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Academic literature on the topic 'Barbarian'

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Published: 4 June 2021
Last updated: 27 April 2022

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Journal articles on the topic "Barbarian"

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Deane, Bradley. "IMPERIAL BARBARIANS: PRIMITIVE MASCULINITY IN LOST WORLD FICTION." Victorian Literature and Culture 36, no. 1 (March 2008): 205–25. http://dx.doi.org/10.1017/s1060150308080121.

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Cecil Rhodes, the “Colossus” of late Victorian empire, proudly proclaimed himself a barbarian. He spoke of his taste for things “big and simple, barbaric, if you like,” and boasted that he conducted himself “on the basis of a barbarian” (Millin 165, 242). His famous scholarships designed to turn out men fit for imperial mastery required success in “manly outdoor sports,” a criterion Rhodes privately called the proof of “brutality” (Stead 39). Yet while Rhodes celebrated qualities he called barbaric or brutal, his adversaries seized upon the same rhetoric to revile him. During the Boer War, for instance, the tactics by which Rhodes and his friends tightened their grip on South Africa were boldly condemned by Henry Campbell-Bannerman as “methods of barbarism.” Similarly, G. K. Chesterton denounced Rhodes as nothing more than a “Sultan” who conquered the “East” only to reinforce the backward “Oriental” values of fatalism and despotism (242–44). This strange consensus, in which Rhodes and his critics could agree about his barbarity, reflects a significant uncertainty about late Victorian imperial ambitions and their relationship to “barbarism.” Clearly, the term was available both to the empire's critics as a metaphor for unprincipled or indiscriminate violence and to imperialists as a justification for their efforts to bring civilization to the Earth's dark places, to spread the gospel, and to enforce the progress of history that the anthropologist E. B. Tylor called “the onward movement from barbarism” (29). But Rhodes's cheerful assertion of his own barbarity represents something altogether different: the apparent paradox of an imperialism that openly embraces the primitive. Nor was Rhodes alone in sounding this particularly troubling version of the barbaric yawp. During the period of the New Imperialism (1871–1914), Victorian popular culture became engrossed as never before in charting vectors of convergence between the British and those they regarded as primitive, and in imagining the ways in which barbarians might make the best imperialists of all. This transvaluation of savagery found its most striking expression in the emergence of a wildly popular genre of fiction: stories of lost worlds.
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Evgeniy O., Tretyakov. "“Time of the Barbarians”: The Phenomenon of Barbarism in the Film Brother 2 by Aleksey Balabanov." Humanitarian Vector 16, no. 4 (October 2021): 179–88. http://dx.doi.org/10.21209/1996-7853-2021-16-4-179-188.

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This article presents a look at Aleksey Balabanov’s program film Brother 2 (2000). The hero is the embodiment of the concept of “new barbarism”. The research methodology includes structural-semiotic, mythopoetic and motivational aspects of the analysis of the work of cinematography. Political and ethical meanings were revealed in the image of Danila Bagrov, but the research carried out clearly shows the features of a barbarian in him. Like the creator of Conan the Barbarian Robert Howard, Aleksey Balabanov states that it is the barbarian who is the hero of the current era. In a world that has “moved from its place”, this “new barbarian” brings unbending will and his own rigid moral guidelines. But if in the first film Brother barbarism looks advantageous, combining strength and ethics – even if insight does not occur, and the barbarian goes to conquer new lands, then in the second film of the diptych the hero goes through violence as usual, with cynicism. Formally, he wins, but existentially he fails. Therefore, the mighty force of the “new barbarian” manifests itself locally, in small ways and is realized in private confrontations. There is no worthy test for Bagrov’s heroism, because the world does not correspond to its scale, and therefore the hero is restless – the truly barbaric fullness of vitality does not protect against existential fear. The discrepancy between the attitudes of the barbarian hero and the position of the intellectual director unmasks the author’s alienation from the principles and common truths of the character and complicates the film with dramatic connotations. Keywords: Aleksey Balabanov, Brother 2, phenomenon of barbarism, existentialism, post- and-decolonial thought
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Stadter, Philip A. "Barbarian Comparisons." Ploutarchos 12 (November 3, 2015): 65–82. http://dx.doi.org/10.14195/0258-655x_12_5.

