Relevant bibliographies by topics / Bank notes – Belgium – History

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  2. Dissertations / Theses
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Academic literature on the topic 'Bank notes – Belgium – History'

Author: Grafiati
Published: 10 March 2023

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Journal articles on the topic "Bank notes – Belgium – History"

1

Martin-Aceña, Pablo. "Ivo Maes, A Century of Macroeconomic and Monetary Thought at the National Bank of Belgium (Brussels: National Bank of Belgium, 2010, 154 pp.)." Financial History Review 18, no. 1 (February 2, 2011): 128–30. http://dx.doi.org/10.1017/s0968565010000363.

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Dotti, Nicola Francesco, Bas Van Heur, and Colin C. Williams. "Mapping the Shadow Economy: Spatial Variations in the use of High Denomination Bank Notes in Brussels." European Spatial Research and Policy 22, no. 1 (June 30, 2015): 5–21. http://dx.doi.org/10.1515/esrp-2015-0014.

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The aim of this paper is to map the spatial variations in the size of the shadow economy within Brussels. Reporting data provided by the National Bank of Belgium on the deposit of high denomination banknotes across bank branches in the 19 municipalities of the Brussels-Capital Region, the finding is that the shadow economy is concentrated in wealthier populations and not in deprived or immigrant communities. The outcome is a call to transcend the association of the shadow economy with marginalized groups and the wider adoption of this indirect method when measuring spatial variations in the shadow economy.
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SCHILTZ, MICHAEL. "An ‘ideal bank of issue’: the Banque Nationale de Belgique as a model for the Bank of Japan." Financial History Review 13, no. 2 (October 2006): 179–96. http://dx.doi.org/10.1017/s0968565006000230.

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It is established historical knowledge that the Bank of Japan (1882) was modelled upon the Banque Nationale de Belgique (1850). In this article, I point out how Japan's recurrent frustration with foreign dependence nurtured a social Darwinist view of international politics and finance: Japan's capability to survive in the world was believed to be dependent on its capability to assimilate foreign knowledge and institutions. In the field of finance, Matsukata Masayoshi, Japan's most enlightened financial policy maker at the time, turned to Belgium. I explain that Matsukata was dedicated to the emulation of Belgium's financial infrastructure, in which several public institutions would each be responsible for a specific area of the credit system. I indicate how efforts to adopt Belgian institutions and banking ideas proceeded meticuluously; yet, in the end, Japanese and Belgian finance developed along quite distinct pathways.
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Clay, Christopher. "The Bank Notes of the Imperial Ottoman Bank, 1863-1876." New Perspectives on Turkey 9 (1993): 101–18. http://dx.doi.org/10.1017/s0896634600002235.

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During the middle and later decades of the nineteenth century successive generations of Ottoman statesmen made a sustained effort to transform the traditional-style Islamic empire, responsibility for which they had inherited, into a modern state. The difficulties they faced were enormous and, as is well known, ultimately proved insurmountable, so that what was left of the their territories finally disintegrated in the decade following the revolution of 1908. However, if there was one problem above all others to which could be ascribed the failure in turn of the Tanzimat, Hamidian, and Young Turk reformers, it was the financial weakness of the central government. Partly because of the inadequate tax base provided by an overwhelmingly agricultural economy, partly because of an inadequate administrative machine (especially in respect of tax collection and the control of expenditure), and partly because of the high level of military expenditure necessitated by constant external and internal threats to its integrity, the nineteenth century Ottoman state never had enough money, and from this one overwhelming fact derived a host of other woes.
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Fiege, M., and S. Mihm. "Mark Fiege and Stephen Mihm on Bank Notes." Environmental History 13, no. 2 (April 1, 2008): 351–59. http://dx.doi.org/10.1093/envhis/13.2.351.

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Deloof, Marc, Annelies Roggeman, and Wouter Van Overfelt. "Bank affiliations and corporate dividend policy in pre-World War I Belgium." Business History 52, no. 4 (July 2010): 590–616. http://dx.doi.org/10.1080/00076791003753178.

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Game, Chantal S., Lisa M. Cullen, and Alistair M. Brown. "The rise of financial accountability in British joint stock banks: 1825 to 1845." Financial History Review 27, no. 2 (August 2020): 234–55. http://dx.doi.org/10.1017/s0968565020000086.

