Relevant bibliographies by topics / Backstage

Academic literature on the topic 'Backstage'

Author: Grafiati
Published: 4 June 2021
Last updated: 21 February 2023

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Journal articles on the topic "Backstage"

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Wagoner, David. "Backstage." Yale Review 89, no. 3 (July 2001): 138–39. http://dx.doi.org/10.1111/0044-0124.00536.

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Shapiro, Marian Kaplun. "Backstage." Survey of Ophthalmology 56, no. 1 (January 2011): 94. http://dx.doi.org/10.1016/j.survophthal.2010.08.005.

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CORNWELL, MAX. "BACKSTAGE." Australian and New Zealand Journal of Family Therapy 9, no. 4 (December 1988): iii. http://dx.doi.org/10.1002/j.1467-8438.1988.tb01263.x.

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Zehnder, Adalbert. "Backstage aufgewertet." kma - Klinik Management aktuell 17, no. 09 (September 2012): 10. http://dx.doi.org/10.1055/s-0036-1576594.

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Die Sana Kliniken AG hat die Verantwortung für Technisches Facility Management und Services auf Vorstandsebene angesiedelt – als zweite private Klinikkette und als einer der wenigen Krankenhausbetreiber in Deutschland überhaupt.
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Higgs, Catriona, and Lea Ann “Beez” Schell. "Backstage, Frontstage." Journal of Homosexuality 36, no. 1 (June 22, 1998): 63–77. http://dx.doi.org/10.1300/j082v36n01_04.

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CAHILL, SPENCER E., WILLIAM DISTLER, CYNTHIA LACHOWETZ, ANDREA MEANEY, ROBYN TARALLO, and TEENA WILLARD. "Meanwhile Backstage." Urban Life 14, no. 1 (April 1985): 33–58. http://dx.doi.org/10.1177/0098303985014001002.

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Tadros, Mariz. "Backstage Governance." IDS Bulletin 43, no. 1 (December 23, 2011): 62–70. http://dx.doi.org/10.1111/j.1759-5436.2012.00291.x.

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Bjerck, Hein B. "NAR Backstage." Norwegian Archaeological Review 39, no. 2 (October 2006): 105–9. http://dx.doi.org/10.1080/00293650601135385.

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Palmer, Zachary, and Scott F. Smith. "Backstage Java." ACM SIGPLAN Notices 46, no. 10 (October 18, 2011): 939–58. http://dx.doi.org/10.1145/2076021.2048137.

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Lamartina, Claudio, R. Cecchinato, M. Ismael, C. Martini, and P. Berjano. "Backstage pass." European Spine Journal 25, no. 8 (July 19, 2016): 2345–46. http://dx.doi.org/10.1007/s00586-016-4706-y.

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Dissertations / Theses on the topic "Backstage"

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LACOMBE, RENATA BARRETO. "BACKSTAGE CHILDHOOD AND THE BACKSTAGE OF CHILDHOOD: AN EXPERIENCE WITH CHILDREN WORKING ON TELEVISION." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2004. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=5381@1.

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COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
Análise e levantamento de questões relativas à infância contemporânea brasileira e sua relação com a mídia (mais especificamente a televisão), a partir de experiência como psicóloga com crianças que trabalham na TV.
Analysis and study of questions related to Brazilian contemporary childhood and its relation to the media (more specifically to television), based on experience as a psychologist with children who work on television.
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Filmer, Andrew Robert. "Backstage Space: The Place of the Performer." Thesis, The University of Sydney, 2006. http://hdl.handle.net/2123/1415.

