Academic literature on the topic 'Banti, Anna Criticism and interpretation'
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Journal articles on the topic "Banti, Anna Criticism and interpretation"
Parina, Elena. "Textual Criticism and Text Reconstruction: Approaches to Early Russian and Welsh Poetry." Studia Celto-Slavica 5 (2010): 149–58. http://dx.doi.org/10.54586/iumu8654.
Full textBondarenko, Nikita. "REWIEV ON THE BOOK “TERRITORIAL SOVEREIGNTY. A PHILOSOPHICAL EXPLORATION” BY ANNA STILZ." Вестник Пермского университета. Политология 14, no. 4 (2020): 153–56. http://dx.doi.org/10.17072/2218-1067-2020-4-153-156.
Full textПавлов, С. Г. "Anna Akhmatova. “The Twenty-First. Monday. Night...”: An Experience of Linguistic Hermeneutics." Vestnik of Northern (Arctic) Federal University. Series Humanitarian and Social Sciences, no. 2 (April 10, 2021): 70–80. http://dx.doi.org/10.37482/2687-1505-v089.
Full textCichosz, Mariusz. "Individual, family and environment as the subject of research in social pedagogy – development and transformations." Papers of Social Pedagogy 7, no. 2 (January 28, 2018): 6–18. http://dx.doi.org/10.5604/01.3001.0010.8133.
Full textWhite, Jessica. "Body Language." M/C Journal 13, no. 3 (June 30, 2010). http://dx.doi.org/10.5204/mcj.256.
Full textBrien, Donna Lee. "Disclosure in Biographically-Based Fiction: The Challenges of Writing Narratives Based on True Life Stories." M/C Journal 12, no. 5 (December 13, 2009). http://dx.doi.org/10.5204/mcj.186.
Full textDabek, Ryszard. "Jean-Luc Godard: The Cinema in Doubt." M/C Journal 14, no. 1 (January 24, 2011). http://dx.doi.org/10.5204/mcj.346.
Full textKennedy, Ümit. "Exploring YouTube as a Transformative Tool in the “The Power of MAKEUP!” Movement." M/C Journal 19, no. 4 (August 31, 2016). http://dx.doi.org/10.5204/mcj.1127.
Full textEllis, Katie. "Complicating a Rudimentary List of Characteristics: Communicating Disability with Down Syndrome Dolls." M/C Journal 15, no. 5 (October 12, 2012). http://dx.doi.org/10.5204/mcj.544.
Full textBrabon, Katherine. "Wandering in and out of Place: Modes of Searching for the Past in Paris, Moscow, and St Petersburg." M/C Journal 22, no. 4 (August 14, 2019). http://dx.doi.org/10.5204/mcj.1547.
Full textDissertations / Theses on the topic "Banti, Anna Criticism and interpretation"
Roy, Wendy J. "Maps of gender and imperialism in travel writing by Anna Jameson, Mina Hubbard, and Margaret Laurence." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38516.
Full textBecause my aim is to reconcile theoretical contradictions, I examine in detail books that clearly dramatize colonialist or anti-imperialist approaches and considerations or exemplifications of issues of gender. Not surprisingly, the three writers draw very different maps of those subjects, as a function of their disparate geographical and historical contexts. This study reveals, however, that the maps themselves are drawn with similar tools, which include an anti-racist philosophy and an acute awareness of women's position in their own and the visited societies. Thus Jameson makes philosophical connections between mid-nineteenth-century feminist and anti-racist theoretical approaches; Hubbard provides insights into an early twentieth-century woman traveller's relationship to First Nations men who have both more and less power than she; and Laurence serves as a witness to and astute reporter on oppression of mid-twentieth century women by specific colonial and patriarchal forces.
Lozowy, Eric. "Le réseau intertextuel dans le poème Primorskij Park Pobedy d'Anna Axmatova /." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60563.
Full textWhen we read Primorskij park Pobedy through an intertextual network, the superficial meaning of the poem cracks and collapses. The text becomes open: under a trivial and official meaning is concealed an infinity of possible meanings. Our thesis explores this polysemy by showing how Axmatova's poem can generate a system of intertextual relations.
Davidson, Elizabeth Macleod. "Women's writing in exile : three Austrian case studies, Veza Canetti, Anna Gmeyner, Lilli Korber." Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:17215528-0abb-41d2-8f22-883fc185e7c9.
Full textBeek, Pieta van 1958. "Anna Maria van Schurman (1607-1678) en haar kennis van oud-oosterse talen." Thesis, Stellenbosch : Stellenbosch University, 2003. http://hdl.handle.net/10019.1/49748.
