Dissertations / Theses on the topic 'Balzan'
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Eroglu, Zehra. "Turkish Foreign Policy Towards The Balkans In The Post Cold War Era." Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/12606028/index.pdf.
Full texts Balkan policy in the Post-Cold War Era with regard to changing parameters in this region. Every crisis and conflicts in the Balkans affects not only Turkey but also all international actors. For this reason, it is argued that external dynamics rather than internal ones largely affected the change in Turkish foreign policy. It is pointed out that the policy maintained by Turkey during the wars and crisis in the Balkans, was harmonious with its power and capacity in international arena. After Bosnian War and Kosovo crisis the European Union (EU) policy towards the Balkans gained impetus. Turkey attempts to participate in both North Atlantic Treaty Organization (NATO) and the EU initiatives in the Balkans for the sake of balancing Greece. Besides, Turkey encouraged and took an active role in the process of the Balkan countries to NATO and the EU for the sake of following the regulations being made for Turkish minority. Then, this thesis argues that the neo-Ottomanist ideas lost its significance as the process of EU&rsquo
s incorporation of the Balkans gains impetus.
Obruča, Tomáš. "Chorvatsko - nová kandidátská země EU." Master's thesis, Vysoká škola ekonomická v Praze, 2009. http://www.nusl.cz/ntk/nusl-18105.
Full textKissoudi, Penelope. "Greece, Balkan games and Balkan politics in the interwar years." Thesis, De Montfort University, 2006. http://hdl.handle.net/2086/4275.
Full textKim, Joong-Hyun. "Balzac et l'Asie." Nancy 2, 1992. http://www.theses.fr/1993NAN21010.
Full textMimouni, Isabelle. "Balzac et l'architecture." Paris 4, 1997. http://www.theses.fr/1997PA040325.
Full text"Balzac and architecture": on purpose, this title wasn't precise. The corpus includes la Comedie humaine, the works of the young novelist, texts published in news-papers, theater and letters. Architecture has been studied in relation with archeology, urbanism garden art, art history and engineering. We tackled biography, sociology, history (Balzac thought that architecture is a means to understand society); we also studied the narrative values of architectural descriptions. We had then to try to understand how works the metaphor, when it is used to qualify the work thought as a "monument": we had aesthetics in view. Our study tries to consider how architecture is transposed in literature: what is chosen by the novelist? On what purpose and last but not the least how does he proceed?
Mustafa, Turkes. "Turkish-Balkan relations in the light of the Balkan entente 1930-1934." Thesis, University of Manchester, 1990. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.580645.
Full textKomnenov, Marjan. "Taksonomija i zoogeografija paukova (Arachnida,Araneae) Republike Makedonije." Phd thesis, Univerzitet u Novom Sadu, Prirodno-matematički fakultet u Novom Sadu, 2019. https://www.cris.uns.ac.rs/record.jsf?recordId=110802&source=NDLTD&language=en.
Full textThe PhD research project is a study of fauna of spiders (Arachnida, Araneae) of Macedonia based on a critical analysis of published data covering the period from 1907 to 2018, taxonomic review of relevant arachnological collections from eight European Natural history museums and the results of author’s thirty years of research. Field work is based on the collection of materials using standard methods such as manual collection and trapping and a newer method using a motor vacuum cleaner. The material was processed with standard procedures using a dissecting binocular and a microscope.A total of 742 species of spiders from 40 families have been registered. Five taxa are new species for science. Two species present new findings for the fauna of the spiders of the Balkan Peninsula. Sixty two taxa were recorded for the first time for the fauna of Macedonia.An ancient family Anapidae with one species has been registered for the first time in the fauna of Macedonia. By reviewing the published data, it was established that 179 species were incorrectly identified and listed for the fauna of Macedonia. Species are categorized according to the current knowledge of their distribution, on the basis of which a zoogeographic analysis of the fauna was performed.32 chorotypes were established in the fauna of the spiders of Macedonia, classified into four chorological complexes: widespread, European, Mediterranean and endemic species. The largest number of species is registered in the complex of widespread species (44.3%), which give the main character of the fauna. The high degree of representation of European (19.1%) and Eurosiberian (11.3%) chorological elements, as the two individually most represented in the fauna of the spiders of Macedonia, is a reflection of the dominant mountain character of the relief of Macedonia. The chorological complex of Mediterranean species is represented by 99 species (13.3%). The high proportion of species (11.3%) belonging to the chorological elements that are present on the territory of Southern Europe, the Mediterranean, West and Central Asia speaks of the rich fauna of spiders of xerophilic, thermophilic and arid terrain. The local character of the fauna can be seen in a relatively large number of species from the complex of endemic species (87). From this complex are the most dominant species from the chorotype "narrower endemic" with 45 species.Western Macedonia is the richest with fauna of spiders, with 23 species from the group of endemites of the narrower area, which speaks of the great importance of this region as a refugium and space in which the processes of speciation were intensively carried out.