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This study explores parliamentary reforms related to the financial accountability of banks following the 1825–6 and 1836–7 financial crises in England. An appraisal of nineteenth-century parliamentary Hansard transcripts reveals early banking legislative pursuits. The study observes the laissez-faire and interventionist approaches towards the banking enactments of 1826, 1833 and 1844 that underpin the transformation of financial accountability during this era. The Bank Notes Act 1826 imposed financial accountability on the Bank of England by requiring the mandatory disclosure of notes issued. The Bank Notes Act 1833 extended this requirement to all other banks. The Bank Charter Act 1833 increased the financial accountability of the Bank of England by requiring it to provide an account of bullion and securities belonging to the governor and company, as well as deposits held by the bank. Thereafter, the Joint Stock Banks Act 1844 pioneered the regular publication of assets and liabilities and communication of the balance sheet and profit and loss account to shareholders. State intervention in the financial accountability of banks during the period from 1825 to 1845 appears to have been cumulative.
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Shi, Ji Long, Yi Mu, Yang Zhi Zhang, Wu Gan Luo, Rong Wang, and Xiao Yang Fang. "The Nondestructive Identification of Printing Pigments in Bank Notes Issued by Yantai XiGongshun, the Republic of China." Advanced Materials Research 174 (December 2010): 533–36. http://dx.doi.org/10.4028/www.scientific.net/amr.174.533.

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Two kinds of bank note issued by YanTai XiGongShun, the Republic of China, are collected by Laboratory of Printing History, School of Printing and Packaging Engineering, Beijing Institute of Graphic Communication. The colors on these bank notes are bright and the patterns and signs can be easily recognized. All bank notes are of the elongated shape, and are printed with bank name, par value, circulation area, anti-counterfeiting characters and decorative pictures in the front of the bank notes. The two colors on these bank notes were analyzed using laser Raman microscopy, and the results showed that the red, blue and green pigments are cinnabar, Lapis lazuli, respectively.
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Overfelt, Wouter Van, Jan Annaert, Marc De Ceuster, and Marc Deloof. "Do universal banks create value? Universal bank affiliation and company performance in Belgium, 1905–1909." Explorations in Economic History 46, no. 2 (April 2009): 253–65. http://dx.doi.org/10.1016/j.eeh.2008.07.001.

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Waelkens, Marc, Edwin Owens, Ann Hasendonckx, and Burcu Arikan. "The Excavations at Sagalassos 1991." Anatolian Studies 42 (December 1992): 79–98. http://dx.doi.org/10.2307/3642953.

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During 1991 large-scale excavations at Sagalassos continued for their second season from 13 July until 5 September. The work was directed by Professor Marc Waelkens (Dept. of Archaeology, Catholic University of Leuven). A total of 42 scientists from various countries (Belgium, Turkey, Great Britain, Germany and Portugal) as well as 25 local workmen (supervised by Mr. Ali Toprak) carried out the work. The team included 20 archaeologists, 4 illustrators (supervised by G. Evsever and R. Kotsch), 4 architect-restorers (directed by Prof. R. Lemaire and Dr. K. Van Balen), 3 cartographers (directed by Prof. F Depuydt), 2 geologists (directed by Prof. W. Viaene), 2 geomorphologists (Prof. J. De Ploey and Prof. E. Paulissen), 1 archaeozoologist (Dr. W. Van Neer), 1 anthropologist (Dr. Chr. Charlier), 2 restorers for the small finds (directed by Miss K. Norman) and 1 photographer (P. Stuyven). The Turkish Antiquities Department was represented by Muhammet Alkan from the Sivas Museum, whom we thank for his help. Financial support came from the Research Council of the Catholic University of Leuven, the Belgian Fund for Collective Fundamental Research (F.K.F.O.), the Belgian Programme on Interuniversity Poles of Attraction (I.U.A.P. no 28), the National Bank of Belgium, the ASLK/CGER Bank, the tour operator ORION, the car rental company Interleasing, the restoration company E. G. Verstraete & Vanhecke N. V., Agfa-Gevaert films and the association “Friends of Sagalassos”.
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Dissertations / Theses on the topic "Bank notes – Belgium – History"

1

Outmane, Saïd. "Contribution à une étude des transformations de la fonction ressources humaines et de la culture organisationnelle dans un contexte de fusion-acquisition: approche par l'analyse des normes et des représentations des acteurs sociaux (cas de Fortis Banque)." Doctoral thesis, Universite Libre de Bruxelles, 2009. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210292.

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Les changements qui caractérisent le secteur bancaire belge par le processus des fusions-acquisitions constituent un point de départ de notre recherche. Cet environnement mouvant dans lequel se situent les banques, est contraignant et les force à chercher de nouveaux modes d’adaptations sur tous les plans, technique, gestionnaire, organisationnel et humain.

