Journal articles on the topic 'Bands (Music) History 20th century'
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Zubarev, Sergei A. "Academic Music in the Practice of Russian Military Bands in the 19th – Early 21st Centuries." Scientific and analytical journal Burganov House. The space of culture 18, no. 4 (September 10, 2022): 56–65. http://dx.doi.org/10.36340/2071-6818-2022-18-4-56-65.
Full textŽarskienė, Rūta. "The Music Making at the Church Feasts, or Baroque of the 20th–21st Centuries." Tautosakos darbai 49 (May 22, 2015): 145–70. http://dx.doi.org/10.51554/td.2015.29010.
Full textBurganova, Maria A. "Letter from the editor." Scientific and analytical journal Burganov House. The space of culture 18, no. 4 (September 10, 2022): 6–9. http://dx.doi.org/10.36340/2071-6818-2022-18-4-6-9.
Full textRagland, Cathy. "Hacer sonar la tradición a través de las fronteras." Mexican Studies/Estudios Mexicanos 35, no. 1 (2019): 88–114. http://dx.doi.org/10.1525/msem.2019.35.1.88.
Full textKudiņš, Jānis. "FRAGMENTARY AND MODERATE MODERNISM IN LATVIAN MUSIC HISTORY ." Culture Crossroads 19 (October 11, 2022): 111–25. http://dx.doi.org/10.55877/cc.vol19.31.
Full textMartínez del Baño, Benito. "Copla, flamenco y cine." Revista de Investigación sobre Flamenco "La madrugá", no. 18 (December 30, 2021): 141–49. http://dx.doi.org/10.6018/flamenco.485251.
Full textMoody, Ivan. "Mensagens: Portuguese Music in the 20th Century." Tempo, no. 198 (October 1996): 2–10. http://dx.doi.org/10.1017/s0040298200005313.
Full textKudiņš, Jānis. "Latvian Music History in the Context of 20th-century Modernism and Postmodernism. Some Specific Issues of Local Historiography." Musicological Annual 54, no. 2 (November 15, 2018): 97–139. http://dx.doi.org/10.4312/mz.54.2.97-139.
Full textJeziński, Marek. "Obrazy miasta w utworach polskich grup alternatywnych lat 80. XX wieku." Kultura Popularna 3, no. 53 (February 26, 2018): 81–90. http://dx.doi.org/10.5604/01.3001.0010.8269.
Full textYiqun, Jiang. "Influence of music of Soviet Russia on Chinese music culture in the 20th century." OOO "Zhurnal "Voprosy Istorii" 2022, no. 3-2 (March 1, 2022): 229–38. http://dx.doi.org/10.31166/voprosyistorii202203statyi21.
Full textSvyrydenko, N. "Music in museum (second half of 20th century, Ukraine)." Musical art in the educological discourse, no. 3 (2018): 61–65. http://dx.doi.org/10.28925/2518-766x.2018.3.6165.
Full textGorodecki, Michael. "Strands in 20th-Century Italian Music: 1. Luigi Nono: A History of Belief." Musical Times 133, no. 1787 (January 1992): 10. http://dx.doi.org/10.2307/966230.
Full textChelaru, Carmen. "History – Culture – Music in the Romanian Eighteenth Century." Artes. Journal of Musicology 23, no. 1 (April 1, 2021): 1–40. http://dx.doi.org/10.2478/ajm-2021-0001.
Full textMaher, Erin K. "Music and the Spiritual: Composers and Politics in the 20th Century." Modern & Contemporary France 21, no. 1 (February 2013): 111–12. http://dx.doi.org/10.1080/09639489.2012.753425.
Full textMohammadi, Mohsen. "Marche Triomphale: A Forgotten Musical Tract in Qajar-European Encounters." Iranian Studies 55, no. 3 (July 2022): 765–76. http://dx.doi.org/10.1017/irn.2021.65.
Full textDordzro, John-Doe. "BRASS BAND MUSIC IN GHANA: THE INDIGENISATION OF EUROPEAN MILITARY MUSIC." African Music: Journal of the International Library of African Music 11, no. 2 (November 22, 2020): 141–63. http://dx.doi.org/10.21504/amj.v11i2.2318.
Full textTOTAN, Virginia. "Musical styles approached by Serbian composers in the first half of the 20th century." Bulletin of the Transilvania University of Braşov. Series VIII:Performing Arts 14(63), Special Issue (January 27, 2022): 183–92. http://dx.doi.org/10.31926/but.pa.2021.14.63.3.18.
