Academic literature on the topic 'Badiouan model'
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Journal articles on the topic "Badiouan model"
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Karlsen, Mads Peter. "Materialism, dialectics, and theology in Alain Badiou." Critical Research on Religion 2, no. 1 (March 24, 2014): 38–54. http://dx.doi.org/10.1177/2050303214520775.
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This article examines the relationship between materialism, dialectics, and theology in Alain Badiou's work. The first three sections of the article focus on Badiou's reading of Hegelian dialectics in his 1982 work, Theory of the Subject. The first section accounts for Badiou's splitting of Hegel into an idealist and materialist dialectic, and presents an exposition of the latter. The second section outlines Badiou's critical analysis of the theological model implicit in Hegel's dialectics. The third section investigates the core of this criticism through a discussion of Badiou's reading of the “negation of the negation.” The remaining four sections examine the anti-dialectical interpretation of the Christ-event that Badiou presents in his book Saint Paul. Here the article illustrates how Badiou's insistence on separating the death of Christ from the resurrection is linked to his rejection of the doctrines of Trinity and Incarnation, and how this drives Badiou towards idealism.
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Huck, John. "Knowledge Graphs, Metadata Practices, and Badiou's Mathematical Ontology." KULA: Knowledge Creation, Dissemination, and Preservation Studies 6, no. 3 (July 27, 2022): 1–17. http://dx.doi.org/10.18357/kula.192.
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Metadata practices in libraries have been shifting towards a graph-centric data model for a number of years due to the influence of the Semantic Web on metadata standards as well as the ongoing engagement of libraries with linked data. This trend is likely to be sustained by the growth of the knowledge graph domain, which is animated by the interests of large technology companies and which represents a continuation of earlier programmes such as expert systems and the Semantic Web. Given the role of Semantic Web ontologies in knowledge graph development and the relevance of philosophical questions of ontology to cataloguing theory, metadata practitioners require theoretical frameworks suitable for conceptualizing the knowledge graph data model’s mixture of data and ontology. To that end, this paper considers the mathematical ontology of philosopher Alain Badiou, which employs set theory to schematize a theory of the multiple. It outlines how Badiou’s ontology is compatible with the graph data model and what it offers to metadata practitioners seeking to critically engage the knowledge graph paradigm.
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García Puchades, Wenceslao. "Alain Badiou y la educación como proceso de subjetivación a través de verdades." Sophía, no. 31 (July 12, 2021): 167–88. http://dx.doi.org/10.17163/soph.n31.2021.06.
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El siguiente texto pretende dar a conocer qué puede aportar la obra del filósofo francés Alain Badiou en el debate acerca de la situación actual de la educación. Para ello haremos una lectura de su obra en clave propedéutica. Nuestra tesis de partida es que dicha obra puede leerse como un proyecto de recuperación de la filosofía entendida como una educación a través de verdades. Para ubicar esta tesis en el debate educativo contemporáneo utilizaremos la teoría elaborada por Gert Biesta, quien ha construido en las últimas décadas un sistema de pensamiento que ofrece un marco teórico con el que fundamentar propuestas educativas alternativas a las tendencias individualistas, funcionales, mediadoras y controlables del modelo neoliberal dominante. Para Biesta, la educación ha sufrido un proceso de aprendificación, que prioriza sus funciones socializadora y cualificadora y olvida su función subjetivadora. El texto argumentará en qué medida el modelo de educación propuesto por Badiou contribuye a recuperar la función subjetivadora de la educación. La educación como proceso de subjetivación a través de verdades ofrecería a los docentes la posibilidad de fomentar experiencias educativas que interrumpan el carácter individualista, funcional, mediador y controlado del modelo educativo hegemónico. El texto reivindica mayor influencia del pensamiento de Alain Badiou dentro de la pedagogía crítica a la hora de fundamentar propuestas educativas acordes a modelos docentes más democráticos y cooperativos.
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García Puchades, Wenceslao. "El uso de la literatura en la educación filosófica a partir de la investigación de ideas políticas: un modelo didáctico a partir de Alain Badiou y Walter Lipman." Escritura e Imagen 16 (December 16, 2020): 327–45. http://dx.doi.org/10.5209/esim.73041.
