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1

Inventing the barbarian: Greek self-definition through tragedy. Oxford [England]: Clarendon Press, 1989.

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2

Barbarians in Greek comedy. Carbondale: Southern Illinois University Press, 1986.

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3

Andò, Valeria. Euripide, Ifigenia in Aulide. Venice: Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-513-1.

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This volume contains the first Italian critical edition with introduction, translation and commentary of Euripides’ Iphigenia in Aulis. The tragedy, exhibited posthumously in 405 BCE, stages the first mythical segment of the Trojan War, namely the sacrifice of Iphigenia, daughter of king Agamemnon, head of the Greek army, in order to propitiate the winds that should lead the navy to Troy. A tragedy of intrigue and unveiling, in which all the characters try to oppose the sacrifice, judged to be an impiety despite its sacred essence. It is therefore a tragedy without gods, in which characters of modest moral stature move, unstable, ready to sudden changes of mind, and among whom the protagonist stands out: the girl who, having overcome the dismay for the destiny awaiting her, voluntarily moves towards death on the altar, for a flimsy patriotic ideal and with the illusion of achieving immortal glory. Since the end of the eighteenth century, the text of this tragedy, handed over to us by the manuscript tradition, has been exposed more than others to a rigorous philological criticism that has broken its unity, through considerable expunctions of entire sections and sequences of verses. The volume traces the phases of this critical work, showing its methods – and sometimes its excesses – and choosing a balance line in the constitution of the text. The overall exegesis of the tragedy, which I propose in this study, consists in the belief that, despite the exodus being spurious, the finale, in view of which the entire dramaturgy was composed, still had to contemplate Iphigenia’s salvation. In fact, if the Panhellenic ideal of defence against the barbarians is now meaningless, and if a war of destruction, to begin with, needs the death of an innocent person, then this death must be transcended and the horror of human sacrifice must dissolve. It therefore seems that, once political current events become opaque, the poet’s research tends to create situations of great patheticism in an aesthetic setting of refined beauty.
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4

Herington, C. J., and Thomas Gould. Greek tragedy. Cambridge: Cambridge University Press, 2009.

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5

Greek tragedy. Malden, MA: Blackwell Pub., 2008.

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6

Rabinowitz, Nancy Sorkin, ed. Greek Tragedy. Oxford, UK: Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470694053.

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7

Reading Greek tragedy. Cambridge: Cambridge University Press, 1986.

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8

Garland, Robert. Surviving Greek tragedy. London: Duckworth, 2004.

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9

Greek tragedy: An introduction. Baltimore: Johns Hopkins University Press, 1991.

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10

Greek tragedy in action. 2nd ed. London: Routledge, 2003.

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11

Kenneth, MacKinnon. Greek tragedy into film. London: Croom Helm, 1986.

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12

Greek tragedy: An introduction. London: Bristol Classical Press, 1989.

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13

Greek tragedy into film. London: Croom Helm, 1986.

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14

Baldock, Marion. Greek tragedy: An introduction. Bristol: Bristol Classical Press, 1989.

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15

Achilles in Greek tragedy. Cambridge, U.K: Cambridge University Press, 2002.

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16

Greek tragedy into film. Rutherford: Fairleigh Dickinson University Press, 1986.

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17

Greek tragedy in action. London: Routledge, 1993.

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18

The poetics of Greek tragedy. London: Duckworth, 1987.

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19

The poetry of Greek tragedy. Baltimore, MD: Johns Hopkins University Press, 2003.

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20

Female acts in Greek tragedy. Princeton, N.J: Princeton University Press, 2001.

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21

The poetics of Greek tragedy. Stanford, Calif: Stanford University Press, 1987.

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22

Greek tragedy: A literary study. 3rd ed. London: Routledge, 1990.

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23

Foley, Helene P. Female Acts in Greek Tragedy. Princeton: Princeton University Press, 2002.

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24

Collected papers on Greek tragedy. Oxford: Clarendon Press, 1990.

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25

Gregory, Justina, ed. A Companion to Greek Tragedy. Malden, MA, USA: Blackwell Publishing, 2005. http://dx.doi.org/10.1002/9780470996676.

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26

1975-, Henry W. Benjamin, ed. Collected papers on Greek tragedy. Leiden: Brill, 2010.

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27

Hall, Edith, and Nancy Coffelt. Inventing the Barbarian: Greek Self-Definition through Tragedy (Oxford Classical Monographs). Oxford University Press, USA, 1990.

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28

Hall, Edith. Inventing the Barbarian: Greek Self-Definition through Tragedy (Oxford Classical Monographs). Oxford University Press, USA, 1991.

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29

Kitto, H. D. F. Greek Tragedy. Taylor & Francis Group, 2013.

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30

Kitto, H. D. F. Greek Tragedy. Taylor & Francis Group, 2013.

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31

Zacharia, Katerina. Greek Tragedy. Routledge, 2005.

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32

Shomit, Dutta, ed. Greek tragedy. London: Penguin, 2004.

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33

Rabinowitz, Nancy Sorkin. Greek Tragedy. Wiley & Sons, Incorporated, John, 2008.

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34

Greek Tragedy. Routledge, 2002.

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35

Kitto, H. D. F. Greek Tragedy. Taylor & Francis Group, 2013.

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36

Kitto, H. D. F. Greek Tragedy. Taylor & Francis Group, 2017.

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37

Kitto, H. D. F. Greek Tragedy. Taylor & Francis Group, 2013.

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38

Kitto, H. D. F. Greek Tragedy. Taylor & Francis Group, 2015.

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39

Sheppard, J. T. Greek Tragedy. Cambridge University Press, 2012.

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40

Kitto, H. D. F. Greek Tragedy. Routledge, 2002. http://dx.doi.org/10.4324/9780203412602.

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41

Kitto, H. D. F. Greek Tragedy. Routledge, 2013. http://dx.doi.org/10.4324/9781315800073.

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42

Kitto, H. D. F. Greek Tragedy. Routledge, 2011. http://dx.doi.org/10.4324/9780203828236.

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43

Spero, Daniel. Greek Tragedy. Independently Published, 2020.

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44

Ian, McAuslan, and Walcot Peter, eds. Greek tragedy. Oxford: Oxford University Press on behalf of the Classical Association, 1993.

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45

Sophocles, Euripides, and Aeschylus. Greek Tragedy. Digireads.com, 2015.

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46

Ley, Graham. Acting Greek Tragedy. University of Exeter Press, 2014.

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47

Acting Greek Tragedy. University of Exeter Press, 2014.

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48

Greek Tragedy Set. Oxford University Press, 2011.

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49

Interpreting Greek Tragedy. Cornell University Press, 2019. http://dx.doi.org/10.1353/book.68519.

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50

Liapis, Vayos, and Avra Sidiropoulou, eds. Adapting Greek Tragedy. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781316659168.

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