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When comparing two heroes, who both fought barbarians, Plutarch does not draw parallels between Greek and Roman campaigns. Instead, in the four pairs of Parallel Lives studied here (Pyrrh.-Mar., Them.-Cam., Cim.-Luc., Alex.-Caes.), Plutarch broadens the significance of barbarian contact, allowing the barbarian enemy, the external Other, to draw attention to Hellenic traits of freedom, culture, and prudence in his heroes and in their cities, both Greek and Roman. Equally important, this Other serves to uncover traces of the barbarian in those same heroes and cities.
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YOUNG, ANDREW T. "Hospitalitas: Barbarian settlements and constitutional foundations of medieval Europe." Journal of Institutional Economics 14, no. 4 (August 29, 2017): 715–37. http://dx.doi.org/10.1017/s174413741700039x.

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AbstractA rough balance of political power between monarchs and a militarized landed aristocracy characterized medieval Western Europe. Scholars have argued that this balance of power contributed to a tradition of limited government and constitutional bargaining. I argue that 5th- and 6th-century barbarian settlements created a foundation for this balance of power. The settlements provided barbarians with allotments of lands or taxes due from the lands. The allotments served to align the incentives of barbarian warriors and Roman landowners, and realign the incentives of barbarian warriors and their leadership elite. Barbarian military forces became decentralized and the warriors became political powerful shareholders of the realm.
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ΓΚΟΥΤΖΙΟΥΚΩΣΤΑΣ, Ανδρέας Ε. ""τοῦ βάρβαρον κλύδωνα βαρβάρων στόλῳ μετατρέποντος…" Μία πρόταση ερμηνείας της ψηφιδωτής επιγραφής των κτιστών από τον ναό του Αγίου Δημητρίου." BYZANTINA SYMMEIKTA 24, no. 1 (November 5, 2014): 11. http://dx.doi.org/10.12681/byzsym.1123.

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<em></em>Summary<br /> <br /> The study presents a different interpretation of the inscription that accompanies the well known mosaic of the donors of St Demetrius’ church in Thessaloniki: <br /> “Κτίστας θεωρεῖς τοῦ πανενδόξου δόμου ἐκεῖθεν ἔνθεν μάρτυρος Δημητρίου τοῦ βάρβαρον κλύδωνα βαρβάρων στόλῳ μετατρέποντος κ(αὶ) πόλιν λυτρουμένου”.<br /> Until ten years ago the prevailing opinion among researchers was that the fourteenth word should be read as στόλω(ν) rather than στόλῳ, since in their opinion this made the meaning of the inscription clearer: “…St Demetrius drew away the wild storm (βάρβαρον κλύδωνα) caused by the barbarian fleet or even the barbarian flood/crowd of the barbarian fleet”. The inscription is traditionally connected with the attack of the Avaroslavs against Thessaloniki in 614 mentioned in St Demetrius’ Miracles (Περί τῆς κατασκευῆς τῶν πλοίων τῶν Δρουγουβιτῶν, Σαγουδατῶν, Βελεγεζιτῶν καὶ τῶν λοιπῶν). <br /> The transcription (στόλῳ) and the new interpretation (…St Demetrius sent a ferocious storm against the barbarian fleet) proposed by G. Velenis (2003), who also connects the inscription with the attack of 614, are now the most accepted (D. Feissel, W. Hörandner, A. Paul, A. Rhoby), although Ar. Mentzos (2010) and Ch. Bakirtzis (2012) expressed different views based on a different meaning and syntax of the participle μετατρέποντος as well as the meaning of the word “στόλῳ”. According to the first scholar, St. Demetrius always turns away the ferocious storm of the barbarian attacks (βάρβαρον κλύδωνα βαρβάρων) through the defensive preparation (στόλῳ), while according to the latter St. Demetrius turned away the barbarian storm of the barbarians (βάρβαρον κλύδωνα βαρβάρων) through his invisible army (στόλῳ). Both these scholars disconnect the epigram from a specific attack, like that of 614.<br /> In our opinion, however, none of the above interpretations is satisfactory. The meaning of the verb μετατρέπω is indeed “overthrow”, “turn back/away”, and its object is normally in the accusative. The object of the participle μετατρέποντος is the noun κλύδωνα modified by the adjective βάρβαρος. This phrase means not only the “wild storm” but also the “wave of barbarians” or even the “flood of barbarians” that was turned away by St. Demetrius (μετατρέποντος) who used their own fleet (βαρβάρων στόλῳ) against them. Such an interpretation is supported by the narrative of St Demetrius’ Miracles concerning the attack of 614, which says that the patron of the city walked on the sea and troubled the ships of the Slavs, which became entangled and some were overturned. The men who fell into the sea tried to save themselves by grabbing hold of those ships that continued to sail, but these were also overturned, and the men aboard them turned their swords on those who were trying to grasp hold of and clamber on to them, cutting off their arms and killing them (οἱ τῶν ἑτέρων ναύκληροι τῶν πρὸς αὐτοὺς προϊεμένων τὰς χεῖρας μετὰ ξιφῶν ἀπέτεμνον, ἄλλος ἄλλῳ κατὰ τῆς κεφαλῆς τὸ ξίφος ἀπέπεμπεν, ἕτερος δὲ τὸν ἕτερον λόγχῃ ἐτίτρωσκε, καὶ ἕκαστος τὴν ἑαυτοῦ σωτηρίαν πραγματευόμενος τοῦ ἑτέρου ἐχθρὸς ἐγίνετο). And so the barbarians fought amongst themselves and the sea of the Thermaikos Gulf became red with their blood. This was the turning point in the unsuccessful attack against Thessaloniki. The other divine intervention that helped the Thessalonians, according to the Miracles, was a wind that suddenly blew up and dispersed the rest of the barbarians’ ships (ἐναπομείνασας ναυκέλλας) which were forced to sail to the east and to the west of the city without being able to attack. <br /> In conclusion, the inscription, which refers to the mainly naval invasion of 614, as is implied by the use of the words κλύδωνα and στόλῳ, describes the intervention of St Demetrius, who turned back the “barbarian wave”, that is the barbarians, using their own fleet and causing them to kill one another.
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Mathisen, Ralph. "Provinciales, Gentiles, and Marriages between Romans and Barbarians in the Late Roman Empire." Journal of Roman Studies 99 (November 2009): 140–55. http://dx.doi.org/10.3815/007543509789745025.