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This thesis presents a systematic investigation of the backstage spaces of theatres in the city of Sydney, Australia, combining the documentation of eight specific theatre buildings with ethnographic accounts of performers’ activities within them. As the title of the thesis suggests, my focus throughout is to better understand the ‘place’ of performers, the ways in which performers inhabit certain physical, social, and imaginative realms. Through this thesis I assess the impact of backstage spaces on performers’ work processes, their performances, and their own understandings of what it is to be a performer. To undertake this assessment I conduct a tripartite survey of the backstage spaces afforded performers, taking into consideration ‘perceived’ space (space as it is empirically measured), ‘conceived’ space (space as it is represented), and ‘lived’ space (space as it is experienced). Approaching this survey via Edward Casey’s understanding of ‘place,’ my analysis is informed by a range of theories, notably, spatial syntax analysis, discourse analysis, and phenomenology. Through this thesis I develop two overarching and interconnected arguments. The first is that theatrical performance is profoundly affected by the features of backstage support spaces and by performers’ backstage practices. Building on this, the second is that a study of backstage spaces offers a particularly apposite approach to further understanding the ‘place’ of theatrical performers. I contend that the backstage spaces performers inhabit can be characterised by their very poverty and that these poor conditions testify to a widespread ignorance and ambivalence on the part of society at large towards performers’ needs. Furthermore, noting the way in which performers valorise their own abilities to compromise and adapt, I argue that backstage areas largely inform performers’ dominant discourses of professionalism and worth. Ultimately, I identify the ‘place’ of the performer as one of flux that necessitates the constant negotiation of significant tensions. [Please note: The photographic documentation and building plans referred to in the text of this thesis are not available online. Please contact the Department of Performance Studies at the University of Sydney or the Sydney eScholarship Repository.]
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Filmer, Andrew Robert. "Backstage Space: The Place of the Performer." Arts, 2006. http://hdl.handle.net/2123/1415.

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Doctor of Philosophy
This thesis presents a systematic investigation of the backstage spaces of theatres in the city of Sydney, Australia, combining the documentation of eight specific theatre buildings with ethnographic accounts of performers’ activities within them. As the title of the thesis suggests, my focus throughout is to better understand the ‘place’ of performers, the ways in which performers inhabit certain physical, social, and imaginative realms. Through this thesis I assess the impact of backstage spaces on performers’ work processes, their performances, and their own understandings of what it is to be a performer. To undertake this assessment I conduct a tripartite survey of the backstage spaces afforded performers, taking into consideration ‘perceived’ space (space as it is empirically measured), ‘conceived’ space (space as it is represented), and ‘lived’ space (space as it is experienced). Approaching this survey via Edward Casey’s understanding of ‘place,’ my analysis is informed by a range of theories, notably, spatial syntax analysis, discourse analysis, and phenomenology. Through this thesis I develop two overarching and interconnected arguments. The first is that theatrical performance is profoundly affected by the features of backstage support spaces and by performers’ backstage practices. Building on this, the second is that a study of backstage spaces offers a particularly apposite approach to further understanding the ‘place’ of theatrical performers. I contend that the backstage spaces performers inhabit can be characterised by their very poverty and that these poor conditions testify to a widespread ignorance and ambivalence on the part of society at large towards performers’ needs. Furthermore, noting the way in which performers valorise their own abilities to compromise and adapt, I argue that backstage areas largely inform performers’ dominant discourses of professionalism and worth. Ultimately, I identify the ‘place’ of the performer as one of flux that necessitates the constant negotiation of significant tensions. [Please note: The photographic documentation and building plans referred to in the text of this thesis are not available online. Please contact the Department of Performance Studies at the University of Sydney or the Sydney eScholarship Repository.]
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Thompson, Joanna. "Röhsska Backstage : är publika arbetsmetoder nästa steg framåt?" Thesis, Högskolan på Gotland, Institutionen för kultur, energi och miljö, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hgo:diva-965.

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The Röhsska museum in Gothenburg has recently launched a new work method, Backstage, that is studied and paralleled to the museums permanent exhibition on Japanese design. In Backstage the museums routine work is executed in full view of the museums visitors in an exhibition area. The study has focused on the museums intentions and the visitors’ interpretations in Backstage and Japanese design, as well as the staff’s experience of the work method’s public aspects. The study’s empirical material has been collected through interviews with the museum staff as well as observations and interviews with visitors in both Backstage and Japanese design. The study’s objective has been to attain information that is useful to the museum and the future development of the project. The results indicate that the conservator acts as a medium in Backstage and was given precedence over both artifacts and text as the preferred way of gaining information. The public aspects of the work method did not have a pronounced influence on the museum staff, although some apprehensiveness was noticeable. A similar hesitation has been noticed in the visitors and was observed as a threshold to entering the exhibition area.
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Reis, Sergio Luiz Puggina. "O backstage da televisao no Rio Grande do Sul." Pontifícia Universidade Católica do Rio Grande do Sul, 2012. http://hdl.handle.net/10923/2207.

