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Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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1

Julian Barnes. New York: Palgrave Macmillan, 2009.

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2

Council, British, ed. Julian Barnes. Tavistock, Devon, U.K: Northcote House in association with the British Council, 2002.

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3

Julian Barnes. Manchester: Manchester University Press, 2011.

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4

Understanding Julian Barnes. Columbia, S.C: University of South Carolina Press, 1997.

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5

The fiction of Julian Barnes. New York: Palgrave Macmillan, 2006.

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6

Childs, Peter, and Sebastian Groes. Julian Barnes: Contemporary critical perspectives. London: Continuum, 2011.

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7

Julian Barnes: Contemporary critical perspectives. London: Continuum, 2011.

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8

Julian Barnes' "England, England" als Auseinandersetzung mit Theorien der Gegenwart. Kiel: Ludwig, 2011.

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9

Henke, Christoph. Vergangenheitsobsessionen: Geschichte und Gedächtnis im Erählwerk von Julian Barnes. Trier: Wissenschaftlicher Verlag Trier, 2001.

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10

Language, history, and metanarrative in the fiction of Julian Barnes. New York: Peter Lang, 2001.

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11

Kotte, Christina. Ethical dimensions in British historiographic metafiction: Julian Barnes, Graham Swift, Penelope Lively. Trier: WVT, Wissenschaftlicher Verlag Trier, 2001.

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12

CELCIA (Rouen) (9-10 novembre 2001). Flaubert's Parrot de Julian Barnes: Un symbole du logos ? actes du colloque, Université de Rouen, 9-10 nov. 2001. Mont-Saint-Aignan: Presses universitaires de Rouen, 2002.

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13

Julian Tuwim. Warszawa: Wiedza Powszechna, 1986.

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14

Sawicka, Jadwiga. Julian Tuwim. Warszawa: Wiedza Powszechna, 1986.

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15

Wiesław, Kot. Julian Stryjkowski. Poznań: Dom Wydawniczy "Rebis", 1997.

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16

Keen, Laurence. William Barnes: The Dorset engravings. Dorchester: Dorset Natural History and Archaeological Society, 1986.

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17

1801-1886, Barnes William, ed. William Barnes: The Somerset engravings. [Bridgewater]: Somerset County Council Library Service, 1989.

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18

Julian Przyboś: Kulturowe podstawy tworczości. Warszawa: Ludowa Spółdzielnia Wydawnicza, 1987.

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19

Schulte, Hendrich. Julian von Ägypten. Trier: Wissenschaftlicher Verlag Trier, 1990.

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20

Causse, Michèle. Ontmoeting met Djuna Barnes. 2nd ed. Amsterdam: Furie, 1989.

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21

1910-1988, Trevelyan Julian, Ackroyd Norman, and Bohun Gallery, eds. Julian Trevelyan: Catalogue raisonné of prints. Aldershot: Scolar in association with the Bohun Gallery, 1998.

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22

Lamarca, Rodrigo de Luz. San Julian en Goya y el Greco. Cuenca: R. de Luz Lamarca, 1992.

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23

"Tradycja, rzecz osobista": Julian Przyboś wobec dziedzictwa poezji. Poznań: Wydawn. Naukowe UAM, 2012.

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24

Djuna Barnes' consuming fiction. Aldershot, Hants, England: Ashgate, 2007.

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25

Dukore, Bernard Frank. Barnestorm: The plays of Peter Barnes. New York: Garland, 1995.

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26

Turner, Silvie. Julian Trevelyan: Catalogue raisonné of prints. Farnham: Lund Humphries, 2010.

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27

Heska-Kwaśniewicz, Krystyna. "Miłość jak przepaść": Julian Przyboś i góry. Kraków: Śląsk, 1998.

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28

1937-, Holloway Julia Bolton, ed. Julian of Norwich: A comprehensive bibliography and handbook. Lewiston, N.Y: Edwin Mellen Press, 2010.

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29

Libanios und Julian: Studien zum Verhältnis von Rhetorik und Politik im vierten Jahrhundert n. Chr. München: Beck, 1995.

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30

Stange, Martina. Modernism and the individual talent: Djuna Barnes' Romane Ryder und Nightwood. Essen: Verlag Die Blaue Eule, 1999.

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31

Lynn, Broe Mary, ed. Silence and power: A reevaluation of Djuna Barnes. Carbondale: Southern Illinois University Press, 1991.

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32

Zeillinger, Gerhard. Kindheit und Schreiben: Zur Biographie und Poetik des Schriftstellers Julian Schutting. Stuttgart: Hans-Dieter Heinz, 1995.

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33

Koenig, Elisabeth Kathleen Jameson. The book of showings of Julian of Norwich: A test-case for Paul Ricoeur's theories of metaphor and imagination. Ann Arbor, Mi: University Microfilms International, 1985.

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34

Nicolas, Serota, Blistène Bernard, Musée d'art moderne de la ville de Paris., and Whitechapel Art Gallery, eds. Julian Schnabel, œuvres 1975-1986: Musée national d'art moderne, Galeries contemporaines du 14 janvier au 22 mars 1987. Paris: Centre Georges Pompidou, 1987.

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35

All contraries confounded: The lyrical fiction of Virginia Woolf, Djuna Barnes, and Marguerite Duras. Iowa City: University of Iowa Press, 1991.

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36

Decadent Djuna: Eine Untersuchung dekadenter Themen und Motive im Werk von Djuna Barnes. Frankfurt am Main: P. Lang, 1997.

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37

Julian Stryjkowski und Edgar Hilsenrath: Zur Identität jüdischer Schriftsteller nach 1945. Essen, Germany: Verlag Die Blaue Eule, 2000.

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38

Fancy's craft: Art and identity in the early works of Djuna Barnes. Selinsgrove [Pa.]: Susquehanna University Press, 1986.

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39

Psyché et le secret de Perséphone: Prose en métamorphose, mémoire et création : Katherine Mansfield, Catherine Pozzi, Anna Kavan, Djuna Barnes. Paris, France: Harmattan, 2004.

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40

Improper modernism: Djuna Barnes's bewildering corpus. Aldershot, Hants, England: Ashgate, 2009.

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41

The fiction of Rushdie, Barnes, Winterson, and Carter: Breaking cultural and literary boundaries in the work of four postmodernists. Jefferson, N.C: McFarland, 2005.

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42

Guignery, Vanessa. Fiction of Julian Barnes. Ebsco Publishing, 2006.

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43

Guignery, Vanessa. Fiction of Julian Barnes. Palgrave Macmillan, 2006.

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44

Childs, Peter, and Sebastian Groes. Julian Barnes: Contemporary Critical Perspectives. Bloomsbury Publishing Plc, 2011.

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45

Antoine, Capet, ed. Flaubert's parrot de Julian Barnes: "un symbole du logos?". Rouen: C.E.L.C.L.A., 2002.

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46

Lea, Daniel, and Peter Childs. Julian Barnes. Manchester University Press, 2013.

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47

Childs, Peter. Julian Barnes. Manchester University Press, 2015.

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48

Lea, Daniel, and Peter Childs. Julian Barnes. Manchester University Press, 2013.

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49

Julian Barnes. Palgrave MacMillan, 2009.

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50

Moseley, Merritt. Understanding Julian Barnes. University of South Carolina Press, 1997.

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