Dissertations / Theses on the topic 'Baller'
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Rasmussen, Janet. "An Investigation of Scholar-Baller and Non Scholar-Baller Division I Football Student-Athletes' Academic, Athletic, Intrinsic Motivation and Athletic Identity." Doctoral diss., University of Central Florida, 2009. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2551.
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Department of Sport Business Management
Education
Education EdD
Rasmussen, Janet M. "An investigation of Scholar-Baller and non Scholar-Baller Division I football student-athletes' academic, athletic, intrinsic motivation and athletic identity." Orlando, Fla. : University of Central Florida, 2009. http://purl.fcla.edu/fcla/etd/CFE0002901.
Full textBaller, Hauke [Verfasser]. "Multikriterielle Minimierung und Priorisierung von Test-Suiten für Software-Produktlinien / Hauke Baller." München : Verlag Dr. Hut, 2017. http://d-nb.info/1140978276/34.
Full textRice, Jerome Lee. "Examining Family Hierarchy Through the Eyes of Former Mac Baller Gang Members." ScholarWorks, 2019. https://scholarworks.waldenu.edu/dissertations/7952.
Full textHiyari, Montaser A. [Verfasser], Christa [Akademischer Betreuer] Reicher, and Inken [Akademischer Betreuer] Baller. "An integrated participatory approach in managing built heritage : Case study Al Salt, Jordan / Montaser A. Hiyari. Betreuer: Christa Reicher. Gutachter: Inken Baller." Dortmund : Universitätsbibliothek Dortmund, 2012. http://d-nb.info/109929519X/34.
Full textElattassi, Najla [Verfasser], Inken [Gutachter] Baller, Heinz [Gutachter] Nagler, and Roland [Gutachter] Krippner. "Learning from the Past, Designing for the Future: Sustainability of the Mediterranean Vernacular / Najla Elattassi ; Gutachter: Inken Baller, Heinz Nagler, Roland Krippner." Cottbus : BTU Cottbus - Senftenberg, 2020. http://d-nb.info/1225748550/34.
Full textBaller, Sven-Eric [Verfasser], and Bernd [Akademischer Betreuer] Rolauffs. "In-vitro-Charakterisierung der zellulären Verteilungsmuster und der Glykosaminoglykan- und Pro-Collagen II C-Propeptid-Synthese in autologen Chondrozyten-Transplantaten / Sven-Eric Baller ; Betreuer: Bernd Rolauffs." Tübingen : Universitätsbibliothek Tübingen, 2016. http://d-nb.info/1198120096/34.
Full textRahlmann, Pia Katharina [Verfasser], Andreas [Gutachter] Mügge, and Detlev [Gutachter] Baller. "Ergebnisse des interventionellen Aortenklappenersatzes bei Hochrisikopatienten mit schwerer Aortenklappenstenose, reduzierter linksventrikulärer Ejektionsfraktion und niedrigem transaortalen Gradienten / Pia Katharina Rahlmann ; Gutachter: Andreas Mügge, Detlev Baller ; Medizinische Fakultät." Bochum : Ruhr-Universität Bochum, 2018. http://d-nb.info/116044241X/34.
Full textHesham, Eman Shokry [Verfasser], Inken [Gutachter] Baller, Dorit [Gutachter] Kluge, and Per [Gutachter] Pedersen. "Heritage sites management : understanding the interrelation among heritage, tourism, and local community urban demands in Luxor City in Egypt / Eman Shokry Hesham ; Gutachter: Inken Baller, Dorit Kluge, Per Pedersen." Cottbus : BTU Cottbus - Senftenberg, 2020. http://d-nb.info/1219908452/34.
Full textKim, Chan Ji Kim Chan Ji. "I. Composer and choreographer a study of collaborative compositional process. II. The lotus flower : ballet music for chamber ensemble and two-channel audio /." [Gainesville, Fla.] : University of Florida, 2006. http://purl.fcla.edu/fcla/etd/UFE0013897.
Full textVergnaud, Sabine. "La Musique et les arts dans la collaboration du Groupe des Six avec les Ballets Suédois (1920-1925)." Thesis, Saint-Etienne, 2010. http://www.theses.fr/2010STET2146.