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Made available in DSpace on 2013-08-07T18:46:56Z (GMT). No. of bitstreams: 1 000443413-Texto+Completo-0.pdf: 5851044 bytes, checksum: d12872e66bd23c3aae949be32dfe6cb1 (MD5) Previous issue date: 2012
Being one of the best television Brazilian in the world, maintaining a constant improvement in its over 60 years, this study presents a deeper historical perspective, examining it with a macro view. Recovered sequentially facts, establishing a chronology that facilitates the understanding of the history of television in the Rio Grande do Sul. Thus, this paper shows the main events and also a rescue from the memory of what was done and by whom it was made, highlighting the changing practices of its leaders who have gone through different phases during the 50 years of the television in the state Rio Grande. The approach took place within a qualitative view where we attempted to check how was the relationship between the evolution of television technology ante development and behavioral changes in society affected by it. With the exploratory and qualitative, as we approach the literature, interviews and personal testimonies, besides the exercise of memory. Based on the research problem shows that the specific technical advances of television in Rio Grande do Sul were compatible with the networks of broadcasters heads, kept the proportions of quantitative amount of equipment, for attending to the need of local programming. It shows also the impossibility of a local station financially survive in competition with commercial broadcasters affiliated.
Por ser a televisão brasileira uma das melhores do mundo, mantendo um constante aprimoramento em seus mais de 60 anos de vida, este estudo apresenta um aprofundamento da sua perspectiva histórica. Recuperaram-se sequencialmente os fatos, estabelecendo uma cronologia que facilita o entendimento da história da televisão no Rio Grande do Sul. Assim, este trabalho mostra os principais acontecimentos e, também, um resgate da memória do que foi feito e por quem foi feito, destacando as mudanças de práticas dos seus responsáveis que passaram por diferentes fases, durante os 50 anos de existência da televisão no estado rio-grandense. A abordagem realizou-se dentro de uma visão qualitativa onde buscou-se verificar como se deu a relação entre a evolução da tecnologia televisiva ante o desenvolvimento e as mudanças comportamentais na sociedade por ela atingida. Com o caráter exploratório e qualitativo, temos como metodologia a pesquisa bibliográfica, entrevistas e depoimentos pessoais, além do próprio exercício da memória. Baseado no problema da pesquisa mostra-se que os avanços técnicos específicos da televisão sul-rio-grandense foram compatíveis com os das emissoras cabeças de redes, guardadas as proporções quantitativas de número de equipamentos, pois atendia-se a necessidade da programação local. Mostra-se, também, a impossibilidade de uma emissora local sobreviver financeiramente na competição comercial com as emissoras filiadas.
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Farrell, Kathleen P. "Backstage politics Social change and the "Gay TV" industry /." Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2008. http://wwwlib.umi.com/cr/syr/main.

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Houts, Leslie A. "Backstage, frontstage interactions everyday racial events and white college students /." [Gainesville, Fla.] : University of Florida, 2004. http://purl.fcla.edu/fcla/etd/UFE0004359.

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Poehls, Kerstin. "Europa backstage : Expertenwissen, Habitus und kulturelle Codes im Machtfeld der EU /." Bielefeld : Transcript, 2009. http://deposit.d-nb.de/cgi-bin/dokserv?id=3190337&prov=M&dok_var=1&dok_ext=htm.

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Karlsson, Jamie. "She's always backstage when band gets done : - en studie om groupies." Thesis, Linnéuniversitetet, Institutionen för musik och bild (MB), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-25344.

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Detta är en undersökning med syftet att ta reda på vad en groupie är, vad det är som driver unga kvinnor att bli groupies samt hur det har sett ut från 1960-talet fram till idag. Detta då groupies fått dåligt rykte som några som enbart är ute efter att ha sex med rockstjärnor.Jag har utifrån intervjuer och litteraturstudier av biografier samlat in empiri från Lexa Vonn, Nikki McWatters och Pamela des Barres till undersökningen. Detta material har jag sen kopplat ihop med teorier om fans och fanskap för att komma fram till en slutsats. Resultatet visar att groupies drivs av kärlek till musiken och rockkulturen samt att de känner en samhörighet med musikerna de beundrar. Deras egen definition av vad en groupie är stämmer väldigt bra överrens med Sandvoss definition av fans. Även om samhället har förändrats mycket sedan 1960-talet så ser informanternas tankar och synsätten rätt lika ut under de olika tidsperioderna. De skrikande beatlemaniafansens beteende lever vidare i de groupies som kom på 1960-talet och fortsätter i generationer framåt.
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Poehls, Kerstin. "Europa backstage Expertenwissen, Habitus und kulturelle Codes im Machtfeld der EU." Bielefeld Transcript, 2007. http://d-nb.info/991632583/04.

