos turnos, como o noturno, historicamente desvalorizado.
7
Ortiz, Valeri Carme. "Un llarg viatge 1939-2007. Fonamentació ideològica amb base biogràfica de la trajectòria artística de l’escultor Francesc Torres Monsó." Doctoral thesis, Universitat Autònoma de Barcelona, 2016. http://hdl.handle.net/10803/393937.
Full textAbstract:
En el present estudi s’ha analitzat la interrelació de l’activitat artística de Francesc Torres Monsó i el context social, polític, cultural i artístic en l’àmbit local, nacional i internacional. Situa el seu paper i la seva influència des del punt de vista de la historiografia de l’art català, circumscrit en un ampli marc cronològic 1939-2007. L’estudi planteja el marc ideològic i descriu com el subjecte polític de l’autor es forma, creix i es comunica en l’evolució del llenguatge artístic i fa de la seva vida la seva obra: la seva capacitat d’artisticitat.
Aquest estudi aporta un nova i amplia visió de les etapes i les transformacions, el procés d’introspecció personal i socialització ideològica des del jo i la llibertat individual de F. Torres Monsó. Es descriu el camí que va seguir l’autor des de la recerca de la bellesa canònica a la construcció de discurs crític-artístic.The present study analyzes the relationship between the artistic activity of Francesc Torres Monsó and the social, political, cultural and artistic context locally, nationally and internationally. It places his role and influence from the point of view of the history of Catalan art within a broad chronological framework, 1939-2007. The study depicts the ideological framework and describes how the political subject of the author is born, grows and communicates within the evolution of artistic language and how he makes his life his work: his capacity of artisticity. This study provides a new and comprehensive vision of his stages and transformations, the process of personal introspection and ideological socialization from the subject and individual freedom of Torres Monsó. It describes the path that the author takes, from the pursuit of canonical beauty to the construction of critical-artistic discourse.
8
SANTOS, Raimunda Fernanda dos. "Modelos colaborativos de indexação social e a sua aplicabilidade na base de dados referencial de artigos de periódicos em ciência da informação (Brapci)." Universidade Federal de Pernambuco, 2016. https://repositorio.ufpe.br/handle/123456789/17218.
Full textAbstract:
Submitted by Isaac Francisco de Souza Dias (isaac.souzadias@ufpe.br) on 2016-06-30T18:26:56Z
No. of bitstreams: 2
license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5)
Raimunda Fernanda dos Santos - Dissertação - PPGCI UFPE - BDTD.pdf: 2536983 bytes, checksum: b20292e8f9088f8dbf58e0db0bbe0c2a (MD5)Made available in DSpace on 2016-06-30T18:26:56Z (GMT). No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) Raimunda Fernanda dos Santos - Dissertação - PPGCI UFPE - BDTD.pdf: 2536983 bytes, checksum: b20292e8f9088f8dbf58e0db0bbe0c2a (MD5) Previous issue date: 2016-01-26
CAPES
Objetiva discutir os modelos colaborativos de indexação social, bem como adequações necessárias, vantagens e desvantagens quanto à implantação na Base de Dados Referencial de Artigos de Periódicos em Ciência da Informação, com a finalidade de melhorar a qualidade da representação e, consequentemente, da recuperação dos documentos nesse contexto. Visa especificamente: discorrer, mediante uma revisão sistemática da literatura brasileira sobre Folksonomia, o que vem sendo estudado pelos pesquisadores da Ciência da Informação no Brasil acerca dessa temática; sintetizar os fundamentos teóricos dos modelos colaborativos de indexação; identificar e descrever os modelos colaborativos de indexação propostos na literatura dessa área do conhecimento; diferenciar e analisar os modelos colaborativos de indexação social identificados; descrever e analisar a política de indexação da BRAPCI; propor adequações a cada um dos modelos colaborativos de indexação visando a sua implantação nessa base de dados; apontar vantagens e desvantagens da adoção de cada um dos modelos colaborativos de indexação social adaptados na pesquisa. Utiliza como metodologia a pesquisa exploratória pautada na pesquisa bibliográfica e na análise de conteúdo para a investigação das produções científicas e revisão sistemática da literatura brasileira em Ciência da Informação sobre Folksonomia; realiza também estudo de caso para a descrição e análise da política de indexação da BRAPCI e para a proposição de adequações dos modelos colaborativos de indexação para essa base de dados. Como resultados da pesquisa, analisa e discute a política de indexação da BRAPCI e três modelos colaborativos de