Academic literature on the topic 'Ballet – Literatura juvenil'

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Journal articles on the topic "Ballet – Literatura juvenil"

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Van Tuyl, Jocelyn. "Noel Streatfeild’s Second-Hand Shoes: Reading The Whicharts against Its Juvenilization Ballet Shoes." Jeunesse: Young People, Texts, Cultures 4, no. 2 (December 2012): 43–66. http://dx.doi.org/10.3138/jeunesse.4.2.43.

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A case study of juvenilization, this essay reads Noel Streatfeild’s 1936 juvenile novel Ballet Shoes against its source text, Streatfeild’s 1931 theatrical novel The Whicharts. An analysis of how the author reworked “unsuitable” material for young readers reveals Ballet Shoes as more than a bowdlerized version of the adult novel. The rewriting of references to work and to sexuality in The Whicharts produces sophisticated and self-aware origin stories, nuanced and historically specific representations of work in its cultural context, and non-judgmental representations of diverse types of sexuality and family relationships in Ballet Shoes.
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Lab, Steven P., and John T. Whitehead. "An Analysis of Juvenile Correctional Treatment." Crime & Delinquency 34, no. 1 (January 1988): 60–83. http://dx.doi.org/10.1177/0011128788034001004.

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The state of the evidence concerning correctional treatment prompts a vast array of differing opinions. One extreme position posits that “nothing works” while the other end of the continuum claims that some programs have very positive effects. The present study surveyed the professional literature appearing between 1975 and 1984 (inclusive) in order to evaluate the current state of knowledge on juvenile correctional treatment. The impact of treatment on recidivism was the primary consideration in a simple ballot-box analysis of reports published in professional journals. The results indicated that juvenile correctional treatment fared no better than in earlier reviews. In general, at least half of the studies reported negative or no impact on recidivism and many of the positive findings were based on dubious, subjective evaluations.
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Wills Berrío, Natalia. "Entrevista a Violeta Mancera sobre el grupo de investigación GCaribe." Mutatis Mutandis. Revista Latinoamericana de Traducción 10, no. 1 (2017). http://dx.doi.org/10.17533/udea.mut.327788.

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Violeta Mancera Murcia es bailarina, Magíster en Literatura y Profesional en Estudios Literarios. Es bailarina desde niñay a lo largo de toda su carrera ha fusionado la danza con su formación literaria. También se ha desempeñado como docentey ha trabajado en diferentes escuelas y compañías de danza. Actualmente es docente del colegio Nueva Granada, contribuye en los procesos de ballet de La Compañía Colombiana de Danza, dirige el proyecto interdisciplinario y descentralizador de cultura La Coartada(y la compañía infantil y juvenil Ará Danza que pertenece a ese proyecto)y es la subgerente de la Fundación GCaribe:Pensamiento, Cultura y Literatura, sobrela cual trata esta entrevista. La fundación GCaribe combina la investigación, la difusión, la elaboración de talleres y otras actividades, centrándose en la literatura y en las demás manifestaciones artísticas y culturales caribeñas.
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Books on the topic "Ballet – Literatura juvenil"

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Pavlova, Anna. I dreamed I was a ballerina. New York: Metropolitan Museum of Art, 2001.

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Pavlova, Anna. I dreamed I was a ballerina. New York: Metropolitan Museum of Art, 2001.

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Pavlova, Anna. Soñé que era una bailarina. Barcelona: Serres, 2002.

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Karapetkova, Holly. Danza =: Dance. Vero Beach, FL: Rourke Pub., 2010.

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Karapetkova, Holly. Danza =: Dance. Vero Beach, FL: Rourke Pub., 2009.

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Greaves, Margaret. A little box of ballet stories. London: Methuen Children's, 1986.

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Lanier, Wendy Hinote. Ballet. Lake Elmo, MN: Focus Readers, 2018.

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Ganeri, Anita. The young person's guide to the ballet: With music on CD from The nutcracker, Swan lake, and The sleeping beauty. San Diego: Harcourt Brace, 1998.

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Stanford, Candice. The man who set the town dancing. Santa Fe, N.M: Clear Light Publishers, 2002.

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Bingham, Jane. Ballet. Oxford: Heinemann Library, 2008.

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Book chapters on the topic "Ballet – Literatura juvenil"

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Uden, James. "Queer Urges and the Act of Translation." In Spectres of Antiquity, 121–56. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190910273.003.0005.

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The fourth chapter of the book turns to Matthew Lewis, author of the scandalous 1796 novel The Monk. More than many of his contemporaries, Lewis was able to blend intricate and learned allusions to Greek and Roman literature into the popular frame of his Gothic texts. This chapter argues that he uses these allusions to give voice to particular anxieties: about the consequences of Gothic publishing and, particularly, about his own queer desires. The chapter begins by examining the translations in The Monk of poems of Horace and Anacreon, both explicitly homoerotic texts from antiquity. Second, it turns to The Love of Gain (1799), a free translation of a satire of Juvenal, which Lewis used as a covert means of defending his career as an author of Gothic texts. Finally, I turn to a translation of Goethe in Lewis’s ballad collection, Tales of Wonder (1800), and a classicizing parody of that translation in the accompanying volume, Tales of Terror (1801), both of which comment implicitly on Lewis’s own specific authorial and erotic anxieties. Rather than truly blending Gothic and classical, Lewis uses the erudite allusions to antiquity to open up a new channel of communication within popular works, giving voice to desires and fears that would otherwise have remained unsaid.
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