Cette recherche s’est consacrée à une réflexion sur la normalisation des organisations et à l’étude de la problématique de la normalisation comme instrument de régulation. En particulier, il s’agit de s’interroger sur les mécanismes d’ajustements tels que la normalisation et la régulation d’une organisation issue d’une fusion bancaire. Nous nous intéressons principalement aux ajustements relatifs aux pratiques de gestion des ressources humaines et aux transformations des cultures organisationnelles.

Ainsi, l’objectif principal que nous nous étions assigné dans cette étude consistait à appréhender le processus de transformation du système de gestion des ressources humaines et de cerner les mutations de la culture d’une entreprise, inscrite dans une problématique de modernisation et de changement organisationnel. Il s’agissait, en particulier, d’étudier en profondeur le cas la C.G.E.R. et la Générale de Banque, ayant fusionnées en vue de la création d’une entité unique :la Fortis Banque et de s’interroger sur les rôles de normalisation et de régulation qu’avait cette dernière.

Nous nous sommes attachés, tout d’abord dans la première partie, à expliciter l’histoire de deux banques – C.G.E.R. et Générale de Banque – ayant donné naissance à Fortis Banque. Nous avons essayé de mettre en exergue les différentes étapes de leur développement depuis leur origine jusqu’à leur fusion, en reprenant les grands événements ayant jalonné leur histoire et ayant joué, directement ou indirectement, un rôle dans leur transformation au fil du temps :les évolutions économiques, les transformations socio-organisationnelles, les réformes structurelles, les modifications au sein du top management, les périodes de crises, les tentatives de réforme qui s’y sont succédées, les routines de comportement qui s’y sont cristallisées, etc.

Et pour compléter cette perspective historique, nous avons mobilisé concepts et théories développés dans d’autres champs notamment la théorie des représentations sociales, l’approche par les normes. Nous avons souhaité montrer l’utilité des recherches sur les représentations sociales et les normes sociales pour le management interculturel.

De point de vue empirique ou le plan d’application, cette étude a permis de savoir de quelle manière les représentations collectives propres à chacune des deux organisations étudiées se comparaient. La mise en commun de ces deux banques fusionnées a révélé des différences majeures dans leur contexte et dans leur fonctionnement interne, ce qui laissait présager d’entrée en jeu, une intégration difficile.

D’abord, afin de rendre compte des perceptions des acteurs par rapport à des pratiques de gestion (dont la GRH), nous avons défini un ensemble de questions qui portent sur les représentations que les individus sont amenés à exprimer au sujet du rôle de la gestion des ressources humaines aux travers un ensemble de dimensions. Ces dernières sont rapportées à plusieurs rôles assignés à la GRH :rôle stratégique et d’innovation, rôle de médiation normative, rôle de maintien des règles et rôle de soutien des personnes.

Nos résultats ont mis en exergue un écart entre les trois catégories de sujets retenues - Ex-C.G.E.R. Ex-Générale de Banque et Nouveaux Fortis -, dans leurs représentations sociales des pratiques de gestion des ressources humaines et ont montré l’existence dans l’entreprise des sous-groupes, aux pratiques hétérogènes. Étant donné que c’est la diversité des individus dans l’organisation qui nous a intéressée, nous avons jugé préférable que le regroupement entre ces individus se fasse en fonction de leur communauté de représentation. L'objectif consistait en la compréhension différentielle conjointe des représentations des acteurs. En effet, l’étude a fait ressortir les représentations ambivalentes des acteurs concernés face au changement mis en œuvre au sein de la banque étudiée.


Doctorat en sciences sociales, Orientation sciences du travail
info:eu-repo/semantics/nonPublished

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2

SCHWARZENBACH, Alexis. "Portraits of the Nation : stamps, coins and banknotes in Belgium and Switzerland, 1880-1945." Doctoral thesis, 1997. http://hdl.handle.net/1814/5974.