indexação (modelo de Representação Iterativa, modelo colaborativo de indexação Facetlog e modelo colaborativo baseado em tags categorizadas), bem como aponta adequações necessárias, vantagens e desvantagens quanto à implantação na BRAPCI. Destaca que com a aplicação dos modelos colaborativos de indexação social adaptados, as seguintes implicações negativas da política de indexação da BRAPCI são minimizadas: a ocorrência de erros ortográficos em descritores; presença de descritores duplicados; a representação da informação sem a interferência do indexador; a participação restrita do autor na indexação do trabalho de sua autoria; a ausência de revisão dos termos existentes no metadado assunto da base de dados; e a participação do indexador apenas na atividade de categorização dos termos e definição de remissivas entre termos. Conclui enfatizando que as propostas de adequações de cada um dos modelos colaborativos de indexação social apresentadas podem ser aplicadas no âmbito da BRAPCI ou em bases de dados semelhantes para melhorar a qualidade da representação e recuperação das produções científicas. Identifica a necessidade da elaboração e implantação de um instrumento de controle terminológico na base de dados, com base nas garantias literária, estrutural e de uso, visando minimizar na etiquetagem de documentos o emprego de termos polissêmicos, descritores homógrafos, etiquetas assimétricas e com variação morfológica.
This dissertation aims to discuss collaborative models of social indexing, as well as necessary adjustments, advantages and disadvantages to deployment in the Referential Database of Journal Articles in Information Science (BRAPCI), with the aim of improving the quality of representation and hence retrieval of documents in that context. It specifically aims to: discuss, through a comprehensive review of the Brazilian literature on folksonomy, what has been studied by researchers of Information Science in Brazil on this theme; synthesize the theoretical foundations of collaborative models of indexing; identify and describe the collaborative models of indexing proposed in the literature of this area of knowledge; differentiate and analyze collaborative models of social indexing identified; describe and analyze the indexing policy of the BRAPCI; propose adjustments to each of the collaborative models indexing aiming their deployment in the BRAPCI; point out advantages and disadvantages of adopting each of collaborative models of social indexing adapted in the research. It uses as methodology an exploratory research guided by the bibliographic research and content analysis for research of scientific production and systematic review of the Brazilian literature of Information Science on Folksonomy; also conducts a case study for the description and analysis of the BRAPCI indexing policy and for proposition of adjustments to collaborative indexing models for this database. As results of the research, it analyzes and discusses the indexing policy of the BRAPCI and three collaborative indexing models (iterative representation model, collaborative model of indexing Facetlog and collaborative model based on categorized tags) as well as the necessary adjustments, advantages and disadvantages regarding their deployment in the BRAPCI. It points out that with the application of collaborative models of social indexing adapted the following negative implications of the indexing policy of the BRAPCI are minimized: the occurrence of typos in the descriptors; the information representation without the interference of the indexer; limited participation of the authors in indexing of the own work; the lack of review of existing terms in the subject field of metadata in the database; and the participation of the indexer only in the activity of categorization of terms and definition of cross reference between terms. It concludes by emphasizing that the proposed adjustments of each of collaborative models of social indexing applied under the BRAPCI or similar databases can improve the quality of representation and retrieval of scientific production. Identifies the need for development and implementation of a terminological control instrument in the database, based on literary, structural and usage guarantees in order to minimize in the tagging the use of terms with polysemy, homograph descriptors, asymmetric tags and tags with morphological variations.
9
Santos, Cibele Araujo Camargo Marques dos. "Convergência temática entre produção científica e política nacional de pesquisa em saúde pública: estudo com base em análise de artigos de periódicos indexados." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/27/27151/tde-07072010-103008/.