Leibenath, Markus, and Ulrich Walz. "Zwischen Baltikum und Balkan." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2013. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-102069.
Full textGuichardet, Jeannine. "Balzac, archéologue de Paris." Genève : [Paris] : Slatkine ; [diff. H. Champion], 1999. http://catalogue.bnf.fr/ark:/12148/cb37044895v.
Full textDéruelle, Aude. "La digression chez balzac." Paris 3, 2000. http://www.theses.fr/2000PA030160.
Full textOshita, Yoshie. "Balzac et le théâtre." Paris 12, 1997. http://www.theses.fr/1997PA120039.
Full textPerren, Sara. "Balzac and gender : sexual identity into text in three novels by Honere de Balzac." Thesis, University of York, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.328477.
Full textKelley, Sean Patrick. "KOSOVO : the Balkan time bomb /." Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 1998. http://handle.dtic.mil/100.2/ADA340982.
Full textMahovic, Sabahudin. "Test av svag marknadseffektivitet - Balkan." Thesis, Uppsala University, Department of Economics, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-8564.
Full textDenna uppsats undersöker huruvida ett antal aktiemarknader på Balkan tillfredställer den svaga formen av marknadseffektivitet under perioden 2003-2007. Svag marknadseffektivitet innebär att priset på en finansiell tillgång reflekterar all historisk prisinformation. Om en marknad är svagt effektiv leder analys av historisk kursinformation inte till överavkastning eftersom all historisk information redan är diskonterad av marknaden. För att pröva den svaga formen av effektivitet för Kroatien, Makedonien, Montenegro, Serbien och Slovenien genomförs olika statistiska tester såsom autokorrelationstest, runs test, varianskvottest och regressionsanalys.
Samtliga tester i studien genomförs på dagsavkastningar. Resultatet av undersökningen visar att samtliga avkastningsserier lider av positiv autokorrelation, vilket innebär att den historiska avkastningen i viss mån kan användas för att predicera den framtida avkastningen. Detta behöver dock inte betyda avvikelse från den effektiva marknadsmodellen då den ekonomiska signifikansen är relativt låg med en genomsnittlig förklarningsgrad under fem procent.
Akyol, Gürkan Kodaman Timuçin. "Balkan politikasında Arnavutluk (1912 sonrası) /." Isparta : Süleyman Demirel Üniversitesi Sosyal Bilimler Enstitüsü, 2007. http://tez.sdu.edu.tr/Tezler/TS00591.pdf.
Full textTournier, Isabelle. "Balzac, le hasard, le roman." Paris 8, 1992. http://www.theses.fr/1992PA080677.
Full textChance seen in various ways through the examples of balzac's novels is the topic of the thesis. . We look at it in several ways : 1) through the balzacian vocabulary and its connections with common words for chance, words which the dictionnaries reflect 2) through the attachements between the text and his discourse and which it summons up, explicitly or not, (those of sciences, of philosophy and history) 3) in the intertextuality of balzac's novels (following both synchronic and diachronique perspectives) 4) through the linkages between a novel of balzac and tradition with who speaks of chance stemming from greeks origins and gives it a place in certains scenes, certain moments 5) through the texts themselves of novels where chance give way to moral and philosophical interrogation, tieing it to moral and intrigue in the plots and binding it ot a specific vision of the world, a specific understanding of of causes and effects
Xhaferaj, Ferdinand. "Building up a strategy for de-Balkanizing the Balkans : stability and prosperity in South Eastern Europe." Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 2002. http://library.nps.navy.mil/uhtbin/hyperion-image/02Dec%5FXhaferaj.pdf.
Full textThesis advisor(s): Donald Abenheim, Robert Looney. Includes bibliographical references (p. 83-87). Also available online.
