Books on the topic 'Banjo lessons'

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1

Tamez, Elsa. Bajo un cielo sin estrellas: Lecturas y meditaciones bi blicas. San Jose , Costa Rica: Departmento Ecume nico de Investigaciones, 2001.

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2

Hood, Jack B. Banjo Lessons. AuthorHouse, 2004.

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3

Banjo lessons. Regina, SK: Coteau Books, 1997.

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4

Cahill, Greg, and Michael Miles. 100 Banjo Lessons. Hal Leonard, 2019.

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5

First Lessons Banjo. Mel Bay Publications, Inc., 2015.

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6

Levenson, Dan. First Lessons Clawhammer Banjo. Mel Bay Publications, Inc., 2015.

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7

Hatfield, Jack. Mel Bay First Lessons Banjo. Mel Bay Publications, Inc., 2005.

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8

Mel Bay First Lessons Banjo. Mel Bay Publications, 2002.

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9

Carr, Joe. Mel Bay's First Lessons Tenor Banjo. Mel Bay Publications, Inc., 2006.

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10

Sheridan, Dick. ASAP Beginning Bluegrass Banjo: Learn How to Play the Bluegrass Way. Hal Leonard, 2019.

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11

Sundet, Mona. Banjo Playing Style : Lessons Learned in Banjo Playing to Life in General: Banjo Instrument Parts. Independently Published, 2021.

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12

Mel Bay's First Lessons Tenor Banjo (Mel Bay's First Lessons). Mel Bay Publications, Inc., 2006.

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13

Sokolow, Fred. Blues Banjo: Lessons, Licks, Riffs, Songs and More. Leonard Corporation, Hal, 2014.

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14

Sokolow, Fred. Blues Banjo: Lessons, Licks, Riffs, Songs and More. Leonard Corporation, Hal, 2014.

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15

Sokolow, Fred. Blues Banjo: Lessons, Licks, Riffs, Songs and More. Leonard Corporation, Hal, 2014.

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16

McKeon, Rick. The Natural Banjo Player: Nature's Lessons for Effortless Playing. CreateSpace Independent Publishing Platform, 2016.

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17

ASAP Fiddle Tunes made easy for Bluegrass Banjo: Learn to play the bluegrass way. Hal Leonard Corporation, 2010.

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18

Gibbons, Mary E. Lessons Taken to Heart: Private Banjo & Guitar Studies with Jerry Garcia. Blue Mountain Music Processing, 2004.

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19

Benson, Kristin Scott. First 15 Lessons for Banjo: A Beginner's Guide Complete with Audio and Video Lessons! Leonard Corporation, Hal, 2018.

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20

Benson, Kristin Scott. First 15 Lessons - Banjo: A Beginner's Guide, Featuring Step-By-Step Lessons with Audio, Video, and Bluegrass Songs! Leonard Corporation, Hal, 2018.

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21

Tanner, Henry Ossawa. Banjo Lesson Notebook. Dover Publications, Incorporated, 2021.

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22

READING 2007 LEVELED READER GRADE 5 UNIT 6 LESSON 5 ON-LEVEL: GRANDMA BETTYS BANJO. Scott Foresman, 2005.

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23

The Banjo Lesson, Henry Ossawa Tanner. Ruled journal: Journal 160 Lined / ruled pages, 6x9 inch Laminated. CreateSpace Independent Publishing Platform, 2015.

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24

Allison, Rosemarie. Life Is Better with a Banjo Vintage Tree Music Illustration Meme Notebook Lined: Music, Halloween, Thanksgiving, New Years, Christmas Gifts for Men, Women, Adults, Teens, Kids, Boys, Girls,Lesson. Independently Published, 2021.

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25

Pádua, Karla Cunha. A formação intercultural em narrativas de professores/as indígenas: Um estudo na aldeia Muã Mimatxi. Brazil Publishing, 2020. http://dx.doi.org/10.31012/978-65-87836-32-4.

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A pioneira nos estudos sobre a influência das palavras africanas no português do Brasil é a etnolinguista, baiana, Professora Doutora Yeda Pessoa de Castro.Ela, ao longa dos últimos sessenta anos ,vem sempre “dando trela” às línguas africanas do grupo banto. Devido ao fato de nutrir grande admiração pela pesquisadora, resolvi investir numa pesquisa particular em dicionários e/ou glossários (1889-2006) para apresentar a “certidão de nascimento” de algumas palavras africanas que ao longo de pouco mais de um século estão ainda presentes na oralidade e na escrita de africanos e afro-brasileiros. In an increasingly diverse and plural world, the narratives of Pataxó indigenous teachers presented in A formação intercultural em narrativas de professores/as indígenas: um estudo na aldeia Muã Mimatxi reveal us particular ways of reflecting upon education, school and formation which can teach us a lot. The participants of the first FIEI course offered by UFMG - Intercultural Formation of Indigenous Teachers - belong to the Muã Mimatxi village located in Itapecerica, in the west-center region of Minas Gerais State; these teachers provide meaningful lessons on how to deal with cultural differences. Difference is seen as a resource to be incorporated and resignified, depending on the relations with the principles that rule their culture. This graduation course has not only benefited the collective life but it has also helped to revitalize the school, which is the central place of community life. Some of the pedagogical tools learned at the FIEI became meaningful to this group of teachers. Among them, we point out the so called project “Percursos Academicos”, a socio-ecological calendar and the idea of inter culturality. The ways such elements were appropriated and recontextualized have helped us to understand their particular conceptions of the world and the central role the school plays in their lives and in their future life projects.
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