Books on the topic 'Barry Edward'

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1

Becke, Louis. Edward Barry (South Sea pearler). Toronto: T. Allen, 1994.

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2

1923-, Lueders Edward G., ed. Writing natural history: Dialogues with authors : Barry Lopez and Edward O. Wilson, Robert Finch and Terry Tempest Williams, Gary Paul Nabhan and Ann Zwinger, Paul Brooks and Edward Lueders. Salt Lake City: University of Utah Press, 1989.

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3

Edward Barry. Simon & Schuster, 2008.

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4

Edward Barry. Independently Published, 2021.

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5

Edward Barry. Independently Published, 2021.

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6

Edward Barry. Independently Published, 2021.

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7

Edward Barry South Sea Pearler. tredition Verlag, 2012.

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8

Edward Barry: South Sea Pearler. Independently Published, 2020.

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9

Illustrated H. C. Edwards Becke. Edward Barry: A Romance of the South Seas. Creative Media Partners, LLC, 2023.

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10

Illustrated H. C. Edwards Becke. Edward Barry: A Romance of the South Seas. Creative Media Partners, LLC, 2023.

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11

Barry, Edward. A Dispassionate Address to the Subjects of Great Britain. By the Rev. Edward Barry, M.D. Gale Ecco, Print Editions, 2018.

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12

Seeking awareness in American nature writing: Henry Thoreau, Annie Dillard, Edward Abbey, Wendell Berry, Barry Lopez. Salt Lake City: University of Utah Press, 1992.

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13

Napoleon's Doctor: The St Helena Diary of Barry O'Meara. O'Brien Press, Limited, The, 2017.

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14

Napoleon's Doctor: The St Helena Diary of Barry O'Meara. O'Brien Press, Limited, The, 2017.

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15

Barry, Edward. The Friendly Call of Truth and Reason to a new Species of Dissenters; by the Revd. Edward Barry, M.D. Gale ECCO, Print Editions, 2018.

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16

Barry, Edward. A Letter to Mr. Richard Cumberland, Occasioned by His Letter to Richard Lord Bishop of Landaff, by the Rev. Edward Barry. Gale Ecco, Print Editions, 2018.

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17

Barry, Edward. A Letter on the Practice of Boxing, Addressed to the King, Lords, and Commons. By the Rev. Edward Barry, A.M. & M.D. Gale Ecco, Print Editions, 2018.

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18

Barry, Edward. A few Observations on the Expedience of Parliamentary Interposition, Duly to Explain the Act of William and Mary, Commonly Called "The Tolerating Act." By the Rev. Edward Barry,. Gale Ecco, Print Editions, 2018.

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19

Ezell, Margaret J. M. Renovating the Stage: Companies, Actresses, Repertoire, Theatre Innovations, and the Touring Companies. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198183112.003.0009.

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Within three months of Charles II’s return, the London theatres were reopened, with two companies granted royal patents. Thomas Killigrew formed the King’s Company, and William Davenant the Duke’s Company. Initially the repertoire consisted of pre-war plays, with those of Shakespeare, Beaumont, and Fletcher popular. Regular theatre-goer Samuel Pepys recorded his approval of the new actors such as Thomas Betterton, Edward Kynaston, and Charles Hart, and actresses including Nell Gwyn and Elizabeth Barry. The companies invested in new theatres incorporating continental designs for proscenium arches, scenery, and effects at the Theatre Royal in Drury Lane, Lincoln’s Inn Fields, and Dorset Garden. Dramatists providing new plays included John Dryden, Thomas Shadwell, Aphra Behn, William Wycherley, and George Etherege.
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20

Wright Rigueur, Leah. The Challenge of Change. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691159010.003.0004.

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This chapter analyzes how Edward Brooke's election was a moment of profound achievement for both black Republicans and the larger Grand Old Party (GOP) apparatus. Viewed as a political phenomenon, he not only represented the abstract goals of the National Negro Republican Assembly (NNRA) but also captured an image that moderate and liberal Republican leaders had struggled to harness since Barry Goldwater's unnerving rise in 1964. For a party traumatized in the aftermath of defeat, Brooke provided much needed proof that moderate Republican candidates could appeal to an interracial cross section of the American public. Drawing on a broader black middle-class tradition of respectability politics, he won his elections by running a campaign that was simultaneously race neutral and race conscious—a paradox, to be sure, but one that allowed an interracial audience to embrace him and his politics.
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