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1

Fitzpatrick, Anne. The Baroque period: Odysseys. Mankato, MN: Creative Education and Creative Paperbacks, 2016.

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2

L' esprit baroque. Paris: Presses universitaires de France, 1994.

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3

Triadó, Juan-Ramón. The key to baroque art. Minneapolis: Lerner Publications Co., 1990.

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4

From Renaissance to baroque: Essays on literature and art. Columbia: University of Missouri Press, 1991.

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5

Díaz, Emilio Orozco. Temas del barroco: De poesía y pintura. Granada: Universidad de Granada, Servicio de Publicaciones, 1989.

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6

Sánchez, Luis Vives-Ferrándiz. Vanitas: Retórica visual de la mirada. Madrid: Encuentro, 2011.

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7

Baroque: Figures of excess in seventeenth-century European art and German literature. Paderborn, Deutschland: Wilhelm Fink Verlag, ein Imprint der Brill Gruppe, 2019.

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8

Parkinson, Zamora Lois, and Kaup Monika, eds. Baroque new worlds: Representation, transculturation, counterconquest. Durham, NC: Duke University Press, 2010.

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9

Pasolini, A. Cagliari and Valencia during the Baroque age: Essays on art, history and literature. Valencia (Spain): Albatros, 2016.

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10

Qu'est-ce que le baroque? Paris: Klincksieck, 2003.

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11

Neobaroque in the Americas: Alternative modernities in literature, visual art, and film. Charlottesville: University of Virginia Press, 2012.

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12

Universidade Federal do Rio Grande do Norte. Centro de Ciências Humanas, Letras e Artes and Colóquio de Estudos Barrocos, eds. Colóquio barroco. Natal: EDUFRN, Editora da UFRN, 2008.

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13

La " meravigliosa" passione: Studi sul barocco tra letteratura ed arte. Roma: Salerno, 2001.

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14

The inordinate eye: New World Baroque and Latin American fiction. Chicago: The University of Chicago Press, 2006.

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15

Bonardi, Marie-Odile. Les Vertus dans la France baroque: Représentations iconographiques et littéraires. Paris: H. Champion, 2010.

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16

The American Baroque: Use of iconology in American popular literature. Poznań: Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza, 2013.

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17

Daniel, Felsenfeld, ed. Johann Sebastian Bach and the art of baroque music. Greensboro, N.C: Morgan Reynolds Pub., 2004.

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18

Díaz, Emilio Orozco. Introducción al barroco. [Granada]: Universidad de Granada, 1988.

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19

Fernando R. de la Flor. Barroco: Representación e ideología en el mundo hispánico, 1580-1680. Madrid: Cátedra, 2002.

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20

I, Petrenko D., ed. Lermontov i barokko. Stavropolʹ: Izd-vo Stavropolʹskogo gos. universiteta, 2007.

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21

Ungaretti barocco. Roma: Carocci, 2008.

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22

Emblem und Sinnbild: Vom Kunstbuch zum Erbauungsbuch. Frankfurt am Main: Athenäum, 1987.

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23

Imago: La cultura visual y figurativa del Barroco. Madrid: Abada Editores, 2009.

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24

Severo Sarduy and the neo-baroque image of thought in the visual arts. West Lafayette, Ind: Purdue University Press, 2012.

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25

Alphonse, Vermeylen, Chamoux François, and Université catholique de Louvain (1970- ). Institut de littérature., eds. Questionnement du baroque: Études. Louvain-La-Neuve: Collège Erasme, 1986.

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26

Perez, Rolando. Severo Sarduy and the neo-baroque image of thought in the visual arts. West Lafayette, Ind: Purdue University Press, 2012.

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27

Pero pysʹmennyka i penzelʹ khudoz︠h︡nyka: Baroko, romantyzm i modernizm v ukraïnsʹkiĭ kulʹturi. Cherkasy: Vertykalʹ, 2007.

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28

1938-, Cramer Thomas, and Klemm Christian, eds. Renaissance und Barock. Frankfurt am Main: Deutscher Klassiker Verlag, 1995.