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Defence date: 13 December 1997
Examining Board: Prof. Urs Altermatt, Université de Fribourg ; Prof. John Brewer, EUI (supervisor) ; Prof. Martin Conway, Balliol College, Oxford (ext. supervisor) ; Prof. Luisa Passerini, EUI
First made available online on 7 January 2020
Portraits of the Nation offers a fascinating insight into the construction and development of national identity in two multilingual countries—Belgium and Switzerland. This book not only shows that multilingualism was no obstacle for the development of national identity—in both countries it was used as a positive means of collective identification —it also demonstrates that other means of identification were much more important. These were found on a national and supra-linguistic level—in Belgium the Royal Family and in Switzerland the Alps—and on a local and sublinguistic level—in Belgium mainly the provinces and in Switzerland the cantons. This study also shows that, contrary to what might be expected, Belgium was often more successful than Switzerland in constructing and adapting its national identity, especially in the inter-war years. Combining written and iconographic sources found in the archives of the national banks, mints and Post Offices in Berne and Brussels this book furthermore fills in an important historiographical gap using stamps, coins and banknotes as historical sources for the first time. Often neglected by historians, Alexis Schwarzenbach successfully argues that these sources have to be seen as important lieux de mernoire and that they are ideally suited for the study of the interrelated topics of memory and identity.
-- 1. Introduction -- 2. Decision-making 1880-1913 -- 3. Portraits 1880-1913 -- 4. The First World War -- 5. Inter-war decision-making -- 6. Portraits 1919-1933/34 -- 7. Portraits 1933/34-1939/40 -- 8. The Second World War
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Lett, Telesia Amanda. "Valuable paper and counterfeit presentments: Alfred Jones, the American Art-Union, and antebellum bank note engraving." Thesis, 2019. https://hdl.handle.net/2144/38997.

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The antebellum era was a time of paper—there were newspapers and magazines to read, advertising bills to recognize, and money in the pocket to evaluate. Both the bank note companies and art unions emphasized the quality of the artists they hired, and publicized these works for their taste and nationalizing sentiments. These groups set out to produce a product that encouraged consumer confidence in paper in exchange for something more lasting, such as a painting in oil or a gold coin. The link between these two ideas and the creators of that ineffable quality that lent confidence to both the bank note and the fine art engraving was the engraver himself. Navigating this modern, paper economy in both realms were engravers such as Alfred Jones (1819-1900), a man who made his way in the financial and art worlds, and whose ambitions and career serve as a case study to explore the rapid changes in the demand for images during the Nineteenth Century. Chapter one situates Jones and his colleagues in their historical era and illuminate how cultural, political, and technological advances created a market where engraving could flourish. Chapter two examines Jones’s role within the art unions of the day, and how those groups advertised the skill of engravers, such as Jones, to bolster notions of value in the prints they issued. Chapter three looks more closely at the images created by engravers, and investigates their role in establishing and reinforcing a national visual lexicon that could unify the idea of the nation even as it was unraveling. Chapter four discusses the confusion surrounding counterfeit engravings during the antebellum period and the efforts bank notes companies undertook to highlight the skill of their engravers to reassure the general public of their worth. The burins of Jones and his cohort, through their work in fine arts organizations and bank note companies created images accessible to the average citizen, images these consumers could recognize and assign a value. They applied their talents to works on paper that illustrated the making of the American self in the years before the Civil War.
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Horesh, Niv. "British banknotes in China : the Bund and beyond, 1864-1937." Phd thesis, 2006. http://hdl.handle.net/1885/150292.

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Books on the topic "Bank notes – Belgium – History"

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Portraits of the nation: Stamps, coins, and banknotes in Belgium and Switzerland, 1880-1945. Bern: Peter Lang, 1999.

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Clifford, Mishler, ed. Michigan obsolete bank & scrip notes of the 19th century: National bank notes 1863-1935. Iola, Wis: Krause Publications, 2006.

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Krause, Chester L. Wisconsin obsolete bank notes and scrip. Iola, WI: Krause Publications, 1994.

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Nepalese coins & bank notes (1911 to 1955 ce). Kathmandu: Kazi Madhusudan Raj Bhandary, 2007.

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Cortázar, Fernando García de. La peseta y el arte: Imágenes en billetes anteriores al euro. Madrid: Editorial Scriptum, 2001.

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Cho, Pyŏng-su. Han'guk ŭi ŭnhaengkwŏn: Uri nara ŭnhaengkwŏn ŭi pyŏnch'ŏnsa = Korean banknotes. Sŏul: Osŏng K&C, 2010.

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Tārīkh al-ʻumlah al-waraqīyah fī al-Kuwayt. [Kuwait?]: Bāsim Muḥammad al-Ibrāhīm, 2007.

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Weber, Warren E. Were U.S. state banknotes priced as securities? [Minneapolis, Minn.]: Federal Reserve Bank of Minneapolis, 2004.

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Tārīkh al-ʻumlah al-waraqīyah fī al-Kuwayt. [Kuwait?]: Bāsim Muḥammad al-Ibrāhīm, 2007.