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Codex Theodosianus 3.14.1, issued in the early 370s, has been understood in the past to indicate a ban on all marriages between ‘Romans’ and ‘barbarians’. But this interpretation contradicts evidence that Roman-barbarian marriages occurred with great frequency, and the lack of any other evidence for such a ban. This study argues that the specific wording of the law, referring to gentiles (barbarian soldiers) and provinciales (residents of provinces), suggests that the ban was imposed to ensure the continued performance of specific duties incumbent upon these two classes of individuals, and had nothing to do with ethnicity-qua-ethnicity.
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Budanova, Vera. "The Cognitive Map of Barbarity: Term, Notion, Innovative Essence." ISTORIYA 12, no. 8 (106) (2021): 0. http://dx.doi.org/10.18254/s207987840016978-4.

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The article presents a historical review and theoretical analysis of the cognitive map of barbarity as the basis for studying the basic terminology that has developed in barbaristics. For the first time, an attempt is made to analyze the cognitive potential of barbaristics, referring to its conceptual structure. The most significant terms, notions and innovative essences, their role in the structure of the barbarian&apos;s cognition are considered. It is emphasized that in the processes of symbol formation there was a movement from notion to innivative essence, in the study of the history of barbarity — from notional to conceptual cognition. The conditions of the general expansion of the archaic semantics of the term “barbarian” and the features of its translation and transmutation in time and space are considered. The key characteristics of the notion of “barbarity” as a stable socio-cultural phenomenon are identified and disclosed in historical retrospect. The emerging notions of «new» and «latent» barbarity are specially analyzed.
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Vedeshkin, Mikhail A. "“A Barbarian by Birth, Yet a Hellen in Everything Else”." Ancient Civilizations from Scythia to Siberia 26, no. 2 (December 18, 2020): 425–36. http://dx.doi.org/10.1163/15700577-12341384.