Leblanc, Lorraine M. "Les deux Honoré, Balzac et Daumier." Thesis, University of Ottawa (Canada), 2003. http://hdl.handle.net/10393/29027.
Full textCordeiro, Sara Regina Ramos. "O significado do dinheiro em Balzac." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279990.
Full textTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
Made available in DSpace on 2018-08-16T14:51:20Z (GMT). No. of bitstreams: 1 Cordeiro_SaraReginaRamos_D.pdf: 2308227 bytes, checksum: 42cf83bc37ec21bf5a996346688c5ea5 (MD5) Previous issue date: 2010
Resumo: Com a emergência da sociedade burguesa de mercado no século XIX o dinheiro passou a desempenhar um papel fundamental na nova configuração, uma vez que a manutenção e expansão de tal sociedade pressupõem a regularidade nas trocas e, conseqüentemente, uma economia monetária desenvolvida a ponto de assegurar essa regularidade. Alguns romancistas, em particular os realistas franceses, demonstraram em seus romances a emergência dessa sociedade motivada pelo lucro, tendo o dinheiro como elemento central de suas narrativas. A Comédia Humana de Honoré de Balzac (1799-1850) é considerada o maior registro literário da sociedade francesa desse período e muitas de suas tramas são atravessadas por relações mediadas pelo dinheiro. Mais tarde, sociólogos como Karl Marx (1818-1883), Georg Simmel (1858-1918) e Max Weber (1864-1920) desenvolveram suas análises numa perspectiva crítica à sociedade de mercado, destacando o dinheiro como elemento racionalizador das relações e desagregador dos laços tradicionais. Nesse sentido, este trabalho pretende mobilizar as categorias analíticas da sociologia clássica para analisar parte da obra de Balzac a fim de verificar como o romancista via a relação que os indivíduos de sua época estabeleciam com o dinheiro e quais os principais impactos dessa relação na moderna sociedade
Abstract: The raising of a bourgeois market society in the nineteenth century resulted in the great importance that money started to play in the new social arrangement, since the maintenance and expansion of that society predicted the regularity in exchanges and, as a consequence, a monetary economy developed to the point that insured this regularity. Some novelists, particularly French realists ones, showed in their novels the emergence of this market society motivated by profits, having money as the central element of their stories. The Human Comedy, by Honoré de Balzac (1799-1850) is considered the biggest literary register of the French society of that period and many of its plots are crossed by relations mediated by money. Afterwards, sociologists like Karl Marx (1818-1883), Georg Simmel (1858-1918) and Max Weber (1864-1920) developed their studies in a critical perspective from the market society, contrasting money as the rational element of relations and disintegrator of traditional ties. Therefore, this paper aims to mobilize the analytical categories of classical sociology in order to analyze part of Balzac?s work with the intention of examine how the novelist used to see the relationship that individuals of his time established with money and what was the main effects of this relationship in that new society
Doutorado
Sociologia
Doutor em Sociologia
Hakata, Kaoru. "La rumeur dans l'oeuvre de Balzac." Paris 7, 2003. http://www.theses.fr/2003PA070009.
Full textBecause they echo public opinion, rumours play an essential part in the novels of Honoré de Balzac. In order to describe its functioning, the novelist has set out to analyse the different aspects of this vast "collective conversation" : how can we account for the facts that rumours seem to come into existence and to propagate almost spontaneously? How does a rumour started by a single individual end up being believed and repeated by a large group of persons? He has also looked into its social function : by sharing impressions and hypotheses, by debating between themselves, gossipmongers reinforce their bonds. In certain cases, they set themselves up as inquisitors, going after alleged criminals and impostors. Finally, by studying the psychological dimension of gossiping, Balzac has shown that rumours do not only serve the interests of political parties or underline social issues : they express deep-rooted anxieties. By deciphering the myths on which rumours are founded, he brings back to the surface a string of repressed collective memories. Rather than "observing" their contemporaries, gossipmongers project fantasies on them. Balzac integrates erroneous suppositions into his novels and shows how accounts of a same event can vary according to the storyteller's standpoint ; as an historian, he tries to correct wrong anecdotes. On orchestrating the words of innumerable characters, Balzac builds a work that we can compare with a great opera, in which the gossipmongers sing the revealing themes. Readers must pay heed to them to be able to participate more efficiently in the game of interpretation that the works of Balzac propose them
Kan, Chia-Ping. "La question de l'aristocratie chez Balzac." Aix-Marseille 1, 2008. http://www.theses.fr/2008AIX10043.