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Tārīkh al-ʻumlah al-waraqīyah fī al-Kuwayt. [Kuwait?]: Bāsim Muḥammad al-Ibrāhīm, 2007.

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Book chapters on the topic "Bank notes – Belgium – History"

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Hotori, Eiji, Mikael Wendschlag, and Thibaud Giddey. "Motivation and Framework." In Formalization of Banking Supervision, 1–21. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-6783-1_1.

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AbstractThis chapter introduces the concept and a definition of the “formalization” of banking supervision that is examined in this book and outlines the aim and scope of the book. In addition to providing the reader with an overview of the history of banking supervision in eight developed countries (the US, Japan, Sweden, Germany, Switzerland, Belgium, France, and the UK), the book presents information regarding the formalization process itself. That process is assessed based on three criteria—bank regulation, supervisory authority, and supervisory activity. This approach is intended to provide more detail than a simple assessment based on banking acts that is common in financial regulation research. The aim of the analysis undertaken in this book is to identify why the history of banking supervision in various countries shares many similarities and yet also displays many differences. In Sect. 1.5, we provide an overview of the historiography of the formalization of banking supervision with a special emphasis on comparative and internationally oriented literature, while the growing body of literature on each of the national cases is discussed in subsequent chapters.
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Wright, Robert E., and Richard Sylla. "Bank-Notes." In The History of Corporate Finance, 156–67. Routledge, 2020. http://dx.doi.org/10.4324/9781003074212-11.

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"United Kingdom Bank Notes." In A Monetary History of the United Kingdom, 1870-1982, 209–20. Routledge, 2003. http://dx.doi.org/10.4324/9780203014622-8.

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"Notes." In A Domestic History of the Bank of England, 1930–1960, 389–417. Cambridge University Press, 1992. http://dx.doi.org/10.1017/cbo9780511896156.015.

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"Bank Charter Act, 1844: ‘An Act to regulate the Issue of Bank Notes, and for giving to the Governor and Company of the Bank of England certain Privileges for a limited Period’ (19 July 1844)." In The Monetary History of Gold, 187. Routledge, 2016. http://dx.doi.org/10.4324/9781315476131-64.

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"‘A Bill, to amend the Currency and Bank Notes Act, 1914’, United Kingdom (25 August 1914)." In The Monetary History of Gold, 297. Routledge, 2016. http://dx.doi.org/10.4324/9781315476131-85.

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Galbraith, John Kenneth, and James K. Galbraith. "The bank." In Money. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691171661.003.0004.

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This chapter discusses the history of central banks, with emphasis on the case of the Bank of England. For a long time after John Law, Frenchmen remained deeply suspicious of banks and bank notes, of any money that was not made of metal. The chapter considers the reforms that occurred in the banking industry, led by the Bank of England, which gradually emerged as the guardian of the money supply as well as of the financial concerns of the government of England during the period 1720–1780. It also examines the 1811 debate on the nature of money and its management, focusing on David Ricardo's arguments about money in relation to the gold standard. Finally, it looks at the Bank of England's role in introducing the use the two historic instruments of central bank policy: open-market operations and the bank rate.
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"Currency and Bank Notes Act, 1914: ‘A Bill, to authorise the Issue of Currency Notes, and to make Provision with Respect to the Note Issue of Banks’ (6 August 1914)." In The Monetary History of Gold, 294–96. Routledge, 2016. http://dx.doi.org/10.4324/9781315476131-84.

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"‘A Bill, intituled, an Act for making more effectual Provision for preventing the current Gold Coin of the Realm from being paid or accepted for a greater Value than the current Value of such Coin; for preventing any Note or Notes of the Governor and Company of the Bank of England from being received for any smaller Sum than the Sum therein specified; and for staying Proceedings upon any Distress by Tender of such Notes’ (9 July 1811)." In The Monetary History of Gold, 158–59. Routledge, 2016. http://dx.doi.org/10.4324/9781315476131-54.

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"‘A Bill, to continue and amend an Act of the Session of Parliament, for making more effectual Provision for preventing the current Gold Coin of the Realm from being paid or accepted for a greater Value than the current Value of such Coin, for preventing any Note or Bill of the Governor and Company of the Bank of England from being received for any smaller Sum than the Sum therein specified, and for staying Proceedings upon any Distress by Tender of such Notes; and to extend the same to Ireland’ (20 March 1812)." In The Monetary History of Gold, 160–62. Routledge, 2016. http://dx.doi.org/10.4324/9781315476131-55.

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