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En un seminario titulado Filosofía y literatura, el filósofo francés Alain Badiou teorizó acerca de la función didáctica de la literatura en la educación filosófica desde sus orígenes platónicos. Dicha función encuentra un ejemplo de aplicación práctica en el programa de Filosofía para Niños y Niñas (FpN) desarrollado por Matthew Lipman. Sin embargo, poco se ha dicho acerca de la aplicación de esta función a la educación política. En las últimas décadas la denominada segunda generación de teóricos de FpN ha orientado las premisas sobre las que se sustenta su programa de educación filosófica a cuestiones sociales. En el siguiente texto estudiaremos este programa desde la teoría de Alain Badiou con la intención identificar una serie de características que puedan favorecer la aplicación de la literatura en la educación filosófica a partir de la investigación de ideas políticas.
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Blechman, Max, Anita Chari, and Rafeeq Hasan. "Human Rights Are the Rights of the Infinite: An Interview with Alain Badiou." Historical Materialism 20, no. 4 (2012): 162–86. http://dx.doi.org/10.1163/1569206x-12341235.
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Abstract In seeking to found a ‘new political logic’, Badiou argues that we can only retrieve the political sense of concrete negation through its subordination to a prior field of affirmation: i.e. the opening of a new possibility inside a given historical situation, or ‘the event’, that may be politically realised through the creation of a ‘new subjective body’ consisting in the social affirmation of those new possibilities. Revolutionary politics is therefore said to rest on a synthesis of, on the one hand, democracy in the sense of spontaneous mass-political irruption, and, on the other, a prescriptive elaboration of the ramifications of the event. The discussion then turns to the question of strategy – outside and against the politically moribund State-form – and his reconfiguration of political universality vis-à-vis the formulations of classical Marxism. Badiou counterposes capitalist ideology’s implicit anthropology of self-interested animals to his own of subjects embodied in a generic truth-procedure and its concomitant model of political rights, where what is ultimately at stake is ‘the complete transformation of the form of . . . difference, of the way the difference exists’ rather than a materialist dialectics of antagonistic contradiction. The interview concludes with Badiou clarifying his relationship to Lacanian psychoanalysis as an essential but by no means exhaustive conceptual armoury for understanding the relation between subject and event.
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Thakur, Gautam Basu. "The Menon-Źižek Debate: “The Tale of the (Never-marked) (But secretly coded) Universal and the (Always marked) Particular…”." Slavic Review 72, no. 4 (2013): 750–70. http://dx.doi.org/10.5612/slavicreview.72.4.0750.
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On occasion of his first lecture tour of India in 2010, Źižek sparked off a debate with Nivedita Menon, a leading postcolonial feminist scholar. The debate revolves around Menon's contention that Źižek's emphasis on European, Christian Universalism as the most proactive model for countering capitalism is ignorant of the heteroglossiac postcolonial histories of South Asia. Menon's response (“The Two Źižeks”) suggests that what Źižek appears to be missing is knowledge of the fallibility of Eurocentric discourses in negotiating the colonial and postcolonial situations particular to the subcontinent. Though Źižek's debates with Badiou and Butler are well known, few outside India are aware of the Menon-Źižek debate. This paper will occasion this little known debate to consider some of the major points raised by Menon against the applicability of Źižek's theoretical arguments toward reading and understanding postcolonial politics and culture.
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Harper-Scott, J. P. E. "Berlioz, Love, and Béatrice et Bénédict." 19th-Century Music 39, no. 1 (2015): 3–34. http://dx.doi.org/10.1525/ncm.2015.39.1.3.
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Berlioz's final opera, Béatrice et Bénédict (1860–62) has generally been considered a light-hearted work, revelling in the simple joys of love. Yet his final development of the theme of love, which had preoccupied him at least since the Symphonie fantastique (1830), makes this opéra comique more serious than it might appear to be. Drawing on theories of the human subject by Badiou, Žižek, and Lacan, as well as on the resources of Schenkerian theory, this article invites a new attention on the ideological violence done both by conventional models of love (in this case, on the main characters in the opera) and by the language of tonality. Evaluation of the musical means by which Berlioz psychoanalyzes the characters of a masochist, Héro, and a hysteric, Béatrice, ultimately reveals a surprisingly provocative work of vivid psychological drama.
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Feder, Tal. "Normative justification for public arts funding: what can we learn from linking arts consumption and arts policy in Israel?" Socio-Economic Review 18, no. 1 (January 18, 2018): 193–213. http://dx.doi.org/10.1093/ser/mwy001.
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AbstractThis article studies the socioeconomics of government public expenditure for the arts and the normative foundations of state intervention in the arts. I pose two interrelated research questions: (a) what is the relationship between the public funding of the arts and their consumption? and (b) what mode of justification and what perception of the place of art in society is reflected in this relationship? Based on the philosophical work of Alan Badiou, I develop a novel conceptual framework to delineate three types of normative justifications for the public funding of arts organizations: romantic, didactic and classical. Using data from the public funding of 92 orchestras, theaters and dance troupes in Israel between 1999 and 2011, I estimate a cross-lagged panel data model to study how arts funding both affects and is affected by the levels of consumption of the organizations’ productions. The results of the study show a complex pattern of different relationships between funding and consumption that accord with the three types of normative justifications for public arts funding.