Full textTanimoto, Michiaki. "La figure du conteur chez Balzac." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCC219/document.
Full text"What is the talent of the 'Conteur', if not that of all talents combined ?" writes Philarète Chasles in his forward to Romans et contes philosophiques published in 1831. Although Balzac is best known as a novelist, he himself greatly admired the genre known as the "conte". Balzac traced a great deal of his own literary identity to the "grands conteurs" he considered his patrons such as Boccaccio, Rabelais, La Fontaine, Sterne and "the anonymous authors of The Arabian Nights". If in La DerniŠre Fee and Contes drolatiques Balzac confronts the traditions of this genre, his Romans et contes philosphiques, Contes bruns and Nouveux Contes philosohpiques represent instead an attempt to reform the "conte" in his own style. This thesis re-examines the "conte" as it was written in the first decades of the 19th century and traces the course of Balzac's literary development vis a vis this genre from his "youthful period" until the first years of the 1830s. Through a survey of books and literary magazines, I give a bibliographic survey of various "contes" published during this time. I also examine the daily work and life of Balzac during these years : a time not only of immense popularity for the "conte" within literary circles, but also one of changing socio-economic conditions for writers in general. Balzac envisaged the "conte" not as fixed genre, but as one of great flexibility and iridescence capable of accommodating a variety of styles, tones, and themes. Through his close identification with this genre, Balzac styled himself above all as a "conteur", an identity which this thesis traces from its earliest formulations until its precocious dissolution near the end of 1832
Omure, Kazue. "Étude d'une nouvelle de Balzac, "Gobseck"." Paris 4, 1987. http://www.theses.fr/1987PA040147.
Full text"Gobseck" is the Balzac's novel for a thesis; Gobseck is the usurer of the "Comédie humaine" to be studied thoroughly. The purpose of the first chapter of our thesis is to demonstrate not only how the author produced, for the first time in 1830, this central personage and this small masterpiece which influenced the other works, but also how he developed them to reach the perfection of their last state in 1842. The second chapter is designed for the intensive study of the natural shape of the avaricious hero: Gobseck is "l'or personnifié" as well as "l'insatiable boa". Then, we passed to the third chapter to report on our analysis of each colleague of Gobseck. The result of this study is that all of the usurers of the "Comédie humaine" take after, more or less, Gobseck. We discovered that Balzac decomposed the image of Gobseck, after the description of his death, and used the fragments for the construction of the others usurers. The supplementary chapter is reserved for the research of the sources of two fireplaces described in the novel
Ranitovic, Ana. "Why do they call it Ras̆ka when they mean Sandz̆ak? : on the synchrony and diachrony of identities in southwest Serbia." Thesis, University of Oxford, 2016. http://ora.ox.ac.uk/objects/uuid:1459bcc0-0c7b-41d3-ae22-7ff8cd2848c8.
Full textRajidy, Bouchra Neefs Jacques. "L'interaction entre les personnages et les décors dans quelques romans de Balzac." Villeneuve d'Ascq, France : Presses universitaires du Septentrion, 2000. http://books.google.com/books?id=mYRcAAAAMAAJ.
Full textPanayotov, Alexander. "The Jews in the Balkan provinces of the Roman Empire : an epigraphic and archaeological survey." Thesis, University of St Andrews, 2004. http://hdl.handle.net/10023/13849.
Full textBaudouin, Patricia Riot-Sarcey Michèle. "Balzac, journaliste et penseur du politique, 1830-1850." Saint-Denis : Université de Paris 8, 2007. http://www.bu.univ-paris8.fr/web/collections/theses/baudouin_patricia.pdf.
Full textTrajkovska, Ljupka. "Možnosti integrace zemí Západního Balkánu do Evropské unie." Master's thesis, Vysoká škola ekonomická v Praze, 2010. http://www.nusl.cz/ntk/nusl-73908.
Full textSvensson, Emma. "Kriget på Balkan i historieläroböcker : En diskursanalys." Thesis, Uppsala universitet, Institutionen för pedagogik, didaktik och utbildningsstudier, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-157156.
