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1

Karmitz, Marin. Bande à part. Paris: B. Grasset, 1994.

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2

1956-, Peeters Benoît, ed. Autour du scénario: Cinéma, bande dessinée, roman-photo, vidéo-clip, publicité, littérature. Bruxelles: Université de Bruxelles, 1986.

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3

Béra, Michel. Trésors de la bande dessinée. Paris: Les Éditions de l'Amateur, 1996.

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4

Béra, Michel. Trésors de la bande dessinée. Paris: Les Editionsde l'Amateur, 1994.

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5

Deborah, Grall-Noiret, and Andrieu Caroline, eds. Philippe Noiret de père en filles. Neuilly-sur-Seine: Michel Lafon, 2010.

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6

Marcel, Proust. A l'ombre des jeunes filles en fleurs. Paris: Flammarion, 1987.

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7

Marcel, Proust. A l'ombre des jeunes filles en fleurs. Paris: Librairie Générale Française, 1992.

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8

Marcel, Proust. A l'ombre des jeunes filles en fleurs. Paris: Flammarion, 1987.

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9

Marcel, Proust. À l'ombre des jeunes filles en fleurs. Paris: Bookking International, 1993.

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10

Barbara, Anderson. Long hot summer. Wellington, N.Z: Victoria University Press, 1999.

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11

Marie, Robertson Eleanor. La maison aux souvenirs: [roman]. Neuilly-sur-Seine: M. Lafon, 2009.

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12

Marie, Robertson Eleanor. Tribute. New York: G.P. Putnam's Sons, 2008.

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13

Marie, Robertson Eleanor. Tribute. Long Preston: Magna Large Print Books, 2009.

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14

Shakespeare, William. Hamlet. Edited by G. R. Hibbard. Oxford, England: Oxford University Press, 1998.

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15

Shakespeare, William. Hamlet. Oxford: Oxford University Press, 2007.

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16

Hoy, Cyrus, ed. Hamlet. New York, USA: W.W. Norton, 1996.

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17

Jenkins, Harold, ed. Hamlet. 7th ed. London, England: AS, 2001.

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18

Shakespeare, William. Hamlet, the prince of Denmark. Praha: Torst, 2001.

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19

Shakespeare, William. Hamlet. Bucaramanga - Colombia: Fundación El Libro Total, 2009.

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20

Shakespeare, William. Hamlet. Lincolnwood, Ill: NTC Pub. Group, 1994.

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21

Bande de Filles: Girlhood Identities in Contemporary France. Taylor & Francis Group, 2020.

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22

Smith, Frances. Bande de Filles: Girlhood Identities in Contemporary France. Taylor & Francis Group, 2020.

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23

Smith, Frances. Bande de Filles: Girlhood Identities in Contemporary France. Taylor & Francis Group, 2020.

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24

Smith, Frances. Bande de Filles: Girlhood Identities in Contemporary France. Taylor & Francis Group, 2020.

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25

Smith, Frances. Bande de Filles: Girlhood Identities in Contemporary France. Taylor & Francis Group, 2020.

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26

Bande de Filles: Girlhood Identities in Contemporary France. Taylor & Francis Group, 2023.

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27

La bande à Gabin. Paris: Sonatine, 2009.

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28

Artt, Sarah. Quiet Pictures. Bloomsbury Publishing Inc, 2024. http://dx.doi.org/10.5040/9781501347245.

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Quiet Pictures approaches the films of Joanna Hogg, Lynne Ramsay, Céline Sciamma, and Lucile Hadžhalilovicthrough the lens of silence as a motif and texture. This book takes up the question of different uses of silence in the work of these directors and how this creates a space for foregrounding innovative practices that establish new ways of looking, staring, and gazing. Sarah Artt discusses how the deliberate deployment of silence creates space for the formation of reciprocal gazes that counteract the typically gendered and binary ways in which women and femme-presenting people tend to be portrayed on screen. Quiet Pictures draws on the political legacy of feminist film theory to explore and conceptualise what it means to not just look back, but to share the gaze. This book discusses several films, including: Unrelated (Hogg, 2007), Archipelago (Hogg, 2010), Exhibition (Hogg, 2013), The Souvenir Part I and II (Hogg, 2019 and 2021), Morvern Callar (Ramsay, 2002), We Need to Talk About Kevin (Ramsay, 2011), Innocence (Hadžhalilovic2004), Evolution (Hadžhalilovic 2015),Waterlilies/Naissance des Pieuvres (Sciamma, 2007), Tomboy (Sciamma, 2011), Girlhood/Bande des Filles (Sciamma, 2014), Portrait of a Lady on Fire/Portrait d’une jeune fille en feu (Sciamma, 2019), and Petite Maman/Little Mother (Sciamma, 2021).
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29

Narco Cinema: Sex, Drugs, and Banda Music in Mexico’s B-Filmography. Palgrave Macmillan, 2015.

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30

Rashotte, Ryan. Narco Cinema: Sex, Drugs, and Banda Music in Mexico's B-Filmography. Palgrave Macmillan, 2015.

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31

L. A. Plays Itself/Boys in the Sand: A Queer Film Classic. Arsenal Pulp Press, 2014.

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32

My Mother's Keeper. William Morrow & Co, 1987.

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33

Rogers, Holly. Music and Sound in Documentary Film: Real Listening. Taylor & Francis Group, 2014.

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34

Rogers, Holly. Music and Sound in Documentary Film. Taylor & Francis Group, 2014.

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35

Rogers, Holly. Music and Sound in Documentary Film. Taylor & Francis Group, 2014.

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36

Music and Sound in Documentary Film. Routledge, 2014.

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37

Music and Sound in Documentary Film: Real Listening. Taylor & Francis Group, 2014.

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38

Batkin, Jane. Identity in Animation: A Journey into Self, Difference, Culture and the Body. Taylor & Francis Group, 2017.

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39

Batkin, Jane. Identity in Animation: A Journey into Self, Difference, Culture and the Body. Taylor & Francis Group, 2017.

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40

Batkin, Jane. Identity in Animation: A Journey into Self, Difference, Culture and the Body. Taylor & Francis Group, 2017.

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41

Batkin, Jane. Identity in Animation: A Journey into Self, Difference, Culture and the Body. Routledge, 2017.

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42

Identity in Animation. Routledge, 2017.

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43

Precious: Identity, Adaptation and the African American Youth Film. Taylor & Francis Group, 2025.

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44

Alcott, Louisa May. Little Women: The Original Classic Novel with Photos from the Major Motion Picture. Abrams, Inc., 2019.

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45

Marcel, Proust. À l'ombre des jeunes filles en fleurs. Adamant Media Corporation, 2001.

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46

Marcel, Proust. A l'Ombre des Jeunes Filles en Fleurs. French & European Pubns, 1992.

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47

Wagner, Natasha Gregson. More Than Love: An Intimate Portrait of My Mother, Natalie Wood. Scribner, 2020.

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48

Wagner, Natasha Gregson. More Than Love: An Intimate Portrait of My Mother, Natalie Wood. Scribner, 2021.

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49

Wagner, Natasha Gregson. More Than Love: An Intimate Portrait of My Mother, Natalie Wood. Cengage Gale, 2020.

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50

Wagner, Natasha Gregson. More Than Love: An Intimate Portrait of My Mother, Natalie Wood. Simon & Schuster, Limited, 2020.

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