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Books on the topic "Backstage"

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Cook, Pat. Backstage. Englewood, CO: Pioneer Drama Service, 2008.

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Backstage. México, D.F: Consejo Nacional para la Cultura y las Artes, Dirección General de Publicaciones, 2012.

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Cook, Pat. Backstage. Englewood, CO: Pioneer Drama Service, 2008.

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Baranger, Luc. Backstage. Paris: Baleine, 2001.

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Cook, Judith. Backstage. London: Harrap, 1987.

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Shaw, Kim. Romance backstage. New York: Kimani Press, 2009.

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Lili backstage. New York: Putnam's, 1997.

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Yacowitz, Caryn. Onstage/backstage. Minneapolis: Carolrhoda Books, 1987.

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Lewis, Amanda. Rosie backstage. Toronto: Kids Can Press, 1994.

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Battyanyi-Petose, Laura. Backstage pass. New York: Zebra Books, 1995.

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Book chapters on the topic "Backstage"

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Czaja, Wojciech. "Backstage." In Wohnen in Wien, 202–3. Vienna: Springer Vienna, 2012. http://dx.doi.org/10.1007/978-3-7091-1037-9_10.

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Slager, David, and Annette Slager. "Understanding Backstage." In Essential Excel 2019, 233–88. Berkeley, CA: Apress, 2020. http://dx.doi.org/10.1007/978-1-4842-6209-2_6.

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Slager, David. "Understanding Backstage." In Essential Excel 2016, 173–218. Berkeley, CA: Apress, 2016. http://dx.doi.org/10.1007/978-1-4842-2161-7_6.

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Brooks, Erinn. "Eclipse’s Backstage." In Education Reform in the Twenty-First Century, 65–86. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-61195-8_4.

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Zoellner, Anna. "Backstage observations." In The Routledge Companion to Media Industries, 468–77. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429275340-47.

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Galunic, Charles. "Leading, Front and Back." In Backstage Leadership, 1–24. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-36171-6_1.

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Galunic, Charles. "Scanning and Sensemaking." In Backstage Leadership, 25–66. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-36171-6_2.

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Galunic, Charles. "Building and Locking in Commitment to Strategy." In Backstage Leadership, 67–102. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-36171-6_3.

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Galunic, Charles. "Handling Contradictions: The Structural Work of Leadership." In Backstage Leadership, 103–45. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-36171-6_4.

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Galunic, Charles. "Harnessing the Silent Power of Culture and Norms." In Backstage Leadership, 147–85. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-36171-6_5.

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Conference papers on the topic "Backstage"

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Heller, Niels, Sebastian Mader, and François Bry. "Backstage." In Koli Calling '18: 18th Koli Calling International Conference on Computing Education Research. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3279720.3279747.

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Palmer, Zachary, and Scott F. Smith. "Backstage Java." In the 2011 ACM international conference. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/2048066.2048137.

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Kervin, Karina, Robert B. Cook, and William K. Michener. "The Backstage Work of Data Sharing." In the 18th International Conference. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2660398.2660406.

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Guy, Trisha. "Backstage at the helpdesk (poster session)." In the 27th annual ACM SIGUCCS conference. New York, New York, USA: ACM Press, 1999. http://dx.doi.org/10.1145/337043.337163.

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Sena, Djane, and Neila Dourado Gonçalves Maciel. "FESTIVAL DE PARINTINS EL BACKSTAGE DE OPERA CABOCLA." In V Congreso Internacional de Investigacion en Artes Visuales ANIAV 2022. RE/DES Conectar. València: Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/aniav2022.2022.15528.