Full textLewis, Timothy William. "The influence of E.T.A. Hoffman on Balzac." Thesis, Goldsmiths College (University of London), 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.245614.
Full textFrattini, Paula Caldas. "Walter Scott e Balzac: romancistas da história." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-29112010-100912/.
Full textWalter Scotts name is repeatedly mentioned in the works of Balzac, mostly in his critical writings. This dissertation aims to show, beyond the writers patent admiration, Balzacs penetrating criticism of the Scottian novel which disclosed to him a sound basis for the composition of his Comédie Humaine. Having Scotts and Balzacs critical writings as our object of study mainly their prefaces - we intend to demonstrate how the incorporation of History by the novel became the essential element in this comparative study of the two writers. Our purpose is to elucidate how this intersection between history and literature is articulated in the narrative.
Humann, Guilleminot Magali. "La peinture dans l'œuvre d'Honoré de Balzac." Paris 4, 1993. http://www.theses.fr/1993PA040294.
Full text“The work of Balzac is written painting": the Goncourt’s comment has been our leading thread through the work of Balzac. It is the real transposal of art that is achieved when the novelist describes portraits, landscapes, and homes. Our study consists in demonstrating how the writer takes the place of the painter: "literature used the same process as does the painter" writes Balzac. The intensity, giving to the descriptions by the evocation of colors, light, materials is very similar to the pictorial technique. In the first part of our essay we study how the "fraternity of arts" has developed in the beginning of the nineteenth century when "the arts tend compensate one for the other" according to Baudelaire. In the second part we study the painters that Balzac mentioned in his work. Finally it seemed interesting to examine the aesthetics of Balzac how does his writing evoqued pictures?
Pradeau, Christophe. "L'idée de cycle romanesque : Balzac, Proust, Giono." Paris 8, 2000. http://www.theses.fr/2000PA081683.
Full textNovak-Lechevalier, Agathe. "La théâtralité dans le roman : Stendhal, Balzac." Paris 3, 2007. http://www.theses.fr/2007PA030131.
Full textTheatricality is frequently mentioned as an effect produced on the reader by the novel. However, the notion remains generally imprecise and consequently hardly operative. A study of theatricality from the perspective of a historical poetics of literary genres is necessary to explain its mode of appearance and its properties in Balzac and Stendhal’s novels. Therefore, this work aims to highlight what the notion meant since Aristotle’s Poetics. We will explain first how the idea of a theatrical effect independent from the dramatic mode appeared in the nineteenth century, and, secondly, why the promotion of the novelistic genre implied a link with drama. This analysis emphasizes a few features operating as theatricality markers, which allows to study how these features, combined together, contribute to produce a theatrical effect in the context of novelistic scenes. It appears that the theatricality effect is based upon the narrative speech which produces the dialogue as on a stage. The variety of the features used by Stendhal or Balzac allows to enlighten the differences that characterize the aesthetics of each novelist. Finally, the adoption of a dramatic pattern by the novel is closely linked to hermeneutic and pragmatic perspectives : by informing the universe represented in the novel, this pattern gives information to the reader about the rules that govern society ; by regulating the connection between the reader and the fiction, it enables to correlate emotional paroxysm with critical distance
Popa, Anca-Elena. "Tipul avarului la Balzac si George Călinescu." Thesis, Paris Est, 2011. http://www.theses.fr/2011PEST0030.
Full textUDA, NAOHISA. "La madone dans l'oeuvre d'honore de balzac." Paris 3, 1997. http://www.theses.fr/1997PA030100.
Full textThe madonna appears in the works of balzac in various aspects: young girl, lover, wife, mother. Her first appearance is in le dernier chouan in which an image of the virgin mary helps to describe a heroin within a historical context. A blossoming of the mary figure comes after the works of 1830-1832, in which balzac analyses his difficult relationship with his own mother by means of antithetical images of the holy mother. In 1832 he creates a series of feminine characters which embody a lover-mother relationship, another representation of the balzacian madonna, and the reference to the virgin mary is explicit in la duchesse de langeais and eugenie grandet. On the other hand he develops his thoughts on love in the contes drolatiques, a work deeply rooted in touraine, whose evolution from droll tone to elegiac tone clarifies the meaning of le lys dans la vallee. This novel gives expression, to the highest degree, to an ideal of love rising from earth to heaven and, at the same time, bids farewell to the figure of the lover-mother. From 1839 his thoughts on love are developed under the sign of the virgin -child, which takes the place of the lover-mother. Purity meets with the forces of evil in the drama of the purification. But the mother has the last word. She returns in the decade of 1840 under the image of the cruel bad mother. This image, already encountered in mme vauquer, prevails in the works which describe fallen society. Finally a figure of the nourishing mother is asserted in the character of lisbeth fischer with a reference to the virgin-mother
Minkov, Anton. "Conversion to Islam as reflected in kisve bahasi petitions : an aspect of Ottoman social life in the Balkans, 1670-1730." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ64622.pdf.