Full textAbstract:
O mapeamento da atividade científica é essencial para o desenvolvimento da pesquisa e definição de políticas. Na presente pesquisa, foi analisada a convergência entre a produção de artigos científicos da área da Saúde Pública e a Agenda Nacional de Prioridades de Pesquisa em Saúde (ANPPS) implementada pelo Ministério da Saúde em 2005. Nessa perspectiva, faz-se uma breve apresentação do campo científico da Saúde Pública, o histórico de sua constituição, suas principais linhas teóricas e epistemológicas, o contexto atual e suas relações interdisciplinares. A análise foi realizada pelo mapeamento temático de artigos indexados na base de dados LILACS (Literatura Latino-Americana e do Caribe em Ciências da Saúde), desenvolvida pela BIREME, com apoio da rede colaborativa da Biblioteca Virtual de Saúde. O estudo recorreu, metodologicamente, à combinação dos procedimentos de Organização da Informação com as técnicas propostas pelos Estudos métricos da Informação. O corpus da pesquisa foi constituído de 7603 registros de artigos selecionados de 37 títulos de periódicos indexados na base de dados LILACS. Os descritores dos artigos, publicados no período de 2003 e 2007, foram comparados com as 24 subagendas da ANPPS para obter indicadores sobre o grau de convergência ente produção científica nacional e política de pesquisa em saúde. Os resultados mostraram que a convergência é positiva, tendo destaque o tema DOENÇAS TRANSMISSÍVEIS, cuja produção é significativamente mais elevada do que a dos demais temas da ANPPS. Os temas EPIDEMIOLOGIA E PESQUISA CLÍNICA apresentam também elevada produção, revelando a predominância destas duas abordagens epistemológicas na área da saúde. As subagendas SAÚDE DA POPULAÇÃO NEGRA e SAÚDE DOS POVOS INDÍGENAS apresentaram crescimento após a implementação da agenda. As subagendas SISTEMAS E POLÍTICAS DE SAÚDE e SAÚDE, AMBIENTE, TRABALHO E BIOSSEGURANÇA destacaram-se, demonstrando que as pesquisas sobre a gestão da saúde e a questão ambiental são estratégicas na área da Saúde Pública.The mapping of scientific activity is essential for the development of research and policy definition. In this study, we examined the convergence of scientific articles in the area of Public Health and the National Agenda on Health Research (ANPPS) implemented by the Ministry of Health in 2005. From this perspective, it is made a brief presentation of the scientific field of Public Health, the history of its constitution, its main theoretical and epistemological lines, the current context and their interdisciplinary relation. The analysis was carried out by the thematic mapping of articles indexed in LILACS database (Latin American and Caribbean Health Sciences Literature), developed by BIREME, with support from the collaborative Virtual Library This survey used, methodologically, the combination of procedures from Organization of Information with the techniques proposed by the Metric Studies of Information. The corpus of the research consisted of 7603 records of articles selected from 37 titles of journals indexed in LILACS database. The descriptors of the articles published between 2003 and 2007 were compared with the 24 sub-agendas ANPPS for obtain indicators on the degree of convergence between national scientific production and health policy research. The results showed that the convergence is positive, and highlight the theme COMMUNICABLE DISEASES, whose production is significantly higher than other themes of ANPPS. Topics like EPIDEMIOLOGY e CLINICAL RESEARCH also have high production, revealing the prevalence of these two epistemological approaches in health. The agendas BLACK POPULATION HEALTH and INDIGENOUS PEOPLES\' HEALTH grew after the implementation of the agenda. The sub-agendas SYSTEMS AND HEALTH POLICY e HEALTH, ENVIRONMENT, LABOR AND BIOSECURITY stood out, demonstrating that the research on the management of health and environmental issues are strategic in the area of Public Health.
10
Medlen, Kim Stanley. "Deliberate masquerades: socialised stigma, HIV/AIDS and altered gay male body image." Thesis, Curtin University, 2010. http://hdl.handle.net/20.500.11937/824.
Full textAbstract:
Three themes are developed in this exegesis. Firstly, it discusses the conceptual base that informs the creative outcomes of this research. This centres on homo-sexuality, disease, illness and the deliberate masquerades that are often under-taken by HIV-positive Australian homosexual males as a response to socialised stigma. Through these masquerades, they enhance the physicality of their bodies so as to conform to Western cultural perceptions of masculine and healthy body ideals and thus avoid stigma that would otherwise be placed on them. This exploration draws upon theories from sociology to discuss these physical enhancements with an emphasis on the period since the onset of HIV/AIDS in the early 1980s. Secondly, it explores the works of visual artists that comment on the HIV/AIDS pandemic prior to the mid 1990s when no effective long-term treatments were available. Thirdly, it investigates HIV/AIDS-based art produced since the mid 1990s, after long-term treatments became available, and discusses how this work contrasts with the earlier works. Also discussed are the parallels and differences between the body of work that is supported by this exegesis and these other contemporary artworks that address HIV/AIDS issues.
