Relevant bibliographies by topics / Barnum Bailey

Academic literature on the topic 'Barnum Bailey'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Barnum Bailey"

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Vieira, Marina Cavalcante. "The Exhibition of Botocudos at Piccadilly Hall." Anthropological Journal of European Cultures 31, no. 2 (September 1, 2022): 15–37. http://dx.doi.org/10.3167/ajec.2022.310203.

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Abstract In 1883 five Brazilian Botocudos were exhibited at Piccadilly Hall, London's popular theatre. This exhibition aimed to replicate in Europe the success achieved by the display of seven Botocudos, held the previous year by the National Museum of Rio de Janeiro at the Brazilian Anthropological Exhibition. Measured and studied by scientists from the Anthropological Institute of Great Britain and Ireland, the Botocudos performed daily for the public in London, Manchester, and Sheffield, until they were sold to P.T. Barnum, joining the US tour of the Grand Ethnological Congress of the Bailey and Barnum Circus. This article emphasises the ambivalent trajectory between science and spectacle in these three different exhibition formats and versions. Illustrations, posters, photographs and newspaper reports are relied on as research sources.
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Wolf, Stacy. "Civilizing and Selling Spectators: Audiences at the Madison Civic Center." Theatre Survey 39, no. 2 (November 1998): 7–23. http://dx.doi.org/10.1017/s0040557400010115.

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Virtually every city in the United States now has a Civic Center. In large cities, this site functions variously as a convention center, a hockey rink, and the locale for the Ringling Brothers and Barnum and Bailey circus. In smaller cities, it frequently serves as a venue for performance. Civic Centers host touring productions of Broadway shows, national dance companies, and local symphonies and operas. In addition to providing local access to a variety of performance forms, a city's Civic Center also signifies “the arts” and so implies the city's commitment to art and performance.
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Albrecht, Ernest. "Le nouveau cirque américain." Dossier — Cirque et théâtralité : nouvelles pistes, no. 32 (May 5, 2010): 37–46. http://dx.doi.org/10.7202/041503ar.

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On peut dire que depuis ses débuts, vers les 1870, le cirque américain a connu des périodes où il aspirait au grand art et où il empruntait au théâtre des artistes, des techniques et la dramaturgie. Ce n’est qu’en 1975, lorsque des artistes ont abandonné l’idéal américain de la grandeur pour adopter le modèle européen de la piste simple que ce mouvement a connu son véritable essor. Le Big Apple Circus, le Pickle Family Circus, le Cirque du Soleil et Circus Flora ont réussi à théâtralisé le cirque américain. Même le géant du cirque à trois pistes, le Ringling Bros. and Barnum & Bailey, a commencé à donner à ses spectacles une allure plus théâtrale. Le Midnight Circus, Circus Sarasota ainsi que Barnum’s Kaleidoscape, entre autres, ont continué à trouver de nouvelles façons d’allier le cirque et le théâtre. Des écoles de cirque ont été fondées afin de fournir aux nouveaux cirques des artistes formés aux nouvelles techniques. Tous visent à faire évoluer le cirque vers la forme d’art à laquelle il a toujours aspiré.
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DE MEYER, BERNARD. "Archives et éthique en littérature : le cas de Gaston-Paul Effa dans Le Miraculé de Saint-Pierre." Australian Journal of French Studies: Volume 59, Issue 2 59, no. 2 (April 1, 2022): 185–97. http://dx.doi.org/10.3828/ajfs.2022.15.

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In the context of recent African historical novels that aim to rehabilitate their protagonists through reference to the archives as they appear implicitly, both in the paratext and in the story itself, this article offers a reading of the novel Le Miraculé de Saint-Pierre by Gaston-Paul Effa (2017). This polyphonic novel traces the life of Louis-Auguste Cyparis, allegedly the only survivor of the eruption of the Montagne Pelée in 1902. In this novel, the third-person narrative of Cyparis, which unfolds in three stages (Martinique, the Barnum & Bailey circus and Panama), is interspersed by a conversation between Effa himself as a character and a reader, who could be Cyparis’s great-granddaughter. The validity of written sources is therefore questioned in favour of private remembrance, transmitted from generation to generation. By analysing the thematic of meeting or appointment, this reflection will illustrate the ethical significance of the novel, by combining the approaches of Emmanuel Levinas on the encounter with the Other and of Jacques Derrida on the archive, coalescing them in a postcolonial worldview.
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Holmes, Kate. "Marketing Circus through Personalization: Class and the Celebrity Images of John Ringling and Bertram Mills." New Theatre Quarterly 34, no. 3 (July 13, 2018): 203–15. http://dx.doi.org/10.1017/s0266464x18000209.