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Abstract The Christianisation of the Roman Empire in the 4th-5th centuries led to a blurring of the traditional ethnocultural dichotomy (Barbarians – Romans), and to the emergence of a new type of social division on the basis of religion: pagan – Christian. The present article is devoted to the analysis of the image of a “pious” (pagan) barbarian, formed in Late Antique pagan historiography. The conclusion is made that pagans saw their barbarian coreligionists as the defenders of their faith against the anti-pagan state policy. Comparing pagan barbarians to their fellow Christian tribesmen, they tried to prove that only pagans can be true allies of Rome. Finally, the military successes of the pagan warlords served as evidence of the active participation of the gods in the affairs of their followers and acted as an argument for the preservation of the traditional forms of worship.
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MITCHELL, LYNETTE G. "GREEKS, BARBARIANS AND AESCHYLUS' SUPPLIANTS." Greece and Rome 53, no. 2 (September 27, 2006): 205–23. http://dx.doi.org/10.1017/s0017383506000283.

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Ten years after producing the Persians in 472 BC, in which Greeks and barbarians are locked in conflict with each other, Aeschylus in the Suppliants explores the inextricable intertwining of Greekness and barbarity. While even in the Persians Aeschylus recognizes the ultimate ‘kinship' between Greek and barbarian (the women of Atossa's dream – one wearing Persian robes, the other Dorian – are described as ‘sisters of one race': Aesch. Pers. 180–7), in the Suppliants the poet develops this theme and casts it in sharper relief. In this later play, now generally accepted (despite archaic or archaizing elements) to have been produced in the late 460s, Aeschylus is more actively interested in the ways in which kinship both intersects with and is complicated by cultural polarity, and at the same time undercuts and complicates ‘Otherness'.
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Boletsi, Maria. "Barbarian Encounters: Rethinking Barbarism in C. P. Cavafy's and J. M. Coetzee's Waiting for the Barbarians." Comparative Literature Studies 44, no. 1 (2007): 67–96. http://dx.doi.org/10.1353/cls.2007.0027.

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Dissertations / Theses on the topic "Barbarian"

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Norman, William Hereward. "The classical Barbarian in the Íslendingasögur." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/277652.

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The Íslendingasögur, written in Iceland in the thirteenth and fourteenth centuries, primarily describe the lives of Icelanders during the tenth and eleventh centuries. Many of these lives involve encounters with foreign peoples, both abroad and in Iceland, who are portrayed according to stereotypes which vary depending on the origins of those people. Notably, inhabitants of the places identified in the sagas as Írland, Skotland and Vínland are portrayed as being less civilized than the Icelanders themselves. This thesis explores the ways in which the Íslendingasögur emphasize this relative barbarity through descriptions of diet, material culture, style of warfare, and character. These characteristics are discussed in relation to parallel descriptions of Icelandic characters and lifestyle within the Íslendingasögur, and also in the context of a tradition in contemporary European literature which portrayed the Icelanders themselves as barbaric. Innovatively, comparisons are made with descriptions of barbarians in classical Roman texts, primarily Sallust, but also Caesar and Tacitus. Taking into account the availability and significance of classical learning in medieval Iceland, the comparison with Roman texts yields striking similarities between Roman and Icelandic ideas about barbarians. It is argued that the depiction of foreigners in the Íslendingasögur is almost identical to that of ancient Roman authors, and that the medieval Icelanders had both means and motive to use Roman ideas for inspiration in their own portrayal of the world. Ultimately it is argued that when the medieval Icelanders contemplated the peoples their Viking Age ancestors encountered around the world, they drew on classical ideas of the barbarian to complement the mix of oral tradition, literary inspiration and contemporary circumstance that otherwise form the Íslendingasögur.
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Hall, Edith. "Inventing the barbarian : Greek self definition through tragedy /." Oxford : Clarendon Pr, 1989. http://www.loc.gov/catdir/enhancements/fy0637/89003369-d.html.

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Bravo, Christopher Delante. "Chirping Like the Swallows: Aristophanes' Portrayals of the Barbarian "Other"." Thesis, The University of Arizona, 2009. http://hdl.handle.net/10150/193343.