Books on the topic "Basque Artists"
1
Serraller, F. Calvo. La imagen del artista: Retratos de artistas vascos entre dos siglos. Bilbao: Bilbao Bizkaia Kutxa, 1993.
Find full text
2
Iñaki Moreno Ruiz de Eguino. Artistas vascos en Roma, 1865-1915. Donostia-San Sebastián: Fundación Kutxa, Caja Gipuzkoa San Sebastián, 1995.
Find full text
3
France), Musée basque (Bayonne, ed. Gaur, 1966: L'art basque en résistance = Euskal arte ihardukitzailea. Bayonne: Musée basque de l'histoire de Bayonne, 2018.
Find full text
4
Jean-François, Larralde, and Ribeton Olivier, eds. Des impressionnistes aux avant-gardes en Pays basque. Ciboure]: Arteaz, 2015.
Find full text
5
Parma, Rosa. Fiesta Riot. Bilbao, Spain]: [BilbaoArte], 2013.
Find full text
6
Huercanos, Juan Pablo. Grupo GAUR: Arte y construcción colectiva, 1965-1967 = GAUR Taldea : arte eta eraikuntza kolektiboa, 1965-1967. Alzuza: Fundación Museo Jorge Oteiza, 2020.
Find full text
7
Desport, Gilbert. Répertoire des peintres et sculpteurs du Pays basque: Dessinateurs,illustrateurs, graveurs, peintres-verriers, architectes-peintres. Biarritz: Atlantica, 2002.
Find full text
8
Desport, Gilbert. Répertoire des peintres et sculpteurs du pays basque: Dessinateurs, illustrateurs, graveurs, peintres-verriers, architectes-peintres. 2nd ed. Biarritz: Atlantica, 2005.
Find full text
9
Labrune, Édouard. Les matins bleus et les nuits roses: Les surréalistes sur la côte basque (1923-1927). Urrugne: Arteaz, 2020.
Find full text
10
editor, González-Allende Iker, ed. Epistolario de Pilar de Zubiaurre (1906-1970). Woodbridge, Suffolk, UK: Tamesis, 2014.
Find full textBook chapters on the topic "Basque Artists"
1
Banfield, William C. "It Don’t Mean a Thing Without My Web Fan Base Thing." In Artistic Research in Jazz, 98–111. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429275838-9.
Full text
2
Sligting, Catharina. "The creative tourist and the creating artist: the base for rural development." In Creative tourism: activating cultural resources and engaging creative travellers, 118–23. Wallingford: CABI, 2021. http://dx.doi.org/10.1079/9781789243536.0016.
Full textAbstract:
Abstract This brief essay explores how arts-based creative tourism contributes to positive attitudes towards rural and natural areas, both by participating creative tourists and artists as well as by the local community. It shows the necessity of a sense of place, an awareness, a consciousness of the valorization of art as a creative force to break the negative downward spiral of negligence, outmigration, isolation, and dependency of small rural communities in rural and natural areas.
3
"Home Base:." In Artist about Cambridge, 13–21. Lutterworth Press, 2018. http://dx.doi.org/10.2307/j.ctvss3xws.8.
Full text
4
Marshik, Celia. "Serialized Selves." In At the Mercy of Their Clothes. Columbia University Press, 2016. http://dx.doi.org/10.7312/columbia/9780231175043.003.0005.
Full textAbstract:
Takes up secondhand clothes, the trade in which picked up between the wars as individuals who had formerly purchased new attire saw their earnings drop. Both middlebrow and modernist fiction suggests that secondhand clothing can distribute aspects of the original owner's persona, but only modernist work depicts such distribution as imprinting successive owners with an alien personality. I argue that this difference maps onto attitudes toward the artist, with writers who base characters on modern artists equating secondhand clothes with secondhand style.
5
Goldfinger, Eliot. "Animals with Limb Variations Skeleton & Superficial Muscles (Side View)." In Animal Anatomy for Artists. Oxford University Press, 2004. http://dx.doi.org/10.1093/oso/9780195142143.003.0013.