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Popp-Madsen, Benjamin Ask. "Det rådsdemokratiske ideal og protesten som selvorganisering." Slagmark - Tidsskrift for idéhistorie, no. 71 (August 18, 2015): 195–210. http://dx.doi.org/10.7146/sl.v0i71.107316.
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How should we evaluate the global protests against the financial crisis from 2011 and onwards? Do demonstrations on central squares such as Syntagma, Puerta de Sol and Zucotti Park point towards alternative democratic models beyond representative democracy? This article identifies a schism between the protests as events and the protests as self-organisation. Whereas the protests as events remains the dominant interpretation of the protests – delivered with negative connotations by Ivan Krastev and with positive consequences by Slavoj Žizek and Alain Badiou – this article will investigate the protests as self-organisation by emphasizing some of the many examples of autonomous political institution-building and creation of permanent structures of political participation, which have appeared as natural continuations of the protests. I argue that the protests as self-organisation can be seen as re-actualisations of the practices and ideals of council democracy as interpreted by Hannah Arendt and Cornelius Castoriadis. By interpreting the protests through the prism of council democracy, I argue that the manifold political and societal initiatives that have appeared in the wake of these protests attempt to realise a specific notion of democratic autonomy and political freedom.
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Toporišič, Tomaž. "Collectives, Communities and Non-Hierarchical Modes of Creation from the 1970s till the 1990s." Theatre and Community 9, no. 2021-1 (June 23, 2021): 18–51. http://dx.doi.org/10.51937/amfiteater-2021-1/18-51.
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Within the twenty-year period that coincides with the first twenty years of the Glej Theatre, the essay concentrates on the formation and transformations of non-hierarchical theatre communities, or, in the words of one of its founders, Dušan Jovanović, theatrical tribes. Using historical and present-day examples, the author will try to map the specific devised theatrical procedures producing what Badiou names “a generic vacillation”: “Theatre turns every representation, every actor’s gesture, into a generic vacillation so as to put differences to the test without any supporting base. The spectator must decide whether to expose himself to this void, whether to share in the infinite procedure. He is summoned, not to experience pleasure (which arrives perhaps ‘on top of everything’, as Aristotle says) but to think” (Rhapsody, 124).The essay strives to answer the following questions: How did the Slovenian experimental and non-institutional performing arts scene (as a reaction to the hierarchical structure of repertory theatres) create different non-hierarchical modes in relation to creating the performances, the theatre’s artistic direction and forming temporary communities with emancipated audiences? To which models did this scene turn – then and today – to develop its own logic of devised and collaborative theatrical tactics? And lately: To what extent have those different artistic collaborative tribes changed the theatrical landscape in Slovenia, Yugoslavia and elsewhere?
Books on the topic "Badiouan model"
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Waltham-Smith, Naomi. Haydn’s Revolution. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190662004.003.0002.
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This chapter rigorously revises the music-theoretical conception of convention from the standpoint of Derridean deconstruction. The mediation of personal expression and generic convention is shown to be a dialectic of the proper and the improper. Analyses of a number of Haydn’s quartets illustrate that the modes of listening they produce always entail a certain exappropriation. This reading suggests one way in which Haydn is an “event,” as Badiou has claimed: the music reveals listening’s intimate relation to belonging. It does so by manipulating the relation between musical material and its use and by exposing the (im)potentiality of material before any appropriation.
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Waltham-Smith, Naomi. Music and Belonging Between Revolution and Restoration. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190662004.001.0001.
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In what ways is music implicated in the politics of belonging? How is the proper at stake in listening? What role does the ear play in forming a sense of community? Music and Belonging argues that music, at the level of style and form, produces certain modes of listening that in turn reveal the conditions of belonging. Specifically, listening shows the intimacy between two senses of belonging: belonging to a community is predicated on the possession of a particular property or capacity. Somewhat counterintuitively perhaps, Waltham-Smith suggests that this relation between belonging-as-membership and belonging-as-ownership manifests itself with particular clarity and rigor at the very heart of the Austro-German canon, in the instrumental music of Haydn, Mozart, and Beethoven. Music and Belonging provocatively brings recent European philosophy into contact with the renewed music-theoretical interest in Formenlehre, presenting close analyses to show how we might return to this much-discussed repertoire to mine it for fresh insights. The book’s theoretical landscape offers a radical update to Adornian-inspired scholarship, working through debates about relationality, community, and friendship between Derrida, Nancy, Agamben, Badiou, and Malabou. Borrowing the deconstructive strategies of closely reading canonical texts to the point of their unraveling, the book teases out a new politics of listening from processes of repetition and liquidation, from harmonic suppressions, and even from trills. What emerges is the enduring political significance of listening to this music in an era of heightened social exclusion under neoliberalism.