Full textThe Ballets suédois was formed in Paris in 1920 by Rolf de Maré, director, and Jean Biirlin,choreographer. In its five-year existence, this company asserted its wish to break away from the Russianhegemony by proposing daring performances. The most innovative of them were created in collaborationwith composers from 'les six' such as Milhaud, Poulenc, Honeger, Auric or Tailleferre, and also with thecontribution of writers and painters such as Jean Cocteau, Paul Claudel, Blaise Cendrars, RicciottoCanudo, Fernand Léger, Jean Hugo or Irène Lagut. Between 1921 and 1923, the company stagedMilhaud's L'Homme et son désir and La Création du monde, Honegger's Skating Rink, Tailleferre'sMarchand d'oiseaux and The Marriage on the Eiffel Tower by 'les six' (to which Durey did notcontribute) at the Théâtre des Champs-Elysées; so many prototypes on which drama, painting and musicnot only imposed constant choreographic renewal, but a renewal of the ballet as a genre. This thesis dealswith the connection between those compositions and the different forms of art they combine in the samecreative energy. The genetic study is based on the comparison of the handwritten scores with thetapuscripts and the manuscripts of the librettos (kept at the Dansmuseet in Stockholm or at the FundsBlaise Cendrars of the Swiss Literary Archives in Bern). It also studies correspondence, models ofscenery, costumes, choreographic sketches and aims at defining the place and role of al! the performers in_those ballets. It stresses the impact the collaboration between the Swedish and 'les six' had, not only onthe evolution of dancing, but also on thal of other forms of arts
Gorney, Oscar K. "Ballers." ScholarWorks@UNO, 2012. http://scholarworks.uno.edu/td/1525.
Full textLambrinos, Elena. "Building Ballet: developing dance and dancers in ballet." Thesis, The University of Sydney, 2019. https://hdl.handle.net/2123/22101.
Full textFont, Palma Guadalupe Maria. "Ballet building." Thesis, University of British Columbia, 2007. http://hdl.handle.net/2429/31689.
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Architecture and Landscape Architecture (SALA), School of
Graduate
Wortman, Leslie. "Savage Ballet." Digital Archive @ GSU, 2005. http://digitalarchive.gsu.edu/english_theses/4.
Full textJob, Jacqueline Felicity. "Butoh-Ballet." Master's thesis, University of Cape Town, 2014. http://hdl.handle.net/11427/13657.
Full textMüller-Kelwing, Karin. "Wolfgang Balzer." Böhlau Verlag, 2020. https://slub.qucosa.de/id/qucosa%3A75025.
Full textWalslag, Per Erik. "«Are You jumping or bouncing?» : A case-study of jumping and bouncing in classical ballet using the Motiongram computer program." Thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for musikk, 2012. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-17098.
Full textThis master thesis explores the difference between jumping and bouncing in classical ballet with the aid of the computer program Motiongram. Knud Jürgensen reconstruction of a Bournonville ballet class as a video and book in “50 Enchainements” where used as source material. The thesis also contains ideas of new ways to describe step-structures and a roadmap on how to achieve this using XML.
Latiri, Imed. "Effets de la pratique intensive des sports de balle sur les opérations de synchronisation-coîncidence et de jugement d'arrivée." Paris 5, 1998. http://www.theses.fr/1998PA05S035.
Full textFéry, Yves-André. "Les déterminants cognitifs du jugement de coi͏̈ncidence d'une trajectoire de balle avec une cible." Paris 5, 1993. http://www.theses.fr/1993PA05H062.
Full textMick, Tracy A. "Recycling baler material properties for safer baler operation." Morgantown, W. Va. : [West Virginia University Libraries], 2005. https://eidr.wvu.edu/etd/documentdata.eTD?documentid=4150.
Full textTitle from document title page. Document formatted into pages; contains vii, 74 p. : ill. (some col.). Vita. Includes abstract. Includes bibliographical references (p. 62).
Fayt, Valerie. "Contrôle et apprentissage d'une frappe de balle en mouvement." Aix-Marseille 2, 1997. http://www.theses.fr/1997AIX22009.
Full textTornio, Ashley. "BIOMECHANICAL STUDY OF JUMPING & LANDING TECHNIQUES: BALLET VS NON-BALLET ATHLETES." DigitalCommons@CalPoly, 2019. https://digitalcommons.calpoly.edu/theses/2112.
Full textWorkman, Megan. "New Orleans Ballet Association." ScholarWorks@UNO, 2009. http://scholarworks.uno.edu/aa_rpts/98.
Full textHungenahalli, Shivanna Bharath. "Musculoskeletal Modeling of Ballet." Thesis, Linköpings universitet, Mekanik och hållfasthetslära, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-171924.