Full textAbstract:
Kangaroo characteristics: Forelimb small; has five digits with strong claws. Large, powerful hind limb with long, strong, narrow foot. Muscular thigh; muscle mass of lower leg positioned on upper half, toward knee. In foot, large fourth and smaller fifth digits transmit force during locomotion; first digit missing, small digits two and three bound together by skin. Long tail, thick at base, used for body support at rest and balance during hopping. Fast locomotion is by leaping with hind limbs only. Walking: Hind limbs, forelimbs, and tail in contact with ground at various times. Sitting: Body rests on entire foot and tail; arms hang loosely. Pouch in female opens forward, supported by two long, thin bones. Sea lion characteristics: Webbed flipper-like forefoot and hind foot. Front flipper thicker on front edge. Skin of flipper extends past tips of toe bones, supported by individual cartilages attached to ends of toe bones. Noticeable claws on three middle toes of hind foot; other claws tiny and inconspicuous. Front flipper triangular; hind flipper rectangular. Hind limb can be advanced forward—can walk, but thigh and lower leg encased in skin of abdomen (seals can’t walk—their hind limbs permanently extended backward). Elbow also enclosed in body skin, but forearms are free. Body streamlined (torpedo-shaped) for swimming. Thick insulating blubber layer between skin and muscles. Thick, flexible, muscular neck. Pelvis and femur small. Sternum has forward projection. Small external ears present (absent in seals). Ears and slit-like nostrils can be closed under water. Short, stubby tail. Very short hair; fur much darker when wet. Body uniform in color (no spots). Males larger than females. Closely related to terrestrial carnivores. Pinniped is not scientific classification, but means “fin footed.”
6
Damodaran, A. "Arts, Aesthetics, and Managers." In Managing Arts in Times of Pandemics and Beyond, 15–24. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192856449.003.0002.
Full textAbstract:
This chapter seeks to briefly survey the perspectives of the Athenian, Western, and Eastern philosophers on arts and aesthetics. In a broad sense, approaches to arts seek to explain ‘what art is’ and ‘what art does’. It is a bare fact that artist(e)s as managers have a more intimate understanding of aesthetics in comparison to professional managers of arts organizations. Indeed, professional managers who do not understand the aesthetic significance of art forms will not be in a position to assess, present and project their organizations in a convincing manner to the outside world. Further, knowledge of aesthetics helps managers gauge the larger impact of their activities on artist(e)s as well as consumers. The chapter underscores the importance of managers of arts organizations adopting the idea of wholesomeness in their approach to arts. The chapter also highlights the importance of arts organizations adopting branding efforts to project their organizations. It is argued that by creating space for artist/artiste freedom and proactively engaging with connoisseurs and other opinion creators, it is possible for arts organizations to enhance their customer base. The chapter concludes by stating that managers need to play a major role in determining how far their organization’s offerings are in tune with the cultural and arts policies laid down by the State.
7
Nygren, Christopher J. "Sedimentary Aesthetics." In Contamination and Purity in Early Modern Art and Architecture. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789462988699_ch03.
Full textAbstract:
Around 1530 artists began painting on stone. Early on artists mostly used slate, though toward the end of the sixteenth century they began painting on various kinds of semi-precious stones like lapis lazuli. Such pictures were appreciated for how the pure lithic material was augmented by the painter. In the seventeenth century, artists (especially in Florence) began painting on a particular kind of sedimentary stone known as pietra d’Arno that subverts this aesthetic. Unlike semi-precious stones whose material splendor and purity lends itself to aesthetic appreciation, this stone is unrelentingly base: pietra d’Arno is essentially solidified mud. This essay investigates how artists used this sedimentary substrate to support ethical investigations of humankind’s position as fallen beings in the created world.
8
Boes, Tobias. "Hitler’s Most Intimate Enemy." In Thomas Mann's War, 122–54. Cornell University Press, 2019. http://dx.doi.org/10.7591/cornell/9781501744990.003.0007.