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La Fiesta de Parintins es una celebración popular de la región Norte donde el Bois Garantido y Caprichoso en medio de la selva amazónica. En la arena denominada Bumbodromo, personajes y elementos imaginarios, de leyendas amazónicas y rituales indígenas, actúan como hilo conductor del espectáculo que hoy es la mayor manifestación popular del norte de Brasil y que tiene lugar el último fin de semana de junio. Tomando como punto de partida mis recuerdos de infancia, historias que contaba mi abuela, este trabajo tiene como principal objetivo explorar el backstage del Festival utilizando como marco temporal, el estudio de las transformaciones en el período de 1988 a 2019. A través del estudio de las etapas del proceso creativo, analizaremos la contribución de estos sistemas al mantenimiento del Festival como manifestación de la cultura popular. Haciendo uso de los cuentos de mi abuela como teoría y método, tendremos un instrumento de análisis en la construcción de las narrativas. Haciendo uso de la semiótica de la cultura como teoría y método, describiremos los sistemas y subsistemas de la Semiósfera del Festival de Parintins y así identificar los personajes que compondrán esta investigación. Para comprender la dinámica de esta manifestación popular, recurriremos a los fundamentos teóricos de la Etnocenología de Armindo Bião y Jean Marie Pradier. Para hablar del Festival de Parintins desde los estudios culturales, utilizaremos los conceptos de Burke, Thompson y Canclini. Como soporte metodológico, utilizaremos la investigación cualitativa participativa, además del análisis semiótico para mapear la semiosfera. En cuanto a los personajes principales y secundarios de este proceso, pretendemos garantizar su lugar de intervención a través de entrevistas abiertas, adoptando el método de observación participante, cumpliendo con todas las normas de seguridad por la pandemia de la Covid-19 y el Consejo de Ética en Investigación - CEP. Palabras clave: Cultura popular, Semiótica, Etnocenología, Boi-bumbá y Parintins
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Gehlen-Baum, Vera, Alexander Pohl, and Francois Bry. "Assessing Backstage—A backchannel for collaborative learning in large classes." In 2011 14th International Conference on Interactive Collaborative Learning (ICL). IEEE, 2011. http://dx.doi.org/10.1109/icl.2011.6059566.

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Gibney, Michele, Keith Hatschek, and Nicole Wasnock. "All Access: A Backstage Pass to a Collaborative, Undergraduate Music Journal." In MEIEA Summit 2020. Music and Entertainment Industry Educators Association, 2020. http://dx.doi.org/10.25101/20.20.

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Laurey, Natalja. "Crafting in the backstage: Materiality and the changing work of designers." In DRS2022: Bilbao. Design Research Society, 2022. http://dx.doi.org/10.21606/drs.2022.398.

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Gurbutt, Dawne, and Kevan Williams. "PERFORMING GOOD TEACHING: THE FRONTSTAGE AND BACKSTAGE WORK OF INTERDISCIPLINARY WORKING." In 12th International Technology, Education and Development Conference. IATED, 2018. http://dx.doi.org/10.21125/inted.2018.0274.

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Pohl, Alexander, Francois Bry, Jeannette Schwarz, and Marlene Gottstein. "Sensing the classroom: Improving awareness and self-awareness of students in Backstage." In 2012 15th International Conference on Interactive Collaborative Learning (ICL). IEEE, 2012. http://dx.doi.org/10.1109/icl.2012.6402110.

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Reports on the topic "Backstage"

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Perdigão, Rui A. P. Beyond Quantum Security with Emerging Pathways in Information Physics and Complexity. Synergistic Manifolds, June 2022. http://dx.doi.org/10.46337/220602.

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Information security and associated vulnerabilities have long been a pressing challenge, from the fundamental scientific backstage to the frontline across the most diverse sectors of society. At the tip of the iceberg of this problem, the citizens immediately feel that the reservation of privacy and the degradation of the quality and security of the information and communication on which they depend for the day-to-day activities, already of crucial relevance, are at stake. Naturally though, the challenges do not end there. There is a whole infrastructure for storing information, processing and communication, whose security and reliability depend on key sectors gearing modern society – such as emergency communication systems (medical, civil and environmental protection, among others), transportation and geographic information, the financial communications systems at the backbone of day-to-day transactions, the information and telecommunications systems in general. And crucially the entire defence ecosystem that in essence is a stalwart in preventing our civilisation to self-annihilate in full fulfilment of the second principle of thermodynamics. The relevance of the problem further encompasses the preservation of crucial values such as the right to information, security and integrity of democratic processes, internal administration, justice, defence and sovereignty, ranging from the well-being of the citizen to the security of the nation and beyond. In the present communication, we take a look at how to scientifically and technically empower society to address these challenges, with the hope and pragmatism enabled by our emerging pathways in information physics and complexity. Edging beyond classical and quantum frontiers and their vulnerabilities to unveil new principles, methodologies and technologies at the core of the next generation system dynamic intelligence and security. To illustrate the concepts and tools, rather than going down the road of engineered systems that we can ultimately control, we take aim at the bewildering complexity of nature, deciphering new secrets in the mathematical codex underlying its complex coevolutionary phenomena that so heavily impact our lives, and ultimately bringing out novel insights, methods and technologies that propel information physics and security beyond quantum frontiers.
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