Full textENGLISH ABSTRACT: We know very little about women who studied and excelled in the field of Semitic languages in the seventeenth century - it is an unknown territory, terra incognita. In this thesis I will map Anna Maria van Schurman's (1607-1678) studies in Semitic languages. Of the fourteen languages she knew, seven were Semitic or Near-Eastern languages: Hebrew (Rabbinic Hebrew included), Aramaic, Syriac, Samaritan, Arabic, Persian or Ethiopian. The thesis commences with a brief discussion of her life (including some new material), followed by an overview of the knowledge about Semitic languages that prevailed in the seventeenth century, which at the time underwent a surge of growth. Thereafter the discussion will focus on Van Schurman's mentor, Voetius, and his knowledge and views of Semitic languages. It will be based on the Sermoen (lecture) delivered at the opening of the University of Utrecht in 1636. His library, which Van Schurman used, also appears to be an invaluable source, full of reference books for the study of 'orientaelsche' languages. In order to determine the standard of Van Schurman's work, it was useful to read first what her contemporaries wrote about her, as well as what she wrote in her various works, including her autobiographies, about Semitic languages. Adfontes did I research what has been preserved in these seven languages: letters in Hebrew, a poem, many references - in particular in Hebrew, Aramaic, Syriac and Arabic - in her works such as the Dissertatio, the Opuscula Hebraea Graeca Latina et Gallica, unpublished letters and the texts she wrote in alba amicorum and on polyglottal artworks in Hebrew, Rabbinic Hebrew, Syriac, Aramaic, Arabic, Samaritan and Ethiopian. Her letters in Hebrew (and some letters to her) have only now been translated for the first time. From these it seems that she had, in contrast to her work in Latin, Greek, Dutch and French, such a religious regard for Hebrew that she wrote these letters as a collage of Biblical texts. It was, however, also an intellectual game. Van Schurman designed a grammar for Ethiopian, an outstanding achievement in the erudite Netherlands. Although it is thought to be lost, it is nevertheless possible to ascertain, by means of reports and poems by her contemporaries, what constituted this grammar. Lastly, Van Schurman's oeuvre is compared to that of the men and women of the educated community in Europe (Res Publica Litterarum ) who were also involved in the study of 'orientaelsche' languages. She was a source of inspiration for several women, such as Marie du Moulin, who also studied Hebrew and corresponded with Van Schurman in Hebrew. Anna Maria Van Schurman can rightfully be called the only female christian hebraist who could hold her own in the company of her male counterparts, despite the fact that, as a woman, she did not have the same opportunities as they had. She even exceeds them in her knowledge of Ethiopian. With regard to other women, she undoubtedly stood head and shoulders above them, and deserves to be known as the "Babel of her time".
AFRIKAANSE OPSOMMING: Ons weet byna niks van wat vroue in die sewentiende eeu op die gebied van die Oud- Oosterse tale gepresteer het nie, dis 'n onbekende terrein, 'n terra incognita. In hierdie tesis word Anna Maria van Schurman (1607-1678) se studies in Oud-Oosterse tale gekarteer. Van die veertien tale wat sy geken het, was sewe Oud-Oosterse tale: Hebreeus (Rabbyns-Hebreeus ingesluit), Aramees, Siries, Samaritaans, Arabies, Persies en Ethiopies. Ek bespreek eers kortliks haar lewe (met heelwat nuwe materiaal), gee dan 'n oorsig van die 17de-eeuse kennis van hierdie tale wat toe 'n groot bloeitydperk beleef het. Dan bespreek ek haar leermeester Voetius se kennis van Oud-Oosterse tale. Dit word gedoen aan die hand van die Sermoen wat hy by die opening van die Utrechtse Universiteit in 1636 gehou het. Sy biblioteek wat sy ook ter insae gehad het, blyk 'n skatkamer van naslaanwerke vir die studie van 'orientaelsche' tale te wees. Om die standaard van Van Schurman te bepaal, het ek eers gekyk na wat tydgenote oor haar geskrywe het en wat sy self in haar werk, onder andere in haar outobiografie, oor Oud-Oosterse tale geskryf het. Ad fontes het ek ondersoek wat daar van haar in die sewe tale oorgelewer is: briewe in Hebreeus, 'n gedig, die verwysings in veral Hebreeus, Aramees, Siries en Arabies in haar werke soos die Dissertatio, die Opuscula Hebraea Graeca Latina et