Full textAbstract:
This chapter illustrates how Thomas Mann created a novel role for the artist: fully engaged with the political events of the day through a variety of twentieth-century media and yet fiercely protective of an independent stance. The 1930s was a decade in which governments of various stripes throughout the world discovered the value of employing artists to drum up support within a populist base. And Mann was a patriotic resident of the United States who throughout the war years carefully refrained from criticizing his adoptive country. But his voice and his aims were always unmistakably his own, and he agitated for the United States because he equated the American cause with that of liberal democracy, not because of any government commission. The chapter further explains that Mann's relocation to California can serve as a symbolic marker of this transition. Indeed, it was during his residency in Pacific Palisades as well that he reached the apogee of his trajectory as an anti-Nazi celebrity in the eyes of the American public.
9
Agirrezabalaga, Elizabete Manterola. "Heterolingualism in the Novel: Soinujolearen semea and its Adaptations for Theater and Cinema." In Iberian and Translation Studies, 189–208. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800856905.003.0010.
Full textAbstract:
Focusing on contemporary Iberia, this chapter examines the shifts that occur between a literary work and its film and stage versions in order to delve into the presence of heterolingualism in adapted artistic products. The case study for this investigation is the 2003 Basque novel Soinujolearen semea [The Accordionist’s Son] by Bernardo Atxaga and its Spanish collaborative (self-)translation, its Basque and Spanish adaptations for stage, and the feature film in Basque. The chapter analyzes the way in which multilingualism has been reflected both in the Spanish translation and in the dramatized reinterpretations of the story, as it needs to be adjusted to the language(s) of each medium. The aim is therefore twofold: on the one hand, to investigate the extent to which adaptations between modalities shift the way language is used to narrate a story; and on the other, to study the Basque author’s role when intervening in intersemiotic processes.
10
Edwards, Mark. "Monument and Memory." In W.G. Sebald’s Artistic Legacies. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463729758_ch05.
Full textAbstract:
This paper is based on a body of research and photographs titled Shelter. Acting as a form of recovery and monument to its legacy, it focuses on a former Second World War RAF bomber station: a place where memory, trauma, and loss are all embedded. They address Britain’s postwar distain for the air campaigns and what Sebald described as Germany’s “individual and collective amnesia” in refusing to confront the resulting catastrophe of the shattered cities. “Horrors” and silence, which, he claimed, cast a shadow over his life. In The Rings of Saturn, Sebald wrote about the image of bomber squadrons embarking on their nightly missions over Europe. These raids set out from bases situated across the East of England. Most stations were temporary and after the war were reclaimed by farming, landowners, and nature. Sebald lived in Norfolk, once home to over fifty Second World War bomber stations, and he would often walk around one such base imagining the horror the airmen were about to encounter and inflict. In 2014, I made a series of photographs on one of these decommissioned stations depicting a series of woodpiles and corrugated metal structures (built to store wood and repel rain) that I encountered as I walked the overgrown perimeter track of the former Second World War RAF base at Hethel, Norfolk—a base situated just seven miles from Sebald’s former home in Poringland, Norwich. Built from the enveloping coppiced woodland and sitting amongst the last vestiges of dilapidated military buildings, perimeter tracks, and barbed wire, these woodpiles allude to a form of shelter reminiscent of the aircraft hangers, bomb shelters, and accommodation huts originally found on the camp. They also reference the forest camps described by Primo Levi, and, intriguingly, mirror Sebald’s vision of Cologne and other bombed-out cities across Europe at the end of hostilities.
Conference papers on the topic "Basque Artists"
1
Biliński, Grzegorz, and Alicja Duzel-Bilińska. "Utopia and imagination." In Virtual City and Territory. Barcelona: Centre de Política de Sòl i Valoracions, 2016. http://dx.doi.org/10.5821/ctv.8106.
Full textAbstract:
The most important aim of the "Back to the Sense of the City" International Conference is to draw attention to the city and the sense of its being, the fact that a city seen as a heterogeneous entity is not only a work of its direct creators: architects, engineers, civil servants and municipal services, but all who "fill" it, primarily its inhabitants. A particular role is attributed to artists. It is the artists’ duty not only to shape it but also creatively criticize and contemplate.
Artistic actions understood as the city’s activity and activity in relation to the city have certain qualities of utopian events, manifesting in the unattainability of a goal, idealistic activity base, transience of events and the type of references to it /to the city/. The paper focuses on such interpretative approach to these actions. The meaning of this notion is usually interpreted as a place that does not exist, "... from the Greek outopos (gr. ou - no, topos - a place, non-place, place that does not exist, non-existent) and the eutopia (good place) ".