Full textBottamini, Gina L. "Ballet teachers, a source of perceived weight loss pressure in female ballet students." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ57088.pdf.
Full textWoitas, Monika. "Im Zeichen des Tanzes : zum ästhetischen Diskurs der darstellenden Künste zwischen 1760 und 1830 /." Herbolzheim : Centaurus, 2004. http://catalogue.bnf.fr/ark:/12148/cb39206386s.
Full textGuiraud, Christian. "Espaces sportifs et usages sociaux : étude comparative de l'implantation du rugby et du jeu de balle au tambourin en Hérault." Paris 7, 1992. http://www.theses.fr/1992PA070002.
Full textThis research offers, in a socio-geographical perspective, an analysis of the process of the establishment of two sports activities in the geographical area of the herault. The spacial diffusion of social practices assumes a complex character which must be taken into consideration within the diversity of socio-historic and cultural components which may had an influence on their entrenchment. The comparative analysis of the implantation an spread of two very different sports activities in the region of the herault shows that demographic characteristics are not the only determining factors. These two sports, considered to be "technical innovations" of a sporting character, have accompanied, by their style of organisation, a transformation of behaviour, which allows us to observe people's behaviour within a sector dominated by the economy of the vineyards and wine. The choice of rugby, of english origin, and of tambourine ball, of french origine, allows us to understand how system values can organise a differentiated spacial distribution of styles of life or ways of living
Afaraya, Ancco Thania, Billinghurst Dalma Katherine Huerta, Elguera Vanesa Ramos, and Luciano Susana Rosa Zeña. "Proyecto empresarial Beauty Balle." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2017. http://hdl.handle.net/10757/621976.
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Barrios, Brooke Alicia. "The New Orleans Ballet Association." ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/aa_rpts/147.
Full textDiaz, Calderon Ana Lucia. "Escuela Nacional Superior de Ballet." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2019. http://hdl.handle.net/10757/654989.
Full textNowadays the city of Lima has a diversity of academies exclusively dedicated to Ballet. This dance it’s well known by its discipline and its focus of the dancers by the execution of the movements of their bodies that show the control they have of over their bodies. In one district of Lima, called Surquillo, there is a school that has been teaching, only, ballet. This academy is named “Escuela Nacional Superior de Ballet”. The research covers this academy and also other academies in Lima. This project seeks to relocate this institution into somewhere accessible and at the same time giving them a better infrastructure to hold this kind of activity. This research compares other architecture projects in the world with the same typology, it explains and shows the function of the space in relation to this kind of dance, and how these spaces have different qualities for its objective user. Another point to take in consideration the light to emphasis different parts of the dance to avoid any distraction form the technique.
Tesis
Balzer, Ralph [Verfasser]. "Republikprinzip und Berufsbeamtentum. / Ralph Balzer." Berlin : Duncker & Humblot, 2009. http://d-nb.info/1238361250/34.
Full textHourigan, Paul William. "Choreographic strategies to achieve visual communication within an original film narrative through academic ballet choreography." Thesis, Queensland University of Technology, 2019. https://eprints.qut.edu.au/135200/4/Paul%20William%20Hourigan%20Thesis.pdf.
Full textMorales, Chávez Alicia. "Danza clásica y moderna: perspectiva histórica para un análisis en Chile." Tesis, Universidad de Chile, 2007. http://repositorio.uchile.cl/handle/2250/146314.
Full textDe entre todas las artes escénicas que con mayor o menor éxito se han desarrollado en Chile, la danza (y el ballet, considerando éste como su expresión más técnica y sistematizada) es sin duda la manifestación artística más postergada en cuanto a contar con registros históricos y estudios completos respecto a su historia y desarrollo en nuestro país. Si bien existen algunos textos, como los escritos por la periodista Yolanda Montecinos, no es menos cierto que toda o casi toda la bibliografía actual se refiere a la formación del Ballet Nacional Chileno (Banch) particularmente a su “época de oro” bajo la dirección de Ernst Uthoff, y a la historia del Ballet de Santiago. La mayoría de estos registros abarcan la historia nacional hasta 1962, pero no hay estudios importantes respecto al fenómeno de la “Danza Independiente” y a la generación de jóvenes coreógrafos nacionales que comienzan sus actividades a mediados de las década de los ’80. Muchos de ellos han desarrollado exitosas carreras dentro y fuera del país en los últimos años, y han dado vida a una verdadero boom dancístico que comprende la formación de compañías, colectivos y asociaciones gremiales. El Estado, por su parte, se ha hecho eco de este fenómeno inaugurando un ciclo para la creación de instancias que permiten la difusión y desarrollo de la danza, así como de las artes en general. A la carencia de registros históricos completos se suma la dispersión del material existente. En lo que se refiere a danza se pueden encontrar artículos, opiniones, entrevistas y una serie de documentos de la más variada índole diseminados en fuentes también muy diversas. La recopilación y reconstrucción histórica es entonces una primera
Celhay, de Larrard Hélène. "André Derain et la scène." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040157.