Full textGlasser, Jonathan. "EDMOND YAFIL AND ANDALUSI MUSICAL REVIVAL IN EARLY 20TH-CENTURY ALGERIA." International Journal of Middle East Studies 44, no. 4 (October 12, 2012): 671–92. http://dx.doi.org/10.1017/s0020743812000815.
Full textCooper, B. Lee. "Which Side Are You On? 20th Century American History in 100 Protest Songs." Popular Music and Society 43, no. 1 (October 13, 2019): 114–16. http://dx.doi.org/10.1080/03007766.2020.1678330.
Full textWillson, Rachel Beckles. "A NEW VOICE, A NEW 20TH CENTURY? AN EXPERIMENT WITH SÁNDOR VERESS." Tempo 62, no. 243 (January 2008): 36–41. http://dx.doi.org/10.1017/s004029820800003x.
Full textCarpenter, Alexander. "Towards a History of Operatic Psychoanalysis." Psychoanalysis and History 12, no. 2 (July 2010): 173–94. http://dx.doi.org/10.3366/pah.2010.0004.
Full textSarkar, Joyanta, and Anil Rai. "An Analytical Study of the Folk Musical Instruments of Meghalaya." Studia Universitatis Babeş-Bolyai Musica 66, no. 1 (June 30, 2021): 23–38. http://dx.doi.org/10.24193/subbmusica.2021.1.02.
Full textISART, NÚRIA BUSQUET. "LA LLENGUA CATALANA A LA MÚSICA POPULAR DEL SEGLE xx*." Catalan Review 22, no. 1 (January 1, 2008): 113–26. http://dx.doi.org/10.3828/catr.22.8.
Full textDatta, Partho. "Book Review: Antony Copley, Music and the Spiritual: Composers and Politics in the 20th Century." Indian Historical Review 43, no. 1 (March 16, 2016): 172–74. http://dx.doi.org/10.1177/0376983616628623.
Full textSandu-Dediu, Valentina. "Towards Modern Music in Romania." East Central Europe 30, no. 2 (2003): 1–19. http://dx.doi.org/10.1163/187633003x00117.
Full textKhilko, Natalia P. "The Genre of the Instrumental “Livre” in 20th Century Music: a History with a Transformation." Music Scholarship / Problemy Muzykal'noj Nauki, no. 2 (June 2017): 103–9. http://dx.doi.org/10.17674/1997-0854.2017.2.103-109.
Full textOrlov, Vladimir V. "The Ensemble “Theater of New Music”: Its History, Activities and New Forms." ICONI, no. 4 (2019): 85–90. http://dx.doi.org/10.33779/2658-4824.2019.4.085-090.
Full textGitlin, Jay, and Kenneth Kreitner. "Discoursing Sweet Music: Town Bands and Community Life in Turn-of-the-Century Pennsylvania." Journal of American History 77, no. 4 (March 1991): 1386. http://dx.doi.org/10.2307/2078347.
Full textZhang, Shan. "The Orderliness of Music from the Perspective of Complex Information Systems." Proceedings 47, no. 1 (May 13, 2020): 55. http://dx.doi.org/10.3390/proceedings2020047055.
Full textZhang, Shan. "The Orderliness of Music from the Perspective of Complex Information Systems." Proceedings 47, no. 1 (May 13, 2020): 55. http://dx.doi.org/10.3390/proceedings47010055.
Full textRovner, Anton А. "The Transformation of a Music Festival in St. Petersburg “The World of Art. Contrasts”." ICONI, no. 2 (2019): 159–71. http://dx.doi.org/10.33779/2658-4824.2019.2.159-171.
Full textStiga, Kalliopi. "Fernando-Lopes Graça and Mikis Theodorakis: Music, poetry and ideology in the 20th century." New Sound, no. 46 (2015): 92–106. http://dx.doi.org/10.5937/newso1546092s.
Full textRaimkulova, A. "The trends in modality of cultural paradigm and the history of kazakh music." Pedagogy and Psychology 43, no. 2 (June 30, 2020): 197–203. http://dx.doi.org/10.51889/2020-2.2077-6861.26.
Full textChang, Chia-Lun. "Staff Notation or Numbered Music Notation That Is the Question: A Brief History of Numbered Music Notation and an Examination on Its Effectiveness of Music Learning." Arts Studies and Criticism 3, no. 4 (September 20, 2022): 310. http://dx.doi.org/10.32629/asc.v3i4.1037.
Full textBrie, Mihai. "Gheorghe Dima – Seiten von der wertvollen hermannstädter musikalischen Tätigkeit." Studia Universitatis Babeş-Bolyai Musica 65, no. 2 (December 21, 2020): 129–42. http://dx.doi.org/10.24193/subbmusica.2020.2.10.