Our statement, built on an idea of an internal dialogue, a dialogue between the main text and the footnotes and quotations, focuses on the changing of the ways of thinking about the city as a work of active art, on the role of an artist, architect, town-planner in this process and their activities seen as special intellectual contribution to the development of this kind of space. It is also a kind of provocation relating to the description of similarities of the artistic and architectural activities in the context of the space of a city.
2
Lourés Miranda, Blanca Nieves. "Prácticas poscoloniales: la importancia de la apariencia." In V Congreso Internacional de Investigacion en Artes Visuales ANIAV 2022. RE/DES Conectar. València: Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/aniav2022.2022.15452.
Full textAbstract:
El poscolonialismo es un término que habitualmente se emplea para definir una postura crítica que analiza dos efectos que produjo la colonización de diversos países por metrópolis europeas. Esta herramienta crítica cobró gran relevancia en los años 1980, y aún hoy en día sigue empleándose para evaluar las difíciles relaciones internacionales en diferentes ámbitos. Además, es una de las principales líneas de trabajo de varios artistas contemporáneos de gran relevancia como por ejemplo la artista brasileña Adriana Varejão (Río de Janeiro, 1964).Las obras de Varejao se caracteriza por una fuerte presencia plástica en las que incorpora múltiples narrativas. Estas narrativas se sobre-escriben generando tensiones visuales que sirven de metáfora a las situaciones sociales e históricas que la artista quiere tratar. De forma plástica, la artista trae a la superficie cuestiones largo tiempo enterradas.Para este comunicación plantemos un estudio de caso basado en diversas obras de esta artista que tienen como base argumental el período colonial brasileño, descifrando las estrategias que la artista emplea para tratar una cuestión tan delicada y sensible a través de la creación de obras potentes y plenas de significado. Para ello estableceremos una serie de tipologías de obra, creando una cartografía de su amplia actividad que nos permita además poner en relación su trabajo con las poéticas de otros artistas que estén tratando estos temas en la actualidad.Con todo ello, pretendemos no solo hacer un análisis de la obra de esta artista, sino establecer las posibilidades del arte como espacio de reflexión para cuestiones sociales que sobrepasan los límites de un ámbito concreto de la humanidad. Palabras clave: poscolonialismo, arte contemporáneo, apariencia, superficie
3
Duma, Mychailo. "Algorithm of Dnister PSPP base GNSS network optimization." In International Youth Science Forum “Litteris et Artibus”. Lviv Polytechnic National University, 2018. http://dx.doi.org/10.23939/lea2018.01.041.
Full text
4
Socican, Igor. "The New Orleans and Chicago styles aspects from the perspective of the jazz double bass." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.05.
Full textAbstract:
The author aims to outline some aspects of the New Orleans and Chicago Jazz styles, to show the importance of the ethnic, geographical, and legal factors in the emergence of New Orleans Jazz in the early 1900s and its later derivation into the Chicago Style in the 1920s. There are examined the beneficial predecessor factors of these styles — the evolution of street brass band orchestras (marching bands), the spirituals, the blues and ragtime and their stylistic features, collective improvisation, the call-and-response principle, that have been the base for the development of jazz music in general. In this context, mention is made of the role of the double bass in the examined period of classical jazz.
5
Brovarets', Ol’ha, Kostiantyn Tsiupa, Andrii Dinets, and Dmytro Hovorun. "Quantum-mechanical survey of the novel conformational and tautomeric transformations of the classical Watson-Crick А·Т(WC), reverse Watson-Crick А·Т(rWC), Hoogsteen А·Т(Н) and reverse Hoogsteen А·Т(rН) DNA base pairs." In International Youth Science Forum “Litteris et Artibus”. Lviv Polytechnic National University, 2018. http://dx.doi.org/10.23939/lea2018.01.136.
Full text
6
Goes, Caroline Marção Wolf de, Pablo Augusto Krahl, Luiz Carlos de Almeida, and Leandro Mouta Trautwein. "DOSAGEM DE CONCRETO DE ULTRA-ALTO DESEMPENHO COM BASE NO EMPACOTAMENTO DE PARTÍCULAS." In Caderno especial dos melhores artigos do 62º Congresso Brasileiro do Concreto. IBRACON, 2021. http://dx.doi.org/10.4322/2175-8182.62cbc025.