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29

1524-1585, Ronsard Pierre de, and Chiabrera Gabriello 1552-1638, eds. Aurore barocche: Concerto di arti sorelle. Torino: Nino Aragno editore, 2006.

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30

La alegoría de América en el barroco hispánico: Del arte efímero al teatro. Valencia: Pre-Textos, 2005.

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31

Universidad Nacional Autónoma de México. Instituto de Investigaciones Estéticas, ed. La phantasía en la edad de oro de la literatura artística (siglos XV-XVII). México: Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas, 2021.

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32

Rossi, María José. Esto no es un injerto: Ensayos sobre hermenéutica y barroco en América Latina. Edited by Jornadas Internacionales de Hermenéutica (4th : 2015 : Buenos Aires, Argentina). [Madrid]: Miño y Dávila Editores, 2017.

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33

Wolfgang, Braungart, and Universität Bielefeld. Zentrum für Interdisziplinäre Forschung., eds. Manier und Manierismus. Tübingen: M. Niemeyer, 2000.

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34

Pierce, Glenn Palen. Manzoni and the aesthetics of the Lombard Seicento: Art assimilated into the narrative of I promessi sposi. Lewisburg [Pa.]: Bucknell University Press, 1998.

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35

Faria, Coutinho Eduardo de, ed. As dobras do sertão: Palavra e imagem : o neobarroco em Grande sertão-veredas, de Guimarães Rosa, e em Imagens do Grande sertão, de Arlindo Daibert. São Paulo: Annablume, 2008.

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36

The limits of artistic freedom: Criticism of art in Italy from 1500 to 1800. Leiden: Primavera Pers, 2008.

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37

S, Kiseleva M., and Institut filosofii (Rossiĭskai︠a︡ akademii︠a︡ nauk), eds. Chelovek v kulʹture russkogo barokko. Moskva: In-t filosofii RAN, 2007.

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38

Posada, Adolfo R. Métricos pinceles: Literatura y artes plásticas en el Siglo de Oro. Madrid: Iberoamericana, 2022.

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39

Vivar, Mario Avila. Angelología barroca: Las series angélicas. Spain]: Mario Ávila Vivar, 2015.

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40

Schütz, Erhard H., and Brigitte Peters. Frühe Neuzeit, späte Neuzeit: Phänomene der Wiederkehr in Literaturen und Künsten ab 1970. Edited by Nordverbund Germanistik. Bern: Peter Lang, 2011.

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41

The return of the Baroque in modern culture. London: New York, 2004.

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42

Maria, Mendes Nancy, ed. O barroco mineiro em textos. Belo Horizonte: Autêntica, 2003.

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43

Université Paris Ouest Nanterre La Défense, ed. Baroque ou bizarre?: Avatars de la bizarrerie aux XVIe et XVIIe siècles (France, Espagne, Italie). Nanterre]: Presses universitaires de Paris Ouest, 2016.

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44

Aura, Levy, ed. La mirada exuberante: Barroco Novomundista y literatura Latinoamericana. Madrid: Iberoamericana, 2011.

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45

Barroco y neobarroco en América Latina: Estudios sobre la otra modernidad. México, D.F: Editorial Itaca, 2007.

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46

Liškevičienė, Jolita. Mundus emblematum: XVII a. Vilniaus spaudinių iliustracijos. Vilnius: Vilniaus dailės akademijos leidykla, 2005.

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47

Nikiforova, L. V. Dvoret︠s︡ v ėpokhu Barokko: Opyt ritoricheskogo prochtenii︠a︡. Sankt-Peterburg: Asterion, 2003.

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48

Afrodita barroca: Fragmentos para el estudio de una sensibilidad de la cultura, Popayán, siglos XVII y XVIII. Quito: Ediciones Abya-Yala, 2008.

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49

Francesco, Guardiani, ed. The sense of Marino: Literature, fine arts and music of the Italian baroque. Ottawa: Legas, 1994.

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50

Delibes, Cátedra Miguel, and City University of New York. Graduate School and University Center, eds. El barroco de los modernos: Despuntes y pespuntes. Valladolid]: Cátedra Miguel Delibes, 2009.

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