Full textLapointe, Caroline. "Désir, fantasme et castration dans La peau de chagrin d'Honoré de Balzac /." Trois-Rivières : Université du Québec à Trois-Rivières, 2003. http://www.uqtr.ca/biblio/notice/tablemat/17707221TM.html.
Full textKavaliauskaitė, Ieva. "Transformuojami baldai." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2007. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2007~D_20070110_140029-85811.
Full textÅkemark, Elisabet. "Deux pères, leurs filles et l’argent. : L’importance de l’argent dans deux romans de Balzac." Thesis, Linköpings universitet, Avdelningen för moderna språk, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-81010.
Full textOsswald, Brendan. "L'Epire du treizième au quinzième siècle : autonomie et hétérogénéité d'une région balkanique." Phd thesis, Université Toulouse le Mirail - Toulouse II, 2011. http://tel.archives-ouvertes.fr/tel-00671182.
Full textShupp, Benjamin A. "U.S participation in Balkan Peacekeeping : the Rice Proposal." Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 2001. http://handle.dtic.mil/100.2/ADA401556.
Full textSarlak, Levent. "The Balkan Wars Accorng To The Pravda Newspaper." Master's thesis, METU, 2012. http://etd.lib.metu.edu.tr/upload/12615006/index.pdf.
Full textCaldato, Nádia [UNESP]. "Biologia de Acromyrmex balzani Emery, 1890 (Hymenoptera, Formicidae)." Universidade Estadual Paulista (UNESP), 2010. http://hdl.handle.net/11449/97167.
Full textCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
A biologia das espécies e subespécies de Acromyrmex foi até então pouco estudada. A espécie Acromyrmex balzani é uma típica formiga cortadeira de gramíneas e é encontrada em alta densidade em pastagens. Apesar de sua importância como praga, estudos sobre sua biologia e comportamento ainda são escassos. Com o intuito de se estudar a biologia de A. balzani (Emery, 1890), foram realizados experimentos que abordaram vários aspectos biológicos, como: arquitetura externa e interna dos ninhos, tamanho populacional, número de castas físicas e polidomia. A arquitetura externa e interna dos ninhos é muito simples. São pouco profundos e apresentam poucas câmaras. O formato das câmaras e túneis é irregular, e em alguns ninhos foram encontradas apenas uma câmara. Não possuem câmaras com lixo, sendo o mesmo depositado externamente. A deposição de terra solta aparente ocorre nas épocas mais quentes do ano. Os resultados do experimento relacionado ao tamanho dos ninhos indicaram que a população desta espécie cresce à medida que aumenta o volume do fungo e demonstraram que as operárias pequenas foram as mais predominantes e as grandes representaram a porção intermediária. Em relação à morfometria das operárias, apesar de existirem variações de alguns parâmetros, os dados sugerem o agrupamento de três subcastas (pequenas, médias e grandes). A hipótese da ocorrência de polidomia nos ninhos foi provada, porque o que determina tal condição é que as colônias devem ser divididas em subninhos e isso ocorre em A. balzani. Foi constatado que as colônias podem apresentar apenas um subninho ou vários subninhos. No presente trabalho foram encontrados até 8 subninhos por colônia e a maioria dos ninhos escavados eram polidômicos. Entre os subninhos de cada colônia, não existem ligações internas por canais. A comunicação é feita externamente, ou seja, as operárias...