Full text
7
Cavalcante, Thaís Macedo, Túlio Costa Batista Ramos, Ana Waldila de Queiroz Ramiro Reis, and Rodrigo Bird Burgos. "IMPLEMENTAÇÃO DO SOFTWARE ALFAMCV COM BASE NO COMPORTAMENTO DE VIGAS DE CONCRETO ARMADO COM SEÇÃO T." In Caderno especial dos melhores artigos do 62º Congresso Brasileiro do Concreto. IBRACON, 2021. http://dx.doi.org/10.4322/2175-8182.62cbc011.
Full text
8
RANGEL, BRUNO, ROMEU SILVA NETO, and AUGUSTO E. M. PINTO. "INDICADORES BIBLIOMÉTRICOS DOS ARTIGOS SOBRE GESTÃO HÍDRICA NA BASE SCOPUS." In ENEGEP 2018 - Encontro Nacional de Engenharia de Produção. ENEGEP 2018 - Encontro Nacional de Engenharia de Produção, 2018. http://dx.doi.org/10.14488/enegep2018_tn_sto_266_525_34974.
Full text
9
de Oliveira Soares Peixoto, Clarissa, Eduardo Shimoda, Fernanda Nogueira, Filipe Rodrigues, Giulia Zanetti, Leonardo Cordeiro, Livia de Rezende, et al. "Indicadores Bibliométricos Dos Artigos Sobre “Caquexia E Câncer” na Base Scopus." In XXI I Congresso Brasileiro de Nutrologia. Thieme Revinter Publicações Ltda, 2018. http://dx.doi.org/10.1055/s-0038-1674760.
Full text
10
Chiseliţă, Vasile. "Th e repertoire of the performer Nina Ermurachi in the “Folclor” orchestra: dominant categories and aesthetic trends." In Conferința științifică internațională Patrimoniul cultural: cercetare, valorificare, promovare. Ediția XIV. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/pc22.25.
Full textAbstract:
Th e study ”Th e repertoire of the performer Nina Ermurachi in the Folclor orchestra: dominant categories and aesthetic trends” addresses some methodological and epistemological aspects of the theme, designed as a preliminary stage of a wider research on the contribution of the professional folk orchestra “Folclor” in the work of cultural patrimonialization on the platform of neo-traditional art from the late Soviet period (1960-1980). Th e focus is on elucidating the heuristic relevance of some seminal notions from cultural studies theory. Th e author tries to argue the complexity, multiplicity and plurivalence of aspects related to aesthetics, ideology, social base, semantic universe, expressive and typological structures in the repertoire and vocal art of the soloist Nina Ermurachi. Full-time employee of the orchestra for over 37 years, the artist got the most out of around 180 songs in neo-traditional style, a solid and important musical heritage in the form of audiovisual recordings, included in the fund of IPNA Company “Teleradio-Moldova”. Starting from Cliff ord Geertz’s suggestions, two strategic typological categories are delimited in the artist’s repertoire, which symbolize the hegemonic force of two great directions or layers in the patrimonialization process: 1) creations grouped around the idea of national ethos and 2) creations centered on the “new, socialist vision”.
Reports on the topic "Basque Artists"
1
Schell, Laurie. Introduction to Case-making and Systems Change in Arts & Cultural Education. Creative Generation, February 2022. http://dx.doi.org/10.51163/creative-gen009.
Full textAbstract:
Introduction to Case-making and Systems Change in Arts & Cultural Education is an overview of a collaborative project between Creative Generation and ElevateArtsEd undertaken to better understand how practitioners - such as artists, educators, community leaders, and more - can make the case for and also advocate through arts and culture to drive systemic change and address complex challenges. The project seeks to expand the knowledge base of case-making and systems change in the field of arts and cultural education and provide resources to support effective actions for practitioners and young creatives. Investigating both the theory and the practice of case-making, the introductory article draws on research from three distinct sectors: cultural, education, and social justice. The approach represents both the science of advocacy-- building blocks for understanding what effective advocacy looks like-- and the art of advocacy with calls for improvisation, adaptability, and generative thinking, all characteristics of art making. The article describes six key learning themes and an expanded model for advocacy focused on self, field, and sector through an overarching lens of social justice.