Book chapters on the topic "Badiouan model"
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Brockman, David R. "Incoherence and Truth in Models of the Ultimate: A Badiouan Approach." In Models of God and Alternative Ultimate Realities, 941–54. Dordrecht: Springer Netherlands, 2012. http://dx.doi.org/10.1007/978-94-007-5219-1_78.
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Coombs, Nathan. "Badiou’s Decision: To Give Up Leadership, Somewhat." In History and Event. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748698998.003.0006.
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This chapter concerns a striking paradox: on the one hand, Alain Badiou has emerged as one of the most influential public intellectuals of recent decades; on the other, he is known for insisting that philosophy is subservient to truths produced by politics, science, art and love. The chapter argues that the paradox can be unravelled by attending to how the philosophical categories and choice of mathematical models in Being and Event aim to, and fall short of, imposing limits on theoretical authority. These difficulties highlight the problematic nature of Badiou’s attempt to revive Althusser’s rationalist programme of the 1960s while avoiding that project’s theoreticist excesses. The final section reflects on how these unresolved tensions can help make sense of the charges of Stalinism levelled against Badiou after the Arab Spring.
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Berger, Jason. "Emerson’s Operative Mood." In Xenocitizens, 33–57. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823287758.003.0002.
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This chapter reexamines Ralph Waldo Emerson’s early thinking about the relation of the individual to universal Reason, revealing that Emerson’s writing is philosophically consistent in its insistence that the human self is “operative” in form and function. Shifting our conceptual perspective from a traditional Matthiessenian notion of an “optative mood” to something of a Badiouian “operative mood” opens up new ways to consider how, across the early works, the Emersonian self is shaped by interactions with an impersonal Other as well as the ways these interactions influence the self’s relation to historical landscapes. Intervening in scholarship on Emersonian personhood by scholars such as Sharon Cameron, Branka Arsić, and Donald Pease, this chapter offers an original version of Emerson’s political vision, one that finds in his theory of “religious sentiment” a model for the self that may reframe all of Emerson’s corpus.
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May, Adrian. "Combatting the Crisis." In From Bataille to Badiou, 185–217. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781786940438.003.0007.
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This chapter charts the political responses of Lignes in the new millennium, as securitisation methods, crises and states of exception replaced consensual liberalism as the dominant modes of governance after 9/11. Rather than the review’s normal pessimistic stance, a reshuffled editorial board instead emphasised the need to reconstruct active, political agency to resist the governments of Jacques Chirac and Nicolas Sarkozy. An issue devoted to the militant Trotskyist David Rousset set the tone at the start of the new millennium, as Rousset’s experience in combatting concentration camps prompted the review to investigate the controversial use of migrant retention centres on French soil and theories of the State of Exception between Michel Foucault and Giorgio Agamben. New routes to active political agency are then produced, firstly via Jacques Ranciere’s account of the eruption of new political voices and sans papiers activism. Lastly, Alain Badiou’s emphasis on extra-parliamentary politics the Idea of Communism is contrasted to Daniel Bensaïd’s stress on the need for a new, militant political party in the run-up to the 2012 presidential elections.
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Cogburn, Jon. "Neither Analytic Nor Dialectic II: The World of Object-Oriented Ontology." In Garcian Meditations. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474415910.003.0003.
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In Chapter III contains an explication Garcia’s model of objects as differentiators between that which they comprehend and that which comprehends them. Garcia’s model is then contrasted with other canonical theories in the new continental metaphysics, showing how a defining feature is the manner in which metaphysicians can be interpreted as responding to an enclosure paradox concerning metaphysical explanation. This allows the foregrounding of Garcia’s dialetheist paradoxico-metaphysics, and also one to see clearly how Garcia’s achievement should be interpreted alongside related meta-metaphysical developments by Graham Harman and Graham Priest, as well as other recent speculative philosophers such as Alain Badiou, Markus Gabriel, and Paul Livingston. In addition, it allows one to begin to appreciate the fact that Garcia is contributing to contemporary analytic metaphyics.