Acromyrmex balzani (Emery 1890) is a typical grass-cutting ant extremely abundant and easily found in Brazilian grasslands. Despite the pest status, there is a lack of studies involving its biology and behavior. Aiming better understand the species biology, experiments involving some biological aspects like: external and internal nest architecture, population size, physical caste organization, and polydomism were developed. i) Architecture: external and internal nest architecture is relatively simple if compared with some members of the tribe Attini. Nests are not so deep and composed for just few chambers. Tunnels and chambers have an irregular shape and in some nests just a single chamber occurs. There is no dump chamber since the exhausted substrate is disposed outside the nest and loose soil deposits occur during warmer periods of the year. ii) Population size: results indicate that the greater the mass of the fungus grown by the ants the higher the population and those small workers are more abundant than larger ones. iii) Physical caste: about morphometric standards, data suggests the occurrence of three sub-castes (small, medium and large workers) despite variations do exist. iv) Polydomism: the occurrence of polydomism is characterized by the co-occurrence of sub-nests, condition herein confirmed. Colonies could consist of one or more sub-nests. At this present work most of them were polydomics with a maximum of 8 sub-nests per colony and no internal tunnels connecting these structures were found. Connections are extern and workers displacing among sub-nests by using the foraging hole. One single queen was found at each colony it belonging to a single sub-nest
Palmér, Tommy, and Filip Elmersson. "Från Balkan till Sverige : Ungdomars indentitet och historia." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-36801.
Full textConrad, Thomas. "Poétique des cycles romanesques : de Balzac à Volodine." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2011. http://tel.archives-ouvertes.fr/tel-00788953.
Full textSugden, Rebecca Ann. "Conspiracy in Balzac and Sand's July Monarchy fiction." Thesis, University of Cambridge, 2019. https://www.repository.cam.ac.uk/handle/1810/289912.
Full textHawthorne, Kathleen Annette. "Balkan pit sanctuaries : retheorising the archaeology of religion." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609274.
Full textCaldato, Nádia 1978. "Biologia de Acromyrmex balzani Emery, 1890 (Hymenoptera, Formicidae) /." Botucatu : [s.n.], 2010. http://hdl.handle.net/11449/97167.
Full textAbstract: Acromyrmex balzani (Emery 1890) is a typical grass-cutting ant extremely abundant and easily found in Brazilian grasslands. Despite the pest status, there is a lack of studies involving its biology and behavior. Aiming better understand the species biology, experiments involving some biological aspects like: external and internal nest architecture, population size, physical caste organization, and polydomism were developed. i) Architecture: external and internal nest architecture is relatively simple if compared with some members of the tribe Attini. Nests are not so deep and composed for just few chambers. Tunnels and chambers have an irregular shape and in some nests just a single chamber occurs. There is no dump chamber since the exhausted substrate is disposed outside the nest and loose soil deposits occur during warmer periods of the year. ii) Population size: results indicate that the greater the mass of the fungus grown by the ants the higher the population and those small workers are more abundant than larger ones. iii) Physical caste: about morphometric standards, data suggests the occurrence of three sub-castes (small, medium and large workers) despite variations do exist. iv) Polydomism: the occurrence of polydomism is characterized by the co-occurrence of sub-nests, condition herein confirmed. Colonies could consist of one or more sub-nests. At this present work most of them were polydomics with a maximum of 8 sub-nests per colony and no internal tunnels connecting these structures were found. Connections are extern and workers displacing among sub-nests by using the foraging hole. One single queen was found at each colony it belonging to a single sub-nest
Orientador: Luiz Carlos Forti
Coorientador: Ana Paula Protti de Andrade Crusciol
Banca: Edson Luiz Lopes Baldin
Banca: Maria Apareicida Castellani
Mestre
Jidouard, Sylvie. "Les modalités de la mort féminine chez Balzac." Paris 4, 1987. http://www.theses.fr/1987PA040164.
Full textLove and death are fighting over the fate of many balzacian heroines first, our study intends to consider the "topoi" which change feminine death into axial scenes. After considering the origins ant the youth works, we try to analyze the renewal of traditional themes when they change death into a real aesthetic poem, into a view of sublimation and angelism, in this world limited by social restraints. The essence of balzacian feminism is tragedy; it incarnes in a morbid atmosphere where the choice of fate comes through the destruction of appearances and annihilation of personality. After evocating the great characters in the "Comédie humaine" and the "Contes drôlatiques", the last part of the essay stresses on the importance of inserted tales where freedom, desire and death give rise to passionate comments. The circle of "devisants", Balzac's voices, by their narrating power and pertinent judgements, is manifesting great originality