Full textStanisławska, Dorota. "The history of Polish viola literature – the 19th and 20th centuries." Notes Muzyczny 2, no. 16 (December 30, 2021): 101–16. http://dx.doi.org/10.5604/01.3001.0015.5493.
Full textМurtozova, S. B. "From the history of music education in Uzbekistan." International Journal on Integrated Education 2, no. 4 (October 3, 2019): 32–38. http://dx.doi.org/10.31149/ijie.v2i4.108.
Full textMike, Ádám. "The History of Secondary Music Education in Two Significant Institutions in Hungary up to the Middle of the 20th Century." Studia Universitatis Babeş-Bolyai Musica 65, no. 2 (December 21, 2020): 63–77. http://dx.doi.org/10.24193/subbmusica.2020.2.04.
Full textSlobodchikova, Anastasiya Yu. "Avant-Garde Scores as a Subject of Artistic Interpretation in Modern Rock Music." Music Scholarship / Problemy Muzykal'noj Nauki, no. 2 (2022): 64–73. http://dx.doi.org/10.33779/2782-3598.2022.2.064-073.
Full textGarmash, O. A. "Sources of Russian Musical Management: Unexplored Pages." Observatory of Culture, no. 3 (June 28, 2015): 63–69. http://dx.doi.org/10.25281/2072-3156-2015-0-3-63-69.
Full textRaimkulova, A. "KAZAKH MUSIC CULTURE ON THE GLOBALIZATION CROSSROADS: ETHNIC TRADITIONS VERSUS COMPOSER SCHOOL IN INTERCULTURAL INTERACTION." BULLETIN 384, no. 2 (April 15, 2020): 185–93. http://dx.doi.org/10.32014/10.32014/2020.2518-1467.58.
Full textBoyle, James Philip Sheng, Mohd Nasir Hashim, and Yi-Li Chang. "THE INFLUENTIAL MUSICAL COMPOSITIONAL TOOLS OF MALAY POPULAR MUSIC IN MALAYSIA OF THE MID 20th AND THE EARLY 21st CENTURY." International Journal of Creative Industries 4, no. 9 (March 6, 2022): 01–18. http://dx.doi.org/10.35631/ijcrei.49001.
Full textVasic, Aleksandar. "The beginnings of Serbian music historiography: Serbian music periodicals between the world wars." Muzikologija, no. 12 (2012): 143–64. http://dx.doi.org/10.2298/muz120227007v.
Full textЛеонид Александрович, Грабовский,. "Decease of Mikhail Byalik." Музыкальная академия, no. 4(780) (December 26, 2022): 196–99. http://dx.doi.org/10.34690/279.
Full textVeerbeek, Vincent. "A Dissonant Education: Marching Bands and Indigenous Musical Traditions at Sherman Institute, 1901–1940." American Indian Culture and Research Journal 44, no. 4 (December 1, 2020): 41–58. http://dx.doi.org/10.17953/aicrj.44.4.veerbeek.
Full textHerbst, Jan-Peter. "From Bach to Helloween: ‘Teutonic’ stereotypes in the history of popular music and heavy metal." Metal Music Studies 6, no. 1 (March 1, 2020): 87–108. http://dx.doi.org/10.1386/mms_00006_1.
Full textWarfield, Patrick. "John Esputa, John Philip Sousa and the Boundaries of a Musical Career." Nineteenth-Century Music Review 6, no. 1 (June 2009): 27–46. http://dx.doi.org/10.1017/s1479409800002883.
Full textSiqueira Castanheira, José Cláudio. "Introduction to the Sociology of Music Technologies: An Ontological Review." methaodos revista de ciencias sociales 10, no. 2 (October 31, 2022): 419–29. http://dx.doi.org/10.17502/mrcs.v10i2.574.
Full textDunsby, Jonathan, and Yannis Rammos. "Onset asynchrony in Western art music." Quodlibet. Revista de Especialización Musical, no. 76 (December 17, 2021): 126–58. http://dx.doi.org/10.37536/quodlibet.2021.76.1465.
Full textMartarosa, Martarosa. "THE HISTORY AND DEVELOPMENT OF GAMAT MUSIC AS A PROTOTYPE OF BANDAR ART IN THE WEST SUMATERA COASTAL AREA (PESISIR)." Jurnal Humaniora 28, no. 1 (June 4, 2016): 69. http://dx.doi.org/10.22146/jh.v28i1.11503.
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