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In this thesis, I examine three specific characters from the extant plays of Aristophanes: the Scythian archer from Thesmophoriazusae, the Thracian god from Birds, and the Persian King's Eye from Acharnians. Through a close analysis of these three characters, I show that Aristophanes portrayed each one in a different manner and with varying degrees of hostility. Aristophanes' portrayals of these foreigners were likely informed by his fellow Athenians' attitudes toward non-Athenians. As I demonstrate, the interactions of foreigners with Greek characters in Aristophanes' plays reveal subtle gradations of Greek xenophobia. The playwright composed his comedies in a period of great cultural change and increasingly diverse perceptions of non-Greeks, and as a result, these xenophobic nuances emerged. Views of barbarians were evolving in the last quarter of the fifth century BCE, and Greek xenophobia was not a monolithic social phenomenon.
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Swain, Brian Sidney. "Empire of Hope and Tragedy: Jordanes and the Invention of Roman-Gothic History." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1398957067.

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Hall, E. "Inventing the barbarian : Ethnocentric interpretation of myth in Greek tragedy." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.384739.

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Vesisenaho, L. (Lasse). "Humour and familiarisation in Terry Pratchett’s Cohen the Barbarian -sequence." Master's thesis, University of Oulu, 2013. http://urn.fi/URN:NBN:fi:oulu-201308151617.

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The aims of this thesis were to look at and analyse three of Terry Pratchett’s novels — The Light Fantastic, Interesting Times, and The Last Hero — from the point of view of established literary theories, specifically those pertaining to humour and parody, and see how well the texts in question can be said to follow those theories. The three works were chosen because they comprise the story-arc of a particular set of characters. Of primary importance in this thesis are the concepts of incongruity, superiority and defamiliarisation, of which the first two have been widely considered to be the basic mechanisms of humour, the third being a notion that is descriptive (as well as prescriptive) of literary texts in general and parody in particular. The three ideas combined create the concept of familiarisation, which is new as far as the name goes, although as a literary formulation it is not entirely without precedent. As far as the background literature that was used goes, the primary sources for theories of humour were Laughter by Henri Bergson, Jokes and their Relation to the Unconscious by Sigmund Freud and Linguistic Theories of Humor by Salvatore Attardo. Of great help were also Jeroen Vandaele’s articles Humor Mechanisms in Film Comedy and Narrative Humor, although they ultimately did not get much space in the finished thesis. Other important sources regarding literary theory were Viktor Shklovsky’s article Art as Technique, and Parody by Simon Dentith. Based on a reading of the previously mentioned works, it can be said that Pratchett’s approach to humour does indeed fit together passably well with the canonical notions of comedy in western literary history. Furthermore it may be noted that the humour in question is largely of a positive nature — as opposed to a destructive one — in the way it deals with the material it parodies. It should, however, be pointed out that the analysis in this thesis focuses exclusively on so-called referential humour, and that its conclusions cannot necessarily be extended beyond those limits
Tämän tutkielman tavoitteena oli tarkastella kolmea Terry Pratchettin romaania — The Light Fantastic, Interesting Times ja The Last Hero — yleisesti hyväksyttyjen kirjallista huumoria käsittelevien teorioiden näkökulmasta, ja selvittää missä määrin kyseiset teokset noudattavat aiheeseen liittyvien teorioiden antamia sääntöjä ja viitekehyksiä. Tärkeitä käsitteitä tutkielmassa ovat inkongruiteetti eli yhteensopimattomuus, superioriteetti eli ylemmyys, ja defamiliarisaatio, joista kahta ensimmäistä pidetään yleisesti huumorin perusmekanismeina; kolmas on kirjallisuutta ja parodiaa laajemmin kuvaava idea. Nämä kolme teoreettista käsitettä yhdistettynä muodostavat familiarisaation, joka on uusi ainakin nimensä puolesta — hieman epämääräisen idean muodossa se on kyllä löydettävissä joistakin aihepiiriä käsittelevistä aiemmista teksteistä. Lähdekirjallisuudesta tärkeimmät teokset olivat huumorin saralla Henri Bergsonin Laughter, Sigmund Freudin Jokes and their Relation to the Unconscious sekä Salvatore Attardon Linguistic Theories of Humor. Lisäksi mainittavan arvoisia ovat Jeroen Vandaelen artikkelit Humor Mechanisms in Film Comedy ja Narrative Humor, joista oli huomattavaa hyötyä kirjoitusprosessissa vaikka ne eivät lopullisessa työssä saaneetkaan suurta huomiota. Yleisempiin kirjallisuusteorioihin liittyen Viktor Shklovskin Art as Technique ja Simon Dentithin Parody olivat tärkeässä roolissa. Edellä mainittujen teosten antaman tiedon valossa voidaan todeta että Pratchettin käyttämä huumori on yhteensopivaa länsimaisen kirjallisuuden historiassa ilmenevien teorioiden kanssa. Lisäksi on mahdollista sanoa, että kyseessä olevien romaanien sisältämät vitsit ovat luonteeltaan positiivisia suhteessa siihen materiaaliin, jota ne parodioivat. On kuitenkin huomattava, että tutkielman analyysi kohdistuu pelkästään niin kutsuttuun viitteelliseen (engl. ”referential”) huumoriin, eikä sen johtopäätöksiä voida soveltaa tämän kentän ulkopuolelle
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Thomson, Stuart Rowley. "The barbarian Sophist : Clement of Alexandria's Stromateis and the Second Sophistic." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:98aca742-1277-4635-9d33-73ca18cf9071.