Gallica, ongepubliseerde briewe, en die tekste wat sy in alba amicorum en op polyglotte kunswerkies geskrywe het in Hebreeus, Rabbyns- Hebreeus, Siries, Aramees, Arabies, Samaritaans en Ethiopies. Haar briewe in Hebreeus (en sommige aan haar) is nou vir die eerste keer vertaal. Uit die briewe blyk dat sy, in teenstelling tot haar werk in Latyn, Grieks, Nederlands en Frans, so 'n heilige ontsag vir Hebreeus gehad het dat sy die briewe geskrywe het as 'n collage van Bybeltekste. Maar dit was ook 'n intellektuele speletjie. Van Schurman ontwerp 'n grammatika vir Ethiopies, 'n topprestasie in geleerde Nederland. Hoewel dit nou verlore is, kan mens tog aan die hand van verslae en gedigte van tydgenote 'n beeld kry van wat haar grammatika behels het. Ten slotte vergelyk ek haar met die manne en vroue in die Europese akademiese gemeenskap, die Republiek van Lettere, wat ook in die veld van 'orientaelsche' tale besig was. Vir 'n aantal vroue soos Marie du Moulin was Van Schurman 'n bron van inspirasie. Sy het ook Hebreeus bestudeer en met Van Schurman gekorrespondeer in Hebreeus. Van Schurman kan met reg die enigste vroulike Christelike Hebraïs genoemd word wat met manlike geleerdes op gelyke voet kon verkeer, al het sy deur haar posisie as vrou nie dieselfde geleenthede gehad nie. Tog steek sy met haar kennis van Ethiopies hulle na die kroon. Wat betref die vroue: sy het kop en skouers bo haar vroulike tydgenote uitgestaan en word met reg die Babel van haar tyd genoem.
NEDERLANDSE OPSOMMING: We weten vrijwel niets wat vrouwen in de zeventiende eeuw op het gebied van oudoosterse talen presteerden, het is een onbekend land, een terra incognita. In deze thesis breng ik de studies in oud-oosterse of semitische talen van Anna Maria van Schurman (1607-1678) in kaart. Van de veertien talen die ze kende, waren er zeven oud-oosters of 'orientaelsch": Hebreeuws (Rabbijns-Hebreeuws ingesloten), Aramees, Syrisch, Samaritaans, Arabisch, Perzisch en Ethiopisch. Ik bespreek eerst kort haar leven (op grond van veel nieuw materiaal), geef dan een overzicht van de kennis van oud-oosterse talen in de zeventiende eeuw die toen een grote bloei doormaakte. Dan bespreek ik de kennis van en de visie op oud-oosterse talen van haar leermeester Voetius aan de hand van het Sermoen dat hij hield bij de opening van de Utrechtse Universiteit in 1636. Zijn bibliotheek die zij ook gebruikte bleek een schatkamer aan standaardwerken voor de studie van 'orientaelsche ' talen. Om het niveau van Van Schurman te bepalen, inventariseerde ik eerst wat tijdgenoten over haar schreven en wat ze zelf in haar werk, onder andere in haar autobiografie, over oud-oosterse talen schreef Ad fontes onderzocht ik naar wat er van haar in die zeven talen is overgeleverd: Hebreeuwse brieven en een gedicht, de vele verwijzingen in vooral het Hebreeuws, Aramees, Syrisch, Arabisch in haar werken als de Dissertatio, de Opuscula Hebraea Graeca Latina et Gallica, en ongepubliceerde brieven plus de teksten die ze in alba amicorum en op haar polyglotte kunstwerkjes schreef in het Hebreeuws, Rabbijns-Hebreeuws, Syrisch, Aramees, Arabisch, Samaritaans en Ethiopisch. Haar brieven in het Hebreeuws van (en sommige aan haar) zijn nu voor het eerst vertaald. Uit die brieven blijkt dat ze, in tegenstelling tot haar werk in het Latijn, Grieks, Nederlands en Frans, zo'n heilige opvatting heeft van het Hebreeuws dat ze die brieven schrijft als een collage van bijbelteksten. Maar het was ook een intellectueel spel. Ze ontwierp een grammatica voor het Ethiopisch, een topprestatie in geleerd Nederland. Ook al is deze nu onvindbaar, toch was het mogelijk om aan de hand van verslagen en gedichten van tijdgenoten een beeld te krijgen van wat haar grammatica behelsde. Tenslotte vergeleek ik haar met de mannen en vrouwen in de Europese geleerdengemeenschap, de Republiek der Letteren die ook in het veld van de orientaelsche' talen bezig waren. Voor een aantal vrouwen zoals Marie du Moulin was Van Schurman een inspiratiebron. Zij ging ook Hebreeuws studeren en correspondeerde met Van Schurman in het Hebreeuws. Van Schurman kan met recht de enige christelijke hebraïste in Europa genoemd worden die met de mannelijke geleerden op gelijke voet verkeerde, al had ze door haar positie als vrouw niet dezelfde mogelijkheden. Toch stak ze hen door haar kennis van het Ethiopisch naar de kroon. Wat betreft de vrouwen: ze stak er met kop en schouders boven uit, ze werd terecht het Babel van haar tijd genoemd.