Full textIn the early twentieth century the art world was bubbling with excitement following the scandal caused by the exhibition of work by members of the Fauves movement at the 1905 Salon d’Automne. Away from this fuss, stage sets were being created by set designers who remained attached to traditional methods. In 1909 the arrival of the Ballets Russes at Châtelet marked a breaking away from the understanding of the scenic artist’s role. In 1919, when the company was immensely famous, Serge Diaghilev commissioned Andre Derain to create sets and costumes for La Boutique Fantasque. Having served in the War, Derain grasped this fabulous opportunity to return to the world of art. The success of the ballet heralded a series of fruitful collaborations between him and the world of show business. Between 1919 and 1953, Derain created sets and costumes for two plays, two operas and thirteen ballets, as well as working on several uncompleted projects. He also wrote several librettos and was involved in the musical setting of some of these works, achievements that added to the ideas that he brought to the staging and choreography. This research highlights the importance of Derain’s stage work and its special features. This reveals the hitherto unrecognized and untapped wealth of his work. Our study thus sheds a new light on the painter and his creations. A skilled and multi-faceted artist and not content with his role as designer, Derain’s passion for music and theatre begs a true creator of ballets
Osborne, Jane. "An investigation of the romantic ballet in its sociocultural context in Paris and London, 1830 to 1850." Thesis, Rhodes University, 1991. http://hdl.handle.net/10962/d1002028.
Full textSutch, Mark. "Garden of Eden." Thesis, North Texas State University, 1985. https://digital.library.unt.edu/ark:/67531/metadc501204/.
Full textKitsos, Vassilis. "Ballet 'Echoes of Flux' for orchestra." Thesis, University of Edinburgh, 2010. http://hdl.handle.net/1842/9805.
Full textJevremovic, Darko. "Hydrogen Balmer lines in stellar flares." Thesis, Queen's University Belfast, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313977.
Full textVenter, Marike. "Computerized dynamic posturography in ballet dancers." Diss., University of Pretoria, 2016. http://hdl.handle.net/2263/59162.
Full textMini Dissertation (MCommunication Pathology)--University of Pretoria, 2016.
Speech-Language Pathology and Audiology
MCommunication Pathology
Unrestricted
Varon, Stephanie Stigers 1939. "The mathematical foundations of classical ballet." Thesis, The University of Arizona, 1997. http://hdl.handle.net/10150/292004.
Full textKhattabi, Nahéma. "De la chanson à l'air de cour : édition et mutations du répertoire profane en France (1555-1624)." Thesis, Poitiers, 2014. http://www.theses.fr/2014POIT5016.
Full textThe french repertory printed during the second half of the sixteenth century and at the beginning of the seventeenth century is rich of many musical objects. If in the first half of the sixteenth century, the term « chanson » is the only title used in the editions, other denominations appear from 1552 as « chanson en forme de voix de ville », « ode », « chanson en façon d'air », « air de cour », « air », « dialogue », « sonnet », « Amours », « poésie », « quatrain », « chansonnette mesurée », « villanelle », « mascarade », « ballet », « récit » or « vers mesurez ». These denominations don't designate necessarly differents musical objects : for exemple, during the sixteenth century a same work could sometime be named « chanson » and « ode ». This observation tends to suppose that these terms don't designate indepedant categories. On the contrary, these headings are porous, and their outlines seems sometime vague, in particular because the renaissance music theorists don't define the terms used in the prints. For this reason, the goal of this dissertation consist to observe and understand what are the editorial and musical realities which tally with the classifications and the terms used in the collections. Thus, we would like to highlight the role of the music printer in the making of the book, and to wonder what is the part he takes in the musical mutations
Gutsche-Miller, Sarah. "Pantomime-Ballet on the music-hall stage: The popularisation of classical ballet in fin-de-siècle Paris." Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=94948.