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Clement of Alexandria, active in the second half of the second century AD, is one of the first Christian authors to explain and defend the nascent religion in the terms of Greek philosophy and in relation to Greek paideia. His major work, the Stromateis, is a lengthy commentary on the true gnosis of the Christian faith, with no apparent overarching structure or organisational principle, replete with quotations from biblical, Jewish, Greek 'gnostic' and Christian works of all genres. This thesis seeks to read this complex and erudite text in conversation with what has been termed the ‘Second Sophistic’, the efflorescence of elite Greek literature under the Roman empire. We will examine the the text as a performance of authorial persona, competing in the agonistic marketplace of Greek paideia. Clement presents himself as a philosophical teacher in a diadoche from the apostles, arrogating to himself a kind of apostolic authority which appeals to both philosophical notions of intellectual credibility and Christian notions of the authentic handing down of tradition. We will also examine how the work engages key thematic concerns of the period, particularly discourses of intellectual eclecticism and ethnicity, challenging both Greek and Roman forms of hegemony to create a space for Christian identity. Lastly, this thesis will critically examine the Stromateis' intertextual relationship with the Homeric epics; the Iliad and the Odyssey are used as a testing ground for Christian self-positioning in relation to Greek culture as a whole. As we trace this variable relationship, we will also see the cross-fertilisation of reading strategies between Homer and the bible; these developing complex allegorical methods not only presage the rise of Neoplatonism, but also lay the foundations for changes in cultural authority which accompany the Christianisaton of the Roman empire in the centuries after Clement.
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Ashley, Scott. "Representations of the barbarian in the early Medieval West c. 800-1100." Thesis, University of Oxford, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.287542.

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Sarantis, Alexander Constantine. "The Balkans during the reign of Justinian : barbarian invasions and imperial responses." Thesis, University of Oxford, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.424717.

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Haywood, John. "Barbarian naval power in north-west Europe 12 BC to c. AD 850." Thesis, Lancaster University, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.293106.

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Books on the topic "Barbarian"

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Ewing, Lynne. Barbarian. New York: Volo/Hyperion, 2004.

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Ewing, Lynne. Barbarian. New York: Volo/Hyperion, 2004.

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Ewing, Lynne. Barbarian. New York: Volo/Hyperion, 2004.

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Burnett, Frances Hodgson. Fair barbarian. Moscow, Idaho: University of Idaho Press, 1995.

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Howell, Hannah. Highland Barbarian. New York: Kensington Pub., 2006.

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American barbarian. Richmond, Va: Adhouse Books, 2012.

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Copyright Paperback Collection (Library of Congress), ed. The Barbarian. New York City: Leisure Books, c2004., 2004.

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Barbarian Lord. Boston: Houghton Mifflin Harcourt Trade & Reference Publishers, 2014.

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Barbarian science. Jackson, MS: Town Square Books, 1999.

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Birns, Nicholas. Barbarian Memory. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137364562.