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Prozorov, Sergei. "Rousseau’s aporia." In Democratic Biopolitics, 21–54. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474449342.003.0002.
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Chapter 1 revisits Rousseau’s account of the inherently problematic relation between sovereignty and government and addresses the interpretations of this account in contemporary critiques of biopolitics in the work of Badiou, Agamben and Esposito. Prozorov demonstrates that the dualism established by Rousseau between universalist popular sovereignty and particularist acts of government remains at work in contemporary critical literature on biopolitics. As an inherently particularistic mode of government, biopolitics is held to be necessarily opposed to popular sovereignty expressed in general will and can therefore only contaminate or pervert democracy.
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Strukov, Vlad. "The World and the Event: Kirill Serebrennikov’s St George’s Day (2008)." In Contemporary Russian Cinema. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474407649.003.0006.
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Serebrennikov’s film demonstrates that the posthumous subjectivity is always a subjectivity in crisis which destabilises the narrative focus and enables a retroactive reading of the film. The context, or the ‘situatedness’ of each of them within the paradigm of their own beliefs, simultaneously permits and prevents the comprehension of the transcendental in its totality / finiteness. A solution to this problem is an introduction of the notion of ‘the world’ by means of signification in the symbolic mode. This world is always a concept in development, a construct that appears, or is imagined in order to re-position the subject. To echo Badiou, I showcase how St. George’s day places the subject between an event and the world, or in fact, it claims that the subject is the ‘consequence of an event in a world’ (Badiou 2005). The complex structure of the film ascertains our view that the subject is not reducible to the body so it is not part of the world, and at the same time it is not separable from it and so cannot be identified exclusively with the event. I demonstrates how re-positioning of the subject between the world and the event propels temporal disturbances.
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Schmid, Marion. "Filming and Feeling between the Arts: Pascale Breton, Suite armoricaine and Eugène Green, Le Fils de Joseph." In Cinematic Intermediality, 150–64. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474446341.003.0011.
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This chapter discusses the intersections between cinema, literature, painting and music in two recent French films: Pascale Breton’s Suite Armoricaine and Eugène Green’s Le Fils de Joseph [The Son of Joseph, both 2016]. With special reference to Proust, Georges de La Tour and Caravaggio, the author argues for the significance of the other arts in these works as a means of interrogating questions of belonging, personal growth and transmission. Drawing on Jacques Aumont’s notion of artistic ‘migration’ as well as on Alain Badiou’s concept of cinema’s ‘breached frontier’, where ideas can pass through the invocation of other art forms, the chapter explores cinematic intermediality as a privileged vehicle for making ideas and emotions apprehensible in a non-verbal, sensory mode.
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Strukov, Vlad. "Introduction." In Contemporary Russian Cinema. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474407649.003.0013.
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I start by providing an overview of the major social, political and cultural changes that have occurred in Russia since Putin’s coming to power in 2000 and the Bolotnaya 2011 protests. I discuss Russian film market and industry, focussing on the emergence of new practices and a new generation of filmmakers. I zoom into particular film studios that have been responsible for the production of the most successful films and provide an overview of existing research on the Russian cinema of the period. I outline the methodological parameters and objectives of my research. I introduce the concept of the symbolic mode and explore the relationship between the symbolic mode and the ‘native’ traditions of representation. I consider the symbolic mode a critique of film semiology, polemicizing with mimetic theories and re-visiting poststructuralist thought concerning semiotics / signification. I argue the symbolic mode suggests a move away from the concerns of identity representations towards the problem of subjectivity construction. I introduce Badiou’s concept of film as a way of thinking and I identify how the film chapters develop the argument, pointing out that relevant concepts will be introduced in the film chapters.
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Kokubun, Koichiro, and Koichiro Kokubun. "Method: How to See Things in Free Indirect Discourse." In The Principles of Deleuzian Philosophy, 9–27. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474448987.003.0002.
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By what right do we speak of ‘Deleuzian philosophy’? If, encountering his monographs on other thinkers and artists we cannot help the sense that we are privy there to elements of Deleuze’s own philosophy, this is because ‘reading’ is Deleuze’s veritable philosophical method. Taking its cue from Badiou, this chapter will analyse Deleuze’s frequent use of ‘free indirect discourse’, a mode of speech as it were ‘in between’ the direct and indirect discourses, very seldom found in philosophical writing. Far more prevalent in literature, this discourse has traditionally been employed in order to write as if from inside the minds of the characters; in much the same way, through free indirect discourse Deleuze attains the underlying question compelling an author to think; and it is in the critique of this question that Deleuze sets forth his own philosophy.