Castro, Eliana de. "Religião e romantismo: o adultério de Anna Kariênina à luz da teoria romântica da paixão." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21428.
Full textMade available in DSpace on 2018-09-19T10:19:30Z (GMT). No. of bitstreams: 1 Eliana de Castro.pdf: 786815 bytes, checksum: 3b61ffb2f9bfea8827bb1f27780a45a0 (MD5) Previous issue date: 2018-08-21
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This research intends to analyze the novel Anna Kariênina, by the Russian writer Liev Tolstoy, in the light of Romanticism and orthodox Christianity, specifically the question of adultery and romantic love, which ends up leading the protagonist to suicide. We deal with the importance of literature since the earliest times, especially how through literature it is possible to get in touch with the religious customs of a nation, that is, their worldview. We create a panorama of the romantic movement and its influence in literature, just as we present the new way of seeing and living the religion that has been given by the historical romantics; beyond, of course, the very conception of romantic love, which dates back to this period. We observe Tolstoy as a religious agent, passing through his main body of work, thus arriving at the question of the desire that, in the end, closes the research in a detailed analysis of the work, which certainly serves the whole theoretical path.
Esta pesquisa pretende analisar o romance Anna Kariênina, do escritor russo Liev Tolstói, à luz do Romantismo e do cristianismo ortodoxo, especificamente a questão do adultério e do amor romântico, o que acaba por levar a protagonista ao suicídio. Tratamos a importância da literatura desde os tempos mais remotos, principalmente como por meio da literatura é possível entrar em contato com os costumes religiosos de um povo, ou seja, sua cosmovisão. Tecemos um panorama do movimento romântico e sua influência na literatura, da mesma forma como apresentamos a nova maneira de ver e viver a religião que se deu a partir dos românticos históricos; além, claro, da própria concepção de amor romântico, que data desse período. Observamos Tolstói como um agente religioso, perpassando suas principais obras, chegando assim na questão do desejo que, por fim, encerra a pesquisa numa análise detalhada da obra, que se serve, certamente, de todo o caminho teórico percorrido.
Books on the topic "Banti, Anna Criticism and interpretation"
Anna Banti and the (im)possibility of love. Newcastle upon Tyne: Cambridge Scholars, 2010.
Find full textSchrattenecker, Irene. Quel mondo di donne fragili e superbe--: Studien zur Erzählkunst von Anna Banti. Wien: VWGÖ, 1992.
Find full textNel nome della madre: Neera, Sibilla Aleramo, Alba de Céspedes e Anna Banti. Ariccia (RM): Aracne editrice int.le S.r.l., 2015.
Find full textBrandes, Ute Thoss. Anna Seghers. Berlin: Colloquium Verlag, 1992.
Find full textKraft, Perdita v. Anna Oppermann. Hannover: Th. Schäfer, 1994.
Find full textAnna Mitgutsch. Graz: Droschl, 2009.
Find full textDexeus, Victoria Combalía. Anna Miquel. Barcelona: Àmbit Serveis Editorials, 1992.
Find full textLuz, Angela Ancora da. Anna Letycia. São Paulo, SP, Brasil: Edusp, 1998.
Find full textStockinger, Heide, and Kristin Teuchtmann. Anna Mitgutsch. Edited by Amt der OÖ. Landesregierung. Landeskulturdirektion. Linz: Land Oberösterreich, Amt der OÖ Landesregierung, Landeskulturdirektion, 2004.
Find full textNaĭman, Anatoliĭ. Remembering Anna Akhmatova. London: P. Halban, 1991.
Find full textBook chapters on the topic "Banti, Anna Criticism and interpretation"
Gorodilova, Natalia I. "L.N. Tolstoy’s Novel “Anna Karenina” in Russian Criticism: Typology of Positive Reviews (1875)." In L.N. Tolstoy: Moral Search and Creative Laboratory, 323–44. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/lt-978-5-9208-0664-2-323-344.
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