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Book chapters on the topic "Barbarian"

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Smith, Ian. "Barbarian Genealogies." In Race and Rhetoric in the Renaissance, 73–96. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230102064_4.

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Todorova, Marija. "Barbarian neighbours." In The Translation of Violence in Children's Literature, 93–110. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429285394-6.

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Birns, Nicholas. "Barbarian Memory and the Uncanny Past." In Barbarian Memory, 1–43. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137364562_1.

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Birns, Nicholas. "Chaucer, Gower, and Barbarian History: “The Man of Law’s Tale” and the Prologue to Gower’s Confessio Amantis." In Barbarian Memory, 44–59. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137364562_2.

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Birns, Nicholas. "Rome, Christianity, and Barbarian Memory in Titus Andronicus." In Barbarian Memory, 60–78. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137364562_3.

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Birns, Nicholas. "Rhyme, Barbarism, and Manners from Trissino to Corneille." In Barbarian Memory, 79–125. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137364562_4.

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Rhodes, Neil. "Shakespeare the Barbarian." In Early Modern Civil Discourses, 99–114. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230505063_7.

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Chin, Carol C. "“Uplifting the Barbarian”." In A Companion to Theodore Roosevelt, 417–34. Oxford, UK: Wiley-Blackwell, 2011. http://dx.doi.org/10.1002/9781444344233.ch23.

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Bergeton, Uffe. "Inventing the ‘barbarian’." In The Emergence of Civilizational Consciousness in Early China, 135–71. New York ; London : Routledge, 2019. | Series: Routledge studies in the early history of Asia ; 10: Routledge, 2018. http://dx.doi.org/10.4324/9780429438721-5.

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Heather, Peter. "Afterword: Neglecting the Barbarian." In Studies in the Early Middle Ages, 605–23. Turnhout: Brepols Publishers, 2010. http://dx.doi.org/10.1484/m.sem-eb.3.5099.

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Conference papers on the topic "Barbarian"

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Cataldo, Vincenzo. "Torri, corsari e contrabbandieri in Calabria Ultra durante il Decennio Francese (1806-1815)." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11334.

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Towers, corsairs and smugglers in Calabria Ultra during the French Decade (1806-1815)At the beginning of the nineteenth century, even if the phenomenon of running war had subsided, the watch towers still had an active role in controlling the coasts of Southern Italy. Under the French administration some of them were assigned to customs posts, others continued to report the corsair boats always ready to carry out incursive actions. Merchant ships, fishermen and peasants were still struck by the devastating Turkish-Barbarian cruises, but also by corsairs armed by the British in an eternal struggle against the French. The towers are regularly guarded by sentinels armed with non-military weapons, which are not functional to the increasingly sophisticated assaults of the Corsair marines. The people in charge of the customs had to manage a staff often absent from the guardhouse due to malarial fevers, especially during the summer when the coasts were excessively hot. The customs documentation shows the economy of a Southern Italy still rooted in the classic export products: oil, dried figs, cotton, cheese, wine and coarse wool cloths. Raw silk is absent from the market, one of the most exported products until the second half of the eighteenth century and supplanted by the olive tree.
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Сулимов, С. И., and И. В. Черниговских. "The specifics of the interaction of a civilized society with a barbaric one: internal and external aspects." In Современное социально-гуманитарное образование: векторы развития в год науки и технологий: материалы VI международной конференции (г. Москва, МПГУ, 22–23 апреля 2021 г.). Crossref, 2021. http://dx.doi.org/10.37492/etno.2021.71.52.089.

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в статье рассматриваются особенности взаимодействия цивилизованного общества с его варварскими соседями. Авторы полагают, что такое общество не может стать жертвой победоносного нашествия внешних варваров до тех пор, пока само не откажется от цивилизованного образа жизни, а это возможно только под влиянием внутреннего импульса. the article examines the features of the interaction of a civilized society with its barbaric neighbors. The authors believe that such a society cannot become a victim of the victorious invasion of external barbarians until it itself renounces the civilized way of life, and this is possible only under the influence of an internal impulse.
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Schmehl, Paul. "Barbarians at the gateway, defeating viruses in EDU." In the 29th annual ACM SIGUCCS conference. New York, New York, USA: ACM Press, 2001. http://dx.doi.org/10.1145/500956.500998.