Full textCette thèse examine l'histoire et l'esthétique du ballet dans les music-halls parisiens au tournant du XXe siècle. Quoiqu'on l'ait longtemps oublié, le ballet constitua pour plus de quatre décennies une forme de divertissement populaire auprès d'un vaste public. Entre 1872 et 1918, près de deux cent nouveaux ballets furent mis en scène dans les music-halls de Paris, dont plus de la moitié furent créés dans trois établissements proéminents, les Folies-Bergère, l'Olympia et le Casino de Paris. Ces uvres aux partitions, chorégraphies et livrets originaux constituaient fréquemment des productions complexes et spectaculaires, faisant appel à des décors et costumes flamboyants, un important corps de ballet et des danseuses étoiles. Bien que les ballets de music-halls aient été comparables, sous plusieurs aspects, aux ballets contemporains présentés à l'Opéra de Paris, ils reflètent néanmoins les préférences de leur audience épicurienne par l'importance accordée à une musique vive et entraînante, au spectaculaire et au corps féminin. Ma recherche met en lumière l'importance de la culture et du répertoire du ballet de music-hall. Je me penche d'abord sur les circonstances historiques qui permirent aux music-halls d'adopter le ballet. J'examine ensuite ce nouveau contexte de représentation du ballet afin d'établir les caractéristiques institutionnelles qui contribuèrent à façonner les ballets de music-hall, et offre de l'information biographique sur les artistes qui créèrent et interprétèrent ceux-ci. J'analyse les conventions du ballet de music-hall, les types de sujets abordés par les librettistes, les structures formelles des ballets populaires, les éléments chorégraphiques communément incorporés et les aspects du langage musical propres au genre. En terminant, j'explore les attributs visuels et musicaux caractérisant le ballet de music-hall comme un genre « populaire », discute de la façon dont il ama
Hudson, Janet Marie. "British ballet during the inter-war years: Ninette de Valois and the establishment of the Royal Ballet." Thesis, Hudson, Janet Marie (2007) British ballet during the inter-war years: Ninette de Valois and the establishment of the Royal Ballet. Honours thesis, Murdoch University, 2007. https://researchrepository.murdoch.edu.au/id/eprint/52834/.
Full textMuncy, Thomas R. "Gestures and Fields." Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc332633/.
Full textPinheiro, Ligia Ravenna. "YES, VIRGINIA, ANOTHER BALLO TRAGICO: THE NATIONAL LIBRARY OF PORTUGAL'S BALLET D'ACTION LIBRETTI FROM THE FIRST HALF OF THE NINETEENTH CENTURY." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1429443828.
Full textJara, Trujillo Linda Michelle Kate. "El pre-ballet y su efecto sobre el equilibrio dinámico en la Escuela de Ballet San Marcos - 2019." Bachelor's thesis, Universidad Nacional Mayor de San Marcos, 2021. https://hdl.handle.net/20.500.12672/16731.
Full textTholon, Marie Sophie. "Du sable à la scène : circulation des danses saber et ballet manding au Sénégal, entre gueew et ballet." Nice, 2009. http://www.theses.fr/2009NICE2015.
Full textSabar dances and percussion, as forms present in the gueew are mainly found in the north of Senegal, while ballet manding dances and percussion come from practices from Mali, Guinea, and Casamance, which have been transposed on stage and are diffused by the great “ African ballets” since the independence years. The analysis of the materialism of the movement reveals that these two dance forms have their own specificities but also share some points in common, in particular the link between the dance and the polyrhythmic structures which accompany them. The focus on the circulation of these two dances, between the teachers and the learners, between the gueew and the stage, between a local level and a globalized word, allows to discover trajectories taken by these two dances. The presence of ballet manding in Senegal and the craze of certain young artists for these forms are molded by historic, ideological, sociological, political, aesthetic and economic stakes and deal with notions of “tradition“, inheritage, and identity
Cairns, Carolyn Jane. "In pursuit of excellence: uncovering the knowledge, philosophies, and expert practice of the classical ballet master." Thesis, University of Canterbury. School of Educational Studies and Human Development, 2010. http://hdl.handle.net/10092/4052.
Full textMeinel, Kandis Kramer 1952. "Analysis of components of the "turnout" in beginning and advanced female ballet dancers." Thesis, The University of Arizona, 1987. http://hdl.handle.net/10150/276608.
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