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Marketing strategies today often rely on creating an emotional connection to the brand through personalizing or humanizing the business. This article explores how both the American Ringling Bros and Barnum & Bailey and the British Bertram Mills Circus used this strategy in the early twentieth century to encourage audiences to attend their circus rather than any other. John Ringling and Bertram Mills may best be remembered for totemic images but their celebrity was constructed through a reiterative performance process. In this article Kate Holmes examines the shifts in their representation performed in press, publicity, and anecdote to explore how each iteration of their public identity functioned to publicize their respective circuses at significant points. She also explores how these circus celebrity identities, focused on achieving financial success for a commercial enterprise, activated and perpetuated national self-identities linked to class. Kate Holmes, who has previous experience as a qualified marketer, recently completed a PhD in Drama at the University of Exeter. Her research on circus performance has been published in Early Popular Visual Culture and is forthcoming in Stage Women, a collection of essays on early twentieth-century female performers.
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Sperling, L. Joy. "The Popular Sources of Calder's Circus: The Humpty Dumpty Circus, Ringling Brothers and Barnum and Bailey, and The Cirque Medrano." Journal of American Culture 17, no. 4 (December 1994): 1–14. http://dx.doi.org/10.1111/j.1542-734x.1994.t01-3-00001.x.

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7

Haines, Jillian M., Alison Khoo, Erin Brinkman, John M. Thomason, and Andrew J. Mackin. "Technique for Evaluation of Gravity-Assisted Esophageal Transit Characteristics in Dogs with Megaesophagus." Journal of the American Animal Hospital Association 55, no. 4 (July 1, 2019): 167–77. http://dx.doi.org/10.5326/jaaha-ms-6711.

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ABSTRACT Movement of food material in the esophagus during upright feeding in dogs with megaesophagus (ME) is poorly characterized. A standardized contrast videofluoroscopy technique was used to evaluate esophageal transit characteristics in dogs with ME while in an upright position. Twelve dogs with ME (congenital, acquired idiopathic, or secondary to myasthenia gravis) were placed in an upright position using Bailey chairs and given liquid barium, canned food meatballs, and their normal diet consistency if different than meatballs. Passage of ingesta was videofluoroscopically evaluated by direct observation and change in ingesta area as determined by manual tracing or barium column product calculations. Significant individual variation was seen. Complete esophageal clearance of liquid was seen in four dogs, and complete clearance of meatballs in three dogs, with a median time of 5 min for both. Two of seven dogs fed a slurry diet had complete clearance by 10 min. No significant difference was found between area calculated via tracing or barium column product. Based on imaging results, alterations in food consistency, duration upright, or medication were recommended for nine dogs. In dogs with ME accustomed to a Bailey chair, contrast videofluoroscopy was technically straightforward and allowed for more specific physician-guided management recommendations.
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8

"From Barnum & Bailey to Feld: the creative evolution of the greatest show on earth." Choice Reviews Online 52, no. 05 (December 18, 2014): 52–2425. http://dx.doi.org/10.5860/choice.187183.

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9

Ramseyer, J. Mark. "Ringling Bros.-Barnum & Bailey Combined Shows v. Ringling: Bad Appointments and Empty-Core Cycling at the Circus." SSRN Electronic Journal, 2008. http://dx.doi.org/10.2139/ssrn.1099532.

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Books on the topic "Barnum Bailey"

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Freaks: La historia del Circo Barnum. [Madrid]: Tombooktu, 2012.

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2

The advance man: A journey into the world of the circus. Albany, Ga: BearManor, 2010.

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1898-, Hatch Alden, ed. The circus kings: Our Ringling family story. Gainesville: University Press of Florida, 2008.

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Ringlingville USA: The stupendous story of seven siblings and their stunning circus success. Madison, Wis: Wisconsin Historical Society Press, 2005.

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E pluribus Barnum: The great showman and the making of U.S. popular culture. Minneapolis, Minn: University of Minnesota Press, 1997.

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6

Wood, Joe. Funnymen: Life and times on the Greatest Show on Earth. Pittsburgh, Pennsylvania: All American Artists, 2010.

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A Ringling by any other name: The story of John Ringling North and his circus. Metuchen, N.J: Scarecrow Press, 1989.

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8

United States. National Transportation Safety Board. Derailment of Ringling Bros. and Barnum & Bailey Circus blue train near Lakeland, Florida, January 13, 1994: Railway accident report. Washington, D.C: The Board, 1995.

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O'Nan, Stewart. The circus fire: A true story. New York: Doubleday, 2000.

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O'Nan, Stewart. The circus fire. New York: Doubleday, 2000.

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Book chapters on the topic "Barnum Bailey"

1

Springhall, John. "The Americanized Circus: Barnum & Bailey in Excelsis." In The Genesis of Mass Culture, 81–104. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230612129_5.

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"THE BARNUM & BAILEY OF CRAZINESS." In At Every Wedding Someone Stays Home, 65. University of Arkansas Press, 1994. http://dx.doi.org/10.2307/j.ctv20pxzhk.39.

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Blyn, Robin. "Barnum & Bailey & Barney: Freak Show at the Guggenheim." In The Freak-garde, 185–202. University of Minnesota Press, 2013. http://dx.doi.org/10.5749/minnesota/9780816678167.003.0006.

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Rauterberg, Gabriel. "Commentary on Ringling Bros-Barnum & Bailey Combined Shows, Inc. v. Ringling." In Feminist Judgments: Corporate Law Rewritten, 331–50. Cambridge University Press, 2023. http://dx.doi.org/10.1017/9781009025010.018.

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Conference papers on the topic "Barnum Bailey"

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Du Puis, Jenny Leigh. "Circus Costumes Across the Decades: A Visual Thematic Analysis of RIngling Brothers and Barnum & Bailey Circus Show Programs from 1950-2017." In Pivoting for the Pandemic. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/itaa.12107.

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