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Martins, Flávio, João Magalhães, and Jamie Callan. "Barbara Made the News." In WSDM 2016: Ninth ACM International Conference on Web Search and Data Mining. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2835776.2835825.

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Goodnough, Mark A., Brett D. Rosner, John A. Stineman, and Larry J. Hahn. "FPA design methodologies at Santa Barbara Focalplane." In Aerospace/Defense Sensing and Controls, edited by Eric R. Fossum. SPIE, 1996. http://dx.doi.org/10.1117/12.243536.

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Hu, Xinying, and Linyi Zheng. "Inventing the Barbarians: The Changing Contexts of Yi in the Late Qing Dynasty." In 2021 4th International Conference on Humanities Education and Social Sciences (ICHESS 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.211220.259.

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Ghiefmetti, A., and T. R. Schmitz. "A Case History: AGIP Barbara Lateral Pipeline Installation." In Offshore Technology Conference. Offshore Technology Conference, 1989. http://dx.doi.org/10.4043/6101-ms.

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Walton, R., A. Raman, J. Turpin, and V. Crisostomo. "Channel Improvement Studies for Mission Creek, Santa Barbara." In 29th Annual Water Resources Planning and Management Conference. Reston, VA: American Society of Civil Engineers, 1999. http://dx.doi.org/10.1061/40430(1999)145.

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Bailard, James A. "IMPROVING SAND BYPASSING AT SANTA BARBARA HARBOR, CA." In Proceedings of the 30th International Conference. World Scientific Publishing Company, 2007. http://dx.doi.org/10.1142/9789812709554_0321.

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Yang, Hua. "Conflicts Between Civilization and Barbarism： Cooper’s Ecological Ethics in The Pioneers." In Annual International Conference on Language, Literature and Linguistics. Global Science & Technology Forum (GSTF), 2015. http://dx.doi.org/10.5176/2251-3566_l315.31.

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Reports on the topic "Barbarian"

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Fracassi, Cesare, Alessandro Previtero, and Albert Sheen. Barbarians at the Store? Private Equity, Products, and Consumers. Cambridge, MA: National Bureau of Economic Research, June 2020. http://dx.doi.org/10.3386/w27435.

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Previtero, Alessandro. Barbarians at the Store? Private Equity, Products, and Consumers. American Finance Association, April 2022. http://dx.doi.org/10.37214/jofdata.8.

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Hacker, Angela, Sherman Hansen, and Ashley Watkins. Santa Barbara Final Technical Report. Office of Scientific and Technical Information (OSTI), November 2013. http://dx.doi.org/10.2172/1117018.

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Roy Barcelona, Rosa. Retratos de Mujeres en Bioquímica: Barbara McClintock. Sociedad Española de Bioquímica y Biología Molecular, December 2011. http://dx.doi.org/10.18567/sebbmdiv_rmb.2011.12.1.

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Seigel, David A. Hyperspectral Ocean Color Science: Santa Barbara Channel. Fort Belvoir, VA: Defense Technical Information Center, November 1999. http://dx.doi.org/10.21236/ada370475.

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Siegel, David A. Hyperspectral Ocean Color Science: Santa Barbara Channel. Fort Belvoir, VA: Defense Technical Information Center, September 1999. http://dx.doi.org/10.21236/ada630871.

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Gunter, Dan, Oluwamayowa Amusat, Timothy Bartholomew, and Markus Drouven. Santa Barbara Desalination Digital Twin Technical Report. Office of Scientific and Technical Information (OSTI), November 2021. http://dx.doi.org/10.2172/1831427.

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Martin, Susan. Trump’s Misuse of Barbara Jordan’s Legacy on Immigration. Center for Migration Studies, February 2018. http://dx.doi.org/10.14240/cmsesy020518.

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Melliar-Smith, P. M. Protocol, Engineering Research Center, University of California, Santa Barbara. Fort Belvoir, VA: Defense Technical Information Center, December 2005. http://dx.doi.org/10.21236/ada442846.

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O'Hirok, William. SB3D User Manual, Santa Barbara 3D Radiative Transfer Model. Office of Scientific and Technical Information (OSTI), January 1999. http://dx.doi.org/10.2172/761461.

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